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	<title>Ann Street Gallery</title>
	<link>https://annstreetgallery.org</link>
	<description>Ann Street Gallery</description>
	<pubDate>Sun, 07 Jun 2026 23:57:48 +0000</pubDate>
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		<pubDate>Thu, 11 Mar 2021 22:36:46 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

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	ANN STREET GALLERY
104 Ann Street 
Newburgh NY 12550 



annstreetgallery@safe-harbors.org
(845) 562-6940 









Follow us on Instagram @annstreetgallery

	GALLERY HOURSThe Gallery is open Saturdays and Sundays 1:00-5:00pm and by appointment during exhibitions.
Our next exhibition is June 21 - August 31, 2025. Details here.
For updates on our programming, please sign up for our newsletter here!

	MAILING LISTSubscribe to the gallery newsletter&#60;img width="2400" height="2401" width_o="2400" height_o="2401" data-src="https://freight.cargo.site/t/original/i/6550146bc46a45f372110a485e35ea42c4bc905d634eb419717a20dae71d9956/ASG-Logo-Standard---red-fill.jpg" data-mid="219289222" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/6550146bc46a45f372110a485e35ea42c4bc905d634eb419717a20dae71d9956/ASG-Logo-Standard---red-fill.jpg" /&#62;

SUPPORT ANN STREET GALLERY
Your gift supports our mission. Make a donation today.


	ABOUT THE GALLERYUnder the umbrella of Safe Harbors of the Hudson, a nonprofit organization that combines supportive housing and the arts, Ann Street Gallery presents contemporary art through exhibitions and programming that create new opportunities for education and immersion in the arts in Newburgh.
Ann Street Gallery’s exhibitions, 
events, and programs seek to increase arts literacy and appreciation 
by engaging community and promoting forward thinking, 
socially and ecologically responsive, and under-represented positions in contemporary practice.We strive to host inclusive, accessible programs that enable all individuals to engage fully. To request an accommodation or for inquiries about accessibility, please contact the Gallery at annstreetgallery@safe-harbors.org
	ABOUT SAFE HARBORSTransforming Lives and Building Community through Housing and the ArtsAnn Street Gallery is a program of Safe Harbors of the Hudson. Safe Harbors of the Hudson is a mixed-use, non-profit housing and arts redevelopment project. The project began in 2002 with the purchase of the Hotel Newburgh, a once proud destination, that had deteriorated over the years. Safe Harbors purchased the hotel in 2002 and in 2004 was awarded $21 million in state, county and federal funds to create a vibrant affordable, supportive housing complex.
Learn more about us
&#60;img width="244" height="152" width_o="244" height_o="152" data-src="https://freight.cargo.site/t/original/i/ee8b38d3ef94b372e5234f03b090c16cacc6654b4d39a775ef9cb8650249f127/safe-harbors-of-the-hudson-logo.png" data-mid="102889167" border="0"  src="https://freight.cargo.site/w/244/i/ee8b38d3ef94b372e5234f03b090c16cacc6654b4d39a775ef9cb8650249f127/safe-harbors-of-the-hudson-logo.png" /&#62;
	ANNUAL NEWSLETTERSDownloads:
2025 SHOH Newsletter
2024 SHOH Newsletter
2023-2024 SHOH Newsletter 



&#60;img width="1978" height="2560" width_o="1978" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e08f4bb6383169fe106026db7e2ffa357a7c7bfa1a3bd0c066d594e41ab0a867/SHOH_Newsletter-2025.jpg" data-mid="243940097" border="0"  src="https://freight.cargo.site/w/1000/i/e08f4bb6383169fe106026db7e2ffa357a7c7bfa1a3bd0c066d594e41ab0a867/SHOH_Newsletter-2025.jpg" /&#62;
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	GALLERY DIRECTORAlison McNulty
amcnulty@safe-harbors.org&#60;img width="720" height="930" width_o="720" height_o="930" data-src="https://freight.cargo.site/t/original/i/8884d3795b932b0e90830f95c3053e11581506833fb9f8e7404652efea0acf3b/00_AMcNulty_Headshot2.jpg" data-mid="219380892" border="0" data-scale="100" src="https://freight.cargo.site/w/720/i/8884d3795b932b0e90830f95c3053e11581506833fb9f8e7404652efea0acf3b/00_AMcNulty_Headshot2.jpg" /&#62;

	GALLERY ASSISTANTFerris Ramirezframirez@safe-harbors.org
&#60;img width="720" height="930" width_o="720" height_o="930" data-src="https://freight.cargo.site/t/original/i/d313d2f75bb81de9e1a1bf0fd4ab40b4fc34cc8c7759346bad817e6b641d1e80/Ferris-Ramirez---Headshot.png" data-mid="219380897" border="0" data-scale="100" src="https://freight.cargo.site/w/720/i/d313d2f75bb81de9e1a1bf0fd4ab40b4fc34cc8c7759346bad817e6b641d1e80/Ferris-Ramirez---Headshot.png" /&#62;

	GALLERY ASSISTANT: 


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	FLOORPLAN&#60;img width="792" height="1224" width_o="792" height_o="1224" data-src="https://freight.cargo.site/t/original/i/56ee2859f68474cd504963593a9863f04d4a08144dff35955d180e34d7176c01/ASG_BasePlanDims_11x17.jpg" data-mid="180987590" border="0"  src="https://freight.cargo.site/w/792/i/56ee2859f68474cd504963593a9863f04d4a08144dff35955d180e34d7176c01/ASG_BasePlanDims_11x17.jpg" /&#62;

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	Ceiling height:

 120” in main gallery and front of gallery

137” along east side of gallery traversed by the pipe122” to pipe

108” in back corner and back media room





	DIVERSITY, EQUITY, &#38;amp; INCLUSION
Safe Harbors of the Hudson is committed to fostering and maintaining an environment that values diversity, equity, belonging and access. This inclusive approach is integral to Safe Harbors’ workplace, housing and community programming.

We strive to ensure Safe Harbors’ leadership reflects the community and is focused on the success and celebration of Newburgh and its residents. This is a place where people are valued, respected and supported in reaching their full potential and where community voices can be harmoniously engaged and amplified. We recognize that diverse ideas, voices and perspectives strengthen our work and our community.

“In diversity, there is beauty and strength.”~Maya Angelou

Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation.
&#38;nbsp;



&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="178512396" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="224861839" border="0" data-scale="11" src="https://freight.cargo.site/w/744/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="178512394" border="0" data-scale="43" src="https://freight.cargo.site/w/982/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" /&#62;
&#60;img width="465" height="122" width_o="465" height_o="122" data-src="https://freight.cargo.site/t/original/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" data-mid="210049543" border="0" data-scale="24" src="https://freight.cargo.site/w/465/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="505" height="118" width_o="505" height_o="118" data-src="https://freight.cargo.site/t/original/i/4db2f6d370d56534e1f5bcf17908460351a734b46c5efc6901834fa7f5cc827f/TD-Charitable-Foundation.jpg" data-mid="210049518" border="0" data-scale="31" src="https://freight.cargo.site/w/505/i/4db2f6d370d56534e1f5bcf17908460351a734b46c5efc6901834fa7f5cc827f/TD-Charitable-Foundation.jpg" /&#62;
We are grateful to our community partners:
Golden Hour Books
Newburgh Art Supply
The Newburgh Pottery


&#60;img width="303" height="303" width_o="303" height_o="303" data-src="https://freight.cargo.site/t/original/i/b732b9c8b0313f9c25e5e0261c19e618b3ca77287a8ba8881402c7c4b766fbf3/Golden-Hourr-Circle-Logo.jpg" data-mid="237521318" border="0"  src="https://freight.cargo.site/w/303/i/b732b9c8b0313f9c25e5e0261c19e618b3ca77287a8ba8881402c7c4b766fbf3/Golden-Hourr-Circle-Logo.jpg" /&#62;
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		<title>Newsletter</title>
				
		<link>https://annstreetgallery.org/Newsletter</link>

		<pubDate>Tue, 07 May 2024 18:27:21 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

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	<item>
		<title>Past Exhibitions</title>
				
		<link>https://annstreetgallery.org/Past-Exhibitions</link>

		<pubDate>Mon, 10 Jun 2024 11:53:06 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

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		<description>
	
	EXHIBITIONS
	PROGRAMMING



	Catching Fire
resilient alchemies in a burning worldJune 20 - August 29, 2026Emil Alzamora
Gerardo Castro
Marcy Chevali
Daniel Giordano
Shanti Grumbine
Alison Kudlow
David Licata
Processing Collapse (Michael Asbill &#38;amp; Ripley Butterfield)
Zachary SkinnerCurated by Alison McNulty
	&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/8f56c2c31c0e252437d16aa015a82fa9cf21d3805928a8841827f4bc0b3b00e4/Catching-Fire-Exhibition-Overview.jpg" data-mid="251726163" border="0"  src="https://freight.cargo.site/w/1000/i/8f56c2c31c0e252437d16aa015a82fa9cf21d3805928a8841827f4bc0b3b00e4/Catching-Fire-Exhibition-Overview.jpg" /&#62;Catching Fire: resilient alchemies in a burning world brings together nine artists whose work engages fire as a volatile force and regenerative catalyst, bearing witness to the ways heat, pressure, and combustion shape our material and emotional lives. Through structural and adaptive transformations that engage politics, material culture, ecology and the environment, this exhibition unfolds through unraveling and overlapping poetics. While some artists harness flame and heat as a means of material manipulation from one state to another, others document and imagine the releasing and healing potential of burning. Creative alchemy, both literal and metaphorical, stands as a testament to the transient –and transcendent—nature of matter and bodies in an era marked by ecological precarity and political volatility.
Learn more about the exhibition here


	&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/8e1dfd174b8519f3c2927abc287c4bd4c9b813c39781ba38c3071ee5a9d2c618/Catching-Fire-Programming.jpg" data-mid="251726164" border="0"  src="https://freight.cargo.site/w/1000/i/8e1dfd174b8519f3c2927abc287c4bd4c9b813c39781ba38c3071ee5a9d2c618/Catching-Fire-Programming.jpg" /&#62;Free public programming for Catching Fire includes two gallery walkthroughs...Learn more about our programs here (coming soon)



	HOLDING LIGHT SUTRAA MULTIMEDIA INSTALLATIONMay 9 - July 12, 2026
Millicent Young
Safe Harbors’ Ritz Theater Stagehouse100 Ann StreetNewburgh, NY 12550
Presented by STRONGROOM
	
&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/c33a2b8d91797edc3b76a4fcca7e520a2d316846e1b2eab529f2032effa59b58/HOLDING-LIGHT-SUTRA-Exhibition-Overview.jpg" data-mid="250895296" border="0"  src="https://freight.cargo.site/w/1000/i/c33a2b8d91797edc3b76a4fcca7e520a2d316846e1b2eab529f2032effa59b58/HOLDING-LIGHT-SUTRA-Exhibition-Overview.jpg" /&#62;STRONGROOM is proud to present, in collaboration with Safe Harbors of the Hudson’s Ann Street Gallery, HOLDING LIGHT SUTRA, a multimedia installation by Millicent Young. The installation takes place in the historic Safe Harbors' Ritz Theater Stagehouse in Newburgh, NY, and incorporates sculpture, sound, and video projection.
Set in the Ritz Theater Stagehouse, which Safe Harbors only recently reopened to the public after being inaccessible since the 1970s, HOLDING LIGHT SUTRA transforms the soaring raw space into an immersive installation and meditation on displacement, fragmentation, and transformation. Through this work, Young focuses on “intimacy and a belonging arrived at after brokenness;” in a site of decay and revitalization.
Learn more about the exhibition here
	&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/1aa9b66470b1da4968afcefb57f35771ff1831e3039d0d6c5064f0bda3418e4c/HOLDING-LIGHT-SUTRA-Programming.jpg" data-mid="250895295" border="0"  src="https://freight.cargo.site/w/1000/i/1aa9b66470b1da4968afcefb57f35771ff1831e3039d0d6c5064f0bda3418e4c/HOLDING-LIGHT-SUTRA-Programming.jpg" /&#62;
Free public programming for HOLDING LIGHT SUTRA includes artist-led programs in the forms of artist-led discussions, a collaborative performance, and presentation...
Learn more about the programs here





	(your) body is a porous language&#38;nbsp; &#38;nbsp; &#38;nbsp;(our) embodied connections
April 11 - May 31, 2026Elizabeth Castagna
Todd Colby
Matthew Friday
Renee Gladman
Charmaine Lee &#38;amp; Gryphon Rue
Shanzhai Lyric
Erika Mahr
Tamalyn Miller
Gabriela Salazar
Sasha Stiles
Edwin Torres
Yara Travieso
Cecilia Vicuña
Millicent Young
Zina Zinchenko Curated by guest curator Edwin Torres
	&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/d912c72e86e5a303eae977cb83a2c428b098ca4ced5a44befb8dbfe3845115cb/your-body-is-a-porous-language-Exhibition-Overview.jpg" data-mid="249376423" border="0"  src="https://freight.cargo.site/w/1000/i/d912c72e86e5a303eae977cb83a2c428b098ca4ced5a44befb8dbfe3845115cb/your-body-is-a-porous-language-Exhibition-Overview.jpg" /&#62;

(your) body is a porous language : (our) embodied connections is an exhibition seeking transformative ways of relating through poetic structures. Works across and between disciplines traverse the permeable territory between bodies, emotions, words, and dimensions of physical architecture, the page, and virtual spaces. What curator Edwin Torres refers to as “language-making,” in the form of installation, sculpture, painting, drawing, digital media, movement, writing, poetry, fashion design, and sound art, simultaneously delineates and dissolves boundaries between mind, body, and environment.Learn more about the exhibition here

	&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/4010418644297962f48a7e4eb87050944e14af0d49b32d250e29e6cbf6d56e64/your-body-is-a-porous-language-Programming.jpg" data-mid="249376422" border="0"  src="https://freight.cargo.site/w/1000/i/4010418644297962f48a7e4eb87050944e14af0d49b32d250e29e6cbf6d56e64/your-body-is-a-porous-language-Programming.jpg" /&#62;
Free public programming for (your) body is a porous language includes artist-led participatory programs, a poetry reading, a gallery walkthrough, a workshop, and an artist panel...Learn more about our programs here





	Untethered Creatures:
bodies of emergent loreEmerging Artist Fellowship Exhibition 2025
September 27, 2025 - November 23, 2025William PK Carter
Ana Maria Farina
Bridget Vasquez
	&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/8eccf700b912443dd333c7dc95aa4fdf9cf2e36d3c35fda469b1ef441c234edb/Untethered-Creatures---Exhibition-Overview.jpg" data-mid="242030867" border="0"  src="https://freight.cargo.site/w/1000/i/8eccf700b912443dd333c7dc95aa4fdf9cf2e36d3c35fda469b1ef441c234edb/Untethered-Creatures---Exhibition-Overview.jpg" /&#62;

Untethered Creatures: bodies of emergent lore showcases the work of 2025 fellows William PK Carter, Ana Maria Farina, and Bridget Vasquez, whose individual creative practices range from painting, sculpture, textiles, puppetry, and multidisciplinary works...

Learn more about the exhibition here
	&#60;img width="900" height="719" width_o="900" height_o="719" data-src="https://freight.cargo.site/t/original/i/794102603995a468ff5a246c42ae83c03cd0ff1ed19c916957f99c41076c71cf/Fellowship-Directory---2025.jpg" data-mid="242030866" border="0"  src="https://freight.cargo.site/w/900/i/794102603995a468ff5a246c42ae83c03cd0ff1ed19c916957f99c41076c71cf/Fellowship-Directory---2025.jpg" /&#62;

Ann Street Gallery is proud to support artists with experimental practices within the visual arts, performance, and interdisciplinary practice as an essential part of Ann Street Gallery’s program and mission. The Fellowship places special emphasis on artists exploring narratives aside or sub-current to those formally acknowledged by art historians, especially practices that foster an active exchange with local organizations and communities, or are rooted in exploring aspects of place, history, or non-dominant cultural competencies and practices...
Learn more about our fellowship program here


	etheReality:from breath to air, and backJune 21 - August 31, 2025Bel Falleiros
Ghost of a Dream
Sanie Irsay
Mollie McKinley
Jason Mitcham
Megan Pahmier
Linda Stillman
Amy TallutoCurated by Alison McNulty
	&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/f4d5d8c4b996df1253044a6bdf3fe290b7b69309efd229a4d7c81ea5668fd25d/etheReality-Exhibition-Overview.jpg" data-mid="237849502" border="0"  src="https://freight.cargo.site/w/1000/i/f4d5d8c4b996df1253044a6bdf3fe290b7b69309efd229a4d7c81ea5668fd25d/etheReality-Exhibition-Overview.jpg" /&#62;etheReality: from breath to air, and back is a group exhibition of works across various media that consider the cyclical, interconnected and often intangible relationship between individuals and the collective. The show attempts to locate our contemporary human reality in the murky, haunted spaces between our cumulative acts of destruction and a shared atmosphere of grief and loss, while offering glimpses of inspiration in connection to each other and the natural world. How is breath tied to time and place? How do our everyday actions and habits co-create a vast cosmic phenomenon that echoes through the ether and implicates us in its return?Learn more about the exhibition here
 


	&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/3a6c94230ac138fe6e5bc661958cfac31a37c42e528079145a8c8d1e1a0bd3d6/etheReality-Programming.jpg" data-mid="237849501" border="0"  src="https://freight.cargo.site/w/1000/i/3a6c94230ac138fe6e5bc661958cfac31a37c42e528079145a8c8d1e1a0bd3d6/etheReality-Programming.jpg" /&#62;
Free public programming for etheReality includes artist-led participatory programs, dialogue, and panel...
Learn more about our programs here






	The Destiny
...is to take root among the starsMarch 15, 2025 - May 10, 2025Destiny Arianna
Vernon Byron
Cy Hinojosa
Lala Montoya
Alisa Sikelianos-Carter
Tony Washington
Curated by guest curator Jaime Ransome
	&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/ed5beac5be7c08441c4c1b8a58dddabec1c7c2ca37d71e968ae3ceb5bc6c69f9/The-Destiny---Installation-Shots---01.jpg" data-mid="233855311" border="0"  src="https://freight.cargo.site/w/1000/i/ed5beac5be7c08441c4c1b8a58dddabec1c7c2ca37d71e968ae3ceb5bc6c69f9/The-Destiny---Installation-Shots---01.jpg" /&#62;

Inspired by the prescient works of African American, feminist author, Octavia Butler, The Destiny is an exhibition of six BIPOC artists working in upstate New York. The exhibition examines concepts prevalent in Butler’s Parable of the Sower, which depicts imagined futures and recalls distant pasts through magical realism in a post-apocalyptic landscape. The novel reflects our fears about climate change, canonizes our futures as intelligent beings on a dying planet, and unearths the “essential human resources” that will be necessary for humans to inhabit - not colonize - a new world in space or on an unrecognizable Earth...
Learn more about the exhibition here
	&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/9d5a93458c121bedd2e7f23b89d52b68cf215a0da122d1cb9692a5c9f1f64b40/The-Destiny---Indigo-Rising---01.jpg" data-mid="233855312" border="0"  src="https://freight.cargo.site/w/1000/i/9d5a93458c121bedd2e7f23b89d52b68cf215a0da122d1cb9692a5c9f1f64b40/The-Destiny---Indigo-Rising---01.jpg" /&#62;

Free public programming for The Destiny includes artist-led participatory programs, our first book club, curated playlist, and a curated reading list...
 
Learn more about our programs here





	Threads in TimeEmerging Artist Fellowship Exhibition 2024
September 28, 2024 - November 24, 2024Matthew Gilbert
Nicole Hixon
Zeinab Manesh
	&#60;img width="2560" height="1613" width_o="2560" height_o="1613" data-src="https://freight.cargo.site/t/original/i/00b40d2f0a95812fed52c1ff808be9a36cc0b4d05bf456e2732dc7d607ad7f43/Threads-in-Time---Installation-Shots---01.jpg" data-mid="224075749" border="0"  src="https://freight.cargo.site/w/1000/i/00b40d2f0a95812fed52c1ff808be9a36cc0b4d05bf456e2732dc7d607ad7f43/Threads-in-Time---Installation-Shots---01.jpg" /&#62;

Threads in Time brings together the work of Ann Street Gallery 2024 Emerging Artist Fellows Matthew Gilbert, Nicole Hixon, and Zeinab Manesh, whose sculptures and installations interweave representations of past, present, and future to connect individual identity and cultural heritage across eras. In a world marked by division and displacement, the artists’ reflections on isolation, belonging, and transformation encourage us to consider the legacies we leave behind and the ways in which art can both preserve and reshape our understanding of the world...

Learn more about the exhibition here
	&#60;img width="2406" height="1921" width_o="2406" height_o="1921" data-src="https://freight.cargo.site/t/original/i/94ee569b28d5273530428d2168d7642182d37a99d624861be869a62da4413984/Fellowship-Directory---2024.jpg" data-mid="224286124" border="0"  src="https://freight.cargo.site/w/1000/i/94ee569b28d5273530428d2168d7642182d37a99d624861be869a62da4413984/Fellowship-Directory---2024.jpg" /&#62;

Ann Street Gallery is proud to support artists with experimental practices within the visual arts, performance, and interdisciplinary practice as an essential part of Ann Street Gallery’s program and mission. The Fellowship places special emphasis on artists exploring narratives aside or sub-current to those formally acknowledged by art historians, especially practices that foster an active exchange with local organizations and communities, or are rooted in exploring aspects of place, history, or non-dominant cultural competencies and practices...
Learn more about our fellowship program here




	Back and Forth, Between Names:An exhibitionabout bodiesof waterJuly 6, 2024 - August 25, 2024Rachel Olivia Berg
Eliza Evans
Matt Frieburghaus
Koyoltzintli
Carmen Lizardo
Lauren Rosenthal McManus
Renana Neuman
Jaanika Peerna
Valerie Piraino
Adie Russell
Sarah Cameron Sunde
Suzy SureckCurated by Alison McNulty


	&#60;img width="4032" height="2540" width_o="4032" height_o="2540" data-src="https://freight.cargo.site/t/original/i/7e849e0a8a9530867cd06e0169fb4f9b2b48251d92b3d1a0f7913393d3010166/Back-and-Forth-Between-Names---Installation-Shots---01-resized.jpg" data-mid="217277396" border="0"  src="https://freight.cargo.site/w/1000/i/7e849e0a8a9530867cd06e0169fb4f9b2b48251d92b3d1a0f7913393d3010166/Back-and-Forth-Between-Names---Installation-Shots---01-resized.jpg" /&#62;
Back and Forth, Between Names is a group exhibition exploring the pervious boundaries and shifting identities of bodies comprised of water. Works across media invite viewers to consider water as material, collaborator, place, and metaphor, communicating water’s agency and animacy in its fluidity and similitude between human and nonhuman bodies. Engaging the poetics of water, the exhibition seeks places where language loosens its grip on the knowable, conjuring bodies in, of, and as water...
 
Learn more about the exhibition here 

	&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/3f5cf79b5b64c8bc91eb46c21c131d38396efa9d62aab2cdfd2287f296e4b845/Back-and-Forth-Between-Names---Performance---Koyo---20-resized.jpg" data-mid="217277397" border="0"  src="https://freight.cargo.site/w/1000/i/3f5cf79b5b64c8bc91eb46c21c131d38396efa9d62aab2cdfd2287f296e4b845/Back-and-Forth-Between-Names---Performance---Koyo---20-resized.jpg" /&#62;
Free public programming for Back and Forth, Between Names includes three artist-led participatory programs, gallery talks, and a curated reading list...
 
Learn more about our programs here 



	From the Ground UPA project led by 2023-2024 Artist Researcher
in Residence, Jean-Marc Superville SovakDecember 1, 2023 - March 31, 2024Lillian AlbertiMichelle CorporanStevenson EstimeDonna FrancisShani RichardsJean-Marc Superville Sovak
Edwin TorresCurated by&#38;nbsp;Jean-Marc Superville Sovak and Alison McNulty
	&#60;img width="1920" height="1211" width_o="1920" height_o="1211" data-src="https://freight.cargo.site/t/original/i/bbe43ab9b5e250b85728edede47c77440359d1bf6e019a104ae0d3739dd536d9/From-the-Ground-UP---Draft---01.jpg" data-mid="224113648" border="0"  src="https://freight.cargo.site/w/1000/i/bbe43ab9b5e250b85728edede47c77440359d1bf6e019a104ae0d3739dd536d9/From-the-Ground-UP---Draft---01.jpg" /&#62;
From the Ground UP activates the gallery with a series of events amidst an evolving installation by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak. The project is dedicated to imagining and collectively creating memorials for honoring African-Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground”. The exhibition includes a shifting presentation of archeological documentation and historical records, an installation inspired by burial shrouds and conjuring bundles, a growing display of community offerings and messages, and an exhibition of commissioned artworks by regional artists responding to Superville Sovak's research and speculation on the Burial Ground...
Learn more about the exhibition here

	&#60;img width="3000" height="2400" width_o="3000" height_o="2400" data-src="https://freight.cargo.site/t/original/i/ce421101169f9288f8f18bdfea934cd417cbbd02504191b0c36c003436c1fe52/From-The-Ground-UP.png" data-mid="224113647" border="0"  src="https://freight.cargo.site/w/1000/i/ce421101169f9288f8f18bdfea934cd417cbbd02504191b0c36c003436c1fe52/From-The-Ground-UP.png" /&#62;
From the Ground UP is hosted by Ann Street Gallery and consists of three fluid project phases. The first phase launches in October 2023 with a series of community gatherings, presentations, and events extending through February 2024.
The second phase of the project transforms the Gallery space into a lab, workshop, and exhibition space for Superville Sovak’s research, his socially engaged art practice, his creative output, and the display and performance of commissioned works from other interdisciplinary artists and cultural producers.
The third phase of the project includes creating digital and analog archives of the project to record the public’s interactions, the artist’s research and process, documentation of events, and the developments of the project in the form of a website and printed materials. The project archives aim to serve as a model for collective forms of memorialization, a resource, and a symbolic form of restorative justice for the City of Newburgh...
Learn more about the project here





	Re:Manifest
Emerging Artist Fellowship Exhibition 2023
September 16, 2023 - October 31, 2023Rachel Olivia Berg
Shani Richards
Michelle Corporan
	&#60;img width="1920" height="1210" width_o="1920" height_o="1210" data-src="https://freight.cargo.site/t/original/i/05a14f80ae2f2a9ace0edfddf13c37b9759224e41ec59d9a0f4d27de4b2c5be9/ReManifest---Installation-Shots---01.jpg" data-mid="224111470" border="0"  src="https://freight.cargo.site/w/1000/i/05a14f80ae2f2a9ace0edfddf13c37b9759224e41ec59d9a0f4d27de4b2c5be9/ReManifest---Installation-Shots---01.jpg" /&#62;
Re:Manifest as conceived by the 2023 Ann Street Gallery Emerging Artist Fellows aims to challenge&#38;nbsp; romanticized histories of the United States and make evident the artists’ voices, stories, and visions. The works in Re:Manifest exhibit (re-)emergences of cultural identity informed by the nuanced perspectives of the Fellowship cohort and how they identify their personal lineages. Through their fellowships Rachel Olivia Berg (Mnicoujou Lakota), Michelle Corporan (Afro Caribbean, Spanish, and Japanese lineages), and Shani Richards (Afro-American) unearth historical events, honor their ancestors, and explore places in the Hudson Valley to reclaim narratives that have been overlooked, forgotten, or ignored...
Learn more about the exhibition here
	&#60;img width="2406" height="1920" width_o="2406" height_o="1920" data-src="https://freight.cargo.site/t/original/i/09c8cc420716f45b6172f139f733bcf19ea6bfa8bf7317e4b8f33c86dafd2427/Fellowship-Directory---2023.jpg" data-mid="224286123" border="0"  src="https://freight.cargo.site/w/1000/i/09c8cc420716f45b6172f139f733bcf19ea6bfa8bf7317e4b8f33c86dafd2427/Fellowship-Directory---2023.jpg" /&#62;
Ann Street Gallery is proud to support artists with experimental practices within the visual arts, performance, and interdisciplinary practice as an essential part of Ann Street Gallery’s program and mission. The Fellowship places special emphasis on artists exploring narratives aside or sub-current to those formally acknowledged by art historians, especially practices that foster an active exchange with local organizations and communities, or are rooted in exploring aspects of place, history, or non-dominant cultural competencies and practices...
Learn more about our fellowship program here



	Listening&#38;nbsp; &#38;nbsp;to Land: Imaginal Technologies,
Material Conduits, 
&#38;amp;
Landscape Translations Toward Perceiving Place

July 13, 2023 - August 27, 2023
Margaux CrumpDonna FrancisKaterie GladdysKatie GroveEllie
IronsSergey JivetinKite and Robbie WingFernanda MelloSteve RossiJean-Marc Superville SovakSusan WalshMillicent Young
Curated by Alison McNulty

	
	&#60;img width="3734" height="2352" width_o="3734" height_o="2352" data-src="https://freight.cargo.site/t/original/i/8aa13b976252a3966034bea85449adb44334420e5bf5331dc7e7537ea49183f6/Ltl1.jpg" data-mid="212789422" border="0"  src="https://freight.cargo.site/w/1000/i/8aa13b976252a3966034bea85449adb44334420e5bf5331dc7e7537ea49183f6/Ltl1.jpg" /&#62;
Listening to Land is a group exhibition exploring practices of listening in relation to place and the place-making potential of creative acts of listening, wherein to land is a verb, and listening provides a point of ingress. Artists in the exhibition use storytelling, jam-making, woodworking, basketry, mapping, lenses, microphones, speakers, and other technologies to heighten our ability to relate to our surroundings and other beings, and to extend our capacity to perceive beyond what is visible or knowable in the landscape...

Learn more about the exhibition here
	&#60;img width="1920" height="1535" width_o="1920" height_o="1535" data-src="https://freight.cargo.site/t/original/i/2b4b42733f2376c51f8cd2706c9466155bad29a4631f7c3f0214c1212cf4c21d/Listening-to-Land---Workshop---Katie-Grove---15.jpg" data-mid="212742823" border="0"  src="https://freight.cargo.site/w/1000/i/2b4b42733f2376c51f8cd2706c9466155bad29a4631f7c3f0214c1212cf4c21d/Listening-to-Land---Workshop---Katie-Grove---15.jpg" /&#62;
Free public programming for Listening to Land includes four artist-led participatory programs, gallery talks, and a curated reading list...

Learn more about our programs here



Explore our exhibitions prior to Summer 2023 with this link.</description>
		
	</item>
		
		
	<item>
		<title>Events</title>
				
		<link>https://annstreetgallery.org/Events</link>

		<pubDate>Thu, 20 Jun 2024 09:47:13 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/Events</guid>

		<description>
	Catching Fireresilient alchemies in a burning worldJune 20 - August 29, 2026Opening ReceptionSaturday, June 27, 4:00 - 6:00 pmExtended hours for Upstate Art WeekendThursday, June 25 - Monday, June 2912:00 - 5:00 pm

Gallery Walkthroughs 
with curator Alison McNulty and the artists:
Sunday, August 16, 2:00 - 3:30 PMEmil AlzamoraDaniel GiordanoAlison KudlowMichael Gabor (on behalf of﻿﻿Gerardo Castro)
Saturday, August 22, 2:00 - 3:30 PMMarcy ChevaliDavid LicataZachary SkinnerShanti Grumbine (introducing﻿﻿Curated Reading List 011)
Curated Reading List 001
Exhibiting artist Shanti Grumbine’s curated reading list for Catching Fire, including six texts, an introduction, and an annotation for each text,&#38;nbsp;is available in&#38;nbsp;our Open Reading Room and can be downloaded here.All events are free and open to the public
	&#60;img width="1275" height="1649" width_o="1275" height_o="1649" data-src="https://freight.cargo.site/t/original/i/aeb11af7cbf674250afe36d46c0fec3946c48321acbf71088836ad82d2f8a63a/Catching-Fire---Gallery-Walkthroughs---Flyer.jpg" data-mid="251167377" border="0"  src="https://freight.cargo.site/w/1000/i/aeb11af7cbf674250afe36d46c0fec3946c48321acbf71088836ad82d2f8a63a/Catching-Fire---Gallery-Walkthroughs---Flyer.jpg" /&#62;
(your) body is an art talkSaturday, May 23, 3:00 - 5:00 pm Renee Gladman and Marcella DurandModerated by Edwin TorresJoin us at Ann Street Gallery for a conversation between Renee Gladman, Marcella Durand, and Edwin Torres, the curator of our spring exhibition, (your) body is a porous language: (our) embodied connections. Renee Gladman is an artist &#38;amp; writer whose work is in the exhibition, and Marcella Durand is a poet &#38;amp; scholar whose work explores intersections between ecology, science, art, and poetry. 
This lecture and reading will expand upon how their practices engage with properties of knowing and un-knowing in their work, discuss how porosity allows empowerment in the creative space, and explore the exhibition's integrated architectures of language-making.

 

Free and open to the public
	
&#60;img width="1423" height="1779" width_o="1423" height_o="1779" data-src="https://freight.cargo.site/t/original/i/aae2a0c798d936f7ebd123452b95a11bce8a97aa7f98ec51ba92fd843bcf177c/Renee-Gladman---Headshot-by-Garett-Eliot-2.jpg" data-mid="248012053" border="0"  src="https://freight.cargo.site/w/1000/i/aae2a0c798d936f7ebd123452b95a11bce8a97aa7f98ec51ba92fd843bcf177c/Renee-Gladman---Headshot-by-Garett-Eliot-2.jpg" /&#62;
&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/c66aead6f886605567d7a2a5d9d26411435450956a2c47f2e55941e504c0f990/Outlook-Inline-ima-2.jpg" data-mid="248012052" border="0"  src="https://freight.cargo.site/w/1000/i/c66aead6f886605567d7a2a5d9d26411435450956a2c47f2e55941e504c0f990/Outlook-Inline-ima-2.jpg" /&#62;
&#60;img width="2897" height="3621" width_o="2897" height_o="3621" data-src="https://freight.cargo.site/t/original/i/9f902661a1ba13ec90224c4fc0fb3cdc1189c569d660efb7bd17e87313408a71/EdwinTorres_by_F.Deschamps..jpg" data-mid="248012051" border="0"  src="https://freight.cargo.site/w/1000/i/9f902661a1ba13ec90224c4fc0fb3cdc1189c569d660efb7bd17e87313408a71/EdwinTorres_by_F.Deschamps..jpg" /&#62;
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/fd9fa384f732a4a619e3a7f2a1337159c4ba197ae273dba622849e315b699cf8/Art-Talk-FINAL.jpg" data-mid="248454312" border="0"  src="https://freight.cargo.site/w/1000/i/fd9fa384f732a4a619e3a7f2a1337159c4ba197ae273dba622849e315b699cf8/Art-Talk-FINAL.jpg" /&#62;
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/045d19e2efc80cd8060acb41163d03e1981e136a582c67e2373f147fa84308ed/Art-Talk-FINAL-2.jpg" data-mid="248454310" border="0"  src="https://freight.cargo.site/w/1000/i/045d19e2efc80cd8060acb41163d03e1981e136a582c67e2373f147fa84308ed/Art-Talk-FINAL-2.jpg" /&#62;
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/904af80eb9357510da11383466289b0b7a79f455647e0b152562a2623614d46d/Art-Talk-FINAL-3.jpg" data-mid="248454311" border="0"  src="https://freight.cargo.site/w/1000/i/904af80eb9357510da11383466289b0b7a79f455647e0b152562a2623614d46d/Art-Talk-FINAL-3.jpg" /&#62;
Renee Gladman, photo by Garett EliotMarcella Durand, photo courtesy of the artistEdwin Torres, photo by Francois Deschamp



(your) body is a workshop

	Saturday, May 16, 10:00AM-1:00PMJeanine Durning
Join Jeanine Durning, a Guggenheim and Alpert award-winning choreographer and performer, for a free workshop in conjunction with our spring exhibition, (your) body is a porous language : (our) embodied connections. Durning will share and guide some proposals and scores
for the practice she calls “nonstopping.” We will use improvised moving and speaking to access, accept, articulate, and amplify the embodied material of ourselves in the continuous present. 
We’ll practice different ways in which this fluid material can be formed, shifted, reorganized, and played with in relation to known and unknown conditions. We’ll tune to the complexities of our unfolding ecologies, sharpen our responsiveness to our emergent materials, and empower ourselves to the poetics of our choices. 
We will work alone, sometimes in pairs, and sometimes as a group. People from all disciplines and experiences are welcome, with a curiosity and desire to move and speak a lot as modes of creative practice. A willingness to not know why or what or how as a generative tool is very useful in this work.
 Please bring writing materials, as we’ll do some writing as a way to track our thoughts and micro decisions. And please wear comfortable clothing and comfortable shoes you can move in. 
 
Space limited. 
RSVP required to
 annstreetgallery@safe-harbors.orgFree and open to the public&#38;nbsp;


	
&#60;img width="200" height="254" width_o="200" height_o="254" data-src="https://freight.cargo.site/t/original/i/3bb55480337825fe398eacfed946fc6419067b329333d1958aee887d04d74929/Jeanine-Durning1_by_Snorri_Sturluson.jpg" data-mid="247707663" border="0"  src="https://freight.cargo.site/w/200/i/3bb55480337825fe398eacfed946fc6419067b329333d1958aee887d04d74929/Jeanine-Durning1_by_Snorri_Sturluson.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/9b7d24c7229299fff29a90ef546365664968f8373d58189cde7cffca57edc3b7/Jeanine-Durning2_by_Chris_Cameron_for_MANCC.jpg" data-mid="247707664" border="0"  src="https://freight.cargo.site/w/1000/i/9b7d24c7229299fff29a90ef546365664968f8373d58189cde7cffca57edc3b7/Jeanine-Durning2_by_Chris_Cameron_for_MANCC.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/8b4890fd20b8104c43eb266b65a7813dd6950f7f39ea2893183d8cd4ec4f5e3b/Z44A1049.jpg" data-mid="248012287" border="0"  src="https://freight.cargo.site/w/1000/i/8b4890fd20b8104c43eb266b65a7813dd6950f7f39ea2893183d8cd4ec4f5e3b/Z44A1049.jpg" /&#62;
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1d9245161db36c76bc0511808ecf9f1b9393fad431212726e2a2513d8c133bde/Workshop-Slide-2-Final.jpg" data-mid="248454333" border="0"  src="https://freight.cargo.site/w/1000/i/1d9245161db36c76bc0511808ecf9f1b9393fad431212726e2a2513d8c133bde/Workshop-Slide-2-Final.jpg" /&#62;
Headshot Snorri Sturluson. Images 2 and 3 Chris Camerson for MANCC, courtesy of the artistJeanine Durning is a Guggenheim and Alpert award-winning choreographer and performer described by The New Yorker as having “the potential for philosophical revelation and theatrical disaster.” Her work investigates the mutable potential and presence-making of moving bodies, and their conditions in time, space, and situation. Since 1998, she has created performances that blur artistic and aesthetic boundaries, and since 2009, her “nonstopping” practice has formed the core of her ongoing research, operating in the spaces between thought, perception, movement, and language. From 2010-2020, she toured her solo performance, inging (an ongoing experiment in non-stopping speech) which has been widely recognized for its expanded notion of choreography, exploring the structures and phenomenology of thought in extemporaneous movement and speech. Durning’s performances and choreographies have been presented throughout the U.S., Europe, and in Canada, including at NYU Skirball and BAM in NYC, Sadler’s Wells in London, and Dansens Hus in Stockholm and has been a guest lecturer of dance, performance and choreography at SNDO/Amsterdam, Movement Research/NYC, HZT/Berlin, SKH/Stockholm and many University dance programs in the States, including NYU and Smith College.jeaninedurning.com
@jeanine.i.dream
Learn more about Jeanine’s work on podcasts
here,&#38;nbsp;
here,&#38;nbsp;
and hereGallery Walkthrough and Q&#38;amp;A with curator Edwin TorresSaturday May 2, 2:00 - 3:00 pm
Join us at Ann Street Gallery for an informal gallery walkthrough and Q&#38;amp;A with Edwin Torres, the curator of our spring exhibition, (your) body is a porous language: (our) embodied connections. Torres will introduce his Curated Reading List for our Open Reading Room program, discuss how his aesthetics as a poet and performer informed his selection of artworks, reflect on the development of a curatorial process, and take a closer look at the inspiration and aspirations underpinning the exhibition.
Free and open to the public


	&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/e77bab423969dd5eb5d3e3211dfc5bc4669f9fd458289cbc488ba73342d286b1/ASG-Cur-Walkthru-1.jpg.jpg" data-mid="247707666" border="0"  src="https://freight.cargo.site/w/1000/i/e77bab423969dd5eb5d3e3211dfc5bc4669f9fd458289cbc488ba73342d286b1/ASG-Cur-Walkthru-1.jpg.jpg" /&#62;(your) body is a poetry reading
	
Sunday, April 26, 3:00 - 5:00 pm
featuring:Carolina Abreu / body as complexity of belonging
Brenda Coultas / history as interrogated imaginationK.J. Holmes / movement as porous stabilitySean G. Meehan / vibration as continuous bodyEdwin Torres / language as construct of porosity
Join exhibition curator Edwin Torres, with two poets, a movement artist and a snare drummer as they explore the relational territory and social engagements opened by the forms and languages inhabiting the gallery. Torres invites the audience to experience an embodied dialogue between language, listening, and the artworks on display. The event opens cross-disciplinary conversation unfolding in evolving, responsive rhythms and seeks creation and participation through a connective pulsing within the gallery's walls.
Free and open to the public


	&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/23fd4863bfa24e3a7fd5c697ec2d52f33b917d8c66a83e21be01ec44dc947dd1/DRAFT-v1---reading.jpg" data-mid="247443519" border="0"  src="https://freight.cargo.site/w/1000/i/23fd4863bfa24e3a7fd5c697ec2d52f33b917d8c66a83e21be01ec44dc947dd1/DRAFT-v1---reading.jpg" /&#62;
	(your) body is a porous language(our) embodied connections
Opening ReceptionSaturday, April 11, 4:00 - 6:00 pm

Free and open to the public
	&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/5eedb69a7a350b31bfbc2abdcd62f9d154b878a8c84e417a5bb1d4ed824ce166/First-image.jpg" data-mid="247966450" border="0"  src="https://freight.cargo.site/w/1000/i/5eedb69a7a350b31bfbc2abdcd62f9d154b878a8c84e417a5bb1d4ed824ce166/First-image.jpg" /&#62;

	Fall of Freedom

Nationwide, November 21-22 Ann Street Gallery Open Saturday November 22 and Sunday November 23 1:00-5:00pm
Sunday, November 23, 2:30pmPuppet Performance for Sport of for Beauty by William PK Carter&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Details below﻿
Ann Street&#38;nbsp;Gallery&#38;nbsp;is proud to present the closing weekend of&#38;nbsp;Untethered Creatures&#38;nbsp;as part of Fall of Freedom, a nationwide movement of artists and cultural organizations united against authoritarianism and efforts to limit free expression.

﻿To learn more, visit: falloffreedom.comAs part of Fall of Freedom, Ann Street Gallery is proud to present a closign performance of:

for Sport or for Beauty

Sunday, November 23, 2:30pmPuppet Performance by William PK CarterAnn Street Gallery, 104 Ann Street Free &#38;amp; Open to the PublicPlease join us on Sunday, November 23 at 2:30pm for a final performance of For Sport or For Beauty to close out the 2025 Emerging Artist Fellowship exhibition, Untethered Creatures: bodies of emergent lore &#38;nbsp;
 For Sport or For Beauty is a puppet performance by William PK Carter, one of three Emerging Artist Fellows with Ann Street Gallery in 2025. For Sport or For Beauty illustrates the relationship between people with marginalized identities and the anxiety-informed “prey mentality.” This performance follows a youthful deer as it learns that there are people in this world who are out to get it. Adopting a lifestyle of fleeing in response to that truth, the deer realises that their self defense mechanism actually enforces the threats of fear and acts on behalf of an unseen oppressor. The deer is struck by a car, killing the fearful body but not the newly-liberated spirit. This introspection sparks a revelation and metamorphosis into a creature much for fantastical and free.
Performed by William PK Carter ft. puppeteer Emily Batsford, this piece is an excerpt of a longer performative work in development.


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&#60;img width="2048" height="2459" width_o="2048" height_o="2459" data-src="https://freight.cargo.site/t/original/i/d2f20869ab93e8522f2ba9a59521bf24614cc08f0f27570b219c6506c75b1b40/For-Sport-or-For-Beauty---Performance-Flyer---November.PNG.PNG" data-mid="240222595" border="0"  src="https://freight.cargo.site/w/1000/i/d2f20869ab93e8522f2ba9a59521bf24614cc08f0f27570b219c6506c75b1b40/For-Sport-or-For-Beauty---Performance-Flyer---November.PNG.PNG" /&#62;


&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/77210f650eff334426df42062213b3d647b642ac002fd5544cc503e47e527ad8/Untethered-Creatures---Closing-Reception---01-AM.jpg" data-mid="241814692" border="0"  src="https://freight.cargo.site/w/1000/i/77210f650eff334426df42062213b3d647b642ac002fd5544cc503e47e527ad8/Untethered-Creatures---Closing-Reception---01-AM.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f85a27e3ae970ed30e91a972185fdb89a594f8b304d5ca89622a3f6d32bb22f4/Untethered-Creatures---Closing-Reception---10-AM.jpg" data-mid="241814702" border="0"  src="https://freight.cargo.site/w/1000/i/f85a27e3ae970ed30e91a972185fdb89a594f8b304d5ca89622a3f6d32bb22f4/Untethered-Creatures---Closing-Reception---10-AM.jpg" /&#62;
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&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4ad2713579f82b8c5ce93d4cc244b32eab4e9b68309d4ba6efa61bcc5d89ad26/Untethered-Creatures---Closing-Reception---13-AM.jpg" data-mid="241814705" border="0"  src="https://freight.cargo.site/w/1000/i/4ad2713579f82b8c5ce93d4cc244b32eab4e9b68309d4ba6efa61bcc5d89ad26/Untethered-Creatures---Closing-Reception---13-AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d5e24b94ed3b7505e41b3389fc5612468d1e25afccba79faf99b8c21add927a3/Untethered-Creatures---Closing-Reception---07-AM.jpg" data-mid="241814699" border="0"  src="https://freight.cargo.site/w/1000/i/d5e24b94ed3b7505e41b3389fc5612468d1e25afccba79faf99b8c21add927a3/Untethered-Creatures---Closing-Reception---07-AM.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/bb3e03d608fd58cdfde8b5db0e134cb186582ddd24dc4777108365f240fdf8ca/Untethered-Creatures---Closing-Reception---09-AM.jpg" data-mid="241814701" border="0"  src="https://freight.cargo.site/w/1000/i/bb3e03d608fd58cdfde8b5db0e134cb186582ddd24dc4777108365f240fdf8ca/Untethered-Creatures---Closing-Reception---09-AM.jpg" /&#62;




	Ann Street Gallery
Emerging Artist Fellowship Gallery Talks
Saturday, October 18, 2:00pmPlease join us next in the gallery for artist talks with our 2025 Emerging Artist Fellows: William PK Carter, Ana Maria Farina, and Bridget Vasquez. With individual creative practices ranging from painting, sculpture, textiles, puppetry, and multidisciplinary works, each of the artists will introduce their art practice, discuss the development of their fellowship project, and guide us through their works exhibited in Untethered Creatures. The artists will also share their Curated Reading List, a short list of printed materials that inform or inspire their work, as part of our Open Reading Room program.Learn more about the Fellows here and the Fellowship program here.Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the Public
	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/f8005b36e49e26d467dee2caa8f331143ed55b0b0006fcc0f8d961f41ec96005/Untethered-Creatures---Gallery-Talks---Flyer.jpg" data-mid="240222598" border="0"  src="https://freight.cargo.site/w/1000/i/f8005b36e49e26d467dee2caa8f331143ed55b0b0006fcc0f8d961f41ec96005/Untethered-Creatures---Gallery-Talks---Flyer.jpg" /&#62;



	Newburgh Open Studios &#38;amp;
Puppet Performance
  Extended hours, with the artistsSaturday, September 27, 12:00-6:00pmPerformance by William PK Carter 3:30pmSunday, September 28, 12:00-6:00pmPerformance by William PK Carter 1:30pm&#38;nbsp;
 Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the PublicWe are thrilled to celebrate the opening of Untethered Creatures: bodies of emergent lore on Saturday, September 27. The day will include a moving performance of an excerpt of For Sport or For Beauty by William PK Carter and collaborator Emily Batsford, followed by a reception for our 2025 Fellows and community.

We are always proud to be part of Newburgh Open Studios. Thank you to all who will attend!




	&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/95729eecb406fbfd74458c777bc02532c9a16f06f447a8c0150c3e42b710100d/Newburgh-Open-Studios---2025.jpg" data-mid="240222597" border="0"  src="https://freight.cargo.site/w/700/i/95729eecb406fbfd74458c777bc02532c9a16f06f447a8c0150c3e42b710100d/Newburgh-Open-Studios---2025.jpg" /&#62;
&#60;img width="2048" height="2459" width_o="2048" height_o="2459" data-src="https://freight.cargo.site/t/original/i/bc3dcbc538fbf894fbcad0f95284dd72ab6227beb94fe24090e136b43591dfd2/For-Sport-or-For-Beauty---Performance-Flyer---Semptember.PNG" data-mid="240222596" border="0"  src="https://freight.cargo.site/w/1000/i/bc3dcbc538fbf894fbcad0f95284dd72ab6227beb94fe24090e136b43591dfd2/For-Sport-or-For-Beauty---Performance-Flyer---Semptember.PNG" /&#62;




	Artist Panel: 
Mollie McKinley, Linda Stillman, &#38;amp; Amy Talluto Round Robin Q&#38;amp;A between exhibiting artists in etheReality, from breath to air, and back, with curator, Alison McNulty 
  
Saturday, August 30, 2025 
2:00 - 3:30pm 
 
Ann Street Gallery, 104 Ann Street 
Free &#38;amp; Open to the Public 
 
Please join us in the gallery for a round robin Q&#38;amp;A between exhibiting artists Mollie McKinley, Linda Stillman, and Amy Talluto, with curator Alison McNulty. The artists and curator will take turns instigating a fast-moving conversation through a series of prepared questions and spontaneous answers followed by an open dialog with the audience.  

Both intentional and playful, this panel offers an unusual format with diverse access points to the artists and curator, aiming to draw out the themes, resonances, and motivations underlying the exhibition and the works that comprise it through the participants’ engagement with each other’s work. 
	&#60;img width="2100" height="1630" width_o="2100" height_o="1630" data-src="https://freight.cargo.site/t/original/i/913273b4d8033687cc1a660d3c168c7543d8913a3e060871be731bc196c231da/etheReality---Programming---Mollie--Linda--Amy-Panel.png" data-mid="237411146" border="0"  src="https://freight.cargo.site/w/1000/i/913273b4d8033687cc1a660d3c168c7543d8913a3e060871be731bc196c231da/etheReality---Programming---Mollie--Linda--Amy-Panel.png" /&#62;
Mollie McKinley, Linda Stillman, &#38;amp; Amy Talluto
Mollie McKinley is an interdisciplinary artist whose practice works with non-human intelligences of the elements. She works with media such as photography, light, glass, and sculpture to materialize the ethereal and visceral aspects of nature consciousness. McKinley’s work has been shown at The Contemporary Jewish Museum San Francisco, NADA Foreland, Turley Gallery, Fridman Gallery, Pioneer Works, UrbanGlass, Independent Curators International, The Samuel Dorsky Museum at SUNY New Paltz, The Museum of Arts and Design, Anthology Film Archives, and many others. McKinley holds a BA in photography from Bard College, and an MFA in sculpture/dimensional studies from Alfred University. Her critical writing on art and arts education can be found in Museum Teen Programs How-To Kit, published by the Walker Art Center in collaboration with the Dia Art Foundation (2023); Emergency Index Vol. 10+ (2023) and in Peer Review Vol. 3 (2025). McKinley is based in the Hudson Valley of New York, and works as a photographer and educator at the Dia Art Foundation.molliemckinley.com@mollie_mckinley
&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/cb163012ec7bc1874b85f27e7f7dac8a45fe5d919a76ea6c9e5345f1083e4cd9/etheReality---Individual-Artworks---Mollie-McKinley---01.jpg" data-mid="237411154" border="0"  src="https://freight.cargo.site/w/1000/i/cb163012ec7bc1874b85f27e7f7dac8a45fe5d919a76ea6c9e5345f1083e4cd9/etheReality---Individual-Artworks---Mollie-McKinley---01.jpg" /&#62;
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&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/bbd7fee4649fe80eeff6c42a5a8435a0ba87674eddaba1fffedcc7522eebfbc3/etheReality---Individual-Artworks---Mollie-McKinley---05.jpg" data-mid="237411156" border="0"  src="https://freight.cargo.site/w/1000/i/bbd7fee4649fe80eeff6c42a5a8435a0ba87674eddaba1fffedcc7522eebfbc3/etheReality---Individual-Artworks---Mollie-McKinley---05.jpg" /&#62;

Enter Through Smoke by Mollie McKinley 
Linda Stillman is a Hudson Valley based artist who works in various media including drawing, painting, photography and collage. She focuses on the natural world and the passage of time.Stillman’s work has been featured in many exhibitions in galleries and museums around the country and abroad including the Brooklyn Museum, the Dorsky Museum, the Arts Club of Chicago, and the Visual Arts Center of New Jersey.She has been awarded fellowships and residencies at the Virginia Center for Creative Arts, the New York Foundation for the Arts MARK program, the Wave Hill Winter Workspace and The Studios at Mass MoCA.Her art is in many private and public collections such as the Dorsky Museum, Montefiore Hospital and Memorial Sloan Kettering Cancer Center.Stillman graduated from the University of Pennsylvania (BA), the School of Visual Arts and Vermont College of Fine Arts (MFA).lindastillman.com@linda_stillman

&#60;img width="2560" height="1499" width_o="2560" height_o="1499" data-src="https://freight.cargo.site/t/original/i/57c1c775d5a82a48d157643a0a2dfa4bb040828d01ca73387aa5977ad1fe3598/etheReality---Individual-Artworks---Linda-Stillman---01.jpg" data-mid="237411151" border="0"  src="https://freight.cargo.site/w/1000/i/57c1c775d5a82a48d157643a0a2dfa4bb040828d01ca73387aa5977ad1fe3598/etheReality---Individual-Artworks---Linda-Stillman---01.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2d060ac84b0fba3eac7c1fe97a88c87482f8c7e31e10748cfed5f4b36cb1cc5e/etheReality---Individual-Artworks---Linda-Stillman---03.jpg" data-mid="237411153" border="0"  src="https://freight.cargo.site/w/1000/i/2d060ac84b0fba3eac7c1fe97a88c87482f8c7e31e10748cfed5f4b36cb1cc5e/etheReality---Individual-Artworks---Linda-Stillman---03.jpg" /&#62;
Daily Skies 2011 by Linda Stillman 
Amy Talluto is a painter and sculptor who lives and works in Hurley NY. She was born in New Orleans, LA and earned her BFA from Washington University in St. Louis and her MFA from the School of Visual Arts in New York. In 2018 she was awarded a NYFA/NYSCA Artist Fellowship in Painting and was an Artforum Critics Pick for her solo exhibition at Black &#38;amp; White Gallery (Brooklyn). She has recently shown her work at Auxier Kline Gallery, Jeff Bailey Gallery, The Garrison Art Center, the Samuel Dorsky Museum, Geoffrey Young Gallery, The Albany Airport and Wave Hill Gardens. She has been an Artist in Residence at MacDowell (NH), the Saltonstall Foundation (NY), Ucross Foundation (WY), Provincetown Dune Shacks &#38;amp; the Byrdcliffe Colony (NY). She participated in Norte Maar’s 2025 Counterpointe 12 collaborative ballet as a visual artist (Brooklyn). She is also the host and producer of the Pep Talks for Artists Podcast.amytalluto.com@talluts

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6970d5d1eb3ca1337e50b426733a5191bb59893bb7b32c52013ca9c538e19da8/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" data-mid="237411148" border="0"  src="https://freight.cargo.site/w/1000/i/6970d5d1eb3ca1337e50b426733a5191bb59893bb7b32c52013ca9c538e19da8/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" /&#62;
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&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cb7a7de8c3097461001c893216a8b6336420b416faec58480800ef24fdc9be80/etheReality---Individual-Artworks---Amy-Talluto---12.jpg" data-mid="237411150" border="0"  src="https://freight.cargo.site/w/1000/i/cb7a7de8c3097461001c893216a8b6336420b416faec58480800ef24fdc9be80/etheReality---Individual-Artworks---Amy-Talluto---12.jpg" /&#62;
Multi-head (Spill Vase) by Amy Talluto


	Be the Poem: Living Beyond Our FearsPoet Gold Live performance and Book Signing
  
Sunday, August 31, 2025 4:00 - 7:00pm 
 Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the Public 
 We are proud to be hosting an evening that celebrates creativity in every form with Poet Gold and an exciting roster of local performers. Join us for this live performance stop on Poet Gold's book signing tour.
Poet Gold: Artist, Poet, Author&#38;nbsp;
Appointed the 2017 and 2018 NYS Dutchess County Poet Laureate, Poet Gold is the recipient of numerous awards which include the 2016 Dutchess County Executive’s Artivist Award and the Dutchess County Athena Award honoree. With countless recitations, she has opened for Grammy-nominated artists and has spoken at renowned organizations such as Omega Institute and Self Employment in the Arts.&#38;nbsp;

@_poetgold_https://www.poetgold.com/
Gwen Laster: Violinist, Composer, Teaching Artist&#38;nbsp;
https://www.gwenlaster.net/
@lastergwen
Damon Banks: World-Jazz Bassist/Composer https://damonbanks.net/@deeceebanks
Ralph M’Vore: Dancer, Singer, Choreographer@ralphmvore@mvore.ent.artsAngel Michael Lau: Percussionist
@alauperc
Jaydee Great: Hip Hop Artist, Poet
@jaydeegreat
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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/a392afdc83dd2c24da9ed3ababa3bd3817cd696f4339a338eb91ed454d70519a/Poet-Gold-ASG-1.png" data-mid="237464704" border="0"  src="https://freight.cargo.site/w/1000/i/a392afdc83dd2c24da9ed3ababa3bd3817cd696f4339a338eb91ed454d70519a/Poet-Gold-ASG-1.png" /&#62;

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	Artist Dialogs: 
Ghost of a Dream &#38;amp; Jason MitchamArtist presentations and conversation with exhibiting artists in etheReality, from breath to air, and back&#38;nbsp;
Saturday,
August 23, 20252:00 - 3:30pm
Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the Public
Please join us in the gallery for talks with exhibiting artists Ghost of a Dream and Jason Mitcham as they offer a deeper look into their creative practices and the ways their works relate to the themes and questions guiding the exhibition,&#38;nbsp;ethereality, from breath to air, and back. 
Presentations will be
followed by a conversation with curator and gallery director,
Alison McNulty, including a Q&#38;amp;A with the audience. 







	&#60;img width="2400" height="1313" width_o="2400" height_o="1313" data-src="https://freight.cargo.site/t/original/i/fc7828ea6ddba428d420d3f826d57fdcb41e81b00a34d194bacfedd434c64c9f/Ghost-of-a-Dream---Headshot.jpg" data-mid="237107286" border="0"  src="https://freight.cargo.site/w/1000/i/fc7828ea6ddba428d420d3f826d57fdcb41e81b00a34d194bacfedd434c64c9f/Ghost-of-a-Dream---Headshot.jpg" /&#62;Ghost of a Dream is the collaborative project of Lauren Was and Adam Eckstrom founded in 2008. Ghost of a Dream's work has been shown in solo exhibitions at the Museum of Contemporary Art Arlington, MassArt Art Museum, Ackland Art Museum, Hunterdon Art Museum, and at the Colorado Springs Fine Art Center and in group exhibitions at Crystal Bridges Museum, Courtauld Museum, Minneapolis Institute of Art, Frist Center for Visual Arts, The Mint Museum, Museum of Craft and Design, and The Textile Museum of Canada among other venues.Ghost of a Dream has received support from the Pollock-Krasner Foundation, New York Foundation for the Arts, Joan Mitchell Foundation, Artist Resource Trust, Jerome Foundation. They received the first annual Young Masters Art Prize in London and have participated in artist residencies in Berlin, Basel, Beijing, France, and at venues throughout the US including Bemis Center, ISCP, Smack Mellon, Wassaic Project, the Joan Mitchell Foundation AIR in New Orleans, and Elsewhere Museum. They will attend the Rauschenberg Foundation AIR in 2024. Ghost of a Dream’s work has been featured in publications including The New York Times, Vogue Magazine, Hyperallergic, BlouinArtinfo, ArtFCity, W Magazine, Interview Magazine, and World of Interiors.ghostofadream.com@ghostofadreamart


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/446d31d05a5b8f605c20479f4afa5df66e65746aea5aea796d5b6c6dd49e8907/etheReality---Individual-Artwork---Ghost-of-a-Dream---01.jpg" data-mid="237107291" border="0"  src="https://freight.cargo.site/w/1000/i/446d31d05a5b8f605c20479f4afa5df66e65746aea5aea796d5b6c6dd49e8907/etheReality---Individual-Artwork---Ghost-of-a-Dream---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2d87f356aed28809b72ea65c710647a1296dd75f89e42c2a3c4876f9301a81da/etheReality---Individual-Artwork---Ghost-of-a-Dream---02.jpg" data-mid="237107290" border="0"  src="https://freight.cargo.site/w/1000/i/2d87f356aed28809b72ea65c710647a1296dd75f89e42c2a3c4876f9301a81da/etheReality---Individual-Artwork---Ghost-of-a-Dream---02.jpg" /&#62;

aligned by the sun (a total
revolution)

	&#60;img width="2400" height="1313" width_o="2400" height_o="1313" data-src="https://freight.cargo.site/t/original/i/b284430cb9f1d3d993f915a186f64f148ef784b9e7a77b583cac8bffb66c1adb/Jason-Mitcham---Headshot.jpg" data-mid="237107285" border="0"  src="https://freight.cargo.site/w/1000/i/b284430cb9f1d3d993f915a186f64f148ef784b9e7a77b583cac8bffb66c1adb/Jason-Mitcham---Headshot.jpg" /&#62;Jason Mitcham is a visual artist whose work spans painting, drawing and stop motion animation. He has held solo museum exhibitions at the North Carolina Museum of Art and the Flint Institute of Arts. His work is included in numerous private collections, and in the public collections of the North Carolina Museum of Art, the Mint Museum, the Weatherspoon Art Museum, and the University of Florida School of Forest Resources and Conservation. He has received grants from the New York Foundation for the Arts, the Elizabeth Greenshields Foundation, the Foundation for Contemporary Art, was a finalist for the 1858 Prize at the Gibbs Museum, and has been a resident at Yaddo. He received a BFA from East Carolina University and an MFA from the University of Florida.jasonmitcham.com@jason_mitcham

&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/d96e826b33b63de0082e333ec9f467cc97da30115ed17ff8a95e2408034a1cb0/etheReality---Individual-Artwork---Jason-Mitcham---04.jpg" data-mid="237107289" border="0"  src="https://freight.cargo.site/w/1000/i/d96e826b33b63de0082e333ec9f467cc97da30115ed17ff8a95e2408034a1cb0/etheReality---Individual-Artwork---Jason-Mitcham---04.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/b78359dfa245657dd3fb1c9658566a91a3bbd16c8e9cfc0ab36ddbdc5b9bd6ab/etheReality---Individual-Artwork---Jason-Mitcham---05.jpg" data-mid="237107288" border="0"  src="https://freight.cargo.site/w/1000/i/b78359dfa245657dd3fb1c9658566a91a3bbd16c8e9cfc0ab36ddbdc5b9bd6ab/etheReality---Individual-Artwork---Jason-Mitcham---05.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/5c5b4a67cf5816d0e2990244a32a7f73edaa0c8a890341f8d1d985274ebb1797/etheReality---Individual-Artwork---Jason-Mitcham---07.jpg" data-mid="237107287" border="0"  src="https://freight.cargo.site/w/1000/i/5c5b4a67cf5816d0e2990244a32a7f73edaa0c8a890341f8d1d985274ebb1797/etheReality---Individual-Artwork---Jason-Mitcham---07.jpg" /&#62;

Head Full of Doubt/
Road Full of Promise





	One only Earth, One only Sky
a multisensory workshop with clay, breath, and touch
with exhibiting artist, Bel Falleiros 








Saturday,
August 16, 20252:00 - 3:30pmAnn Street Gallery, 104 Ann Street&#38;nbsp;
Free &#38;amp; Open to the PublicRSVP required to&#38;nbsp;annstreetgallery@safe-harbors.org
Limited Space Available






In a hands-on workshop we will use a multisensory clay exercise to investigate how to open space inside ourselves so we can relate better to what is around us.  Can clay, silence, breath and darkness teach us about listening?  In a safe environment we will experiment with different forms of experiencing art, artmaking, and ways of sharing knowledge in an embodied way, guided by our touch, scent, and inner self.  

Guided by the Guarani word “Edjapyxaka” (shared by the Guarani Mbya educator and filmmaker Carlos Papa), the workshop and artworks presented by Bel Falleiros relate to the necessary gesture of going to the darkness and to silence (or getting off the light or the noise) as a technology to better listen and to better understand our inner self and what is around us.  Like the exhibition, etheReality, this is a reminder that the breath, the air or the cosmos are constant presences and signal our interconnectedness: a crucial understanding for our moment of social and environmental collapse.In ungrounded and restless times like ours, art and embodied knowledge can be powerful and simple tools for changing our fast and destructive way of doing things.&#38;nbsp; This is a workshop about remembering that we already have what is needed to walk gentler on the earth and to remember our interconnectedness. We just have to make space for these things, like the space we will open in the clay during the workshop, or the space we open in our lungs in every (deep) breath, or the restorative dream space we get with a full night of rest.&#38;nbsp; The workshop is an invitation for all of us to be part of a necessary regenerative force and care for our inner self, each other, and the earth.
 
We are thrilled to partner with The Newburgh Pottery for clay and a special firing of the vessels made in this workshop.
&#60;img width="667" height="297" width_o="667" height_o="297" data-src="https://freight.cargo.site/t/original/i/da2b19346ba0982d614e6105da3c215774ebb5420e88fd1f2cc83bc7801414ee/Screenshot-2025-08-26-at-8.20.32PM.png" data-mid="237521214" border="0"  src="https://freight.cargo.site/w/667/i/da2b19346ba0982d614e6105da3c215774ebb5420e88fd1f2cc83bc7801414ee/Screenshot-2025-08-26-at-8.20.32PM.png" /&#62;

	&#60;img width="2560" height="1936" width_o="2560" height_o="1936" data-src="https://freight.cargo.site/t/original/i/c21ac01d902f2cdddc53df432a7fe64e177f4be1c1a2af1476b44f3d2d76581f/etheReality---Programming---Bel-Falleiros---01.jpg" data-mid="236775312" border="0"  src="https://freight.cargo.site/w/1000/i/c21ac01d902f2cdddc53df432a7fe64e177f4be1c1a2af1476b44f3d2d76581f/etheReality---Programming---Bel-Falleiros---01.jpg" /&#62;Bel Falleiros&#38;nbsp;is a Brazilian artist whose practice focuses on place and belonging. She creates immersive welcoming spaces to be in community with nature, with our inner being and the beings around us. She is a fellow artist of Sacatar Institute (2014), Pecos National Park (2016), Burnside Farm, Detroit (2017), Santa Fe Art Institute (2018/2025), Socrates Sculpture Park (2020), More Art (2021) and Wave Hill (2023).  She was a Dia:Beacon artist-in-residence for their Teens Program (2021-2) and had a commissioned piece for the 37o Panorama of Brazilian Art at MAM-SP (2022). Her recent solo show at KinoSaito (2024) presented a retrospective of works made in the past 7 years. She will be one of the Recess Art Session program artists in the Spring of 2026. In addition to her studio practice, she participates in collaborative projects across the Americas connecting art, community, education and autonomous thinking.belfalleiros.com.br@bel.falleiros



&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6b431d0cbc8f44f60aed42ec6df9284cd0ef3ea79ab9036892098431df680d9c/etheReality---Programming---Bel-Falleiros---02.jpg" data-mid="236775313" border="0"  src="https://freight.cargo.site/w/1000/i/6b431d0cbc8f44f60aed42ec6df9284cd0ef3ea79ab9036892098431df680d9c/etheReality---Programming---Bel-Falleiros---02.jpg" /&#62;
&#60;img width="2560" height="1709" width_o="2560" height_o="1709" data-src="https://freight.cargo.site/t/original/i/4c1334282511a301a87446a8c03c947536af58d180cd37708630699b829ecbac/etheReality---Programming---Bel-Falleiros---03.jpg" data-mid="236775314" border="0"  src="https://freight.cargo.site/w/1000/i/4c1334282511a301a87446a8c03c947536af58d180cd37708630699b829ecbac/etheReality---Programming---Bel-Falleiros---03.jpg" /&#62;
&#60;img width="2560" height="2097" width_o="2560" height_o="2097" data-src="https://freight.cargo.site/t/original/i/c50a9eade97b51f13fb7a105305ad4642306a1f047bb28bb8f11f4396ad27026/etheReality---Programming---Bel-Falleiros---04.jpg" data-mid="236775315" border="0"  src="https://freight.cargo.site/w/1000/i/c50a9eade97b51f13fb7a105305ad4642306a1f047bb28bb8f11f4396ad27026/etheReality---Programming---Bel-Falleiros---04.jpg" /&#62;
Previous workshops at Dia:Beacon, the Tang,
and&#38;nbsp;Socrates Sculpture Park
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/061ab71bcb73e2716784693fac764df36b62c52bf7eb668b2269804c7965af24/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" data-mid="236775326" border="0"  src="https://freight.cargo.site/w/1000/i/061ab71bcb73e2716784693fac764df36b62c52bf7eb668b2269804c7965af24/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/617ad65cfd7dfec3e743d885897b37c5c3bc8a918722aeac9ec8745734a1aa72/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" data-mid="236775328" border="0"  src="https://freight.cargo.site/w/1000/i/617ad65cfd7dfec3e743d885897b37c5c3bc8a918722aeac9ec8745734a1aa72/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" /&#62;
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/477b2f44250a6c3a4d2eb9b6a7f5d76afb376e9c4010d9071eb91d8f43e69f1b/etheReality---Programming---Bel-Falleiros---05.jpg" data-mid="236775316" border="0"  src="https://freight.cargo.site/w/1000/i/477b2f44250a6c3a4d2eb9b6a7f5d76afb376e9c4010d9071eb91d8f43e69f1b/etheReality---Programming---Bel-Falleiros---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/f0f2550762222fdca4e4b34031dd6aa611d05c9f6e79c9e0135a3c776b0e8ff6/etheReality---Programming---Bel-Falleiros---06.jpg" data-mid="236775317" border="0"  src="https://freight.cargo.site/w/1000/i/f0f2550762222fdca4e4b34031dd6aa611d05c9f6e79c9e0135a3c776b0e8ff6/etheReality---Programming---Bel-Falleiros---06.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/36b82ae7f3e15a685d9a66c12d8c603565fc6c5f2cab10046303808b2a759041/etheReality---Programming---Bel-Falleiros---07.jpg" data-mid="236775318" border="0"  src="https://freight.cargo.site/w/1000/i/36b82ae7f3e15a685d9a66c12d8c603565fc6c5f2cab10046303808b2a759041/etheReality---Programming---Bel-Falleiros---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3a0bc95054362d2d94f2934e375ae476cff635a3cab17ec3b819ffcd32369942/etheReality---Programming---Bel-Falleiros---08.jpg" data-mid="236775319" border="0"  src="https://freight.cargo.site/w/1000/i/3a0bc95054362d2d94f2934e375ae476cff635a3cab17ec3b819ffcd32369942/etheReality---Programming---Bel-Falleiros---08.jpg" /&#62;
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c9d9554e9622bb1c013b0c3aa2b52772f1623d046925c009eb2dc79c43eea8fa/etheReality---Programming---Bel-Falleiros---10.jpg" data-mid="236775321" border="0"  src="https://freight.cargo.site/w/1000/i/c9d9554e9622bb1c013b0c3aa2b52772f1623d046925c009eb2dc79c43eea8fa/etheReality---Programming---Bel-Falleiros---10.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/bf07e868c9d577a6e0cd388c4211d929362275973d63f6b057acac9ccd27d913/etheReality---Programming---Bel-Falleiros---11.jpg" data-mid="236775322" border="0"  src="https://freight.cargo.site/w/1000/i/bf07e868c9d577a6e0cd388c4211d929362275973d63f6b057acac9ccd27d913/etheReality---Programming---Bel-Falleiros---11.jpg" /&#62;

Night Sky, Woven Night,
and Eye of the Earth, Eye of the Sky




	


















Indigo Rising
Performance, Talk &#38;amp;
Workshop
A closing celebration of The Destiny exhibition at Ann Street Gallery






 
Saturday,
May 10, 2025
4:00-5:30pmFree &#38;amp; Open to the Public

Rhythm of Water
Productions presents:
PsiFire Flo Arts Dance
Collective &#38;amp; Baba Kazi







The public is
invited to a free, celebratory performance of Afrofuturist-inspired dance and
drumming in tandem with our spring exhibition, The Destiny, curated by Jaime
Ransome. 



Indigo
Rising is a transformative performance by Psi Fire Flow, a Hudson Valley–based
Black flow arts dance collective, whose mission is rooted in spreading joy,
love, and inspiration, while cultivating safe, empowering spaces for Black,
Brown, and Indigenous communities. Their work celebrates the resilient,
regal, and radiant essence of Black culture, brought to life through the dazzle
and dynamism of flow dance. 



Flow
arts—a form of movement using props for self-expression with roots in festival
culture—has been reimagined by Psi Fire Flow as they merge hip-hop, Afrocentric
rhythms, and contemporary dance. With glowing wands, fluttering fans,
and rhythms echoing from our ancestors, this unique event invites you to
witness and experience power, beauty, and purpose in motion. Indigo Rising is
not just a show—it’s a movement!



The event will
include several flow arts dance performances alongside an original DJ mix and
live African drumming, a conversation between Ransome and Rhythm of Water
Productions co-founder, Nick Jackson, and a participatory workshop including
movement, prop work and drumming, giving attendees an opportunity to move
together in community and feel the power of dance and drumming in their own
bodies as a practice of freedom, joy, and empowerment. 



Indigo Rising is a story about love as a tool for
transformation. In a world overwhelmed by negativity, love becomes our
resistance—not by tearing down what exists, but by nurturing and uplifting one
another. Indigo Rising is a call to action: to rise, to create, and to unite.
The term Indigo—in metaphysical traditions—refers to those with hidden,
world-changing abilities. Indigo Children are believed to be a generation born
to bring profound change. This performance is both an invocation and a message:
it is time for the Indigo generation to rise and build community. 

Rhythm of Water Productions
Nick Jackson
Kaela Miller

PsiFire

NicoWav (Nick Jackson)
Zee Liberation (Zanyell Garmon)

Timbre La (Amber Brashears)

The Provider (Glenda)

KaeLaNiCole (Kaela Miller)

Accompaniment

Nate Jackson (Producer/DJ)

Baba Kazi Oliver (African Drummer Extraordinaire/Educator)


	
&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/7fd6c4a7c238444f64f71655a2351b041eeb8c896de9828705a13e73aadd3f98/The-Destiny---Indigo-Rising---Flier-and-Instagram---FInalAM.jpg" data-mid="231832147" border="0"  src="https://freight.cargo.site/w/1000/i/7fd6c4a7c238444f64f71655a2351b041eeb8c896de9828705a13e73aadd3f98/The-Destiny---Indigo-Rising---Flier-and-Instagram---FInalAM.jpg" /&#62;
&#60;img width="1884" height="2560" width_o="1884" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f81f2eaf9a5b4ef3ebcbf65a25d15583ddee990987e30193313724bab864487f/The-Destiny---Indigo-Rising---Kaela-Sound-Check-April-26---01.jpg" data-mid="231636219" border="0"  src="https://freight.cargo.site/w/1000/i/f81f2eaf9a5b4ef3ebcbf65a25d15583ddee990987e30193313724bab864487f/The-Destiny---Indigo-Rising---Kaela-Sound-Check-April-26---01.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/0854a1098cc8eb51cb92d8bce367d26f46cca7d4093425b2eab789eee26b5100/The-Destiny---Indigo-Rising---Kaela-Sound-Check-April-26---02.jpg" data-mid="231636220" border="0"  src="https://freight.cargo.site/w/1000/i/0854a1098cc8eb51cb92d8bce367d26f46cca7d4093425b2eab789eee26b5100/The-Destiny---Indigo-Rising---Kaela-Sound-Check-April-26---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/22ac0e31f8e61a3f58e75a870ff7ddaba281f105afb8ed52f72616980430ac7b/The-Destiny---Indigo-Rising---Kaela-Sound-Check-April-26---03.jpg" data-mid="231636221" border="0"  src="https://freight.cargo.site/w/1000/i/22ac0e31f8e61a3f58e75a870ff7ddaba281f105afb8ed52f72616980430ac7b/The-Destiny---Indigo-Rising---Kaela-Sound-Check-April-26---03.jpg" /&#62;

Kaela Miller

&#60;img width="1481" height="1920" width_o="1481" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3d7d1bc921cea2293c5ab43452ba5aefe3c5665b9677e91b156ae3d54c19d38b/The-Destiny---Indigo-Rising---Timbre-La.jpg" data-mid="231636217" border="0" alt="Timbre La" data-caption="Timbre La" src="https://freight.cargo.site/w/1000/i/3d7d1bc921cea2293c5ab43452ba5aefe3c5665b9677e91b156ae3d54c19d38b/The-Destiny---Indigo-Rising---Timbre-La.jpg" /&#62;
&#60;img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7dacb5ef82df9c30e7b155e584aacbee763efc7cf18f6b9d49363d1d0980117c/The-Destiny---Indigo-Rising---The-Provider.jpg" data-mid="231636215" border="0" alt="The Provider" data-caption="The Provider" src="https://freight.cargo.site/w/1000/i/7dacb5ef82df9c30e7b155e584aacbee763efc7cf18f6b9d49363d1d0980117c/The-Destiny---Indigo-Rising---The-Provider.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4ec13bf9564a20793c4cfd3de0c7e25bb4961ea1e6cae08e5e9011f2659082b7/The-Destiny---Indigo-Rising---Zee.jpg" data-mid="231636216" border="0" alt="Zee Liberation" data-caption="Zee Liberation" src="https://freight.cargo.site/w/1000/i/4ec13bf9564a20793c4cfd3de0c7e25bb4961ea1e6cae08e5e9011f2659082b7/The-Destiny---Indigo-Rising---Zee.jpg" /&#62;
&#60;img width="1547" height="1920" width_o="1547" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e358ec08e395391df3ca8469988deed9a49a26c43563fd8cfc757668bec60d6f/The-Destiny---Indigo-Rising---Kazi.jpg" data-mid="231636218" border="0" alt="Baba Kazi Oliver" data-caption="Baba Kazi Oliver" src="https://freight.cargo.site/w/1000/i/e358ec08e395391df3ca8469988deed9a49a26c43563fd8cfc757668bec60d6f/The-Destiny---Indigo-Rising---Kazi.jpg" /&#62;
About Rhythm of Water Productions:We create one-of-a-kind pieces that are never repeated—maximizing creative freedom and delivering unforgettable experiences. Using dance, music, content creation, and performance, we tell stories of the resilience and brilliance of Black culture.Timbre La is a Renaissance unicorn entrepreneur likely to be found dancing through decadent dimensions and painting between the lines.

The Provider is a top-notch engineer who derives pleasure from the execution of creative visions.
Meet Zee (she/they) @zeeliberation uses hoops and fans primarily but enjoys dabbling in other props. "Flow arts has given me a way to be embodied and free in a way I had not known before. This feeling is something I hope to share with others to either witness or join and feel for themselves."

Kazi has been teaching for 20 years and performing for over 45 years. He is also the musical director of the Kazi Oliver Drummers and Dancers, an ensemble of artists from this continent and the continent of Africa.






	Parable of the Sower Book Club&#38;nbsp;
Saturday, March 29, 6:30-8:30pm 
***MEETING SCHEDULED FOR Saturday, April 12 POSTPONED TO WEDNESDAY APRIL 16 6:30-8:30pm***&#38;nbsp;

 Saturday, April 26, 6:30-8:30pm
The public is invited to join our spring exhibition guest curator, Jaime Ransome, at Ann Street Gallery for our first book club! Attendees will meet to discuss the themes and characters of Octavia Butler's “Parable of the Sower”. Jaime will guide the conversation and explore the concepts that inspired her curation of our current exhibition, The Destiny.
Jaime encourages attendees to bring topics for discussion to book club meetings in order to work through both the challenging and visionary content of the text in community.
The public is invited to attend one or all book club meetings. While reading the text sections indicated below prior to each meeting is encouraged, it is not required to be part of the conversation:
March 29 meeting will address the sections of text covering the years 2024 - 2025 (pp. 1 - 100)
April 12 meeting POSTPONED TO WEDNESDAY APRIL 16 6:30-8:30pm
April 12 meeting will address the sections of text covering the year 2026 (pp. 101 - 150)
April 26 meeting will address the sections of text covering the year 2027 (pp. 151 - 329)
RSVP requested, not required, to jransome.curation@gmail.com
The book club is free and open to the public. All are welcome.
Gallery Hours: Saturdays and Sundays from 1:00-5:00pm through May 10.
The book can be purchased locally at Golden Hour Books.

	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/a5d0bf61b31958a2639250a6b853cdc25d433bf270b9cb73417759f3d0e418fe/The-Destiny---Book-Club---Flier---FINALMar25-web.jpg" data-mid="228834843" border="0"  src="https://freight.cargo.site/w/1000/i/a5d0bf61b31958a2639250a6b853cdc25d433bf270b9cb73417759f3d0e418fe/The-Destiny---Book-Club---Flier---FINALMar25-web.jpg" /&#62;

	Storytelling through Mixed Media Collage Workshop with Destiny AriannaSaturday, April 5, 20252:00-4:00pmAnn Street Gallery &#38;nbsp;
RSVP required:email Destinyariannastudio@gmail.com with full name and phone numberWorkshop limited to 12 participants.Age 15 and up.

Join us for a free hands-on workshop with exhibiting artist Destiny Arianna to explore storytelling through mixed media collage. Using materials like magazines, newspapers, recycled paper, natural materials, and markers, we’ll reflect on how art can help us reshape our identities, tell our stories, and reclaim our narratives. All materials will be provided.
How can cutting, layering, and rearranging your story reveal a new perspective?In this workshop, we’ll explore themes of:
Place &#38;amp; Identity – How do the places you come from or feel connected to shape who you are?Memory &#38;amp; Perspective – What is a memory tied to a specific place that has shaped you, and how might someone outside of that place see it differently? What overlooked truths or misconceptions can be revealed?Power &#38;amp; Representation – Who controls the narratives about your community or identity, and what voices are missing?
Participants will leave with a mixed media collage that reflects their exploration of identity, memory, and place and a deeper understanding of how collage can be used to express and reshape personal and cultural narratives.
	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/549d07146d3ceccaa4334e591d93e4708328dd0d49aab82ee3111d7686b24db7/The-Destiny---Workshop---Storytelling-Through-Mixed-Media-FINAL.jpg" data-mid="229115795" border="0"  src="https://freight.cargo.site/w/1000/i/549d07146d3ceccaa4334e591d93e4708328dd0d49aab82ee3111d7686b24db7/The-Destiny---Workshop---Storytelling-Through-Mixed-Media-FINAL.jpg" /&#62;
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	From the Ground UPArtist Researcher in Residence 2023-2024Project Archive Launch &#38;amp; Community GatheringFebruary 2, 2025 from 2:00-4:00pmDear Ann Street Gallery Community:

I am pleased to invite you to a special community gathering at Ann Street Gallery on Sunday, February 2 from 2:00-4:00pm to commemorate the launch of the Open Access Digital Archive of From the Ground UP as a record of the project and a&#38;nbsp;resource&#38;nbsp;free and open to the public. After almost a year since the project’s conclusion, we are thrilled to bring back the Gallery's first Artist Researcher in Residence 2023-24 (ARiR) Jean-Marc Superville Sovak for an open forum for reflection, feedback, and forward-looking visions.
The gathering will include an informal walkthrough of the archive navigation and contents, including documentation of the evolving exhibition, our community gatherings, and a detailed demonstration of Superville Sovak’s research. In an introduction to his research in the archive, Superville Sovak writes:
There are three main primary research sources, which have allowed this project to speculate greatly on the lives of those Newburgh residents of African descent who specifically sought relief for the burial of their loved ones who were laid to rest in Newburgh’s “Colored Burial Ground”. To my knowledge, the names of these individuals - a direct result of this collective research - will now be available digitally to the public for the first time.
We view this gathering as an opportunity to introduce resources, as well as to vision, with you, the public, and our collaborators, the uses and future potential of our work and experiences throughout From the Ground UP. To this end, we will hold space during the gathering for public input, updates, collaborator feedback, and open conversation on the project, the archive, and the first iteration of Ann Street Gallery’s Artist Researcher in Residence program.
Superville Sovak will also introduce a prototype for a collective memorial, extending the questions that guided his residency project, and inviting continued participation in his collaborative process. As Superville Sovak says:
I keep returning to the question of what a collective memorial can look like, and I want the public to dream with me.
In the spirit of all From the Ground UP gatherings, we look forward to sharing coffee, tea, snacks, and conversation in community. Additionally, we warmly celebrate a new catalog produced by collaborator, Francois Deschamps. Deschamps assembled copies of the on-site portraits he gave to project collaborators and audience members during five From the Ground UP&#38;nbsp;events, together with a reflection on his experience, into a printed catalog that will be available at the gallery.

This gathering is an opportunity to reconnect, revisit, and engage with the stories and ideas that shape From the Ground UP. Together, we can continue the conversation and honor the on-going work of healing together. As Superville Sovak writes:

Since the beginning of what I imagined was possible with a project like From the Ground UP, I knew that the release of a publicly accessible, institutionally stable, and&#38;nbsp;humanly-designed&#38;nbsp;archive of my research around the potential of naming those “unnamed” and of knowing those “unknown” would be at the root of this project. In a way, it’s possible that everything that occurred during the events at Ann Street Gallery during my residency were in preparation for this moment...

We look forward to seeing you on Saturday, February 2 from 2:00-4:00pm.
Alison McNulty&#38;nbsp;
Ann Street Gallery Director

	
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	Ann Street Gallery Emerging Artist Fellowship Gallery Talks
October 19th 2:00pm

Ann Street Gallery Emerging Artist Fellows Matthew Gilbert, Nicole Hixon, and Zeinab Manesh will introduce their work, fellowship projects, and experience in the fellowship program. Join us in the Gallery at 2pm for informal 15-minute talks, with additional time for questions!
Learn more about the Fellows here and the Fellowship program here.
Two Coats of Paint Second Annual Hudson Valley Gallery Crawl
October 19-20 1:00-5:00 pmInteractive map available here.
More Information here.
Artist talks and Gallery Crawl free and open to the public. No reservations neccessary.
Gallery Hours: Saturdays and Sundays through November 24 from 1:00-5:00 pm


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	Ann Street Gallery presents two performances at the Mahicannituck/Hudson riverfront in conjunction with the exhibition Back and Forth, Between Names: An exhibition about bodies of water!&#38;nbsp;Find individual performance details below!
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	Glacier Elegy Newburgh
August 24 at 2:00pmA participatory performance by Jaanika Peernaat People’s Park, Newburgh riverfront&#38;nbsp; followed by a closing reception at Ann Street GalleryFree and open to the public. No reservations required.What would you do if you were handed the last piece of natural ice left on Earth? This silent question guides Jaanika in her Glacier Elegy Newburgh performance as she invites audience members to ponder the question with her.
Ever since Jaanika Peerna was a little girl dreaming of becoming an Olympic figure skater in the northern European country of Estonia,&#38;nbsp;the material of ice&#38;nbsp;has been close and dear to&#38;nbsp;her:&#38;nbsp;its toughness, transparency, beauty, as well as fragility. As we are witnessing a massive and furious melting speed of glaciers in polar regions these past decades,&#38;nbsp;Jaanika has been looking for ways to face the facts, heal the soul, as well as act as&#38;nbsp;an artist in order to help slow the destruction down. 
Jaanika’s Glacier Elegy Newburgh performance takes place on the shore of the Mahicannituck/Hudson River, which itself flows in a glacier carved bed. Glaciers that covered&#38;nbsp;and moved through&#38;nbsp;what is now known as&#38;nbsp;the Hudson Valley&#38;nbsp;over&#38;nbsp;20,000 years ago carved grooves into the landscape, deepened the river bed,&#38;nbsp;and shaped the landscape. 
For Glacier Elegy Newburgh, we will proceed together from our meeting point (see map and instructions to the right) and ground ourselves at the riverfront. Jaanika’s gestures and movements will invite the audience to collectively imagine connections between the landscape when it was sculpted by ice, the water moving both ways, and the pending absence of ice from the earth.

	

	
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Glacier Elegy Brooklyn by Jaanika Peerna photo credit: Annette Solakoglu


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MEETING POINT, PARKING, RECEPTIONJaanika’s performance will begin at 2:00pm.The audience should navigate to People’s Park, Newburgh. People’s Park is on the South Side of the riverfront boat launch at the end of Washington St. Enter the park at the fence pictured above, and walk toward the meeting point at the edge of the tall grasses, ahead and to the right upon entering the park. Parking is not available in the lot adjacent the park; please navigate to the ferry parking lot as indicated on the map above or walk from the the Gallery. The park is .5 mi walk from the gallery at 104 Ann St. with 100 feet of elevation change.Please join us back at the gallery for a closing reception following Jaanika’s performance!

Jaanika Peerna is an Estonian-born artist living and working in New York since 1998. Her work encompasses drawing, installation, and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. Her art practice stems from the corporeal experience of our existence and reaches towards enhanced awareness of the fragility, interconnectedness and wonder of all life. She has exhibited her work and performed extensively in the entire New York metropolitan area as well as in Europe and Australia. Her work is in numerous private collections in the USA and Europe and is part of the Fonds National d’Art Contemporain, Paris. Her performance Glacier Elegy was acquired by the Glyn Vivian Museum in the UK and her drawing is in the Royal Collection of Sweden. In 2022 a monograph Glacier Elegies was published by Terra Nova Press, distributed by MIT Press. https://www.jaanikapeerna.net/
@jaanika_peerna_studio

	To Cleanse the River

August 18, 5:00pmA procession from Ann Street Gallery to the river and back including a participatory performance and elemental listening event at the waterfront with KoyoltzintliFree and open to the public. No reservations required.
 

 In a soon to be dystopian reality, there will be an instrument that alongside mushrooms and algae will help decompose debris and plastic from the waters. 

This instrument that emits sound frequencies that dissolve waste and bodily ailments (not) oddly enough sounds like a pre-american water whistle. So it happens that the answers to our future environmental and soul-based dilemmas are stored as artifacts in museums, when in fact they are ancient future technologies ready to assist us. conclusion : get those instruments out of the museum; let's hear them play!

Join Koyotzintli as we walk from the gallery to the river holding embracing gathering tuning aligning dissolving through sound.
Koyotzintli started making pre-columbian instruments from a place of grief; making and hearing them taught her about grief, as the environmentalist of the soul. It healed something in her, and since then, making has turned into inquiry: When were these instruments played, what rituals enveloped them, how did their rites of passages, and funerary rites sound? In addition, she explore pathways for indigenous and diasporic communities to reclaim these technologies, challenging colonial narratives through the essential act of listening.
Through crafting these instruments, Koyotztintli stitches together fragmented stories and revives one of the oldest and most obscure sonic heritages--Abya Yala's legacy. She seek guidance from celestial constellations as she shapes flute beings, water whistle beings, rattle beings, serpent beings--each endowed with unique patterns and frequencies. These inter-dimensional mechanisms are imbued with sonic codes, they are ancient future technologies, carrying memory about land and self.

	
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Koyotzintli playing Untitled (For Toshiko, triple water whistle), to be used in the performance,&#38;nbsp;To Cleanse the River&#38;nbsp;Untitled (For Toshiko, triple water whistle), installed at Ann Street Gallery
MEETING POINT &#38;amp; PROCESSIONWe will meet at 5:00pm inside Ann Street Gallery at 104 Ann Street, Newburgh.
Koyotzintli will lead a procession from Ann Street Gallery to the river, a .6 mile walk with a significant 100 feet of elevation change. Following her participatory performance and elemental listening event (about 40 mins), we will return to the gallery and replace the instrument within Koyotzintli’s constellation of seeds and ceramic figures at the Gallery. 
For audience members who wish to meet the procession at the riverfront, please meet us at 5:15 at the gate to People’s Park at the bottom of Washington Street, next to the boat launch. Parking is available in the&#38;nbsp;ferry parking lot,as indicated on the map posted below for Glacier Elegy Newburgh.

	
		
		
	
	
		
			
				
					
						
Koyoltzintli, is an interdisciplinary artist, healer, and educator living in NY. She grew up on the pacific coast and
the Andean mountains in Ecuador, these are geographies that permeate her work. She focuses on sound,
ancestral technologies, ritual, and storytelling through collaborative processes and personal narratives.
Nominated for Prix Pictet in 2019, and 2023 her work has been exhibited in the National Portrait Gallery in
Washington, DC, the United Nations, Parish Art Museum, Princeton University, Aperture Foundation in NYC,
and Paris Photo, She has had two solo shows at Miyako Yoshinaga Gallery and a solo show at Leila Greiche
in 2023. She has taught at CalArts, SVA, ICP, and CUNY. Koyoltzintli, has received multiple awards and
fellowships including the Musée du Quai Branly in Paris, NYFA, We Woman and most recently, the Latinx Artist
Fellowship by US Latinx Art Forum (USLAF). Her first monograph Other Stories was published in 2017 by
Autograph ABP. Her work was featured in the Native issue of Aperture Magazine (no. 240) and was included in
the book Latinx Photography in the United States by Elizabeth Ferrer former chief curator at BRIC. Koyoltzintli
has performed at various places among them, Whitney Museum, Wave Hill, Socrates Park, Brooklyn Museum,
Queens Museum.

					
				
			
		
	
https://koyoltzintli.com/@koyotzintli

	Water, Ink, Breath, Movement
A Workshop with
Suzy SureckSunday, August 4, 2:00pm -4:00pmAnn Street
Gallery104 Ann
Street, Newburgh, NY







UPDATE: THE WORKSHOP IS FILLED TO CAPACITY! Thank you!This workshop is
free and open to the public, but reservations are required and the
workshop will be capped at 12, with a waiting list. All are
welcome, regardless of experience level. Materials are provided.
Email amcnulty@safe-harbors.org to
reserve your spot by Friday August 2 at 9pm.



Please join us for a day of playful discovery and
artistic liberation in a free ink workshop with Ann Street Gallery exhibiting
artist, Suzy Sureck. Suzy’s workshop offers the public a glimpse into the
processes informing her Indigo Series, some of which are included in the
exhibition, Back and Forth, Between Names: An exhibition about bodies of
water.


The workshop will begin in
Ann Street Gallery, with an introduction to the exhibition and Suzy’s practice.
The artist will
discuss examples from her Indigo Series, which show water's fluidity and
structure, translucency, and unpredictability. Working with ink and water, Suzy
tunes in to a dance between intention and chance, starting with gestures from
the hand and body. The group will move to a workspace with tables, where Suzy will
lead us through dynamic mark making, using guided gestures and movements to
loosen us up to water’s flow. Let creativity roll with this free-drawing
process! You will be guided through gestures and serendipitous ink
techniques, unleashing fluid forms and vibrant colors.&#38;nbsp; 


With
hesitation or confidence, we make a mark, then let go of expectation, flowing
with surprise, alive with wonder. This process of direct experience continues
to be Suzy’s grounding practice and a lot of fun; she looks forward to sharing
it with you!



Suzy’s
ink process is seen in the images that move through pages of her first book of
poetry and drawings SEE /SAW published by LumenDot in December 2023. Signed
copies will be available.
	
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	Suzy Sureck Indigo Series works and workshop
Suzy Sureck is a
multidisciplinary artist whose sculpture, installation, and drawing involve
physical and metaphoric qualities of wind, water, and the poetics of shadow and
light. Cross-pollinating disciplines, she merges traditional media and
technology to bring nature’s wisdom to audiences experientially through text,
image, audio, and video. Suzy’s works have been exhibited in galleries,
museums, sculpture parks, biennials, art foundations and alternative spaces in
the U.S., Europe, the Middle East, Korea, Australia, and India. Recent works
include projection performances in the Hudson Valley, Germany and Lincoln
Center.&#38;nbsp; She has been awarded multiple
residencies including MassMOCA, Yaddo, Virginia Center for Creative Arts, Art
Omi and Studios of Key West. Her works have been reviewed in the NY Times,
Hyperallergic, Sculpture Magazine, World Art, Flash Art and. New Observations.
Suzy received a MFA in Sculpture from Cranbrook and BFA from Cooper Union. She
lives and works in New York, and is an educator at Pratt Institute and DIA.
https://suzysureck.com/@suzysureck


	Summer Exhibition Opens!
Back and Forth, Between Names:An exhibition about bodies of waterExhibitionJuly 6 - August 25, 2024Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment
Opening ReceptionSaturday July 6, 4:00 - 7:00 pmExtended hours for Upstate Art WeekendFriday July 19 - Sunday July 21, 12:00 - 5:00 pmWe are excited to share our participation in the fifth edition of Upstate Art Weekend! Over 140 cultural organizations will participate in this year’s edition, celebrating art and culture in ten counties in the Catskill Mountains and Hudson Valley. Ann Street Gallery in Newburgh is number 8 on the Upstate Art Weekend map.ProgrammingAugust 4 — Ink Workshop with Suzy Sureck 2:00pmAugust 18 — performance by Koyoltzintli 5:00pm August 24 — performance of Glacier Elegy Newburgh by &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Jaanika Peerna 2:00pm
 
Exhibition information here.
Ann Street Gallery’s summer exhibition and programming are made possible with support from the Dominican Sisters of Hope Ministry Fund and The M&#38;amp;T Charitable Foundation.
 &#60;img width="975" height="152" width_o="975" height_o="152" data-src="https://freight.cargo.site/t/original/i/30a787cd49094bfc32788256e6554cfe36d79baf31727430a2e27215b8bdb081/Dominican-Sisters-of-Hope-2.png" data-mid="213272387" border="0" data-scale="53" src="https://freight.cargo.site/w/975/i/30a787cd49094bfc32788256e6554cfe36d79baf31727430a2e27215b8bdb081/Dominican-Sisters-of-Hope-2.png" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="1194" height="315" width_o="1194" height_o="315" data-src="https://freight.cargo.site/t/original/i/0dc5f89fd56fe269dc5595c2ea6eceb4f562e342f09b59d82c0db973aac037ed/MTBank2016bw.jpg" data-mid="213272388" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/0dc5f89fd56fe269dc5595c2ea6eceb4f562e342f09b59d82c0db973aac037ed/MTBank2016bw.jpg" /&#62;
 

	&#60;img width="1830" height="1230" width_o="1830" height_o="1230" data-src="https://freight.cargo.site/t/original/i/260da9c2d41a3aa81cb454348dec25efcbd403ead1f3238a7164dcfd1a39ed98/Back-and-Forth-Between-Names---Postcard-Front-Final-JULY2-.jpg" data-mid="215419138" border="0"  src="https://freight.cargo.site/w/1000/i/260da9c2d41a3aa81cb454348dec25efcbd403ead1f3238a7164dcfd1a39ed98/Back-and-Forth-Between-Names---Postcard-Front-Final-JULY2-.jpg" /&#62;

&#60;img width="1066" height="1060" width_o="1066" height_o="1060" data-src="https://freight.cargo.site/t/original/i/2e8619080d98f4cd5afb88646ebba72318472f7ce52c5f43a96d143f53454c19/UPAW24-Logo.jpg" data-mid="215419137" border="0"  src="https://freight.cargo.site/w/1000/i/2e8619080d98f4cd5afb88646ebba72318472f7ce52c5f43a96d143f53454c19/UPAW24-Logo.jpg" /&#62;

	Emerging Artist Fellowship AnnouncementsOur Emerging Artist Fellowship 2024 Open Call closed on June 3, 2024. Applicants will be notified of jury selections in June, so stay tuned!
 
Find details about the Fellowship, alumni, and their projects here.
The 2024 Emerging Artist Fellowship is supported, in part, by the TD Charitable Foundation. The 2024 Fellowship Exhibition is made possible with funds from the Statewide Community Regrants Program, a regrant program of the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and administered by Arts Mid-Hudson.  

&#60;img width="1042" height="237" width_o="1042" height_o="237" data-src="https://freight.cargo.site/t/original/i/4f15f8d9567057128ca3edacb7036b5081f4a92a916ee2ec03a7d9c651badace/TD.jpg" data-mid="213272438" border="0"  src="https://freight.cargo.site/w/1000/i/4f15f8d9567057128ca3edacb7036b5081f4a92a916ee2ec03a7d9c651badace/TD.jpg" /&#62;
&#60;img width="1450" height="1007" width_o="1450" height_o="1007" data-src="https://freight.cargo.site/t/original/i/0d2b38633bbc5012fd12981e1067df67de1feeac6baad557dbaaf5771b39d883/AMH-New-Logo.png" data-mid="213272236" border="0"  src="https://freight.cargo.site/w/1000/i/0d2b38633bbc5012fd12981e1067df67de1feeac6baad557dbaaf5771b39d883/AMH-New-Logo.png" /&#62;
&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; 
	
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/5b23b4a44bf2316755754f8a2982bf7e61a00f1971cda2a2f3b08c12e45f1538/ReManifest---Installation-Shots---01.jpg" data-mid="213272316" border="0"  src="https://freight.cargo.site/w/1000/i/5b23b4a44bf2316755754f8a2982bf7e61a00f1971cda2a2f3b08c12e45f1538/ReManifest---Installation-Shots---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f8fe87a6564383d038d37cc867c9eaa49bbe57c573e16d0be0cfc5c7cb95a6c0/ReManifest---Installation-Shots---02.jpg" data-mid="213272319" border="0"  src="https://freight.cargo.site/w/1000/i/f8fe87a6564383d038d37cc867c9eaa49bbe57c573e16d0be0cfc5c7cb95a6c0/ReManifest---Installation-Shots---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1e0c827eef095658aaad8db83143c2c806920a31c4748e857434ef9efff316b4/ReManifest---Installation-Shots---03.jpg" data-mid="213272321" border="0"  src="https://freight.cargo.site/w/1000/i/1e0c827eef095658aaad8db83143c2c806920a31c4748e857434ef9efff316b4/ReManifest---Installation-Shots---03.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/b3e4516620ef1bb80713e8066f563e35976f8369e41ef8039f04ce08c26df0a1/ReManifest---Installation-Shots---06.jpg" data-mid="213272323" border="0"  src="https://freight.cargo.site/w/1000/i/b3e4516620ef1bb80713e8066f563e35976f8369e41ef8039f04ce08c26df0a1/ReManifest---Installation-Shots---06.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a2a87ff1d986f8e11b18f39271452b2a1a2e60fe2653a90a829cae8d13c3d80c/ReManifest---Installation-Shots---08.jpg" data-mid="213272324" border="0"  src="https://freight.cargo.site/w/1000/i/a2a87ff1d986f8e11b18f39271452b2a1a2e60fe2653a90a829cae8d13c3d80c/ReManifest---Installation-Shots---08.jpg" /&#62;
Emerging Artist Fellowship Exhibition 2023 — Re:Manifest
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/843134e1dce59688223c9f52af01ad0b3ca0c15293bd0081fac60b30b6823078/Anthology---Installation---01.jpg" data-mid="213272329" border="0"  src="https://freight.cargo.site/w/1000/i/843134e1dce59688223c9f52af01ad0b3ca0c15293bd0081fac60b30b6823078/Anthology---Installation---01.jpg" /&#62;
&#60;img width="1371" height="1920" width_o="1371" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e58b30ba47f13c1e749c3a9b80c48a329b1e6fa073972a4c0b008f68e401000d/Anthology---Installation---03.jpg" data-mid="213272334" border="0"  src="https://freight.cargo.site/w/1000/i/e58b30ba47f13c1e749c3a9b80c48a329b1e6fa073972a4c0b008f68e401000d/Anthology---Installation---03.jpg" /&#62;
&#60;img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e7834437cfd346a6415356acde9db30a519e68dd8aaa871dec4756b5a0123049/Anthology---Installation---04.jpg" data-mid="213272336" border="0"  src="https://freight.cargo.site/w/1000/i/e7834437cfd346a6415356acde9db30a519e68dd8aaa871dec4756b5a0123049/Anthology---Installation---04.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/106cd6181c289af6b0268459cecbe912cc85688d3a0e0ad6f8524a84d799a516/Anthology---Installation---05.jpg" data-mid="213272338" border="0"  src="https://freight.cargo.site/w/1000/i/106cd6181c289af6b0268459cecbe912cc85688d3a0e0ad6f8524a84d799a516/Anthology---Installation---05.jpg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/96d0d7fe7723c9617aa1afd756d74de0a99b293671f43b7ed344481127ee3357/Anthology---Installation---02.jpg" data-mid="213272342" border="0"  src="https://freight.cargo.site/w/1000/i/96d0d7fe7723c9617aa1afd756d74de0a99b293671f43b7ed344481127ee3357/Anthology---Installation---02.jpg" /&#62;

Emerging Artist Fellowship Exhibition 2022 — Anthology





	

Calling Them Home: A Tribute to the “99”SaturdayFebruary 24, 20242-4pmAnn Street GalleryFree &#38;amp; open to the public.Join us for a From the Ground UP performance celebrating the lives and honoring the deaths of those buried in Newburgh “Colored” Burial Ground, including the 99 individuals who were exhumed during construction of the City of Newburgh’s courthouse in 2008, and continue to await reburial.This last performance in the series of From the Ground UP events will include Newburgh’s all-star cast of Ralph, Jazzy, Manni &#38;amp; Dev M’Vore performing hymns, spirituals and movement. From the Ground UP project lead Jean-Marc Superville Sovak will introduce newly commissioned artworks on exhibition in the Gallery through March.The Gallery exhibition will continue to be open Saturdays and Sundays 12-4 through March 31.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. Visitors can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/087d003e499f3a46d7fd41e541521a21ca0c55c3f4079cf0902fc9be96a5024b/FTGU-Feb-24_FINAL.jpg" data-mid="213270841" border="0"  src="https://freight.cargo.site/w/1000/i/087d003e499f3a46d7fd41e541521a21ca0c55c3f4079cf0902fc9be96a5024b/FTGU-Feb-24_FINAL.jpg" /&#62;






	Myra B. Young Armstsead, Author of Freedom’s Gardener; James F. Brown, Horticulture, and the Hudson Valley in Antebellum America &#38;amp; Professor of Historical Studies at Bard College, &#38;amp; Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville SovakSaturdayFebruary 17, 20244:30-5:30pmAnn Street GalleryFree &#38;amp; open to the public.Dr. Armstead and Superville Sovak will conjure the extraordinary ordinariness of the life of James F. Brown, an emancipated Black man turned Master Gardener who established in 1851 the "Colored Peoples Union Burying Ground" at Fishkill Landing (present day Beacon, NY).The care and concern shown for burial spaces for African-Americans by an enfranchised, free Black man such as Brown as well as the concerns and activities of his days as chronicled in his journals, demonstrate dignity and respect claimed in both life and death, which contrast with descriptions and records of the "Colored” Burial Ground as operated by Newburgh’s Almshouse until 1867. The comparison invites us to look closer at evidence that the Ancestors buried in Newburgh’s “Colored” Burial Ground were cared for by their loved ones while also considering a vision for how they could have been shown proper care and respect under the city's charge. &#38;nbsp; &#38;nbsp;@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. Visitors can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!
	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/4d9e2a4ecf242105aa3d4a0324caaa627834a15a467d124fc405b7b6c5a91ba1/FTGU_Feb-17_FINAL.jpg" data-mid="213270842" border="0"  src="https://freight.cargo.site/w/1000/i/4d9e2a4ecf242105aa3d4a0324caaa627834a15a467d124fc405b7b6c5a91ba1/FTGU_Feb-17_FINAL.jpg" /&#62;






	

Unfolding GriefSaturdayFebruary 10, 20242-4pmAnn Street GalleryFree &#38;amp; open to the public.We invite the public to a community conversation in the Gallery. In remembrance of Ancestors buried in Newburgh's "Colored" Burial Ground, Ann Street Gallery Artist Researcher in Residence Jean-Marc Superville Sovak &#38;amp; artist, storyteller, and conservationist Vivian Sansour will hold space for local faith leaders, invited guests, and community members to share personal stories of loss from experiences across time &#38;amp; cultures.The conversation and stories that will be shared from direct experience aim to collectively consider:Whose deaths get to be mourned?Who deserves to be remembered? And how?How should the dead, once desecrated, be honored?Please join us on Saturday to&#38;nbsp; listen and converse within the evolving Gallery installation for the project From the Ground UP, which currently includes an installation by Jean-Marc Superville Sovak, photographs by Donna Francis, sumi ink drawing by Michelle Corporan, and a collection of books on loan from A Little Light Bookstore &#38;amp; Educational Center for Culture, History, &#38;amp; Freedom in Newburgh.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. Visitors can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/bab30357898bc1ceec353412df6be469392b98f45fbfcf1e977b8e801dedb159/FTGU-FEB-10_final.jpg" data-mid="213270843" border="0"  src="https://freight.cargo.site/w/1000/i/bab30357898bc1ceec353412df6be469392b98f45fbfcf1e977b8e801dedb159/FTGU-FEB-10_final.jpg" /&#62;





	Poems for the AncestorsSaturdayFebruary 3, 20242pmAnn Street GalleryFree &#38;amp; open to the public.We are thrilled to invite the public to a free poetry reading&#38;nbsp; in the Gallery on Saturday, February 3rd at 2pm to conjure, remember, and honor those laid to rest in Newburgh’s “Colored” Burial Ground.&#38;nbsp; Kate Hymes, Ulster County Poet Laureate, Poet Gold,&#38;nbsp; Dutchess County Poet Laureate, and Edwin Torres, Nuyorican Legend, will be performing and reading new and existing works in response to Artist Researcher in Residence, Jean-Marc Superville Sovak’s research on the Burial Ground, speculation on who may be buried there, and the context and circumstances of their burials.Please join us on Saturday for this unique reading performance amidst the evolving Gallery installation for the project From the Ground UP, which currently includes an installation by Jean-Marc Superville Sovak and photographs by Donna Francis.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. You can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!
	

&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/b7da0d9011409c0d57c981a83359f81c6346fc19bbd107f552e73bf1c6693d9f/FTGU-Feb-3-poster2.jpg" data-mid="213270844" border="0"  src="https://freight.cargo.site/w/1000/i/b7da0d9011409c0d57c981a83359f81c6346fc19bbd107f552e73bf1c6693d9f/FTGU-Feb-3-poster2.jpg" /&#62;


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Songs for the AncestorsSaturdayJanuary 27, 20242pmAnn Street GalleryFree &#38;amp; open to the public.We are thrilled to invite the public to a free ensemble performance in the Gallery on Saturday, January 27th at 2pm to Honor the Ancestors. Led by award-winning violinist, Gwen Laster, this ensemble includes bassist Damon Banks, guitarist/vocalist Patrick Jones, &#38;amp; percussionist Todd Isler. The ensemble will perform music from the Black American Diaspora, including folkloric music, African ceremonial music, Blues, and Jazz to honor those laid to rest in Newburgh’s “Colored” burial ground.Please join us on Saturday for this unique performance amidst the evolving Gallery installation for the project From the Ground UP.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. You can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome! 


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	Conjuring the AncestorsSaturdayJanuary 20, 202412-4pmAnn Street GalleryFree &#38;amp; open to the public.ASG Artist Researcher in Residence, Jean-Marc Superville Sovak, invites the public for a drop-in workshop this Saturday. Superville Sovak will give short presentations at 12:30, 1:30, and 2:30 to introduce his residency project, From the Ground UP, and explain his strategies for Conjuring the Ancestors, creating Collective Monuments, and honoring those buried in Newburgh’s “Colored” Burial Ground.Through the drafting of letters, shared conversation, and visioning ceremonies, Superville Sovak, will guide visitors in ways of using his research on the Newburgh “Colored” Burial Ground to honor and remember their ancestors. Visitors are encouraged to come with questions or messages to write or to be transcribed by the artist.Come by to learn about Newburgh history, engage in conversation with Superville Sovak on his latest research on the Burial Ground, Alms House Records, and Census Reports, and learn about the different ways you can contribute to the project! Visitors need not have prior knowledge of the project or the history to participate.&#38;nbsp; All materials provided.No Appointment needed: drop in, stay as long as you wish, all are welcome!
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Letters to the AncestorsSaturdayJanuary 13, 202412-4pmAnn Street GalleryFree &#38;amp; open to the public.We are excited to invite the public to our next FTGU event this Saturday January 13, 12pm-4pm! Please join ASG’s Artist Researcher in Residence, Jean-Marc Superville Sovak for the workshop, “Letters to the Ancestors,” an opportunity to put pen to paper and craft messages to those buried in, and those disinterred from, Newburgh’s “Colored” Burial Ground.Open to all ages, this workshop will include all materials, writing prompts, technical demonstrations and introductions to the historical context of New York’s (painfully) Gradual Abolition of Slavery.Superville Sovak will introduce his residency project and the historical context of the workshop at 12:30, 1:30, &#38;amp; 2:30.  Come anytime, stay as long as you wish!From the Ground UP events will continue on Saturday afternoons throughout January and February 2024, including artist talks and hands-on workshops as well as commissioned performances and poetry readings.The Gallery is open Saturdays and Sundays 12-4 (and by appointment) through February to:
view Superville Sovak’s evolving installation in the Gallery, which will gradually transform to include commissioned artworks from other regional artistscollect, document, discuss, and display offerings, messages, and conjuring bundles from the publicdiscuss the project and your visions for memorialization with the artistcollect coats for distribution in Newburghreference our curated collection of reading materialsFTGU events are updated weekly on ASG website and IG accounts and @ftgu2024


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/235507be471e59cc8c278be5d7ae4c06458c40c355531e431746cf429da68896/FTGU-Jan-13_Final.jpg" data-mid="213270847" border="0"  src="https://freight.cargo.site/w/1000/i/235507be471e59cc8c278be5d7ae4c06458c40c355531e431746cf429da68896/FTGU-Jan-13_Final.jpg" /&#62;


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&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/dd790a3ec0d0ca369b38a2a6477c7b998775251229be7dde9ea7d3d1bbdc2bed/FtGU---Events---07---Jan-13---05.jpg" data-mid="213270893" border="0"  src="https://freight.cargo.site/w/1000/i/dd790a3ec0d0ca369b38a2a6477c7b998775251229be7dde9ea7d3d1bbdc2bed/FtGU---Events---07---Jan-13---05.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/01cdf9a9e33efd67e589e0e4af2d9571b5ff553d6bbd00c75a9a86a1a70bf9dc/FtGU---Events---07---Jan-13---06.jpg" data-mid="213270894" border="0"  src="https://freight.cargo.site/w/1000/i/01cdf9a9e33efd67e589e0e4af2d9571b5ff553d6bbd00c75a9a86a1a70bf9dc/FtGU---Events---07---Jan-13---06.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4df8b704b6f92880b6bcd405adc6c2f5dad3e3e75300ea0e6617a07d075c3e13/FtGU---Events---07---Jan-13---07.jpg" data-mid="213270895" border="0"  src="https://freight.cargo.site/w/1000/i/4df8b704b6f92880b6bcd405adc6c2f5dad3e3e75300ea0e6617a07d075c3e13/FtGU---Events---07---Jan-13---07.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c673f5db59f1b28bedec57663b7f36527af93436cba7a054c689e911a90157d9/FtGU---Events---07---Jan-13---08.jpg" data-mid="213270896" border="0"  src="https://freight.cargo.site/w/1000/i/c673f5db59f1b28bedec57663b7f36527af93436cba7a054c689e911a90157d9/FtGU---Events---07---Jan-13---08.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/e5efab346b3f5b6db35833045f91276f2205a0a8ca092256f1b378f2d8d261bd/FtGU---Events---07---Jan-13---09.jpg" data-mid="213270897" border="0"  src="https://freight.cargo.site/w/1000/i/e5efab346b3f5b6db35833045f91276f2205a0a8ca092256f1b378f2d8d261bd/FtGU---Events---07---Jan-13---09.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/3599477fb312d59ad36e887ff9778d30a45e3a9db25682beecb7c6c1d4cb284b/FtGU---Events---07---Jan-13---10.jpg" data-mid="213270898" border="0"  src="https://freight.cargo.site/w/1000/i/3599477fb312d59ad36e887ff9778d30a45e3a9db25682beecb7c6c1d4cb284b/FtGU---Events---07---Jan-13---10.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ce005d411f5617d8f5506c61ad35c09675b9bbb3903116bcb24610f157bf2453/FtGU---Events---07---Jan-13---11.jpg" data-mid="213270899" border="0"  src="https://freight.cargo.site/w/1000/i/ce005d411f5617d8f5506c61ad35c09675b9bbb3903116bcb24610f157bf2453/FtGU---Events---07---Jan-13---11.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/bff3c93a41cf2a199d7114484f7dc789ed7e00ed9ee54581b9a623e3980d9f3a/FtGU---Events---07---Jan-13---12.jpg" data-mid="213270900" border="0"  src="https://freight.cargo.site/w/1000/i/bff3c93a41cf2a199d7114484f7dc789ed7e00ed9ee54581b9a623e3980d9f3a/FtGU---Events---07---Jan-13---12.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/aa09dc0d5cc735e658bd1440553d0e10a2375285716dc5a8c72c055954b2ba40/FtGU---Events---07---Jan-13---13.jpg" data-mid="213270901" border="0"  src="https://freight.cargo.site/w/1000/i/aa09dc0d5cc735e658bd1440553d0e10a2375285716dc5a8c72c055954b2ba40/FtGU---Events---07---Jan-13---13.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/86563a46e8103df9f146f884916475a42fa8e60e418e533644aa2546120758f7/FtGU---Events---07---Jan-13---14.jpg" data-mid="213270902" border="0"  src="https://freight.cargo.site/w/1000/i/86563a46e8103df9f146f884916475a42fa8e60e418e533644aa2546120758f7/FtGU---Events---07---Jan-13---14.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/42782888727c0b2ad314052e31c6f9923017c2dc2b08999b84091036c02f33f6/FtGU---Events---07---Jan-13---15.jpg" data-mid="213270903" border="0"  src="https://freight.cargo.site/w/1000/i/42782888727c0b2ad314052e31c6f9923017c2dc2b08999b84091036c02f33f6/FtGU---Events---07---Jan-13---15.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/89a1e8e52ba9931bf9ab90dd76edab9f41b566010be1c24af0f88a624192c773/FtGU---Events---07---Jan-13---16.jpg" data-mid="213270904" border="0"  src="https://freight.cargo.site/w/1000/i/89a1e8e52ba9931bf9ab90dd76edab9f41b566010be1c24af0f88a624192c773/FtGU---Events---07---Jan-13---16.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/64dc2cc9fed68e977fe3056d99932a15d39266e280076b22ed640487be53b3fb/FtGU---Events---07---Jan-13---17.jpg" data-mid="213270905" border="0"  src="https://freight.cargo.site/w/1000/i/64dc2cc9fed68e977fe3056d99932a15d39266e280076b22ed640487be53b3fb/FtGU---Events---07---Jan-13---17.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4f503f2a5c04f439670fdf3c1bb15abfc2815aedb76ef334a378175cad04e1dd/FtGU---Events---07---Jan-13---18.jpg" data-mid="213270906" border="0"  src="https://freight.cargo.site/w/1000/i/4f503f2a5c04f439670fdf3c1bb15abfc2815aedb76ef334a378175cad04e1dd/FtGU---Events---07---Jan-13---18.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7905c145ba46b50ba0f6f8ac1771adcf95b4a4af6760b65e52e9409760a03d4d/FtGU---Events---07---Jan-13---19.jpg" data-mid="213270907" border="0"  src="https://freight.cargo.site/w/1000/i/7905c145ba46b50ba0f6f8ac1771adcf95b4a4af6760b65e52e9409760a03d4d/FtGU---Events---07---Jan-13---19.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/bdf901bd067f20662bf8a3b3e8c13217079bac502587840e2b9c1f1de6e187b8/FtGU---Events---07---Jan-13---20.jpg" data-mid="213270908" border="0"  src="https://freight.cargo.site/w/1000/i/bdf901bd067f20662bf8a3b3e8c13217079bac502587840e2b9c1f1de6e187b8/FtGU---Events---07---Jan-13---20.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/85a529780d298f3863ba2fcb0d342ab93c0d9151b09b36b631c65ea8bb23c3ae/FtGU---Events---07---Jan-13---21.jpg" data-mid="213270909" border="0"  src="https://freight.cargo.site/w/1000/i/85a529780d298f3863ba2fcb0d342ab93c0d9151b09b36b631c65ea8bb23c3ae/FtGU---Events---07---Jan-13---21.jpg" /&#62;



	Artist Talk &#38;amp; Research Presentation: Jean-Mark Superville Sovak, ASG Artist Researcher in ResidenceSaturdayJanuary 6, 20242-4pmAnn Street GalleryFree &#38;amp; open to the public.Please join us Saturday January 6, 2024 2-4pm in the Gallery as Artist Researcher in Residence, Jean Marc Superville Sovak, presents his evolving residency research for the Project, From the Ground UP. Superville Sovak’s presentation will review his findings from the Newburgh Alms House Records (1853-58) and the Newburgh "Colored" Burial Ground Archeology, Osteology, and History Report. The event will feature guest artists reading Phillis Wheatley, Khalil Gibran, David Mills, and more!From the Ground UP is a coalition of local community stakeholders &#38;amp; artists dedicated to imagining ways to remember &#38;amp; honor African-Americans buried in Newburgh’s “Colored” Burial Ground through conversation &#38;amp; the arts. The project is led by Ann Street Gallery Artist Researcher in Residence (ARiR) Jean-Marc Superville Sovak.Events will continue on Saturday afternoons throughout January and February 2024. The Gallery is open Saturdays and Sundays 12-4 through February to:view Superville Sovak’s evolving projectcollect coats for distribution in Newburghdocument, discuss, and display offerings and conjuring bundles from the publicdiscuss the project and visions for memorialization with the artistTo learn more visit supervillesovak.com and follow @supersovak and @FTGU2024.
	

&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/2c6f3b512c0f257f5c9b365b558edb974cf09dd5c7cb389c4f3f441f13a8d5bd/FTGU_Jan-6_final.jpg" data-mid="213270848" border="0"  src="https://freight.cargo.site/w/1000/i/2c6f3b512c0f257f5c9b365b558edb974cf09dd5c7cb389c4f3f441f13a8d5bd/FTGU_Jan-6_final.jpg" /&#62;


&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/56adbc83a6ba9c3a4d3f5ab34a4a837eed3649ae1bbea84c8845f1823fc15ec5/FtGU---Events---06---Jan-6---01.jpg" data-mid="213270884" border="0"  src="https://freight.cargo.site/w/1000/i/56adbc83a6ba9c3a4d3f5ab34a4a837eed3649ae1bbea84c8845f1823fc15ec5/FtGU---Events---06---Jan-6---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/efa67b3f26be6b03a916ec7f5e17553f482abcc887feb443f84be8ba0b2392c6/FtGU---Events---06---Jan-6---02.jpg" data-mid="213270885" border="0"  src="https://freight.cargo.site/w/1000/i/efa67b3f26be6b03a916ec7f5e17553f482abcc887feb443f84be8ba0b2392c6/FtGU---Events---06---Jan-6---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/495ffd8e1a2dbc947546be93971e3185888cd3c9b63e51ee56118382524690cb/FtGU---Events---06---Jan-6---03.jpg" data-mid="213270886" border="0"  src="https://freight.cargo.site/w/1000/i/495ffd8e1a2dbc947546be93971e3185888cd3c9b63e51ee56118382524690cb/FtGU---Events---06---Jan-6---03.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a4275d8dea080efb8d2ac21dd86002ecbab03369e46627b17e08269dd95d2e3c/FtGU---Events---06---Jan-6---04.jpg" data-mid="213270887" border="0"  src="https://freight.cargo.site/w/1000/i/a4275d8dea080efb8d2ac21dd86002ecbab03369e46627b17e08269dd95d2e3c/FtGU---Events---06---Jan-6---04.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1668c120ab7dc0f3d985a24d2f791dee5ac75c3cfc343b3d2f7485e48556e00b/FtGU---Events---06---Jan-6---05.jpg" data-mid="213270888" border="0"  src="https://freight.cargo.site/w/1000/i/1668c120ab7dc0f3d985a24d2f791dee5ac75c3cfc343b3d2f7485e48556e00b/FtGU---Events---06---Jan-6---05.jpg" /&#62;




	

Artist Talk: Jean-Mark Superville Sovak, ASG Artist Researcher in ResidenceSaturdayDec. 16, 20232-4pmAnn Street GalleryFree &#38;amp; open to the public.Please join us today at 2pm in the Gallery or on Zoom for an artist talk by ASG Artist Researcher in Residence, Jean-Marc Superville Sovak. Zoom link @ftgu2024Join Zoom MeetingMeeting ID: 882 6827 6731Passcode: FTGU2023Superville Sovak will present his art practice and research leading to his residency project, From the Ground UP. He will discuss his approach to the project and answer questions about his research followed by a discussion and reflection.Superville Sovak and From the Ground UP are in residence at ASG through February. Over the course of the residency, the project transforms the Gallery into a lab, workshop, and exhibition space dedicated to the memorialization of African-American lives and deaths in Newburgh shortly after the Gradual Abolition of slavery in NY state.Coat Collection:As a participatory and durational form of memorialization, the gallery requests donations of gently used winter coats to distribute in the vicinity.


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/cef266b82613dd589cb4aff584dd542f27a1d22dc94b69535a18ff1acd75d2d8/FTGU_Dec-16-Flier-Final.jpg" data-mid="213270849" border="0"  src="https://freight.cargo.site/w/1000/i/cef266b82613dd589cb4aff584dd542f27a1d22dc94b69535a18ff1acd75d2d8/FTGU_Dec-16-Flier-Final.jpg" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f9d44a07d7feb9da366b6fbf83324a161a932fd57af8904d15b87141977baf09/FtGU---Events---05---Dec-16---01.jpg" data-mid="213270878" border="0"  src="https://freight.cargo.site/w/1000/i/f9d44a07d7feb9da366b6fbf83324a161a932fd57af8904d15b87141977baf09/FtGU---Events---05---Dec-16---01.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e323c096d0e564a0f01d16b5be28e51a1b6509044387d3c2210ca8e22d7f4764/FtGU---Events---05---Dec-16---02.jpg" data-mid="213270879" border="0"  src="https://freight.cargo.site/w/1000/i/e323c096d0e564a0f01d16b5be28e51a1b6509044387d3c2210ca8e22d7f4764/FtGU---Events---05---Dec-16---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/06c003610db8e0663f0a805ca4d92307475f2a0e950b837300e17156a0d21350/FtGU---Events---05---Dec-16---03.jpg" data-mid="213270880" border="0"  src="https://freight.cargo.site/w/1000/i/06c003610db8e0663f0a805ca4d92307475f2a0e950b837300e17156a0d21350/FtGU---Events---05---Dec-16---03.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ab1e3a68688d5ca2a51641357610988c2eae9c1fef9a7d694e9657fc5a6e43f3/FtGU---Events---05---Dec-16---04.jpg" data-mid="213270881" border="0"  src="https://freight.cargo.site/w/1000/i/ab1e3a68688d5ca2a51641357610988c2eae9c1fef9a7d694e9657fc5a6e43f3/FtGU---Events---05---Dec-16---04.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d65ab68709b58818b9dfbc5ef5b7c9d3dfb29b3b97b98f88a25647bdc3cb6dc7/FtGU---Events---05---Dec-16---05.jpg" data-mid="213270882" border="0"  src="https://freight.cargo.site/w/1000/i/d65ab68709b58818b9dfbc5ef5b7c9d3dfb29b3b97b98f88a25647bdc3cb6dc7/FtGU---Events---05---Dec-16---05.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/6d9089edbb3696f50678533bd59742286e393919e2f9f6b3af24cdfe11ec275d/FtGU---Events---05---Dec-16---06.jpg" data-mid="213270883" border="0"  src="https://freight.cargo.site/w/1000/i/6d9089edbb3696f50678533bd59742286e393919e2f9f6b3af24cdfe11ec275d/FtGU---Events---05---Dec-16---06.jpg" /&#62;





	Community GatheringSaturdayDec. 9, 20232-4pmAnn Street GalleryFree &#38;amp; open to the public.Historian Dr. Christina Ziegler-McPherson will Zoom in to this in-person gathering to introduce visitors to the historical context of the project From the Ground UPduring the post Emancipation (1827) and antebellum years (1861-65) that coincide with the Newburgh “colored” cemetery’s usage. THe presentation will be followed by a Q&#38;amp;A hosted by Ann Street Gallery’s Artist Researcher in Residence, Jean-Marc Superville-Sovak &#38;amp; community organizer Gabrielle Burton-Hill.Coat Collection:As a participatory and durational form of memorialization, the gallery requests donations of gently used winter coats to distribute in the vicinity.
	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/92a12a18ed193037883e61bf51f1ca8785c9e86a282095e1e9f38aff2bb26104/FTGU_Dec-9_V3.jpg" data-mid="213270850" border="0"  src="https://freight.cargo.site/w/1000/i/92a12a18ed193037883e61bf51f1ca8785c9e86a282095e1e9f38aff2bb26104/FTGU_Dec-9_V3.jpg" /&#62;


&#60;img width="1920" height="937" width_o="1920" height_o="937" data-src="https://freight.cargo.site/t/original/i/8a7d3ab896c05d39d9b62c5441339a1216706848255a7457a7ed3da2a0db54c9/FtGU---Events---04---Dec-9---01.jpg" data-mid="213270874" border="0"  src="https://freight.cargo.site/w/1000/i/8a7d3ab896c05d39d9b62c5441339a1216706848255a7457a7ed3da2a0db54c9/FtGU---Events---04---Dec-9---01.jpg" /&#62;
&#60;img width="1400" height="1920" width_o="1400" height_o="1920" data-src="https://freight.cargo.site/t/original/i/0977dd1e500aa20fe60f5368c8de51df935f6858db0908c6d8dc826855fea4d9/FtGU---Events---04---Dec-9---02.jpg" data-mid="213270875" border="0"  src="https://freight.cargo.site/w/1000/i/0977dd1e500aa20fe60f5368c8de51df935f6858db0908c6d8dc826855fea4d9/FtGU---Events---04---Dec-9---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/49b5e173e663cd5d0d9a5c0bcab6294e79b9a12cb5e30501d1e6ecf315bc9db6/FtGU---Events---04---Dec-9---03.jpg" data-mid="213270876" border="0"  src="https://freight.cargo.site/w/1000/i/49b5e173e663cd5d0d9a5c0bcab6294e79b9a12cb5e30501d1e6ecf315bc9db6/FtGU---Events---04---Dec-9---03.jpg" /&#62;
&#60;img width="1416" height="1920" width_o="1416" height_o="1920" data-src="https://freight.cargo.site/t/original/i/44cf083555df4aa5b851c340fe187d153943f57881ab01448d2bd38c1ae7922f/FtGU---Events---04---Dec-9---04.jpg" data-mid="213270877" border="0"  src="https://freight.cargo.site/w/1000/i/44cf083555df4aa5b851c340fe187d153943f57881ab01448d2bd38c1ae7922f/FtGU---Events---04---Dec-9---04.jpg" /&#62;



	

Community GatheringSaturdayOct 28, 20233-5pmBroadway &#38;amp; Robinson AveFree &#38;amp; open to the public.


	&#60;img width="3840" height="4946" width_o="3840" height_o="4946" data-src="https://freight.cargo.site/t/original/i/37ff4295e71e491526ba70535876a97a90cc32172b2e5f7a819de24fe6175afa/Oct-28-Poster.png" data-mid="213270853" border="0"  src="https://freight.cargo.site/w/1000/i/37ff4295e71e491526ba70535876a97a90cc32172b2e5f7a819de24fe6175afa/Oct-28-Poster.png" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c04a02d087c84d676a989eb8847c9e2e7a0bc8416d37a8a4add2667845fa2312/FtGU---Events---02---Oct-15---01.jpg" data-mid="213270863" border="0"  src="https://freight.cargo.site/w/1000/i/c04a02d087c84d676a989eb8847c9e2e7a0bc8416d37a8a4add2667845fa2312/FtGU---Events---02---Oct-15---01.jpg" /&#62;
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Community Gathering, Workshop &#38;amp; Artist TalkSaturdayOct 21, 20233-5pmAnn Street GalleryFree &#38;amp; open to the public.Please join sculptor Vinnie Bagwell, Community Activist Gabrielle Burton Hill, and artist Jean-Marc Superville Sovak for a community gathering, artist talk, and workshop this Saturday October 21 from 3-5pm in Ann Street Gallery.This event launches From the Ground UP, a coalition of local community stakeholders &#38;amp; artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak, who are dedicated to imagining ways to remember &#38;amp; honor African-Americans buried in the “Newburgh Colored Burial Ground” through conversation &#38;amp; the arts.From the Ground UP will consist of a series of gatherings at Ann Street Gallery and other local sites that are free and open to the public with the aim to solicit, discuss, and materialize answers from a wide variety of community stakeholders committed to collectively asking such questions as: How should memorials function? How should the dead, once desecrated, now be honored? What is the reparative capacity of a memorial and how can gestures, space, or objects serve that capacity to its fullest potential?

Saturday’s program will include:
An introduction to the initiative From the Ground UP from artist and educator, Jean-Marc Superville SovakAn artist talk and presentation from sculptor Vinnie Bagwell about her visionary work in reframing public art and memorials to include historic black imagesA workshop with community activist Gabrielle Burton Hill, which will provide an overview of the history of the “Newburgh Colored Burial Ground” and the Newburgh Colored Burial Ground Association’s 15 year-long effort to raise awareness about this overlooked aspect of Newburgh’s history.&#38;nbsp; The workshop also aims to identify the priorities of local community stakeholders in the project From the Ground UP





	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/62767986b75c73ee102f7154b07d8591d3bb4f9bd767c5cca1039b16e8713f49/FTGU_Vinnie-poster5-AM-edit.jpg" data-mid="213270851" border="0"  src="https://freight.cargo.site/w/1000/i/62767986b75c73ee102f7154b07d8591d3bb4f9bd767c5cca1039b16e8713f49/FTGU_Vinnie-poster5-AM-edit.jpg" /&#62;


&#60;img width="1920" height="1203" width_o="1920" height_o="1203" data-src="https://freight.cargo.site/t/original/i/4ef59693928848dd591d4991b31d721d11ab5e1db9de5a47da613125955e8c9e/FtGU---Events---03---Oct-21---01.jpg" data-mid="213270865" border="0"  src="https://freight.cargo.site/w/1000/i/4ef59693928848dd591d4991b31d721d11ab5e1db9de5a47da613125955e8c9e/FtGU---Events---03---Oct-21---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c3093f7e233e9a487afdd7b2ffa401cfb1e3d7e437db058cc293c93e5a2fabd2/FtGU---Events---03---Oct-21---02.jpg" data-mid="213270866" border="0"  src="https://freight.cargo.site/w/1000/i/c3093f7e233e9a487afdd7b2ffa401cfb1e3d7e437db058cc293c93e5a2fabd2/FtGU---Events---03---Oct-21---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/5c2bd9d1b37d8b18e0fae29014798eedc467129510161a4c7f9aaf4ce1d61808/FtGU---Events---03---Oct-21---03.jpg" data-mid="213270867" border="0"  src="https://freight.cargo.site/w/1000/i/5c2bd9d1b37d8b18e0fae29014798eedc467129510161a4c7f9aaf4ce1d61808/FtGU---Events---03---Oct-21---03.jpg" /&#62;
&#60;img width="1920" height="1186" width_o="1920" height_o="1186" data-src="https://freight.cargo.site/t/original/i/610538616e87d0a7074e61b6e9251d51e8303d42e449333802732edb2b0b707b/FtGU---Events---03---Oct-21---04.jpg" data-mid="213270868" border="0"  src="https://freight.cargo.site/w/1000/i/610538616e87d0a7074e61b6e9251d51e8303d42e449333802732edb2b0b707b/FtGU---Events---03---Oct-21---04.jpg" /&#62;
&#60;img width="1920" height="1152" width_o="1920" height_o="1152" data-src="https://freight.cargo.site/t/original/i/170769eca8e4591181651d57108c99e84a0a91f8e5603c58acdf26743531d6a0/FtGU---Events---03---Oct-21---05.jpg" data-mid="213270869" border="0"  src="https://freight.cargo.site/w/1000/i/170769eca8e4591181651d57108c99e84a0a91f8e5603c58acdf26743531d6a0/FtGU---Events---03---Oct-21---05.jpg" /&#62;
&#60;img width="1920" height="1157" width_o="1920" height_o="1157" data-src="https://freight.cargo.site/t/original/i/686c2032f6df153744f8e0241a55f205494a48f4519958f648b971ed1cf93b6d/FtGU---Events---03---Oct-21---06.jpg" data-mid="213270870" border="0"  src="https://freight.cargo.site/w/1000/i/686c2032f6df153744f8e0241a55f205494a48f4519958f648b971ed1cf93b6d/FtGU---Events---03---Oct-21---06.jpg" /&#62;
&#60;img width="1920" height="1024" width_o="1920" height_o="1024" data-src="https://freight.cargo.site/t/original/i/3c2d227df679cf3d15c08a587f379a260b831afd97dc3930e413b286fb2b8376/FtGU---Events---03---Oct-21---07.jpg" data-mid="213270871" border="0"  src="https://freight.cargo.site/w/1000/i/3c2d227df679cf3d15c08a587f379a260b831afd97dc3930e413b286fb2b8376/FtGU---Events---03---Oct-21---07.jpg" /&#62;
&#60;img width="1920" height="894" width_o="1920" height_o="894" data-src="https://freight.cargo.site/t/original/i/ea93e164ec73807088b4a9288b2b699df91d333340e9dfbd2651a4429ce8c608/FtGU---Events---03---Oct-21---08.jpg" data-mid="213270872" border="0"  src="https://freight.cargo.site/w/1000/i/ea93e164ec73807088b4a9288b2b699df91d333340e9dfbd2651a4429ce8c608/FtGU---Events---03---Oct-21---08.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/2e5c97e5e37a79aa33d46c75dc2da981ae8a25390ff271b2b96675f7713a5936/FtGU---Events---03---Oct-21---09.jpg" data-mid="213270873" border="0"  src="https://freight.cargo.site/w/1000/i/2e5c97e5e37a79aa33d46c75dc2da981ae8a25390ff271b2b96675f7713a5936/FtGU---Events---03---Oct-21---09.jpg" /&#62;




	

Community GatheringSaturdayOct 8, 20233-5pmBroadway &#38;amp; Robinson AveFree &#38;amp; open to the public.


	&#60;img width="2970" height="3840" width_o="2970" height_o="3840" data-src="https://freight.cargo.site/t/original/i/db8e28cbb7ca8cb72f80aa929bcaeef9b9aba9b510d7683d4c1670df95473192/Oct-8-Poster.png" data-mid="213270993" border="0"  src="https://freight.cargo.site/w/1000/i/db8e28cbb7ca8cb72f80aa929bcaeef9b9aba9b510d7683d4c1670df95473192/Oct-8-Poster.png" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1c2246a94b2fcfe805c67846c310aeae24332b5c3aa14199221055053930e672/FtGU---Events---01---Oct-8---01.jpg" data-mid="213270854" border="0"  src="https://freight.cargo.site/w/1000/i/1c2246a94b2fcfe805c67846c310aeae24332b5c3aa14199221055053930e672/FtGU---Events---01---Oct-8---01.jpg" /&#62;
&#60;img width="1920" height="1784" width_o="1920" height_o="1784" data-src="https://freight.cargo.site/t/original/i/9ae8ebb6387296cd436dc1a15ffa4b54f35881b7bc6b6320177413d0818fbb8f/FtGU---Events---01---Oct-8---02.jpg" data-mid="213270855" border="0"  src="https://freight.cargo.site/w/1000/i/9ae8ebb6387296cd436dc1a15ffa4b54f35881b7bc6b6320177413d0818fbb8f/FtGU---Events---01---Oct-8---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/8868c8f6e80a1d25885b0c121a863f39b1240b964d35f835fc56adc9b48a4524/FtGU---Events---01---Oct-8---03.jpg" data-mid="213270856" border="0"  src="https://freight.cargo.site/w/1000/i/8868c8f6e80a1d25885b0c121a863f39b1240b964d35f835fc56adc9b48a4524/FtGU---Events---01---Oct-8---03.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/fe876d580e96d0ef7fab6c07b23822a31f91d8ad51cdf2f87603175631b1d1fd/FtGU---Events---01---Oct-8---04.jpg" data-mid="213270857" border="0"  src="https://freight.cargo.site/w/1000/i/fe876d580e96d0ef7fab6c07b23822a31f91d8ad51cdf2f87603175631b1d1fd/FtGU---Events---01---Oct-8---04.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/88674c50917751c3f423fc82ead0d05e2403e0ee09798159558f9b5347184979/FtGU---Events---01---Oct-8---05.jpg" data-mid="213270858" border="0"  src="https://freight.cargo.site/w/1000/i/88674c50917751c3f423fc82ead0d05e2403e0ee09798159558f9b5347184979/FtGU---Events---01---Oct-8---05.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6a083ece1a52ddd6a222a1a6186834f763650153a663c630cbc719f2c1880c8c/FtGU---Events---01---Oct-8---06.jpg" data-mid="213270859" border="0"  src="https://freight.cargo.site/w/1000/i/6a083ece1a52ddd6a222a1a6186834f763650153a663c630cbc719f2c1880c8c/FtGU---Events---01---Oct-8---06.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/96913483092afd6c9d231816dc301dd10d8c48a6127d8823f6794c8f3a723279/FtGU---Events---01---Oct-8---07.jpg" data-mid="213270860" border="0"  src="https://freight.cargo.site/w/1000/i/96913483092afd6c9d231816dc301dd10d8c48a6127d8823f6794c8f3a723279/FtGU---Events---01---Oct-8---07.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f0fd1a68650f0648e0206a37b9a87d6cd36d214fb30fa3bab752edeb8541ce70/FtGU---Events---01---Oct-8---08.jpg" data-mid="213270861" border="0"  src="https://freight.cargo.site/w/1000/i/f0fd1a68650f0648e0206a37b9a87d6cd36d214fb30fa3bab752edeb8541ce70/FtGU---Events---01---Oct-8---08.jpg" /&#62;
&#60;img width="1455" height="1920" width_o="1455" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6595851a63d804223da797383daf68db7479bedd987ed94d22d86747e31e0b16/FtGU---Events---01---Oct-8---09.jpg" data-mid="213270862" border="0"  src="https://freight.cargo.site/w/1000/i/6595851a63d804223da797383daf68db7479bedd987ed94d22d86747e31e0b16/FtGU---Events---01---Oct-8---09.jpg" /&#62;




	Ann Street Gallery is honored to announce Artist Researcher in Residence, Jean-Marc Superville Sovak &#38;amp; his residency project, From The Ground UP
Jean-Marc Superville Sovak is a multidisciplinary artist and teaching professional whose work represents silent histories of multi-racial identities that make up the DNA of this country as well his own. His “a-Historical Landscapes” involve altering original 19th-century landscape engravings to include images from Anti-Slavery publications. His public artwork includes organizing a “Burial for White Supremacy”, retracing steps on the Underground Railroad at Hudson Valley historic sites, monuments to Afro-Dutch pioneers in Rockland County, and a memorial to the earliest Africans to arrive in Rhode Island. A graduate of Bard College (M.F.A. Film/Video), Jean-Marc is the 2023 recipient of Art Mid-Hudson’s Empowering Artist Award and an Individual Artist Commission. Jean-Marc’s art has been exhibited at RecessArt, Brooklyn, the Aldrich Contemporary Art Museum, Arts Westchester, Socrates Sculpture Park, and the Katonah Museum of Art. Jean-Marc has been a guest curator at the Dorsky Museum and has been Visiting Artist at Bard College, SUNY New Paltz, Columbia University and Vassar College.From the Ground UP is a convergence of local community stakeholders and artists led by Ann Street
Gallery Artist Researcher in Residence (ARiR) Jean-Marc Superville Sovak. The project brings Superville
Sovak’s creative research and practice together with community members dedicated to imagining,
rendering, and presenting collaboratively-designed visions for remembering and honoring African-
Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and
the arts.From the Ground UP is
conceived as an open-source feedback loop to display a diversity of ideas and creative forms of what
publicly-inspired and collaboratively-designed memorials could look like, including stories, offerings,
speculative proposals, performances, readings, discussions, and more.

					
				
			
		
	

To learn more about Jean-Marc Superville Sovak’s practice and research, visit
http://www.supervillesovak.com and follow @supersovak and @FTGU2024.


	&#60;img width="720" height="720" width_o="720" height_o="720" data-src="https://freight.cargo.site/t/original/i/b2e7d025ad3db8f681897da6c7492c49776a1bed694cd4270bf94eb1b41ef154/JM-profile-pic-copy.jpg" data-mid="213271172" border="0"  src="https://freight.cargo.site/w/720/i/b2e7d025ad3db8f681897da6c7492c49776a1bed694cd4270bf94eb1b41ef154/JM-profile-pic-copy.jpg" /&#62;&#60;img width="2100" height="2482" width_o="2100" height_o="2482" data-src="https://freight.cargo.site/t/original/i/34548a64748b02f92eede1c4ea07e32c6483356a7c85963e09c9e578ebcf1043/From-the-Ground-UP_logo5.jpg" data-mid="213271183" border="0"  src="https://freight.cargo.site/w/1000/i/34548a64748b02f92eede1c4ea07e32c6483356a7c85963e09c9e578ebcf1043/From-the-Ground-UP_logo5.jpg" /&#62;




	Collective Re:Manifesting A Community Engagement on Indigenous People’s DayMonday October 9, 2023 4-6pm in the Safe Harbors Green, Newburgh NY&#38;nbsp; (Corner of Broadway &#38;amp; Liberty)
 

The 2023 Ann Street Gallery Emerging Artist Fellows Rachel Olivia Berg, Michelle Corporan, &#38;amp; Shani Richards invite the public to engage in conversation and questioning surrounding freedom, discovery, and identity toward collective creative actions and commitment to change.
The Ann Street Gallery will be open 3-8:30pm for the exhibition Re:Manifest and will host a Screening of the documentary “Columbus in America”in Ann Street Gallery 6:30-8pm104 Ann St Newburgh, NY 12550All programming free &#38;amp; open to the public.

	&#60;img width="1920" height="1298" width_o="1920" height_o="1298" data-src="https://freight.cargo.site/t/original/i/967fddc337c4c64ee8aa3ac44961cca8ba5368baa1a3ab0faacdae81d5c8bee9/thumbnail_ReManifesting-Graphic.jpg" data-mid="213271243" border="0"  src="https://freight.cargo.site/w/1000/i/967fddc337c4c64ee8aa3ac44961cca8ba5368baa1a3ab0faacdae81d5c8bee9/thumbnail_ReManifesting-Graphic.jpg" /&#62;


	Listening to Land
Closing Reception &#38;amp; Gallery TalksExhibitionJuly 13 - August 27 

Closing Reception
Sunday August 27 4:00 - 5:30 PM


Please join artists included in “Listening to Land” for an informal closing reception and gallery talks on Sunday, August 27th following Kite and Robbie Wing’s Workshop for Listening to Nonhumans.The Gallery will be open both Sat Aug 26th and Sun Aug 27th 1:00 - 5:00PM
Listening to Nonhumans Workshop Sunday Aug 27th 2:00 - 4:00 PM
Reception &#38;amp; Gallery Talks Sunday Aug 27th 4:00 - 5:30 PMThese events will close out our summer exhibition! Don’t miss the last weekend to see this show and hear from theThe workshop and reception are free and open to the public and do not require a reservation. We hope you will come and take a closer look and listen with us this weekend!

	&#60;img width="3721" height="2888" width_o="3721" height_o="2888" data-src="https://freight.cargo.site/t/original/i/f0db4dc95e7f994cb0fa41b07b598f3328580f36c0fcf7045e65667fdef111c2/IMG_4003.jpeg" data-mid="213271300" border="0"  src="https://freight.cargo.site/w/1000/i/f0db4dc95e7f994cb0fa41b07b598f3328580f36c0fcf7045e65667fdef111c2/IMG_4003.jpeg" /&#62;

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	Listening to Land - Listening to Nonhumans (Heard and Unheard)A Workshop with Kite &#38;amp; Robbie WingSUNDAY AUG 272-4pmFollowed by a closing reception with gallery talks 4-5:30Free and open to the public; No reservation requiredLocation:Ann Street Gallery, 104 Ann Street, Newburgh NY 12550Note: this workshop includes 30+ mins of walking with a small group outside the gallery.In this workshop, Kite and Robbie Wing will guide participants in listening to the knowable and the unknowable: listening with and through nonhumans in the physical world and nonhumans in the unseen world. This training proposes that the frameworks for ethical decision-making must be learned in relationship with nonhuman beings. Half of this training will involve outdoor soundwalks, the other half will involve dreaming and futuring. Listening to nonhumans, on earth and in the spirit world leads to knowing how nonhumans create new knowledge.This workshop was developed thinking alongside the work of the Initiative for Indigenous Futures, Leroy Little bear, Leanne Simpson, Dylan Robinson, Raven Chacon, Zoe Todd, AM Kanngeiser, Florian Malzacher, Jonas Staal; and Fondazione Sandretto.Kite’s photograph and Curated Reading List 003, along with Kite and Robbie Wing’s 8-channel sound installation are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Kite (Dr. Suzanne Kite) is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition,and an MFA from Bard College’s Milton Avery Graduate School, and a Ph.D. in Fine Arts from Concordia University, Montreal. Kite’s scholarship and practice investigate contemporary Lakȟóta ontologies through research-creation, computational media, and performance, often working in collaboration with family and community members. Recently, Kite has been developing body interfaces for machine learning driven performance and sculptures generated by dreams, and experimental sound and video work. Kite has published in The Journal of Design and Science (MIT Press), with the award winning article, “Making Kin with Machines,” co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis. Kite is currently a 2023 Creative Capital Award Winner, 2023 USA Fellow, and a 2022-2023 Creative Time Open Call artist with Alisha B. Wormsley. Kite is currently Artist-in-Residence and Visiting Scholar at Bard College and a Research Associate and Residency Coordinator for the Abundant Intelligences (Indigenous AI) project.http://kitekitekitekite.com/@kitekitekitekitekiteRobbie Wing (Cherokee) is an artist, musician, and composer. His artistic practice focuses on immersive and spatialized sound installations, ecological sound art, and composition for acoustic instruments, electronics, and field recordings. Robbie holds an undergraduate degree in Environmental Sustainability and a master's degree in Urban Design from the University of Oklahoma where he developed sound art installations based on his research on environmental psychology and acoustic landscapes. Robbie has presented his work and performed at various venues, including the Portland Institute for Contemporary Art, Tulsa Artist Fellowship Flagship Gallery, Philbrook Museum, University of Kent in Chatham, UK, Institute for Advanced Studies in Kószeg, Hungary, Roy and Edna Disney CalArts Theater and the Center for Arts, Research &#38;amp; Alliances.RobbieWing.com@wingrobbie
	&#60;img width="1920" height="1273" width_o="1920" height_o="1273" data-src="https://freight.cargo.site/t/original/i/6d68098472f545c2500681708f4512ed4981076ef54aedacb55e75161359cf22/Listening-to-Land---Workshop-04---Listening-to-Nonhumans03.jpg" data-mid="213271441" border="0"  src="https://freight.cargo.site/w/1000/i/6d68098472f545c2500681708f4512ed4981076ef54aedacb55e75161359cf22/Listening-to-Land---Workshop-04---Listening-to-Nonhumans03.jpg" /&#62;&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/51fc03b7cbeedcd2707d1dc2c3bf2fb95c32fcf65fda0b688573c4ba0e33fb78/Listening-to-Land---Workshop-04---Listening-to-Nonhumans02.jpg" data-mid="213271440" border="0"  src="https://freight.cargo.site/w/1000/i/51fc03b7cbeedcd2707d1dc2c3bf2fb95c32fcf65fda0b688573c4ba0e33fb78/Listening-to-Land---Workshop-04---Listening-to-Nonhumans02.jpg" /&#62;




	Listening to Land - Feral Hues of the Hudson River EstuaryA Workshop on Foraging &#38;amp; Making Paint with Wild Plants in Newburghwith Ellie IronsSaturday August 192:00 - 4:00 pmFree and open to the public; Limited to 12 participants
Reservation requiredEmail amcnulty@safe-harbors.orgLocation: Ann Street Gallery, 104 Ann Street, Newburgh NY 12550 &#38;amp; Newburgh RiverfrontConfirmed participants will receive an email with schedule and meeting pointInterdisciplinary artist and educator Ellie Irons will lead a hands-on foraging and paint-making workshop focused on the wild, weedy, and feral plants who green the city streets and shoreline ofEllie’s Watershed Topography drawings are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Ellie Irons is an artist and educator living and working on Mohican land in current-day Troy, New York, USA. From foraged watercolor paintings to un-lawning experiments, her work combines socially engaged art, ecology fieldwork, and embodied learning. She is a co-founder of the Next Epoch Seed Library and the Environmental Performance Agency, collaborations investigating relationships between humans and spontaneous urban plants (aka weeds). Her solo and collaborative work has been part of recent exhibitions on contemporary environmental art, including The Department of Human and Natural Services at NURTUREArt, Ecological Consciousness: Artist as Instigator at Wave Hill, and Unsettled Nature at the Smithsonian Museum of Natural History. Her work has been covered by publications ranging from Art in America to the Proceedings of the National Academy of Sciences. Irons received a BA from Scripps College in Los Angeles and an MFA from Hunter College in New York. In December 2021, she completed a PhD&#38;nbsp;in arts practice at Rensselaer Polytechnic Institute, focused on socially engaged environmental art. She is currently a community science educator and lab manager at the Sanctuary for&#38;nbsp;Independent Media’s NATURE Lab.
https://ellieirons.com/
@elslaurelEllie's recent book Feral Hues: A Guide to Painting with Weeds will&#38;nbsp; be available for purchase. (Sliding scale $15-25)
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	Ann Street Gallery will participate in Upstate Art Weekend July 22-23, 2023ASG Gallery is featured on Route 4 of the UPAW Journeys Route Plan:“Ann Street
104 Ann Street
Curated by Hudson Valley name-to-know
Alison McNulty, an artist and educator, is
“Listening to Land,” an exhibition of
practices that use listening in relation to
place and place-making from Margaux
Crump, Donna Francis, Katerie Gladdys, Katie Grove, Ellie
Irons, Sergey Jivetin, Kite and Robbie Wing, Fernanda
Mello, Steve Rossi, Jean-Marc Superville Sovak, Susan Walsh, and Millicent Young.Download the Route Plan Here.Find the customizable MAP Here.


	&#60;img width="1083" height="1075" width_o="1083" height_o="1075" data-src="https://freight.cargo.site/t/original/i/7a3e42ee16f9b967618810bc2fb72fc26d0cb2f5e1db172f589f0c0359bb64c2/UPSTATE-ART-WEEKEND-2023-Logo.jpg" data-mid="213271343" border="0"  src="https://freight.cargo.site/w/1000/i/7a3e42ee16f9b967618810bc2fb72fc26d0cb2f5e1db172f589f0c0359bb64c2/UPSTATE-ART-WEEKEND-2023-Logo.jpg" /&#62;


	Listening to Land - Basswood Cordagewith Katie GroveUpstate Art WeekendSunday July 23rd12:00 - 3:00 pmParticipants are invited to join for just a few minutes or the entire workshop period.Free and open to the public.No Reservation needed.Cordage, made by twisting two strands of plant fiber together by hand, is one of the oldest technologies in human culture. In this drop-in workshop with artist and basketry teacher Kati Grove participants will learn to make cordage with locally harvested basswood tree bark fiber in an immersive, thought provoking, and welcoming setting. During the workshop the instructor will share stories of how she harvested and processed the fiber as well as the history of this material in North America, Europe, and Asia.Several works by Katie Grove are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Katie Grove is an artist and educator whose passion is to inspire both viewers of her art and students in her basketry classes to build a relationship with the plants growing around them. She teaches from her studio in the beautiful Rondout Valley of New York State and enjoys a robust studio practice that merges traditional basketry techniques with sculpture. Katie holds a BF in Printmaking from SUNY New Paltz and an MFA in Interdisciplinary Art from the NOMAD program at University ofHartford.To learn more about Katie’s process as an artist and basket maker visit
www.katiegrovestudios.com@katiegrovebasketry
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	Listening to Land - Seed StoriesSeed Engraving with Sergey JivetinUpstate Art WeekendSaturday July 22nd12:00-3:00 pmThere will be a limited number of customized seed engravings created for people who would like to bring sentimental seeds and share a relevant story.For this free first-come, first-serve program, you must sign up in advance for your 45-minute time slot.Email Sergey to reserve your spot starting Monday, July 17: sergey@jivetin.comHudson Valley-based artist-miniaturist Sergey Jivetin will bring his on-going seed story project to Ann Street Galley. Sergey will hand-engrave seeds with illustrations based on narratives about plants and their deep connection with farmers, seed savers, naturalists, and enthusiast gardeners who nurture and preserve them. If you would like to share your personal story of such a relationship between plants and people, bring a relevant seed and Sergey will illustrate your individual story then engrave his image on your seed!Several works by Sergey Jivetin are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Sergey Jivetin makes artwork that blurs the boundaries of fine art, craft, and design. With extensive experience in the various formats of design and manufacturing, including fine and art jewelry, product design, and industrial and medical engineering, Jivetin embodies skillful and thoughtful approaches in both concept and execution of the work in a variety of formats from micro to macro scale. Born in Tashkent, Uzbekistan in 1977. Living and working in the USA since 1992. Received MFA from SUNY New Paltz, NY, and BFA from Parsons School of Design, NY. Taught at SUNY New Paltz and NJCU, RISD, and Kean University.Honors include: Louis Comfort Tiffany Foundation biennial award (2011), New York Foundation for the Arts Individual Artist’s Fellowships (2009 and 2005); Reed Foundation Individual Artist’s Grant (2007), Herbert Hoffman Preis, Germany (2005); Second Prize and Grand Prize at Itami International Jewelry Biennial, (2009 and 2005)Work is in the permanent collection of the Smithsonian American Art Museum, Metropolitan Museum of Art, Museum of Art and Design, Mint Museum, Dallas Museum of Art, and Itami Craft Museum, Japan.To learn more about Sergey’s work visit

https://www.sergeyjivetin.com/ https://www.seedengraving.com/
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	Safe Harbors of the Hudson and Ann Street Gallery are thrilled to introduce our 2023 Ann Street Gallery Emerging Artist Fellows: Shani Richards, Michelle Corporan, and Rachel Olivia Berg. Find details about the Fellowship, the selected Fellows, and their projects HERE.
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	Listening to Land:Imaginal Technologies, Material Conduits, 
&#38;amp; Landscape Translations Toward Perceiving PlaceJuly 13, 2023 - August 27, 2023Opening Reception July 15, 4:00-7:00pm Closing Reception &#38;amp; Gallery Talks August 27, 4:00-5:30pmListening to Land is a group exhibition exploring practices of listening in relation to place and the place-making potential of creative acts of listening, wherein to land is a verb, and listening provides a point of ingress.Artists in the exhibition use storytelling, jam-making, woodworking, basketry, mapping, lenses, microphones, speakers, and other technologies to heighten our ability to relate to our surroundings and other beings, and to extend our capacity to perceive beyond what is visible or knowable in the landscape. Prehistoric, mythical, and contemporary techniques used by the artists help us to imagine futures in which humans are in more reciprocal relationships with each other and the broader cosmology of entities with whom we share the land.The exhibition offers sounds, portals, and moments of suspension, aiming to inspire silence, slowness, and humility. Materials such as wood, water, stone, soil, plants, glass, metal, horsehair, and minerals act as conduits for the voices of the land from whence they came. The artists invoke the non-human presences of specific places through ultrasensitive explorations of their materials’ inherent qualities and capabilities, inviting us to pause, and reshaping our perceptions.The works in the exhibition suggest that when one listens to land, the land reveals entanglements with intangible forces and phenomena, with buried histories and lost kinships, and with water systems. Rather than rendering landscapes that delineate land from water, human activity, or the cosmos, the works in the exhibition translate images of landscape into abstractions, experiences, revisions, and mappings that allow us to know the land through intricate and interconnected relationships.Free public programming supporting the exhibition will include engagements with several regional artists, informal gallery talks at a closing reception walk-through, and Curated Reading List 003 in our Open Reading Room...Learn more hereThe exhibition is curated by Gallery Director Alison McNulty and includes works by:
Margaux CrumpDonna FrancisKaterie GladdysKatie GroveEllie
IronsSergey JivetinKite and Robbie WingFernanda MelloSteve RossiJean-Marc Superville SovakSusan WalshMillicent YoungThe exhibition, programming, and receptions are free and open to the public, but some workshops accommodate a limited number of participants and require a reservation.

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Listening to Land Exhibition Page
</description>
		
	</item>
		
		
	<item>
		<title>Catching Fire - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/Catching-Fire-Exhibition-Overview</link>

		<pubDate>Sun, 07 Jun 2026 23:57:48 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/Catching-Fire-Exhibition-Overview</guid>

		<description>
	Catching Fireresilient alchemies in a burning world
June 20 - August 29, 2026Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday, June 27, 4:00 - 6:00 pmExtended hours for Upstate Art WeekendThursday, June 25 - Monday, June 29
12:00 - 5:00 pm
The exhibition is curated by Alison McNulty and includes works by:
Emil Alzamora
Gerardo Castro                      
Marcy Chevali
Daniel Giordano
Shanti Grumbine
Alison Kudlow
David Licata
Processing Collapse (Michael Asbill &#38;amp; Ripley Butterfield)
Zachary SkinnerCatching Fire: resilient alchemies in a burning world brings together nine artists whose work engages fire as a volatile force and regenerative catalyst, bearing witness to the ways heat, pressure, and combustion shape our material and emotional lives. Across sculpture, installation, painting, sound, photography, and works on paper the exhibition, curated by Gallery Director Alison McNulty, includes work by Hudson Valley and NYC artists Emil Alzamora, Marcy Chevali, Daniel Giordano, Shanti Grumbine, Alison Kudlow, David Licata, Processing Collapse (Michael Asbill and Ripley Butterfield), and Zachary Skinner, along with the posthumous work of celebrated Newburgh artist, Gerardo Castro.
Through structural and adaptive transformations that engage politics, material culture, ecology and the environment, this exhibition unfolds through unraveling and overlapping poetics. While some artists harness flame and heat as a means of material manipulation from one state to another, others document and imagine the releasing and healing potential of burning. Creative alchemy, both literal and metaphorical, stands as a testament to the transient –and transcendent—nature of matter and bodies in an era marked by ecological precarity and political volatility.The Exhibition Guide can be downloaded here.
Special Events at Ann Street GalleryGallery Walkthroughs with curator Alison McNulty and the artists:
Sunday, August 16, 2:00 - 3:30 PM
Emil Alzamora
Daniel Giordano
Alison Kudlow
Michael Gabor (on behalf of﻿﻿Gerardo Castro)
Saturday, August 22, 2:00 - 3:30 PM
Marcy Chevali
David Licata
Zachary Skinner
Shanti Grumbine (introducing﻿﻿Curated Reading List 011)

Learn more here.

Shanti Grumbine’s&#38;nbsp;annotated curated reading list for our Open Reading Room can be downloaded here.All events are free and open to the public; space limited where RSVP requested


	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0932e5fa1584438ec1cfb2058eac40f4971d32433683e14c8c892269bee53d37/Catching-Fire---Installation-Shots---01---SG.jpg" data-mid="250819715" border="0"  src="https://freight.cargo.site/w/1000/i/0932e5fa1584438ec1cfb2058eac40f4971d32433683e14c8c892269bee53d37/Catching-Fire---Installation-Shots---01---SG.jpg" /&#62;
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&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cbf5eb8ef6bbaa97530c6c1fe22eceb0eb236bb0cce746334ce2a7a43f9b8410/Catching-Fire---Installation-Shots---19---SG.jpg" data-mid="250819717" border="0"  src="https://freight.cargo.site/w/1000/i/cbf5eb8ef6bbaa97530c6c1fe22eceb0eb236bb0cce746334ce2a7a43f9b8410/Catching-Fire---Installation-Shots---19---SG.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/12bad1000a09bf8cc1131c10702c8510b08cd89e43193834b26d3c12d64dc620/Catching-Fire---Installation-Shots---28---AM.jpg" data-mid="250819718" border="0"  src="https://freight.cargo.site/w/1000/i/12bad1000a09bf8cc1131c10702c8510b08cd89e43193834b26d3c12d64dc620/Catching-Fire---Installation-Shots---28---AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f770732039e8b6ef05ee628944f048c76c00176d611145aa61280381710b39d8/Catching-Fire---Installation-Shots---42---AM.jpg" data-mid="250819719" border="0"  src="https://freight.cargo.site/w/1000/i/f770732039e8b6ef05ee628944f048c76c00176d611145aa61280381710b39d8/Catching-Fire---Installation-Shots---42---AM.jpg" /&#62;

&#60;img width="1275" height="1875" width_o="1275" height_o="1875" data-src="https://freight.cargo.site/t/original/i/d2df23b6d22626dd53437cb6333f70e38f735be41ab59dffccbb97b151e4e0cb/Front---Cardo---Alison-Kudlow.jpg" data-mid="249549858" border="0"  src="https://freight.cargo.site/w/1000/i/d2df23b6d22626dd53437cb6333f70e38f735be41ab59dffccbb97b151e4e0cb/Front---Cardo---Alison-Kudlow.jpg" /&#62;
Postcard image courtesy of the artist
 Flaming Bud by Alison Kudlow
Ceramic, wrought iron, found hookah parts, candle, flame 
50 x 28 x 18” 
2023 




&#60;img width="2100" height="1542" width_o="2100" height_o="1542" data-src="https://freight.cargo.site/t/original/i/9c0cc45479bf061aeb5ecd7a41c25059fec1df2815688a0a53094a2d7bece961/Shanti-Grumbine---Surge.jpg" data-mid="249549938" border="0"  src="https://freight.cargo.site/w/1000/i/9c0cc45479bf061aeb5ecd7a41c25059fec1df2815688a0a53094a2d7bece961/Shanti-Grumbine---Surge.jpg" /&#62;
Image Credit:&#38;nbsp;Paul Takeuchi
Surge (Genizah) by Shanti Grumbine
De-acidified New York Times newspaper, jade glue, matte medium, UV varnish, nails, magnets 
22 x 30" 
2015
&#60;img width="1938" height="3633" width_o="1938" height_o="3633" data-src="https://freight.cargo.site/t/original/i/9774f2bd2071568740e948ecbe7ef95e05670b22ac51dd30f20234c2e49d38f7/Marcy-Chevali---Untitled-4.jpg" data-mid="249549942" border="0"  src="https://freight.cargo.site/w/1000/i/9774f2bd2071568740e948ecbe7ef95e05670b22ac51dd30f20234c2e49d38f7/Marcy-Chevali---Untitled-4.jpg" /&#62;
Image courtesy of the artist
Untitled by Marcy Chevali
Flameworked borosilicate glass and knit brass wire 
8 x 19.5 x 7" 
2026
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cd05c1879b7caf37b404a5b39d3f21d3707da90a4e57a0349722e9cff427c7e3/Gerardo-Castro---Presence---01---SG.jpg" data-mid="250895027" border="0"  src="https://freight.cargo.site/w/1000/i/cd05c1879b7caf37b404a5b39d3f21d3707da90a4e57a0349722e9cff427c7e3/Gerardo-Castro---Presence---01---SG.jpg" /&#62;
Presence by Gerardo Castro
Burning on Arches oil paper, oil paint
6 x 2’
2016
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b2a4f8898f406bc29b8c8fd5c41ced95f03b8549612722d0747c915294c38027/Zachary-Skinner---Cliff-Dwellers-with-Aloe-Vera-Garden---01---SG.jpg" data-mid="250819800" border="0"  src="https://freight.cargo.site/w/1000/i/b2a4f8898f406bc29b8c8fd5c41ced95f03b8549612722d0747c915294c38027/Zachary-Skinner---Cliff-Dwellers-with-Aloe-Vera-Garden---01---SG.jpg" /&#62;
Cliﬀ Dwellers with Aloe Vera Garden by Zachary Skinner
Alcohol inks, India ink and acrylic on Yupo 
9 x 10” 
2024 

&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/db6bdc2f3fde3986c5323e0cd8c031e7c19d006639f49efaebf0998610978528/Daniel-Giordano---My-Immaculate-Conception---01---Credit-Ernesto-Eisner.jpg" data-mid="249549946" border="0"  src="https://freight.cargo.site/w/1000/i/db6bdc2f3fde3986c5323e0cd8c031e7c19d006639f49efaebf0998610978528/Daniel-Giordano---My-Immaculate-Conception---01---Credit-Ernesto-Eisner.jpg" /&#62;
Image Credit:&#38;nbsp;Ernesto Eisner
My Immaculate Conception I by Daniel Giordano
24 karat gold, acrylic paint, brass, bricks, cattails, ceramic, codfish skin dog treats, deep-fried batter, epoxy, eyeshadow, goatskin cockring, hosiery, Instapak Quick foam, kudu horn, lichen, Megan Murphy Martinez’s hair, mesh polypropylene, Murano glass, nail polish, Northeast Fast-Dry tennis court surface, phosphorescent acrylic, plastic bags, plastic wrap, pomade, ribbon, shellac, silicone, sparklers, spitballs (acrylic polymer emulsion, saliva, toilet paper, pigment), table base, Tang drink mix, tennis balls, tomato cage, urinal cake, water caltrop 
74 x 24 x 95" 
2013 - 2021
 &#60;img width="2048" height="1639" width_o="2048" height_o="1639" data-src="https://freight.cargo.site/t/original/i/d6552dd610f4c3d549cf6ccf907ec8c57d1a113bc999c3b23d57476f300bcc8e/David-Licata---The-Sky-has-Fallen----02---SG.jpg" data-mid="250819720" border="0"  src="https://freight.cargo.site/w/1000/i/d6552dd610f4c3d549cf6ccf907ec8c57d1a113bc999c3b23d57476f300bcc8e/David-Licata---The-Sky-has-Fallen----02---SG.jpg" /&#62;The Sky has Fallen by David Licata
Torchworked borosilicate glass on charred driftwoo
40 x 20 x 22”
2026
&#60;img width="1707" height="2134" width_o="1707" height_o="2134" data-src="https://freight.cargo.site/t/original/i/26cfeaa2e6fce9d0e3bc686270bbc03d820fee3e53b18d39ec73c7e0e02a449d/Emil-Alzamora---Waymaker---02---SG.jpg" data-mid="250819721" border="0"  src="https://freight.cargo.site/w/1000/i/26cfeaa2e6fce9d0e3bc686270bbc03d820fee3e53b18d39ec73c7e0e02a449d/Emil-Alzamora---Waymaker---02---SG.jpg" /&#62;Waymaker (Detail) by Emil Alzamora
Steel, plaster, graphite wax
84 x 22 x 24”
2021


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/99e05f931c412e4ba0fb41c89bba5d79efec9039eab7c3550f33c7ad7166293c/Processing-Collapse---Artifact-of-Collapse----02---SG.jpg" data-mid="250819722" border="0"  src="https://freight.cargo.site/w/1000/i/99e05f931c412e4ba0fb41c89bba5d79efec9039eab7c3550f33c7ad7166293c/Processing-Collapse---Artifact-of-Collapse----02---SG.jpg" /&#62;Artifact of Collapse by Processing Collapse
Half-carbonized slab of white ash wood
23 x 15 x 4”
2026
&#60;img width="2047" height="2560" width_o="2047" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b83b7ae5fc9a884b4c38599e52b18dd87390fefe14bb46ef99120f229efab861/Alison-Kudlow---Crucible-Fictions---01---SG.jpg" data-mid="250895026" border="0"  src="https://freight.cargo.site/w/1000/i/b83b7ae5fc9a884b4c38599e52b18dd87390fefe14bb46ef99120f229efab861/Alison-Kudlow---Crucible-Fictions---01---SG.jpg" /&#62;
Crucible Fictions by Alison Kudlow
Ceramic and bronze
Dimensions variable
2022





Safe Harbors' Ann Street Gallery exhibitions are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the Cowles Charitable Trust, Dominican Sisters of Hope Ministry Fund, M&#38;amp;T Charitable Foundation, and individual donors.

&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="249226871" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" /&#62;&#38;nbsp; &#38;nbsp; &#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="249226868" border="0" data-scale="10" src="https://freight.cargo.site/w/744/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="249226867" border="0" data-scale="37" src="https://freight.cargo.site/w/982/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" /&#62; &#38;nbsp;&#38;nbsp;&#60;img width="465" height="122" width_o="465" height_o="122" data-src="https://freight.cargo.site/t/original/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" data-mid="249226870" border="0" data-scale="20" src="https://freight.cargo.site/w/465/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>(your) body is a porous language - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/your-body-is-a-porous-language-Exhibition-Overview</link>

		<pubDate>Mon, 01 Jun 2026 15:35:32 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/your-body-is-a-porous-language-Exhibition-Overview</guid>

		<description>
	(your) body is a porous language&#38;nbsp; &#38;nbsp; &#38;nbsp;(our) embodied connections 
April 11 - May 31, 2026Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday, April 11, 4:00 - 6:00 pmCurated by poet, performance artist, and Beacon resident Edwin Torres, the exhibition will feature work by:
Elizabeth Castagna
Todd Colby
Matthew Friday
Renee Gladman
Charmaine Lee &#38;amp; Gryphon Rue
Shanzhai Lyric
Erika Mahr
Tamalyn Miller
Gabriela Salazar
Sasha Stiles
Edwin Torres
Yara Travieso
Cecilia Vicuña
Millicent Young
Zina Zinchenko&#38;nbsp;
(your) body is a porous language :&#38;nbsp;(our) embodied&#38;nbsp;connections is an exhibition seeking transformative ways of relating through poetic structures. Works across and between disciplines traverse the permeable territory between bodies, emotions, words, and dimensions of physical architecture, the page, and virtual spaces. What curator Edwin Torres refers to as “language-making,” in the form of installation, sculpture, painting, drawing, digital media, movement, writing, poetry, fashion design, and sound art, simultaneously delineates and dissolves boundaries between mind, body, and environment. 

Torres adds, "Our bodies are liquid vibrational forces that mirror the patterns of our human porosity, rewriting our connections with every move and utterance we choose. The transformative process of&#38;nbsp;poetry's&#38;nbsp;sense-shifting&#38;nbsp;is a navigation between mind and body that&#38;nbsp;art-making&#38;nbsp;creates openings for. How we adapt to immediacy informs the architecture of our portals, embodying a poem’s dimension — to speak while listening. Across the many voices and forms gathered, this exhibit proposes how&#38;nbsp;language-making&#38;nbsp;can shape our willingness to interrogate a continually evolving world.” 

Gallery Director Alison McNulty shared, “We are thrilled to welcome accomplished multidisciplinary poet, Edwin Torres, back to Ann Street Gallery as guest curator of our spring group exhibition. The curatorial role is an organic extension of Torres’ work, highlighting his brilliance as a poet and performer, building on his long-standing interest and engagement with visual and performing art and artists, and expanding his creative and thematic interests around space, language, materiality, sound, and the body into the 3D space of the gallery. We enthusiastically invite the public&#38;nbsp;back to the gallery this spring&#38;nbsp;to experience&#38;nbsp;Torres’&#38;nbsp;ambitious, sensual, and&#38;nbsp;intellectually rigorous&#38;nbsp;group exhibition, along with an exciting series of programs also organized by Torres, including a poetry performance, a workshop, and an artist talk.”   Special Events &#38;amp; Performances at Ann Street Gallery:&#38;nbsp;
All events are free and open to the public; 
space limited where RSVP requestedClick here for more details on all events.(your) body is a poetry reading

Sunday, April 26, 3:00 - 5:00 pm

Carolina Abreu, Brenda Coultas &#38;amp; Edwin Torres (poetry), 
 K.J. Holmes (dance), Sean G. Meehan (snare) 
Gallery Walkthrough and Q&#38;amp;A&#38;nbsp;with curator Edwin Torres
Saturday May 2, 2:00 - 3:00 pm

(your) body is a workshop


Saturday, May 16, 10:00AM-1:00PMJeanine Durning

RSVP required to annstreetgallery@safe-harbors.org

(your) body is an art talk

Saturday, May 23, 3:00 - 5:00 pm 
 Renee Gladman and Marcella Durand Moderated by Edwin TorresTorres’ annotated curated reading list for our Open Reading Room can be downloaded here.
The Exhibition Guide can be downloaded here.Press:Hyperallergic10 Shows to See in Upstate New York This May(Download PDF here)Two Coats of PaintHudson Valley (+ Vicinity) Selected Gallery Guide, April 2026
ChronogramArt Review: “(your) body is a porous language” at Ann Street Gallery(Download PDF here)

	
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Images of Erika Mahr’s Erasure 47, 46, 31, and 42 courtesy of the artist.
Images of Millicent Young’s Inaudible ii, iii, and iv courtesy of Pete Mauney.
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/5eedb69a7a350b31bfbc2abdcd62f9d154b878a8c84e417a5bb1d4ed824ce166/First-image.jpg" data-mid="248978649" border="0" src="//freight.cargo.site/w/1080/q/94/i/5eedb69a7a350b31bfbc2abdcd62f9d154b878a8c84e417a5bb1d4ed824ce166/First-image.jpg" style="width: 570.67px; height: 760.894px;"&#62;



	Edwin Torres
Guest Curator
@brainlingo_The Body In Language: An Anthology
Counterpath PressFeel Recordings In The Evershift
Wave BooksQuanundrum: i will be your many angled thing
Roof Books
a review by Kristin Dykstra


	Edwin Torres is a Nuyorican poet and performance artist known for his innovative, multi-sensory approach to poetry, seeking our possibilities for connection by investigating our entry into language. A multidisciplinary poet rooted in the languages of sight and sound, Torres is interested in the physicality of language, as a permeable territory traveled between us, infinite with mistake and wonder. His performances blend vocal improvisation, physical movement, and audience interaction. Born in the Bronx, Torres is an adjunct poetry professor at Columbia University currently living in Beacon, NY. 
Torres has previously performed at Safe Harbors of the Hudson’s Literary Festival and was commissioned to write and perform new work for Ann Street Gallery’s inaugural Artist Researcher in Residence program, From the Ground UP. His piece for the exhibit, “Burial Chant: did you in your life leave any wonder behind”,&#38;nbsp;was recorded and presented in the gallery,&#38;nbsp;and&#38;nbsp;available in the online project archive. 
Torres is the author of multiple books of poetry, including “Quanundrum: i will be your many angled thing” (Roof Books, awarded an American Book Award), “Xoeteox: the infinite word object” (Wave Books), “Ameriscopia” (University of Arizona), and &#38;nbsp;“Feel Recordings In The Evershift” (Wave Books) forthcoming this fall. He is also the editor of “The Body In&#38;nbsp;Language: An Anthology”&#38;nbsp;(Counterpath&#38;nbsp;Press). He has been awarded fellowships from NYSCA, Foundation for Contemporary Arts, Arts Mid-Hudson&#38;nbsp;and&#38;nbsp;NYFA&#38;nbsp;among others. He&#38;nbsp;has presented his&#38;nbsp;bodylingo&#38;nbsp;poetics worldwide and locally at the Soon Is Now climate&#38;nbsp;festival&#38;nbsp;among others. His work has been widely anthologized in volumes including&#38;nbsp;“New Weathers: Poetics from the Naropa Archives,”&#38;nbsp;“Poets&#38;nbsp;In&#38;nbsp;The 21st Century: Poetics of Social Engagement,”&#38;nbsp;and&#38;nbsp;“Aloud: Voices from The Nuyorican Poets Cafe”.  Torres’ visual poetics have been exhibited at Exit Art, White Box, EFA Gallery in NYC, and a graphic retrospective “Poesís: The Visual Language of Edwin Torres” at the Center for Book and Paper Arts in Chicago. His sound recordings include “Sublingual Infinities”, with sound artist Stephen Vitiello, and his own CD&#38;nbsp;“Holy Kid”,&#38;nbsp;which was included in the Whitney Museum’s exhibit&#38;nbsp;“The Last American Century Pt. II”.&#38;nbsp;Torres has collaborated with artists across a variety of media and has taught process-oriented creativity workshops across the nation titled,&#38;nbsp;“Brainlingo: Writing&#38;nbsp;The&#38;nbsp;Voice&#38;nbsp;Of&#38;nbsp;The&#38;nbsp;Body”.
	&#60;img width="2903" height="3637" width_o="2903" height_o="3637" data-src="https://freight.cargo.site/t/original/i/582bdd90cfc4e1ec5cd0112f8e222948a242a4c4fa5a26bdfb585da5cf9a3aa6/EdwinTorres_by_F.Deschamps..jpg" data-mid="248978648" border="0" src="//freight.cargo.site/w/800/q/75/i/582bdd90cfc4e1ec5cd0112f8e222948a242a4c4fa5a26bdfb585da5cf9a3aa6/EdwinTorres_by_F.Deschamps..jpg" style="width: 370.444px; height: 464.108px;"&#62;
Image courtesy of Francois Deschamps


	










Elizabeth Castagna


elizabethcastagnafineart.com
@elizabeth_movement.art.life

	











I make ephemeral, movement drawings in abandoned or temporary spaces. Each piece is made up of a time lapse video, an ephemeral drawing or location photo. The drawings record the language of my body…my internal sensations/thoughts/memories, through accumulated and erased marks which work as a measure of time. The body-led movement drawing I made for this exhibition explores movement drawing through an awareness of 7 layers of my body. Exploring what it’s like to inhabit a layer of myself, what does it tell me? what is stored there? how does it move me? what does this layer know? what changes when I include it in my awareness, does it go missing in my life? what do you want? The drawings help me process and move through my life experiences. The layers I drew through are: bone marrow, bone, ligament/tendon, muscle, fascia, skin, pores. Each layer is drawn with either chalk, charcoal or touch. &#38;nbsp;


As the drawings are made areas are erased. Drawing while erasing with my body connects me to how the healing process can occur in the body. Experiences have layers too and as sensation falls away, something underlying reveals itself or the energy transforms into something new. 

	











&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e2ffd9063ae80ef5dd633e666d12b87428a277caa55f07d9b115c6149b96447a/Elizabeth-Castagna---movement-drawing---01.jpg" data-mid="249093783" border="0"  src="https://freight.cargo.site/w/1000/i/e2ffd9063ae80ef5dd633e666d12b87428a277caa55f07d9b115c6149b96447a/Elizabeth-Castagna---movement-drawing---01.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/a7c708aff8416d2cb11be8dd7214b593fa13b88016c65a8793f47a5b5267b249/Elizabeth-Castagna---movement-drawing---02.jpg" data-mid="249093784" border="0"  src="https://freight.cargo.site/w/1000/i/a7c708aff8416d2cb11be8dd7214b593fa13b88016c65a8793f47a5b5267b249/Elizabeth-Castagna---movement-drawing---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/566511caa6212284ec4b901028feb9ab88ccd69d6cd9b6d725fe7e94c8c29371/Elizabeth-Castagna---movement-drawing---03.jpg" data-mid="249093785" border="0"  src="https://freight.cargo.site/w/1000/i/566511caa6212284ec4b901028feb9ab88ccd69d6cd9b6d725fe7e94c8c29371/Elizabeth-Castagna---movement-drawing---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3c1607f4b8bb56320d8762c07acf74e5a6397025fbfed1ffb9002ae445e52bfd/Elizabeth-Castagna---movement-drawing---04.jpg" data-mid="249093786" border="0"  src="https://freight.cargo.site/w/1000/i/3c1607f4b8bb56320d8762c07acf74e5a6397025fbfed1ffb9002ae445e52bfd/Elizabeth-Castagna---movement-drawing---04.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9b16333a08e4fd2be86c1f2f0433d5095d6e26ffa485132fc71b6fdcc7da43cf/Elizabeth-Castagna---movement-drawing---05.jpg" data-mid="249093787" border="0"  src="https://freight.cargo.site/w/1000/i/9b16333a08e4fd2be86c1f2f0433d5095d6e26ffa485132fc71b6fdcc7da43cf/Elizabeth-Castagna---movement-drawing---05.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8eb691746a8ef52b3f77fb80ea954f064ed2ffc15d4bf836c663f989a3eea6dd/Elizabeth-Castagna---movement-drawing---06.jpg" data-mid="249093788" border="0"  src="https://freight.cargo.site/w/1000/i/8eb691746a8ef52b3f77fb80ea954f064ed2ffc15d4bf836c663f989a3eea6dd/Elizabeth-Castagna---movement-drawing---06.jpg" /&#62;

49 min body-led movement drawing through 7 layers of my body for 7 min each
Wall, chalk, charcoal, water, wooden stoolDimensions variable 2026

	










Todd Colby


gleefarm.blogspot.com
@toddjcolby




	










I refer to the visual art pieces in this show as “word paintings.” In them, I use language that is pared down and immediate, making statements that are simple, refined, and often in-your-face announcements of a state of mind or viewpoint. I try to embody the immediacy of language by pairing it down and condensing the sentences until they pack the best wallop. The economy and directness are directly related to my poetry practice, and when they really work, they plants a little word time bomb in the viewer that breaks through the cascade of language we are surrounded by daily. 




	











&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6a499befcbe5ceea58ec71a81497a9f29b434073f37121cd83dbcc291be346ad/Todd-Colby---03---I-Will-Wail.jpg" data-mid="248979015" border="0"  src="https://freight.cargo.site/w/1000/i/6a499befcbe5ceea58ec71a81497a9f29b434073f37121cd83dbcc291be346ad/Todd-Colby---03---I-Will-Wail.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/993e9d559360d1416e409d7280a90bb94881ae58d916fec6c7d735cfe1fa503d/Todd-Colby---04---FYI.jpg" data-mid="248979016" border="0"  src="https://freight.cargo.site/w/1000/i/993e9d559360d1416e409d7280a90bb94881ae58d916fec6c7d735cfe1fa503d/Todd-Colby---04---FYI.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3176de036f690f34312cfb4779092861305055d989bb74d05e4398f81a31f9ab/Todd-Colby---01---Thanks-Again.jpg" data-mid="248979013" border="0"  src="https://freight.cargo.site/w/1000/i/3176de036f690f34312cfb4779092861305055d989bb74d05e4398f81a31f9ab/Todd-Colby---01---Thanks-Again.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b6850f3d2338aa88e7d43129b58a085fe7818d5a686ba673d07f919f131c881b/Todd-Colby---02---I-Will-Not.jpg" data-mid="248979014" border="0"  src="https://freight.cargo.site/w/1000/i/b6850f3d2338aa88e7d43129b58a085fe7818d5a686ba673d07f919f131c881b/Todd-Colby---02---I-Will-Not.jpg" /&#62;

From left to right:
I Will Wail, FYI, Thanks Again, and I Will Not
Acrylic on patterned paper mounted on canvas 14 x 11” 2026


	










Matthew Friday


matthewfriday.net
@matthewfriday68




	










This work begins with a line that does not know where it is going, and a future imagined from the past.&#38;nbsp; &#38;nbsp;


The line drifts, pulled and repelled by invisible forces, stitching words together. Each mark is a negotiation, a quiet argument between attraction and resistance, between momentum and interruption. A custom written computer code reads the text, looking for evidence of the past or future and assigns fractal zones of influence. From the text itself, a set of operational parameters are determined that set the boundaries of the drawing. The prophetic 128 words of Karl Marx’s statement become 128 wandering lines; the year of publication, 1848, is converted into the seconds the program runs before it wipes the slate clean and restarts. What emerges is not a composition in the traditional sense, but a field of tendencies, a system that produces drawing as an event in dialogue with the agency of a text, rather than an object.&#38;nbsp; &#38;nbsp;


This Desire Called Utopia is a series that uses science fiction and utopia texts as a generative springboard for drawing. Envisioning that perfect unattainable land which lies forever on the horizon of the future, these texts are more than just fantasy; they envision worlds yet to come. In a very real sense, the future is already present: utopian narratives are the foundation on which we imagine the possible. Here, utopia is not a destination but a method: a practice of generating difference, of sustaining a space where form is always provisional and the future remains unclosed. &#38;nbsp;




	











&#60;img width="1440" height="2560" width_o="1440" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4fff98914e999d077781418478c534d9683a8a1a951fd2bbc5c46ffac3614391/Matthew-Friday---This-Desire-Called-Utopia---04.jpg" data-mid="249093880" border="0"  src="https://freight.cargo.site/w/1000/i/4fff98914e999d077781418478c534d9683a8a1a951fd2bbc5c46ffac3614391/Matthew-Friday---This-Desire-Called-Utopia---04.jpg" /&#62;
&#60;img width="1440" height="2560" width_o="1440" height_o="2560" data-src="https://freight.cargo.site/t/original/i/1ea6c47b8aeb43154da262f06f92fb2a38da7972ec6887ed5c7756715ee7367a/Matthew-Friday---This-Desire-Called-Utopia---05.jpg" data-mid="249093881" border="0"  src="https://freight.cargo.site/w/1000/i/1ea6c47b8aeb43154da262f06f92fb2a38da7972ec6887ed5c7756715ee7367a/Matthew-Friday---This-Desire-Called-Utopia---05.jpg" /&#62;
&#60;img width="1440" height="2560" width_o="1440" height_o="2560" data-src="https://freight.cargo.site/t/original/i/64b30248cea423befb9b692b08759cf89006de2d1000eb02ba17bf8401aa99f2/Matthew-Friday---This-Desire-Called-Utopia---06.jpg" data-mid="249093882" border="0"  src="https://freight.cargo.site/w/1000/i/64b30248cea423befb9b692b08759cf89006de2d1000eb02ba17bf8401aa99f2/Matthew-Friday---This-Desire-Called-Utopia---06.jpg" /&#62;
Stills from installation

This Desire Called Utopia
Custom Java code generative drawing system, text from Karl Marx’s Communist Manifesto (1848), Insignia NS-50D510NA17 1080 monitor, 2020 Macbook Air 26.2 x 44.6 x 3.1” Continuous 2026




	










Renee Gladman


reneegladman.com
@prosearchitectures




	










These drawings evolve out of a series of moments: the body crossing from one form to another, the I (first-person pronoun) traversing the sentence, space going dark then re-illuminating with non-visible forms, where in roams the relocated I, the I from yesterday, the broken I from this morning. The math opens the point of contact, says I am writing. I am sitting in the world and writing. The math is where fiction breaks open to the essay, which itself has already opened to a fugitive non-knowing. Drawing makes a choreography of the unknown, makes a math for the future. 




	











&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/4fef164b00b7a021bb0a4449a76cf9a7dcb2b14a0c9d6c2cc258f57ff6078917/Renee-Gladman---The-Emergence-of-Prose---01.jpg" data-mid="248979720" border="0"  src="https://freight.cargo.site/w/1000/i/4fef164b00b7a021bb0a4449a76cf9a7dcb2b14a0c9d6c2cc258f57ff6078917/Renee-Gladman---The-Emergence-of-Prose---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/639902aad56a92f041b30133472956bee3038658df4377cb86914890b349a6cb/Renee-Gladman---The-Emergence-of-Prose---02.jpg" data-mid="248982612" border="0"  src="https://freight.cargo.site/w/1000/i/639902aad56a92f041b30133472956bee3038658df4377cb86914890b349a6cb/Renee-Gladman---The-Emergence-of-Prose---02.jpg" /&#62;

The Emergence of Pros (yellow-green series #1)
Ink and gouache on paper&#38;nbsp; 30 x 44” 2025 


&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/09259e175aa7c96a878ddd1dd1864d7d292d10408a3461a70454a7473ce73bb8/Renee-Gladman---Untitled-Yellow-Rectangle---01.jpg" data-mid="248979721" border="0"  src="https://freight.cargo.site/w/1000/i/09259e175aa7c96a878ddd1dd1864d7d292d10408a3461a70454a7473ce73bb8/Renee-Gladman---Untitled-Yellow-Rectangle---01.jpg" /&#62;

Untitled (yellow rectangle underground)
Ink, pastel, gouache on paper&#38;nbsp; 30 x 44” 2023



&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f29f29590d979d414d230665ccbc84c78f6caf603d41944a91309c71523769e1/Renee-Gladman---Whatchamacall-6.jpg" data-mid="248979722" border="0"  src="https://freight.cargo.site/w/1000/i/f29f29590d979d414d230665ccbc84c78f6caf603d41944a91309c71523769e1/Renee-Gladman---Whatchamacall-6.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c52317fc32099b195e941d2116cc0c4b6e4a8738556d5633e00b9ce9d062967c/Renee-Gladman---Whatchamacall-7.jpg" data-mid="248979723" border="0"  src="https://freight.cargo.site/w/1000/i/c52317fc32099b195e941d2116cc0c4b6e4a8738556d5633e00b9ce9d062967c/Renee-Gladman---Whatchamacall-7.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f67dab14622dfa64a1f8ee535dee62ddf0be87a977056b418bd164923b729256/Renee-Gladman---Whatchamacall-8.jpg" data-mid="248979724" border="0"  src="https://freight.cargo.site/w/1000/i/f67dab14622dfa64a1f8ee535dee62ddf0be87a977056b418bd164923b729256/Renee-Gladman---Whatchamacall-8.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9e5692032a08821021521893e8b856c7653198c863a5ed8854d03cf665205b06/Renee-Gladman---Whatchamacall-9.jpg" data-mid="248979725" border="0"  src="https://freight.cargo.site/w/1000/i/9e5692032a08821021521893e8b856c7653198c863a5ed8854d03cf665205b06/Renee-Gladman---Whatchamacall-9.jpg" /&#62;

From left to right:
Whatchamacall #6, Whatchamacall #7, Whatchamacall #8, and Whatchamacall #9
Ink and gouache on paper&#38;nbsp; 11.75 x 8.50” 2019&#38;nbsp;

	










Charmaine Lee &#38;amp; Gryphon Rue


charmainelee.com
@charmainelee


gryphonrue.com
@4n_objx




	










This collaborative audio piece explores a sonic terrain of language reimagined as pure sound. The recording is taken from a live performance and was mixed exclusively for this exhibition. Charmaine Lee’s reconstructed vocality meets Gryphon Rue’s hybrid of natural and synthetic textures, generating an inter-dimensional space of altered meaning and new sonic signification.&#38;nbsp;




Charmaine Lee uses the voice, feedback, and live processing. Lee’s practice is primarily concerned with risk-taking, playfulness, and improvisation.




Gryphon Rue’s visual and sonic works weave disparate aesthetic languages into unexpected forms. Rue combines found and fabricated materials, the natural and the synthetic, and high and low fidelity, engaging a tactile, improvisational approach to making.




	












Solo-Duo-Solo Improvisation Performed Live at Foreign &#38;amp; Domestic, New York, March 8, 2026
Sound fileInstrumentation: voice, electronics, magnetic tapes, radio 55 minutes 2026

 

	










Shanzhai Lyric


shanzhailyric.info
@shanzhai_lyric




	










Incomplete Poem (heap) is a selection from Shanzhai Lyric’s roving archive of over 400 found poetry garments, drawing inspiration from the experimental English of "shanzhai" (counterfeit) T-shirts made in China. The Shanzhai Lyric project examines how mimicry, hybridity, and permutation reveal the artifice of global hierarchies. Each shirt in the archive blurs individual authorship through copy, collaboration, theft, creative mistranslation, and error.


Often the archive is displayed in custom-built reading apparatuses designed to encourage reading and reflection upon the garments as documents. These reading apparatuses reference places where both text and textile are found—laundrylines, runways, newspapers, billboards, landfills, and heaps. At Ann Street Gallery, the piece looks to the form of the heap, inspired by the idiom of unofficial street markets where passerbys are encouraged to dig through piles of goods. Here, we hang a microphone over the heap of shirts so they may speak their collective chance poem. 




	











&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/61d6b8ebfc24a6dfafec4b267010207c57f5134dbccf1a6a7f6fcf682155c29e/Shanzhai-Lyric---Incomplete-Poem-heap---01.jpg" data-mid="248979731" border="0"  src="https://freight.cargo.site/w/1000/i/61d6b8ebfc24a6dfafec4b267010207c57f5134dbccf1a6a7f6fcf682155c29e/Shanzhai-Lyric---Incomplete-Poem-heap---01.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5a6119b4a1756ebcb150ead68884e1d3943983a7fddd763ffe4d246228cd5404/Shanzhai-Lyric---Incomplete-Poem-heap---02.jpg" data-mid="248979732" border="0"  src="https://freight.cargo.site/w/1000/i/5a6119b4a1756ebcb150ead68884e1d3943983a7fddd763ffe4d246228cd5404/Shanzhai-Lyric---Incomplete-Poem-heap---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ca4c3d72d315eea66937f108ecdb2b4ab6f4f1c8e8802d4b4a5c7e92e595eb29/Shanzhai-Lyric---Incomplete-Poem-heap---03.jpg" data-mid="248979733" border="0"  src="https://freight.cargo.site/w/1000/i/ca4c3d72d315eea66937f108ecdb2b4ab6f4f1c8e8802d4b4a5c7e92e595eb29/Shanzhai-Lyric---Incomplete-Poem-heap---03.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/a1602c68f16e8884772daff8febaa0c0e9d3931065241c6647585f32052bfcd5/Shanzhai-Lyric---Incomplete-Poem-heap---04.jpg" data-mid="248979734" border="0"  src="https://freight.cargo.site/w/1000/i/a1602c68f16e8884772daff8febaa0c0e9d3931065241c6647585f32052bfcd5/Shanzhai-Lyric---Incomplete-Poem-heap---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/8a61ab42f45a73952ca10556da906a5664c21895dddb5b49c8e4b6eb8c8f039b/Shanzhai-Lyric---Incomplete-Poem-heap---05.jpg" data-mid="248979735" border="0"  src="https://freight.cargo.site/w/1000/i/8a61ab42f45a73952ca10556da906a5664c21895dddb5b49c8e4b6eb8c8f039b/Shanzhai-Lyric---Incomplete-Poem-heap---05.jpg" /&#62;

Incomplete Poem (heap)
T-shirt archive, box, microphone Dimensions variable 2015 – ongoing

	










Erika Mahr


erikamahr.com
@erika_mahr




	










My practice examines the coexistence and tension between our analytical and emotive experiences of the world through minimal form, process, and ephemeral surfaces. I’m driven by an ongoing negotiation between control and vulnerability, structure and instability, and the desire to make internal experience legible. Grounded in drawing, acts of mediation reduce and repeat form to locate where the ephemeral and the concrete intersect, blur, and generate tension. Actions of wiping, sanding, folding, marking, and cutting transform material and form into something familiar, translating the internal lived experience into a shared visual language. &#38;nbsp;


The works in the Erasures series reflect moments of immense change, loss of self, and reinvention, mirroring the atemporal qualities of memory and early motherhood. Chalkboard drawings built up and broken down through cycles of drawing, sanding, washing, and reworking accumulate marks, residue, and traces of gesture, creating dense atmospheric fields that hover between surface and depth. Thin white lines cut through this haze, functioning as brief moments of clarity.


The drawings oscillate between compression and expansion, opacity and openness. This push and pull draws the viewer into an unstable spatial relationship with the work, alternately inviting immersion and enforcing distance, so that looking becomes an active negotiation between clarity and obscurity, presence and disappearance.
	
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e24410de28e9961fc1cb408c4b64b16cc65cbb1f93bf2b13404d8653d3e2a8a9/Erika-Mahr---01---Erasure-47---Courtesy-of-artist.jpg" data-mid="248979772" border="0"  src="https://freight.cargo.site/w/1000/i/e24410de28e9961fc1cb408c4b64b16cc65cbb1f93bf2b13404d8653d3e2a8a9/Erika-Mahr---01---Erasure-47---Courtesy-of-artist.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f331caa23f023d4d8dda1d198a5b0a43dacb1bacff1c6598c1b6ffe2576994f9/Erika-Mahr---02---Erasure-46---Courtesy-of-artist.jpg" data-mid="248979773" border="0"  src="https://freight.cargo.site/w/1000/i/f331caa23f023d4d8dda1d198a5b0a43dacb1bacff1c6598c1b6ffe2576994f9/Erika-Mahr---02---Erasure-46---Courtesy-of-artist.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2e2bd162870e12d89042159d991543066b06bd3d5c4931b320496344546f9d8c/Erika-Mahr---03---Erasure-31---Courtesy-of-artist.jpg" data-mid="248979774" border="0"  src="https://freight.cargo.site/w/1000/i/2e2bd162870e12d89042159d991543066b06bd3d5c4931b320496344546f9d8c/Erika-Mahr---03---Erasure-31---Courtesy-of-artist.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/445f42433d349d71affad317971f64da5afbd4e4b2c994ec5d481ae8e18bc7ce/Erika-Mahr---04---Erasure-42---Courtesy-of-artist.jpg" data-mid="248979775" border="0"  src="https://freight.cargo.site/w/1000/i/445f42433d349d71affad317971f64da5afbd4e4b2c994ec5d481ae8e18bc7ce/Erika-Mahr---04---Erasure-42---Courtesy-of-artist.jpg" /&#62;

Images courtesy of the artist
From left to right:
Erasure 47 and Erasure 46
Charcoal, paint, graphite, dura-lar on panel 48 x 36” 2024


Erasure 31 and Erasure 42
Charcoal, paint, graphite, dura-lar on panel 36 x 24” 2024


	










Tamalyn Miller


tamalynmiller.com

tamalynmiller.bandcamp.com
@tamalynmiller




	










Words are immaterial, yet they have a primal capacity to conjure, to call into existence. I play with this paradox, creating objects, installations and performances that arise from and inform numinous original texts. Drawing upon diverse cultural sources and periods, I blend residues of ancient systems with contemporary perspectives and forms. Through observation and research, often with a focus on the natural world, I distill complex phenomena into otherworldly texts, objects, and music that suggest recovered artifacts or rites charged with mysterious powers and functions. My work hovers at junctures: the threshold that separates a medicinal dose from a lethal one, for example, or the tenuous margin between the material and the immaterial.




	











&#60;img width="2048" height="1728" width_o="2048" height_o="1728" data-src="https://freight.cargo.site/t/original/i/da7eb0899ffc4b555f0aa477590d330ec16bf31cbb64bbd6b393bb1ae207868d/Tamalyn-Miller---Poison-Oak-Pen---02.jpg" data-mid="249093962" border="0"  src="https://freight.cargo.site/w/1000/i/da7eb0899ffc4b555f0aa477590d330ec16bf31cbb64bbd6b393bb1ae207868d/Tamalyn-Miller---Poison-Oak-Pen---02.jpg" /&#62;
Poison (Oak) Pen
Poison oak wood, metal pen fittings, ink cartridge, poem 8 x 6” (framed) 2017 



&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c85d87730e8121a6670cf2e27f9b3496d9af0d7c536b0421aeff19297b59b422/Tamalyn-Miller---Ghost-Pipe-Limtied-Edition---01.jpg" data-mid="248979758" border="0"  src="https://freight.cargo.site/w/1000/i/c85d87730e8121a6670cf2e27f9b3496d9af0d7c536b0421aeff19297b59b422/Tamalyn-Miller---Ghost-Pipe-Limtied-Edition---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0af02ad78a0c2c28ab3b0106eefb1d2bf90fbeae72f273cfbcc1c98f19a65f17/Tamalyn-Miller---Ghost-Pipe-Limtied-Edition---02.jpg" data-mid="248979759" border="0"  src="https://freight.cargo.site/w/1000/i/0af02ad78a0c2c28ab3b0106eefb1d2bf90fbeae72f273cfbcc1c98f19a65f17/Tamalyn-Miller---Ghost-Pipe-Limtied-Edition---02.jpg" /&#62;

Ghost Pipe Limited Edition
Hand-tinted drawings, images, lyrics and text on cotton and decorative papers; photoluminescent thread and ink on vellum paper with CD 5 x 5” 2024
 

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4a93412cb88c652c79ab97ac55d5aa2085bbe80467e0174b9073f3943a4c315a/Tamalyn-Miller---Electrical-Wire-Doily.jpg" data-mid="248982323" border="0"  src="https://freight.cargo.site/w/1000/i/4a93412cb88c652c79ab97ac55d5aa2085bbe80467e0174b9073f3943a4c315a/Tamalyn-Miller---Electrical-Wire-Doily.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/db0675d338b2bba0e278f351ddc5bc88d7eec3c5d9eb1fda3b415912cef01db4/Tamalyn-Miller---Installation---04.jpg" data-mid="248979763" border="0"  src="https://freight.cargo.site/w/1000/i/db0675d338b2bba0e278f351ddc5bc88d7eec3c5d9eb1fda3b415912cef01db4/Tamalyn-Miller---Installation---04.jpg" /&#62;

Electrical Wire Doily
Electrical wire, electrical plugs, electrical tape, vintage floor lamp Dimensions variable; 48” diameter doily 2011



&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5637a3a1b74bc6a91cd2ff8d854d9f1fb80108ac97956947389793bec09fc1a4/Tamalyn-Miller---Love-Knot-for-the-United-States---01.jpg" data-mid="248979764" border="0"  src="https://freight.cargo.site/w/1000/i/5637a3a1b74bc6a91cd2ff8d854d9f1fb80108ac97956947389793bec09fc1a4/Tamalyn-Miller---Love-Knot-for-the-United-States---01.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e610af789dab44e56fb24d66042a2af215c217bd8dadee5b3dab5ac1f9989f7a/Tamalyn-Miller---Love-Knot-for-the-United-States---02.jpg" data-mid="248979765" border="0"  src="https://freight.cargo.site/w/1000/i/e610af789dab44e56fb24d66042a2af215c217bd8dadee5b3dab5ac1f9989f7a/Tamalyn-Miller---Love-Knot-for-the-United-States---02.jpg" /&#62;

Love Knot for the United States
Queen Anne’s lace stems and flowers, blood-stained crochet thread Dimensions variable 2025



&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b67a753f3425441101428cdae96667a0830da75660d36bc4cff738bbde70460d/Tamalyn-Miller---Flying-Ointment-Belladonna---03.jpg" data-mid="248982322" border="0"  src="https://freight.cargo.site/w/1000/i/b67a753f3425441101428cdae96667a0830da75660d36bc4cff738bbde70460d/Tamalyn-Miller---Flying-Ointment-Belladonna---03.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/50dda62d1b528369dc15e26bdc4cbbfd35c5f90bfaff838c4ba86f9ac43f8971/Tamalyn-Miller---Flying-Ointment-Belladonna---01.jpg" data-mid="248979756" border="0"  src="https://freight.cargo.site/w/1000/i/50dda62d1b528369dc15e26bdc4cbbfd35c5f90bfaff838c4ba86f9ac43f8971/Tamalyn-Miller---Flying-Ointment-Belladonna---01.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8e1860664478dbd15998d42b470b6b39b2855cc53fca7d3c2d241ecbb5593bb3/Tamalyn-Miller---Flying-Ointment-Belladonna---02.jpg" data-mid="248979757" border="0"  src="https://freight.cargo.site/w/1000/i/8e1860664478dbd15998d42b470b6b39b2855cc53fca7d3c2d241ecbb5593bb3/Tamalyn-Miller---Flying-Ointment-Belladonna---02.jpg" /&#62;

Flying Ointment: Belladonna
Muslin, embroidery thread, silk, vintage frame, glass, metal clasp 10. 625 x 15 x 3.5” (framed) 1999
 


&#60;img width="2560" height="1122" width_o="2560" height_o="1122" data-src="https://freight.cargo.site/t/original/i/1d2ea1582bcdc97f9ae09b8d8c222f9f0fa8ab729b8343e4fa14805358486de0/Tamalyn-Miller---Thorned-Flute---01.jpg" data-mid="248979767" border="0"  src="https://freight.cargo.site/w/1000/i/1d2ea1582bcdc97f9ae09b8d8c222f9f0fa8ab729b8343e4fa14805358486de0/Tamalyn-Miller---Thorned-Flute---01.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/a1d74fe415e53fe8639f2a520889a44de2298beaa7b616a3688d232f36376cf7/Tamalyn-Miller---Thorned-Flute---02.jpg" data-mid="248979768" border="0"  src="https://freight.cargo.site/w/1000/i/a1d74fe415e53fe8639f2a520889a44de2298beaa7b616a3688d232f36376cf7/Tamalyn-Miller---Thorned-Flute---02.jpg" /&#62;
&#60;img width="2560" height="1275" width_o="2560" height_o="1275" data-src="https://freight.cargo.site/t/original/i/a64758fd262a721bec242d29451856e4dde99a2dc64809a80b3bfc38122129c7/Tamalyn-Miller---Thorned-Flute---03.jpg" data-mid="248979769" border="0"  src="https://freight.cargo.site/w/1000/i/a64758fd262a721bec242d29451856e4dde99a2dc64809a80b3bfc38122129c7/Tamalyn-Miller---Thorned-Flute---03.jpg" /&#62;

Thorned Flute
Rose branch Approx. 8” long 2021






	










Gabriela Salazar


gabrielasalazar.com
@belugasalazar




	










My work examines the modes and measures of knowledge that are transmitted, visibly and invisibly, via structure and stuff. I approach the built and found environment, my personal history, and material, as frameworks for site‑responsive installations, drawings, and sculpture that engage the relational and associative possibilities inherent in medium, architecture, the body, selfhood, and place. Throughout runs a fascination with the phenomenology of site; the ways architecture is (mis)repurposed towards contemporary needs and uses; rule-making (and bending) as a strategy for uncovering idealizations and uncertainty in experience and expectations; and the large-and-small consequences of intentionality, ambition, limit, and failure. 


Compendium (1) is the first in a series of sculptural drawings that take elements from other works (both three and two-dimensional) for its shapes and forms. I create them as a sort of time-keeping, journaling, and notebook in sculptural form. Hanging from the ceiling, the individual parts rotate, making the composition ever-shifting. Like an arrow pointing Earthward, a found plumb bob anchors each work just above the floor, gravity helping to hold the moments and memories of the work in suspension. 




	











&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c94be0d39a1f43e22d0c161fa9e5b76b1f53544f1b60630f500214790d9fbbf5/Gabriela-Salazar---Compendium---01---AM.jpg" data-mid="248979776" border="0"  src="https://freight.cargo.site/w/1000/i/c94be0d39a1f43e22d0c161fa9e5b76b1f53544f1b60630f500214790d9fbbf5/Gabriela-Salazar---Compendium---01---AM.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/862546430d8afa25cad323ab22af16ba403d8c2afc30e83f12d37ee6381f4773/Gabriela-Salazar---Compendium---04---SG.jpg" data-mid="248979779" border="0"  src="https://freight.cargo.site/w/1000/i/862546430d8afa25cad323ab22af16ba403d8c2afc30e83f12d37ee6381f4773/Gabriela-Salazar---Compendium---04---SG.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9138ab69cae38417b91e448ae80feeaa102aef7a17a503ef6a25f6698b66bf68/Gabriela-Salazar---Compendium---06---SG.jpg" data-mid="248979781" border="0"  src="https://freight.cargo.site/w/1000/i/9138ab69cae38417b91e448ae80feeaa102aef7a17a503ef6a25f6698b66bf68/Gabriela-Salazar---Compendium---06---SG.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4d28a7a5612eab8959ca5c1416e6a04d8ee38892142060c39e6f8e9d2de0c463/Gabriela-Salazar---Compendium---08---SG.jpg" data-mid="248979783" border="0"  src="https://freight.cargo.site/w/1000/i/4d28a7a5612eab8959ca5c1416e6a04d8ee38892142060c39e6f8e9d2de0c463/Gabriela-Salazar---Compendium---08---SG.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/1e6bc244c0644098afd504f214739b12af8550cba5783c4102ceb7b0d99380ec/Gabriela-Salazar---Compendium---10---SG.jpg" data-mid="248979785" border="0"  src="https://freight.cargo.site/w/1000/i/1e6bc244c0644098afd504f214739b12af8550cba5783c4102ceb7b0d99380ec/Gabriela-Salazar---Compendium---10---SG.jpg" /&#62;

Compendium (1)
Steel, aluminum, found steel plumb bob 127 x 24” 2024

	










Sasha Stiles


sashastiles.com
@sashastiles




	










Heart Mantras is a poem with a pulse: a generative language system that continually writes and rewrites itself in real time. The work emerges from Stiles’s ongoing exploration of poetic intelligence— the braiding together of emotion and algorithm to make meaning — as a lens through which to consider what it means to be human in a more-than-human world. 


Using her poem Heart Mantra as a source text, the work unfolds through a field of infinite variations composed by her alter ego, Technelegy, a synthetic poet mentored by Stiles since 2018 as a critical engagement with AI. A new verse emerges every four minutes; each iteration refracts, distorts, and augments the original, rendering legible the impact of generative systems on language, memory, and the conditions of authorship. 


Both performance and manuscript, Heart Mantras inhabits a shifting landscape where human relationships are increasingly mediated by complex networks, and dataset, prompt, and digital infrastructure become poetic instruments of perception. Here, language operates as loop and lifeline: an interface that connects and carries us, even as it evolves and rewrites us. 


The work reflects how Stiles’s practice evolves from and expands upon literary traditions and canonical text-based art, invoking a hybrid voice shaped by our techno-cultural environs. Unfolding slowly and more deeply with time, Heart Mantras reimagines algorithm not as automation, but as attention and mantra: a ritual meditation that invites us to become more poetic about our fast-advancing technologies, and to consider how they might open new realms of imagination and understanding. 




	












REPETAE: HEART MANTRAS
Browser-based generative language system integrating original and synthetic poetry, run via custom software (p5.js) Dimensions variable Continuous (new verse every 4 minutes) 2024 – ongoing

&#60;img width="3840" height="2224" width_o="3840" height_o="2224" data-src="https://freight.cargo.site/t/original/i/0899ab48001236933d0d98746b2a24c834519a4870f536f83558e082fe740f53/Sasha-Stiles---Heart-Mantra---Still---01.png" data-mid="249093921" border="0"  src="https://freight.cargo.site/w/1000/i/0899ab48001236933d0d98746b2a24c834519a4870f536f83558e082fe740f53/Sasha-Stiles---Heart-Mantra---Still---01.png" /&#62;
&#60;img width="3840" height="2224" width_o="3840" height_o="2224" data-src="https://freight.cargo.site/t/original/i/553c25701899a190bb6241abb36593ea005ae52385fbfcc31a05e3341becd253/Sasha-Stiles---Heart-Mantra---Still---03.png" data-mid="249093923" border="0"  src="https://freight.cargo.site/w/1000/i/553c25701899a190bb6241abb36593ea005ae52385fbfcc31a05e3341becd253/Sasha-Stiles---Heart-Mantra---Still---03.png" /&#62;
&#60;img width="3840" height="2224" width_o="3840" height_o="2224" data-src="https://freight.cargo.site/t/original/i/dd29e61c6cbfedd4df69fd1531906cd0e68b05c58a1eb3f36ba2a5b5afc7f76c/Sasha-Stiles---Heart-Mantra---Still---04.png" data-mid="249093924" border="0"  src="https://freight.cargo.site/w/1000/i/dd29e61c6cbfedd4df69fd1531906cd0e68b05c58a1eb3f36ba2a5b5afc7f76c/Sasha-Stiles---Heart-Mantra---Still---04.png" /&#62;

Screen captures from the installation


	










Edwin Torres

Guest Curator

@brainlingo_




	










I’m interested in how to keep up with an evolutionary continuum out of our control, by rearranging our entry points. The expansion of poetry’s dialogue between messenger and receiver is a continual shift for me, to discover new realms, new interpretations, that meet the reader where they are not where they need to be. The question of movement becoming the story is a release into the possible.


Self Poet is a meeting between transformations, where identity’s mirror is repetition. My Slippage series meet the verticality of the visitor, where text slips behind text to echo the detritus of the alternate say. 
Both string totems are recent forms I’ve been exploring, integrating physical space into the reader’s approach of a poem. Further inspired by typographic negative spaces and Ancient Mayan alphabets that used letters as totems placed over each other to create sigils considered to have magical power.


The first totem Mi Casa is about meeting earth’s language where it wants to root into the weight of weightlessness, where body becomes casa becoming lengua.&#38;nbsp; The second totem Sanctuary is about meeting the page where it wants to fly from the book, looking for ground, where we enter to pass through the poem, where under becomes a noun for sanctuary, to seek refuge in falling together.


All are elements of poetry-making for me. How dimensions of language are the portals we invent, to absorb selves we’ve yet to hear.




	











&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/0c396a1bf11183fdcfafb6ad3981c3dd17ee1c2a37220bc3362d318a2e22dbb8/Edwin-Torres---Slippage---01---SG.jpg" data-mid="248979790" border="0"  src="https://freight.cargo.site/w/1000/i/0c396a1bf11183fdcfafb6ad3981c3dd17ee1c2a37220bc3362d318a2e22dbb8/Edwin-Torres---Slippage---01---SG.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b54bc96ee70aaeecdc74ffc1da1ad04be9c1e5aedbcfd3597a3421f7a5dd992e/Edwin-Torres---Slippage---02---SG.jpg" data-mid="248979791" border="0"  src="https://freight.cargo.site/w/1000/i/b54bc96ee70aaeecdc74ffc1da1ad04be9c1e5aedbcfd3597a3421f7a5dd992e/Edwin-Torres---Slippage---02---SG.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/394e2e2eb03598a86f044ff41e29823bf084c3bcab87971bb4b23b5fc938a081/Edwin-Torres---Slippage---03---SG.jpg" data-mid="248979792" border="0"  src="https://freight.cargo.site/w/1000/i/394e2e2eb03598a86f044ff41e29823bf084c3bcab87971bb4b23b5fc938a081/Edwin-Torres---Slippage---03---SG.jpg" /&#62;

Slippage: To Read With The Silent Runners
Digital print, hung Murakumo Kozo archival rice paper 16 x 56”2022



&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a06ad0d36c9c484a00a35f561bebc4389beffc9a544e613852883cf059ce4386/Edwin-Torres---Self-Poet-Of-The-Artist-As-A-Young-Man---01---SG.jpg" data-mid="248979788" border="0"  src="https://freight.cargo.site/w/1000/i/a06ad0d36c9c484a00a35f561bebc4389beffc9a544e613852883cf059ce4386/Edwin-Torres---Self-Poet-Of-The-Artist-As-A-Young-Man---01---SG.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/eb2e60054113f4d5d93d2c15d71a35878be44fbdb9a36fe1742211bb0f277ef4/Edwin-Torres---Self-Poet-Of-The-Artist-As-A-Young-Man---02---SG.jpg" data-mid="248979789" border="0"  src="https://freight.cargo.site/w/1000/i/eb2e60054113f4d5d93d2c15d71a35878be44fbdb9a36fe1742211bb0f277ef4/Edwin-Torres---Self-Poet-Of-The-Artist-As-A-Young-Man---02---SG.jpg" /&#62;

Self Poet Of The Artist As A Young Man

Digital print, framedCanson Infinity archival paper15 x 15” 2023



&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4384d08dd86808629a53aa3da00c74543cb3e27a3ba423ef88ee532c891d472e/Edwin-Torres---String-Totem-Mi-Casa---01---SG.jpg" data-mid="248979794" border="0"  src="https://freight.cargo.site/w/1000/i/4384d08dd86808629a53aa3da00c74543cb3e27a3ba423ef88ee532c891d472e/Edwin-Torres---String-Totem-Mi-Casa---01---SG.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3fc4bd55daac5d12cbea74c78824d4533c78a00376cc169ac24db2777c427b73/Edwin-Torres---String-Totem-Mi-Casa---02---SG.jpg" data-mid="248979795" border="0"  src="https://freight.cargo.site/w/1000/i/3fc4bd55daac5d12cbea74c78824d4533c78a00376cc169ac24db2777c427b73/Edwin-Torres---String-Totem-Mi-Casa---02---SG.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e0523b68f443358ef95fcfd890b4a7fb58c83d1cece2269cbaa038b4b116a897/Edwin-Torres---String-Totem-Mi-Casa---10---SG.jpg" data-mid="248979803" border="0"  src="https://freight.cargo.site/w/1000/i/e0523b68f443358ef95fcfd890b4a7fb58c83d1cece2269cbaa038b4b116a897/Edwin-Torres---String-Totem-Mi-Casa---10---SG.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/708fbe3221f739f766797d43fc02f3461fe0d0196b9342f80b69352d0f2e5e88/Edwin-Torres---String-Totem-Mi-Casa---08---SG.jpg" data-mid="248979801" border="0"  src="https://freight.cargo.site/w/1000/i/708fbe3221f739f766797d43fc02f3461fe0d0196b9342f80b69352d0f2e5e88/Edwin-Torres---String-Totem-Mi-Casa---08---SG.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d7ded915f2c6bc09360519af2df2a60c503b9b285e2544015fc2196ed27a86d1/Edwin-Torres---String-Totem-Series---05---AM.jpg" data-mid="248979836" border="0"  src="https://freight.cargo.site/w/1000/i/d7ded915f2c6bc09360519af2df2a60c503b9b285e2544015fc2196ed27a86d1/Edwin-Torres---String-Totem-Series---05---AM.jpg" /&#62;

String Totem: Mi Casa Mi Casa Mi Lengua Mi Lengua
Mixed Media InstallationDimensions variable, 36 x 48 x 108”2026



&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/31a0f99875070f1de36f4195ad0e21a4727e44f2cf799fcd024b901d96f0b276/Edwin-Torres---String-Totem-Sanctuary---01---SG.jpg" data-mid="248979807" border="0"  src="https://freight.cargo.site/w/1000/i/31a0f99875070f1de36f4195ad0e21a4727e44f2cf799fcd024b901d96f0b276/Edwin-Torres---String-Totem-Sanctuary---01---SG.jpg" /&#62;
&#60;img width="1275" height="1650" width_o="1275" height_o="1650" data-src="https://freight.cargo.site/t/original/i/1cfb20a01cb628bf2271160b90918f68afd3c560b25546af766066319627f985/Edwin_StringTotem-2_poem2.jpg" data-mid="249376188" border="0"  src="https://freight.cargo.site/w/1000/i/1cfb20a01cb628bf2271160b90918f68afd3c560b25546af766066319627f985/Edwin_StringTotem-2_poem2.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/259de69956ab798dc50686b3065e4d123a92b713c755e66e3ef4bf42c5f82cd7/Edwin-Torres---String-Totem-Sanctuary---02---SG.jpg" data-mid="248979808" border="0"  src="https://freight.cargo.site/w/1000/i/259de69956ab798dc50686b3065e4d123a92b713c755e66e3ef4bf42c5f82cd7/Edwin-Torres---String-Totem-Sanctuary---02---SG.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/33eaf9a76e3c3da5ec930643c19ff91675c51fa7849a1e774003a628059fab07/Edwin-Torres---String-Totem-Sanctuary---04---SG.jpg" data-mid="248979810" border="0"  src="https://freight.cargo.site/w/1000/i/33eaf9a76e3c3da5ec930643c19ff91675c51fa7849a1e774003a628059fab07/Edwin-Torres---String-Totem-Sanctuary---04---SG.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5a8fa4c4f78966a1e0664df5b46c332fae345ba7530d724251d4b97902e345cf/Edwin-Torres---String-Totem-Sanctuary---06---SG.jpg" data-mid="248979812" border="0"  src="https://freight.cargo.site/w/1000/i/5a8fa4c4f78966a1e0664df5b46c332fae345ba7530d724251d4b97902e345cf/Edwin-Torres---String-Totem-Sanctuary---06---SG.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4eed135056a59debbeea3104b1912b720b62caf9c6729bbf11f7456fd788a1ac/Edwin-Torres---String-Totem-Sanctuary---18---SG.jpg" data-mid="248979824" border="0"  src="https://freight.cargo.site/w/1000/i/4eed135056a59debbeea3104b1912b720b62caf9c6729bbf11f7456fd788a1ac/Edwin-Torres---String-Totem-Sanctuary---18---SG.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0d8ddfe8a5022008cf0b00f2749b1ca48afa1a289f07df26744c37975c9af731/Edwin-Torres---String-Totem-Sanctuary---22---SG.jpg" data-mid="248979828" border="0"  src="https://freight.cargo.site/w/1000/i/0d8ddfe8a5022008cf0b00f2749b1ca48afa1a289f07df26744c37975c9af731/Edwin-Torres---String-Totem-Sanctuary---22---SG.jpg" /&#62;

String Totem: Sanctuary For A Thousand Falls
Mixed Media InstallationDimensions variable, 84 x 96 x 108”2026

	










Yara Travieso


yaratravieso.com
@yaratravieso




	










My work is rooted in the mad, the absurd, and the sacred, embracing a multitude of terrains for embodied explorations that invite deep listening, surrender, and interconnection. I grew up in the triangle of political turmoil, machismo, and media spectacle of Cuba, Venezuela, and the U.S.. Living between endless systems of abusive power and land subjugation, I practice explosive bouts of liberation in my daily movement practice and quiet listening in my video and film practice. Drawing from Caribbean matrilineal sensibilities, my practice surrenders to impossibilities, spirituality, spectacle, absurdity, myth, melodrama, gossip, rage, humor, ritual, &#38;amp; land. My performance practice has been an embodied vehicle for survival within violent systems, and has evolved into a call towards our inextricable bond with each other, and all that is alive. My film practice fosters a terrain of embodied “story-listening,” v.s. an imposed “story-telling”, inviting mine, my collaborator’s, &#38;amp; our viewer’s sensibilities to uncover the invisible truths stored in our bodies, our histories, &#38;amp; our radical futures. In this way, the camera becomes an external consciousness, intensifying the sense of being present for all those it captures, while also shouldering the burden of our wounds, fears &#38;amp; truths; The camera says what systems of power deny us, stating unequivocally: “I feel what you feel”... 




	










&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/dc2a047d1c70c37fa582427ddb3bf34c9d9a0fa5b92fe79475b9123c9ba82fda/Yara-Travieso---Entrar-Sin-Machete---Still---01.jpg" data-mid="248979838" border="0"  src="https://freight.cargo.site/w/1000/i/dc2a047d1c70c37fa582427ddb3bf34c9d9a0fa5b92fe79475b9123c9ba82fda/Yara-Travieso---Entrar-Sin-Machete---Still---01.jpg" /&#62;

Entrar Sin Machete (Entering Without Machete)
Single channel 8mm film and video collage 3 minutes 2025


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4ae0e528eaa451c75ba0533f4394e3b67c31cfa3d06339e66139e8ce044daa76/Yara-Travieso---Laid-in-Earth---Still---01.jpg" data-mid="248979840" border="0"  src="https://freight.cargo.site/w/1000/i/4ae0e528eaa451c75ba0533f4394e3b67c31cfa3d06339e66139e8ce044daa76/Yara-Travieso---Laid-in-Earth---Still---01.jpg" /&#62;

Laid In Earth
Single channel video 4 minutes and 6 seconds 2013


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2761d27a016ff5ef8e75fa5bb584cc508956ea319c1c57f3fe1882bc6179b230/Yara-Travieso---Pararillo--Como-No-Voy-a-Llorar---Still---02.jpg" data-mid="248979842" border="0"  src="https://freight.cargo.site/w/1000/i/2761d27a016ff5ef8e75fa5bb584cc508956ea319c1c57f3fe1882bc6179b230/Yara-Travieso---Pararillo--Como-No-Voy-a-Llorar---Still---02.jpg" /&#62;

¿Pajarillo, Como No Voy A Llorar? (Little Birdy, How Could I Not Cry?)
Single channel 8mm film and video collage 2 minutes and 28 seconds 2024

	










Cecilia Vicuña


ceciliavicuna.com
@ceciliavicuna




	










Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. The print included in this exhibition, Eman si pasión [Emancipation / Participation] again looks to language to consider notions of freedom and engagement as she extracts from both “emancipacion” and “participacion” (Spanish for “emancipation” and “participation”) the Spanish words “si” (“yes”) and “pasion” (“passion”).




	











&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/278d5a9addefbae71cd056e23951189e39b61721c15e17ba1ae0c6d886c84e4a/Cecilia-Vicuna---01---Eman-si-passion.jpg" data-mid="248979843" border="0"  src="https://freight.cargo.site/w/1000/i/278d5a9addefbae71cd056e23951189e39b61721c15e17ba1ae0c6d886c84e4a/Cecilia-Vicuna---01---Eman-si-passion.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b8772720fcc658fb44e0d765d23eb4351701fc1780a238c6f845e89f411da1ca/Cecilia-Vicuna---02---Eman-si-passion.jpg" data-mid="248979844" border="0"  src="https://freight.cargo.site/w/1000/i/b8772720fcc658fb44e0d765d23eb4351701fc1780a238c6f845e89f411da1ca/Cecilia-Vicuna---02---Eman-si-passion.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/98e4cb25d87779b313045e569fc88fd1291738dcf4075f0c6199fcd14fd323c2/Cecilia-Vicuna---03---Eman-si-passion.jpg" data-mid="248979845" border="0"  src="https://freight.cargo.site/w/1000/i/98e4cb25d87779b313045e569fc88fd1291738dcf4075f0c6199fcd14fd323c2/Cecilia-Vicuna---03---Eman-si-passion.jpg" /&#62;

Eman si pasión [Emancipation / Participation]

Screenprint&#38;nbsp; 26 x 38 x 1.625” (framed)&#38;nbsp; 1974/2016

	










Millicent Young


millicentyoung.com

@millicent.young




	










These works belong to 3 different series made over the past 10 years. Each is a series of rectilinear flat or frontal yet dimensional works originally referencing pages or architectural features such as walls, windows, niches, and doorways. The forms are a means to hold what is at edge of my grasp.&#38;nbsp; &#38;nbsp;


Language is one of the things these works probe. What is language? What does it record? What happens when words are split from the substance of their meaning? When they become marks holding place for something no longer known, where does the story go? What is the absence of language? &#38;nbsp;
The marks I make are an asemic script of an unknown language I have been working with for decades, often combining the script with marks that are counting something. &#38;nbsp;
The works also bear the marks of a telluric language that remembers liquidity, substrates, and the cosmos. And, in the case of Aleppo, of war. &#38;nbsp;


These works care about the way things are held. I refer to what holds the plaster tableaux in the Inaudible and In Silence series as bezels. A term borrowed from jewelry making, a bezel is a setting that holds the stone. &#38;nbsp; &#38;nbsp;




	
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2d976df5cbe978285ae4dcf883c202032ec59954e886d88ed7255da90d441ce0/Millicent-Young---Aleppo---01.jpg" data-mid="248979846" border="0"  src="https://freight.cargo.site/w/1000/i/2d976df5cbe978285ae4dcf883c202032ec59954e886d88ed7255da90d441ce0/Millicent-Young---Aleppo---01.jpg" /&#62;
&#60;img width="2049" height="2560" width_o="2049" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b8ffdb9e04522ef7d9c15a729001946aa1e00a080ddd9d97e6c49dede5634b49/Millicent-Young---Aleppo---02.jpg" data-mid="248979847" border="0"  src="https://freight.cargo.site/w/1000/i/b8ffdb9e04522ef7d9c15a729001946aa1e00a080ddd9d97e6c49dede5634b49/Millicent-Young---Aleppo---02.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/db3be4ec8e0304351f09418c806d707c885608a72a16eadb7aec7449a737bb7e/Millicent-Young---Aleppo---05.jpg" data-mid="248979850" border="0"  src="https://freight.cargo.site/w/1000/i/db3be4ec8e0304351f09418c806d707c885608a72a16eadb7aec7449a737bb7e/Millicent-Young---Aleppo---05.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/fb5410394bfdd9754aa0b5cf04a4c73d02067144367bb1ae8a35db1ef879aedb/Millicent-Young---Aleppo---07.jpg" data-mid="248979852" border="0"  src="https://freight.cargo.site/w/1000/i/fb5410394bfdd9754aa0b5cf04a4c73d02067144367bb1ae8a35db1ef879aedb/Millicent-Young---Aleppo---07.jpg" /&#62;

Aleppo, from the Cantos for the Anthropocene series
Muslin, plaster, red iron oxide, pigments, pencil, cold wax 112 x 32 x 6” 2017 
&#60;img width="2008" height="2560" width_o="2008" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e4b2ba505b32708d9ca5ff58b4deff4dd4e302f8ba13fec530fb115ec59e9485/Millicent-Young---Inaudible-ii---01---Credit---Pete-Mauney.jpg" data-mid="248979854" border="0"  src="https://freight.cargo.site/w/1000/i/e4b2ba505b32708d9ca5ff58b4deff4dd4e302f8ba13fec530fb115ec59e9485/Millicent-Young---Inaudible-ii---01---Credit---Pete-Mauney.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/de504526b05598d28758ab9aca9a9fb56e2a069c4eeee46bfcaabce94c889055/Millicent-Young---Inaudible-ii---02.jpg" data-mid="248979855" border="0"  src="https://freight.cargo.site/w/1000/i/de504526b05598d28758ab9aca9a9fb56e2a069c4eeee46bfcaabce94c889055/Millicent-Young---Inaudible-ii---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/583f338048e0a7f465af8fc7c00230c6d0bf7c80dc2d8d415d2ec4a54ab9e736/Millicent-Young---Inaudible-ii---03.jpg" data-mid="248979856" border="0"  src="https://freight.cargo.site/w/1000/i/583f338048e0a7f465af8fc7c00230c6d0bf7c80dc2d8d415d2ec4a54ab9e736/Millicent-Young---Inaudible-ii---03.jpg" /&#62;

Image 1 courtesy of Pete Mauney
Inaudible ii, from the Inaudible series
Plaster, steel, pigments, ink, pencil 26 x 20 x 2” 2025
&#60;img width="2035" height="2560" width_o="2035" height_o="2560" data-src="https://freight.cargo.site/t/original/i/72fb39967c288ec5c01c7479c02fda75e7cd308db19aa6eca2b919b03d22f713/Millicent-Young---Inaudible-iii---01---Credit---Pete-Mauney.jpg" data-mid="248979857" border="0"  src="https://freight.cargo.site/w/1000/i/72fb39967c288ec5c01c7479c02fda75e7cd308db19aa6eca2b919b03d22f713/Millicent-Young---Inaudible-iii---01---Credit---Pete-Mauney.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/858b77ee4713a0b9ad202fc24bb0319dc84b4f5c9bcfbab23c3f5c0b286601b9/Millicent-Young---Inaudible-iii---02.jpg" data-mid="248979858" border="0"  src="https://freight.cargo.site/w/1000/i/858b77ee4713a0b9ad202fc24bb0319dc84b4f5c9bcfbab23c3f5c0b286601b9/Millicent-Young---Inaudible-iii---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/d4115a8d949d8cfd3987f293dbc30bfb8814efdfef965639f3f0b6de68be20c1/Millicent-Young---Inaudible-iii---03.jpg" data-mid="248979859" border="0"  src="https://freight.cargo.site/w/1000/i/d4115a8d949d8cfd3987f293dbc30bfb8814efdfef965639f3f0b6de68be20c1/Millicent-Young---Inaudible-iii---03.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/889e136e040b868f57882d41acd28391d322407dac2617fef752c41f59060482/Millicent-Young---Inaudible-iii---04.jpg" data-mid="248979860" border="0"  src="https://freight.cargo.site/w/1000/i/889e136e040b868f57882d41acd28391d322407dac2617fef752c41f59060482/Millicent-Young---Inaudible-iii---04.jpg" /&#62;

Image 1 courtesy of Pete Mauney
Inaudible iii, from the Inaudible series
Plaster, steel, pigments, ink, pencil 26 x 20 x 2” 2025
&#60;img width="2560" height="1947" width_o="2560" height_o="1947" data-src="https://freight.cargo.site/t/original/i/622d67611e3ca08c66be729ed9d4bfffac4e1519c00cdbc615e22edb7f47eb73/Millicent-Young---Inaudible-iv---01---Credit---Pete-Mauney.jpg" data-mid="248979861" border="0"  src="https://freight.cargo.site/w/1000/i/622d67611e3ca08c66be729ed9d4bfffac4e1519c00cdbc615e22edb7f47eb73/Millicent-Young---Inaudible-iv---01---Credit---Pete-Mauney.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5a4b2c9cbd4a1c3ae5c523298d8bf7d5451636a89d57075b9d568090a32de4a2/Millicent-Young---Inaudible-iv---02.jpg" data-mid="248979862" border="0"  src="https://freight.cargo.site/w/1000/i/5a4b2c9cbd4a1c3ae5c523298d8bf7d5451636a89d57075b9d568090a32de4a2/Millicent-Young---Inaudible-iv---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/31d0452c08357e7313804d37e6e9d69d1028677d10f15dfad38a3f796865a7c5/Millicent-Young---Inaudible-iv---03.jpg" data-mid="248979863" border="0"  src="https://freight.cargo.site/w/1000/i/31d0452c08357e7313804d37e6e9d69d1028677d10f15dfad38a3f796865a7c5/Millicent-Young---Inaudible-iv---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/37db23d80d20bad7cc5a2c47fa33b573905dc5fe26dc96633cf21668413d61ed/Millicent-Young---Inaudible-iv---04.jpg" data-mid="248979864" border="0"  src="https://freight.cargo.site/w/1000/i/37db23d80d20bad7cc5a2c47fa33b573905dc5fe26dc96633cf21668413d61ed/Millicent-Young---Inaudible-iv---04.jpg" /&#62;
Image 1 courtesy of Pete Mauney

Inaudible iv, from the Inaudible series
Plaster, steel, pigments, ink, pencil 26 x 34.5 x 2” 2025
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/48e095d877f280604e7598a1602e57a4115c595e8aa1ef848d0ddb5ab291acd0/Millicent-Young---psalm-for-listening-umbilicus---03.jpg" data-mid="248979867" border="0"  src="https://freight.cargo.site/w/1000/i/48e095d877f280604e7598a1602e57a4115c595e8aa1ef848d0ddb5ab291acd0/Millicent-Young---psalm-for-listening-umbilicus---03.jpg" /&#62;

psalm for listening: umbilicus, from the In Silence series
Charred wood, plaster, black iron oxide, pigments, gesso, string 36.5 x 11.5 x 2.5” 2020

	










Zina Zinchenko


just2befree.wixsite.com/body-knows

@body_knows_




	










Body Knows is a somatic movement method focused on nervous system regulation, fascia awareness, breath, and intuitive movement developed by movement artist, performer, and somatic practitioner, Zina Zinchenko. Zinchenko, in conversation with curator Edwin Torres, has selected 18 short videos from hundreds of somatic trauma informed movement videos available on her social media account @body_knows_. 


The videos loop on five screens in the exhibition, inviting the viewer to not only watch, but to move, to feel—to notice their own posture, breath, and physical sensations while standing in the space—and to explore the movements demonstrated by Zinchenko with their own bodies.


Zinchenko’s work emphasizes the body as a site of memory, adaptation, and resilience, where simple physical actions influence the nervous system. With a background in contemporary dance, immersive theatre, and somatic movement education, her work explores how psychological and emotional experiences are expressed through the physical body.


The videos are based on the idea that the body holds tension, experience, and emotional patterns—but it also holds the ability to regulate, adapt, and heal. Through slow, repetitive movements such as shifting weight, circling joints, softening the jaw, moving the spine, and breathing, the videos explore how small physical actions can change internal states. 
The work suggests that change does not always begin with thinking.


Sometimes, change begins by noticing the body. &#38;nbsp;




	
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&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/dbdeb60e2db61a23655cc697145f4cbf7c6dfb608669015830d75af9db148ebe/Zina-Zinchenko---Body-Moves---07.jpg" data-mid="248979874" border="0"  src="https://freight.cargo.site/w/1000/i/dbdeb60e2db61a23655cc697145f4cbf7c6dfb608669015830d75af9db148ebe/Zina-Zinchenko---Body-Moves---07.jpg" /&#62;

Body Knows

18 Instagram videosDisplayed on 5 digital photo frames Duration, approx 1 min each2026All videos available on Instagram&#38;nbsp;@body_knows_




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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/be4aa09dd2d36bd344658fe85de00839796611ffcb2bec7224cfa96c8650effd/your-body-is-a-porous-language---Opening-Reception---ILS---24.jpg" data-mid="249053034" border="0"  src="https://freight.cargo.site/w/1000/i/be4aa09dd2d36bd344658fe85de00839796611ffcb2bec7224cfa96c8650effd/your-body-is-a-porous-language---Opening-Reception---ILS---24.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/77660bf526628c39096548ca73ceac230fba403f45006e1b893d414b64c6a55f/your-body-is-a-porous-language---Closing-Gathering---04---SG.jpg" data-mid="249115263" border="0"  src="https://freight.cargo.site/w/1000/i/77660bf526628c39096548ca73ceac230fba403f45006e1b893d414b64c6a55f/your-body-is-a-porous-language---Closing-Gathering---04---SG.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/d6c6bbfc7c58c4cd7c352a6404fb7296a9331a15e527df4d59dbeeec94952984/your-body-is-a-poetry-reading---Adam-DeVuyst---23.jpg" data-mid="249052925" border="0"  src="https://freight.cargo.site/w/1000/i/d6c6bbfc7c58c4cd7c352a6404fb7296a9331a15e527df4d59dbeeec94952984/your-body-is-a-poetry-reading---Adam-DeVuyst---23.jpg" /&#62;
&#60;img width="2560" height="1634" width_o="2560" height_o="1634" data-src="https://freight.cargo.site/t/original/i/f89af7481f60d6c6158127e6b2ca81cfa0346f152a80820e3ce980c04e60d8d6/your-body-is-a-porous-language---Opening-Reception---Brian-Wolfe---51.jpg" data-mid="249053027" border="0"  src="https://freight.cargo.site/w/1000/i/f89af7481f60d6c6158127e6b2ca81cfa0346f152a80820e3ce980c04e60d8d6/your-body-is-a-porous-language---Opening-Reception---Brian-Wolfe---51.jpg" /&#62;
Opening reception photographs courtesy of Brian Wolfe
(your) body is a poetry reading photographs courtesy of Adam DeVuyst



Safe Harbors' Ann Street Gallery exhibitions are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the Cowles Charitable Trust, Dominican Sisters of Hope Ministry Fund, M&#38;amp;T Charitable Foundation, and individual donors.

&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="248978645" border="0" data-scale="27" src="//freight.cargo.site/w/1692/q/75/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" style="width: 316.256px; height: 74.952px;"&#62;&#38;nbsp; &#38;nbsp; &#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="248978641" border="0" data-scale="10" src="//freight.cargo.site/w/744/q/75/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" style="width: 117.132px; height: 93.0443px;"&#62;&#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="248978640" border="0" data-scale="37" src="//freight.cargo.site/w/982/q/75/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" style="width: 433.388px; height: 70.6131px;"&#62; &#38;nbsp; &#60;img width="465" height="122" width_o="465" height_o="122" data-src="https://freight.cargo.site/t/original/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" data-mid="248978643" border="0" data-scale="20" src="//freight.cargo.site/w/465/q/75/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" style="width: 234.264px; height: 61.4628px;"&#62;</description>
		
	</item>
		
		
	<item>
		<title>(your) body is a porous language - Programs</title>
				
		<link>https://annstreetgallery.org/your-body-is-a-porous-language-Programs</link>

		<pubDate>Wed, 03 Jun 2026 10:38:03 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/your-body-is-a-porous-language-Programs</guid>

		<description>
	(your) body is a porous language&#38;nbsp; &#38;nbsp; &#38;nbsp;(our) embodied connections
Spring 2026 Workshop and Program Series(your) body is a poetry readingSunday, April 26, 3:00 - 5:00 pmCarolina Abreu, Brenda Coultas &#38;amp; Edwin Torres (poetry),K.J. Holmes (dance), Sean G. Meehan (snare)Gallery Walkthrough and Q&#38;amp;A with curator Edwin TorresSaturday May 2, 2:00 - 3:00 pm(your) body is a workshopSaturday, May 16, 10:00AM-1:00PMJeanine Durning(your) body is an art talkSaturday, May 23, 3:00 - 5:00 pmRenee Gladman and Marcella DurandModerated by Edwin Torres


	Free public programming supporting ASG’s spring exhibition, (your) body is a porous language : (our) embodied&#38;nbsp;connections, includes engagements with curator and gallery director Alison McNulty, guest curator Edwin Torres, and several regional artists.On April 26, Edwin Torres, with two poets, a movement artist, and a snare drummer will explore the relational territory and social engagements opened by the forms and languages inhabiting the gallery. Torres invites the audience to experience an embodied dialogue between language, listening, and the artworks on display.
There will be an informal gallery walkthrough and Q&#38;amp;A with Edwin Torres on May 2. Torres will introduce his Curated Reading List for our Open Reading Room program, discuss how his aesthetics as a poet/performer informed his selection of artworks, reflect on the development of a curatorial process, and explore the inspirations and aspirations underpinning the exhibition.
Join Jeanine Durning, a Guggenheim and Alpert award-winning choreographer and performer, for a free workshop in conjunction with our spring exhibition on May 16. Durning will share and guide the practice she calls “nonstopping.” We will use improvised moving and speaking to access, accept, articulate, and amplify the embodied material of ourselves. People with a curiosity to move and speak as modes of creative practice are welcome. 
On May 23 at Ann Street Gallery, we invite you to a conversation between Renee Gladman, Marcella Durand, and Edwin Torres. Renee Gladman is an artist &#38;amp; writer whose work is in the exhibition, and Marcella Durand is a poet &#38;amp; scholar whose work explores intersections between ecology, art, and poetry. They’ll discuss how their work engages with porosity, and explore the exhibition's integrated architectures of language-making.




	(your) body is a poetry readingSunday, April 26, 3:00 - 5:00 pmfeaturing:Carolina Abreu /body as complexity of belongingBrenda Coultas /history as interrogated imaginationK.J. Holmes /movement as porous stabilitySean G. Meehan /vibration as continuous bodyEdwin Torres /language as construct of porosityJoin exhibition curator Edwin Torres, with two poets, a movement artist and a snare drummer as they explore the relational territory and social engagements opened by the forms and languages inhabiting the gallery. Torres invites the audience to experience an embodied dialogue between language, listening, and the artworks on display. The event opens cross-disciplinary conversation unfolding in evolving, responsive rhythms and seeks creation and participation through a connective pulsing within the gallery's walls.Free and open to the public
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Event photographs courtesy of Adam DeVuyst

	Gallery Walkthrough and Q&#38;amp;A with curator Edwin TorresSaturday May 2, 2:00 - 3:00 pmJoin us at Ann Street Gallery for an informal gallery walkthrough and Q&#38;amp;A with Edwin Torres, the curator of our spring exhibition, (your) body is a porous language: (our) embodied connections. Torres will introduce his Curated Reading List for our Open Reading Room program, discuss how his aesthetics as a poet and performer informed his selection of artworks, reflect on the development of a curatorial process, and take a closer look at the inspiration and aspirations underpinning the exhibition.Free and open to the public
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	(your) body is a workshopSaturday, May 16, 10:00AM-1:00PMJeanine DurningJoin Jeanine Durning, a Guggenheim and Alpert award-winning choreographer and performer, for a free workshop in conjunction with our spring exhibition, (your) body is a porous language : (our) embodied connections. Durning will share and guide some proposals and scores for the practice she calls “nonstopping.” We will use improvised moving and speaking to access, accept, articulate, and amplify the embodied material of ourselves in the continuous present.We’ll practice different ways in which this fluid material can be formed, shifted, reorganized, and played with in relation to known and unknown conditions. We’ll tune to the complexities of our unfolding ecologies, sharpen our responsiveness to our emergent materials, and empower ourselves to the poetics of our choices.We will work alone, sometimes in pairs, and sometimes as a group. People from all disciplines and experiences are welcome, with a curiosity and desire to move and speak a lot as modes of creative practice. A willingness to not know why or what or how as a generative tool is very useful in this work.Please bring writing materials, as we’ll do some writing as a way to track our thoughts and micro decisions. And please wear comfortable clothing and comfortable shoes you can move in.Space limited.RSVP required toannstreetgallery@safe-harbors.orgFree and open to the public  
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	Headshot Snorri Sturluson. Images 2 and 3 Chris Camerson for MANCC, courtesy of the artistJeanine Durning is a Guggenheim and Alpert award-winning choreographer and performer described by The New Yorker as having “the potential for philosophical revelation and theatrical disaster.” Her work investigates the mutable potential and presence-making of moving bodies, and their conditions in time, space, and situation. Since 1998, she has created performances that blur artistic and aesthetic boundaries, and since 2009, her “nonstopping” practice has formed the core of her ongoing research, operating in the spaces between thought, perception, movement, and language. From 2010-2020, she toured her solo performance, inging (an ongoing experiment in non-stopping speech) which has been widely recognized for its expanded notion of choreography, exploring the structures and phenomenology of thought in extemporaneous movement and speech. Durning’s performances and choreographies have been presented throughout the U.S., Europe, and in Canada, including at NYU Skirball and BAM in NYC, Sadler’s Wells in London, and Dansens Hus in Stockholm and has been a guest lecturer of dance, performance and choreography at SNDO/Amsterdam, Movement Research/NYC, HZT/Berlin, SKH/Stockholm and many University dance programs in the States, including NYU and Smith College.jeaninedurning.com
@jeanine.i.dream
Learn more about Jeanine’s work on podcasts&#38;nbsp;here, here, and here

	(your) body is an art talkSaturday, May 23, 3:00 - 5:00 pmRenee Gladman and Marcella DurandModerated by Edwin TorresJoin us at Ann Street Gallery for a conversation between Renee Gladman, Marcella Durand, and Edwin Torres, the curator of our spring exhibition, (your) body is a porous language: (our) embodied connections. Renee Gladman is an artist &#38;amp; writer whose work is in the exhibition, and Marcella Durand is a poet &#38;amp; scholar whose work explores intersections between ecology, science, art, and poetry.This lecture and reading will expand upon how their practices engage with properties of knowing and un-knowing in their work, discuss how porosity allows empowerment in the creative space, and explore the exhibition's integrated architectures of language-making.Free and open to the public
	
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Renee Gladman, photo by Garett EliotMarcella Durand, photo courtesy of the artistEdwin Torres, photo by Francois Deschamps

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	Curated Reading ListEdwin Torres’ Curated Reading List 010 has been commissioned to coincide with the exhibition (your) body is a porous language at Ann Street Gallery in our Open Reading Room. Torres’ reading list includes an introduction, title list, and annotations for each title. View or download the list here.
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	Safe Harbors' Ann Street Gallery exhibitions are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the Cowles Charitable Trust, Dominican Sisters of Hope Ministry Fund, M&#38;amp;T Charitable Foundation, and individual donors.

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	<item>
		<title>The Destiny - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/The-Destiny-Exhibition-Overview</link>

		<pubDate>Mon, 10 Feb 2025 01:15:39 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/The-Destiny-Exhibition-Overview</guid>

		<description>
	The Destiny
...is to take root among the stars
March 15 - May 10, 2025Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday March 15, 6:00 - 8:00 pmThe exhibition is curated by guest curator Jaime Ransome and includes works by:
Destiny Arianna
Vernon ByronCy Hinojosa
Lala MontoyaAlisa Sikelianos-Carter

Tony Washington
Inspired by the prescient works of African American, feminist author, Octavia Butler, The Destiny is an exhibition of six BIPOC artists working in upstate New York. The exhibition examines concepts prevalent in Butler’s Parable of the Sower, which depicts imagined futures and recalls distant pasts through magical realism in a post-apocalyptic landscape. The novel reflects our fears about climate change, canonizes our futures as intelligent beings on a dying planet, and unearths the “essential human resources” that will be necessary for humans to inhabit - not colonize - a new world in space or on an unrecognizable Earth. 

Artists Lala Montoya and Destiny Arianna illuminate stories of our Indigenous histories, imploring the audience to remember the parables of their families, for they have encrypted the codex for humanity’s success in their stories, rituals, and heirlooms. The works from artists Tony Washington and Vernon Byron resonate the tone of our present, warning about the correlation between rapid technological expansion and systematized dismantling of cultural collaboration. Alisa Sikelianos-Carter and Cy Hinojosa depict our paths to the future - our devolution if we seek no other home and our cosmic legacy if we return to the stars.&#38;nbsp; 

Contributing to an evolving vision of Afro-Futurism, these works of painting, ceramics, video, mixed media, and installation exercise Butler’s theory that small groups of similarly motivated people can create great change. The Destiny acts as a blueprint for how to build something new and sustainable, especially during eras of devastation, hopelessness and fire. Butler finds hope in the idea that Earth is just a womb - just the beginning - and that only by radically reinventing our relationship to it by venturing outside it can our species truly be born, grow, and change.&#38;nbsp; 

“All that you touch you Change. All that you Change Changes You. The only lasting truth is Change. God is Change.” 
-Octavia Butler, Parable of the Sower&#38;nbsp;Programming at Ann Street Gallery: March 29, April 12 (POSTPONED to April 16), April 26, 6:30 - 8:30pm 

“Parable of the Sower” Book Club Led by exhibition Curator Jaime Ransome. 
Free and open to the public.
Details here.RSVP requested, not required to jransome.curation@gmail.comApril 5, 2:00-4:00pmStorytelling through Mixed Media Collage Workshop with Destiny Arianna. Free and open to the public.
Limit 12 participants.
Details here.
Reservations required: email with full name and phone number destinyariannastudio@gmail.comMay 10, 4:00-5:00pm
"Indigo Rising" Afrofuturistic Dance &#38;amp; Drumming by Rhythm of Water Productions featuring PsiFire 
Listen to The Destiny Curated Playlist on Spotify here.



EXHIBITION MATERIALS:

Exhibition Checklist 
(Price list available upon request)
The Destiny Curated Playlist on Spotify.
Curated Reading List 008 by Jaime Ransome
(click to view/download)


Press:Hyperallergic&#38;nbsp;10 Art Shows to See in Upstate New York This April
(Download PDF here)

Chronogram 
Curating the Cosmos: "The Destiny" at Ann Street Gallery (Download PDF here)
Two Coats of Paint&#38;nbsp;
Hudson Valley Selected Gallery Guide: March 2025
	
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6f704d87e95a06fcee48b26e77cf3f42efd8071897d3bcfda65ed06bb3754f71/The-Destiny---Installation-Shots---08.jpg" data-mid="228994356" border="0"  src="https://freight.cargo.site/w/1000/i/6f704d87e95a06fcee48b26e77cf3f42efd8071897d3bcfda65ed06bb3754f71/The-Destiny---Installation-Shots---08.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/319669ccf1b76b4815892985e20adaf05311aae37b114f4ccf6ab33b5dfb8b86/The-Destiny---Installation-Shots---09.jpg" data-mid="228994357" border="0"  src="https://freight.cargo.site/w/1000/i/319669ccf1b76b4815892985e20adaf05311aae37b114f4ccf6ab33b5dfb8b86/The-Destiny---Installation-Shots---09.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/992d0bd90b13d612155bdcc574597e564d7a9d00cc849118e02a0147eba287fc/The-Destiny---Installation-Shots---10.jpg" data-mid="228994358" border="0"  src="https://freight.cargo.site/w/1000/i/992d0bd90b13d612155bdcc574597e564d7a9d00cc849118e02a0147eba287fc/The-Destiny---Installation-Shots---10.jpg" /&#62;

&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d9cbb29cc6d33399fae6b2df64fbbbaa0ca5b25a95dfe46b35d81ebcf01f8c0f/The-Destiny---Lala-Montoya---01.jpg" data-mid="233681212" border="0"  src="https://freight.cargo.site/w/1000/i/d9cbb29cc6d33399fae6b2df64fbbbaa0ca5b25a95dfe46b35d81ebcf01f8c0f/The-Destiny---Lala-Montoya---01.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2c9f3430726918a293e0dce75c1cfda383390e5a3d4218da3b272b966aa3e270/The-Destiny---Lala-Montoya---03.jpg" data-mid="233681214" border="0"  src="https://freight.cargo.site/w/1000/i/2c9f3430726918a293e0dce75c1cfda383390e5a3d4218da3b272b966aa3e270/The-Destiny---Lala-Montoya---03.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d5dc9c19b7fdbb87c205bef36d20d6b5282ef862282e0d958f340220ce45cbf2/The-Destiny---Destiny-Arianna---01.jpg" data-mid="233681206" border="0"  src="https://freight.cargo.site/w/1000/i/d5dc9c19b7fdbb87c205bef36d20d6b5282ef862282e0d958f340220ce45cbf2/The-Destiny---Destiny-Arianna---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/acd280202f1264d053194aa13f941e2ec6ff8562c1d6c2034578e768b20fdd16/The-Destiny---Tony-Washington---09.jpg" data-mid="233680794" border="0"  src="https://freight.cargo.site/w/1000/i/acd280202f1264d053194aa13f941e2ec6ff8562c1d6c2034578e768b20fdd16/The-Destiny---Tony-Washington---09.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5d8a07ca0d8086936ead3468c6856803914e95612038da4d826ee5e0021f3ff5/The-Destiny---Lala-Montoya---05.jpg" data-mid="233681216" border="0"  src="https://freight.cargo.site/w/1000/i/5d8a07ca0d8086936ead3468c6856803914e95612038da4d826ee5e0021f3ff5/The-Destiny---Lala-Montoya---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/53709a30a43b5038de335550e3f7f387b40bf7610d4ea00fa1e3b4ce5635f622/The-Destiny---Lala-Montoya---12.jpg" data-mid="233681223" border="0"  src="https://freight.cargo.site/w/1000/i/53709a30a43b5038de335550e3f7f387b40bf7610d4ea00fa1e3b4ce5635f622/The-Destiny---Lala-Montoya---12.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2e84b9dd9417a07f71ac44c88ae27a6fd880e001903dcec80cb87462eba7e861/The-Destiny---Lala-Montoya---20.jpg" data-mid="233681231" border="0"  src="https://freight.cargo.site/w/1000/i/2e84b9dd9417a07f71ac44c88ae27a6fd880e001903dcec80cb87462eba7e861/The-Destiny---Lala-Montoya---20.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b7ec5fde1285ea9e87c75efc3f3d0f10d01aee2ed851cab0f8a626c19459b99d/The-Destiny---Vernon-Byron---02.jpg" data-mid="233680807" border="0"  src="https://freight.cargo.site/w/1000/i/b7ec5fde1285ea9e87c75efc3f3d0f10d01aee2ed851cab0f8a626c19459b99d/The-Destiny---Vernon-Byron---02.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9148d30d34ea1d5e6976a344ce3576d88fe6e2a058c0cab53d76aba477d163ce/The-Destiny---Alisa-Sikelianos-Carter---01.jpg" data-mid="233681194" border="0"  src="https://freight.cargo.site/w/1000/i/9148d30d34ea1d5e6976a344ce3576d88fe6e2a058c0cab53d76aba477d163ce/The-Destiny---Alisa-Sikelianos-Carter---01.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/a80dfffef56156506b74fb346d5bde10e2c39f3254e0d90818e9e8e6722026ab/The-Destiny---Lala-Montoya---28.jpg" data-mid="233681239" border="0"  src="https://freight.cargo.site/w/1000/i/a80dfffef56156506b74fb346d5bde10e2c39f3254e0d90818e9e8e6722026ab/The-Destiny---Lala-Montoya---28.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3cbd254a79edab3d53c6b80b4a4eb4bd1c7aa9c8573563676684131fccf61440/The-Destiny---Cy-Hinojosa---01.jpg" data-mid="233680729" border="0"  src="https://freight.cargo.site/w/1000/i/3cbd254a79edab3d53c6b80b4a4eb4bd1c7aa9c8573563676684131fccf61440/The-Destiny---Cy-Hinojosa---01.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/26ff654b2892ac210ab1c865a54575925455a8b66a3b83c3d2b3b3d34bd1a20f/The-Destiny---Alisa-Sikelianos-Carter---05.jpg" data-mid="233681198" border="0"  src="https://freight.cargo.site/w/1000/i/26ff654b2892ac210ab1c865a54575925455a8b66a3b83c3d2b3b3d34bd1a20f/The-Destiny---Alisa-Sikelianos-Carter---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c9c1669f9f1ebf4fafcb248311f0cd6abaff7a8223608c1d6993a1d7bcdc11bf/The-Destiny---Tony-Washington---04.jpg" data-mid="233680789" border="0"  src="https://freight.cargo.site/w/1000/i/c9c1669f9f1ebf4fafcb248311f0cd6abaff7a8223608c1d6993a1d7bcdc11bf/The-Destiny---Tony-Washington---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/1719ff292d3470232471dc92b7429bef0f27c3b7cf16dd15e9a4107f55f8ae9e/The-Destiny---Tony-Washington---01.jpg" data-mid="233680786" border="0"  src="https://freight.cargo.site/w/1000/i/1719ff292d3470232471dc92b7429bef0f27c3b7cf16dd15e9a4107f55f8ae9e/The-Destiny---Tony-Washington---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9db0c11fe6ae4fd07cf833f28b950210aaf8c535bc5465554710519e777c80e0/The-Destiny---Tony-Washington---19.jpg" data-mid="233742913" border="0"  src="https://freight.cargo.site/w/1000/i/9db0c11fe6ae4fd07cf833f28b950210aaf8c535bc5465554710519e777c80e0/The-Destiny---Tony-Washington---19.jpg" /&#62;
&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/a7878dab68a793dee56528ba93f132683db9ef9fbeffa0a0eaf44c8d9800357a/The-Destiny---Flier---FINAL.jpg" data-mid="226929851" border="0"  src="https://freight.cargo.site/w/1000/i/a7878dab68a793dee56528ba93f132683db9ef9fbeffa0a0eaf44c8d9800357a/The-Destiny---Flier---FINAL.jpg" /&#62;
&#60;img width="1830" height="1230" width_o="1830" height_o="1230" data-src="https://freight.cargo.site/t/original/i/b28557a7a3758d48cd9dc0992481fefdef5fef2638c2b4cdc3d00fb3c63333b8/The-Destiny---Postcard---FINAL---Back.jpg" data-mid="226929852" border="0"  src="https://freight.cargo.site/w/1000/i/b28557a7a3758d48cd9dc0992481fefdef5fef2638c2b4cdc3d00fb3c63333b8/The-Destiny---Postcard---FINAL---Back.jpg" /&#62;



	Download Exhibition Guide Here

	
	
	
	The exhibtion guide will include materials lists and dates, along with artist statements.



	Guest Curator Jaime Ransome
jransomecuration.com@jransome.curator

	Jaime Ransome (she/her) is a Poughkeepsie local who pursued her undergraduate degree in Film and her graduate degree in Museum Studies at Syracuse University. Ransome was the Gallery Manager and Curatorial Team Instructor at the Trolley Barn Gallery in Poughkeepsie until it closed in January 2025. In her time at the Trolley Barn Gallery, Ransome has trained countless local youth in the art of curation and museum education and is continuing to inspire young minds as she teaches introductory art history as an adjunct professor at Dutchess Community College. Ransome has curated over 30 exhibitions in her career: from member shows to international juried exhibitions to teen art showcases. Ransome is passionate about highlighting the work of living contemporary BIPOC and feminist artists and specializes in working with artists to develop site-specific, community-inspired installation work and embodying the principles of curatorial activism.
	&#60;img width="1430" height="1430" width_o="1430" height_o="1430" data-src="https://freight.cargo.site/t/original/i/71cdc211f997273a06cd902e727cd71ab1497c8f0bb45d5c8970936d70d0deb3/4044F80A-6A73-4292-9D84-784BE20B1533-copy.JPG" data-mid="226935186" border="0"  src="https://freight.cargo.site/w/1000/i/71cdc211f997273a06cd902e727cd71ab1497c8f0bb45d5c8970936d70d0deb3/4044F80A-6A73-4292-9D84-784BE20B1533-copy.JPG" /&#62;



	Destiny Ariannadestinyariannastudio.com
@destinyariannastudio

	My artistic practice is driven by a deep commitment to reclaiming and reimagining the narratives surrounding Black and Indigenous identities. I believe art can challenge the dominant narratives that often marginalize these communities, offering alternative perspectives that reflect our histories, cultures, and lived experiences. Through my interdisciplinary approach, I aim to engage with the complexities of identity, history, and the environment, using art as a reclamation, to challenge stereotypes, and continue to preserve culture. My work questions ways we are socialized, or taught to think about culture, ownership, and belonging. 

My practice spans a variety of media, including photography, collage, painting, and installation. Each medium allows me to explore different facets of my identity and my relationship to the land. In my work, I address themes such as land stewardship, ancestral memory, and the reclamation of sacred spaces.

My aspiration for the work I create—both in the present and moving forward—is for it to serve as a means of cultural preservation, a catalyst for social transformation, and a profound reminder that our identities are fundamentally intertwined with the land we inhabit, shaping not only our present but also our future.  
	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d5dc9c19b7fdbb87c205bef36d20d6b5282ef862282e0d958f340220ce45cbf2/The-Destiny---Destiny-Arianna---01.jpg" data-mid="233681206" border="0"  src="https://freight.cargo.site/w/1000/i/d5dc9c19b7fdbb87c205bef36d20d6b5282ef862282e0d958f340220ce45cbf2/The-Destiny---Destiny-Arianna---01.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7c90c826bea14aab1d1c59ca1d28879ba08b8b89c6c936fe52d86b304a88a61a/The-Destiny---Destiny-Arianna---02.jpg" data-mid="233681207" border="0"  src="https://freight.cargo.site/w/1000/i/7c90c826bea14aab1d1c59ca1d28879ba08b8b89c6c936fe52d86b304a88a61a/The-Destiny---Destiny-Arianna---02.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5832ddb5d8ded4f2afcf953d827513605d383ed67424025690d05201739c2642/The-Destiny---Destiny-Arianna---03.jpg" data-mid="233681208" border="0"  src="https://freight.cargo.site/w/1000/i/5832ddb5d8ded4f2afcf953d827513605d383ed67424025690d05201739c2642/The-Destiny---Destiny-Arianna---03.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f54f9ef68a218a26bdb49e1d74518556203c477dac0820957429d9b7cad4500e/The-Destiny---Destiny-Arianna---04.jpg" data-mid="233681209" border="0"  src="https://freight.cargo.site/w/1000/i/f54f9ef68a218a26bdb49e1d74518556203c477dac0820957429d9b7cad4500e/The-Destiny---Destiny-Arianna---04.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/0b97e8ded4be4c13df4a32ca0fe0bf37e0c4fc397ed7c85421b5ffb9f7091cbb/The-Destiny---Destiny-Arianna---05.jpg" data-mid="233681210" border="0"  src="https://freight.cargo.site/w/1000/i/0b97e8ded4be4c13df4a32ca0fe0bf37e0c4fc397ed7c85421b5ffb9f7091cbb/The-Destiny---Destiny-Arianna---05.jpg" /&#62;

 What’s in the Water?

Digital photography, glass, wood, acrylic paint, wooden table, wooden rocking chair, sheer curtains, quahog shell, sage, peppermints, abalone shell
Dimensions variable

	Vernon Byronvernonmbyronartdesign.com@ten_yaksha
	I am interested in the conceptual and physical limitations of media and materiality. This body of work is a conceptual subversion of the collage process. Instead of physical textures, I capture material phenomena, such as water rippling, reshape them into polygonal planes, and arrange them to form contrasting areas of color, material, and directional flow that move in consonance and dissonance. The collaged forms utilize space, time, and site to create rich, multidimensional structures that shift cyclically over set temporal intervals, defying the flatness and stillness attributed to the printed image. In this work, the materials in question are the structure of the human form (as expressed through dance), light, shadow, and the mass of the surrounding (visual) space. As the piece progresses, each element commands the viewer’s focus as they traverse the image plane and exit the scene.   
	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/10344607031b6979ec16ca9b695b88deb192197ddaa250eb840bc7bcb41ea7be/The-Destiny---Vernon-Byron---01.jpg" data-mid="233680806" border="0"  src="https://freight.cargo.site/w/1000/i/10344607031b6979ec16ca9b695b88deb192197ddaa250eb840bc7bcb41ea7be/The-Destiny---Vernon-Byron---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b7ec5fde1285ea9e87c75efc3f3d0f10d01aee2ed851cab0f8a626c19459b99d/The-Destiny---Vernon-Byron---02.jpg" data-mid="233680807" border="0"  src="https://freight.cargo.site/w/1000/i/b7ec5fde1285ea9e87c75efc3f3d0f10d01aee2ed851cab0f8a626c19459b99d/The-Destiny---Vernon-Byron---02.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/d8a637ddcade3b2c2cb20a9ae77fe84a40c84a0661ad9f359eef8351467c352a/The-Destiny---Vernon-Byron---03.jpg" data-mid="233680808" border="0"  src="https://freight.cargo.site/w/1000/i/d8a637ddcade3b2c2cb20a9ae77fe84a40c84a0661ad9f359eef8351467c352a/The-Destiny---Vernon-Byron---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5380d6e9437e954e2d7b16f2e4889ab7776c48e96f31ee0178f950535dcd366e/The-Destiny---Vernon-Byron---04.jpg" data-mid="233680809" border="0"  src="https://freight.cargo.site/w/1000/i/5380d6e9437e954e2d7b16f2e4889ab7776c48e96f31ee0178f950535dcd366e/The-Destiny---Vernon-Byron---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/51532aba9bc3a0c9fb66ad03f4c84c5fda85f3e658c14d1feada9237a335043f/The-Destiny---Vernon-Byron---05.jpg" data-mid="233680810" border="0"  src="https://freight.cargo.site/w/1000/i/51532aba9bc3a0c9fb66ad03f4c84c5fda85f3e658c14d1feada9237a335043f/The-Destiny---Vernon-Byron---05.jpg" /&#62;

Wind-up/Wind-down (Installation)

Layered video projection
10 minutes

Wind-up/Wind-down
(Video)
30 minutes


	Cy Hinojosacyfi.squarespace.com/home@cyfi.art
	Subjects in every scene portray habits of humans that I believe would follow us into the stars, whether it is seeking faith in the misdirection of false prophets, or altering ourselves to find comfort in discomfort. Humans are creatures of habit no matter where we find ourselves, on or off-world. 

	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3cbd254a79edab3d53c6b80b4a4eb4bd1c7aa9c8573563676684131fccf61440/The-Destiny---Cy-Hinojosa---01.jpg" data-mid="233680729" border="0"  src="https://freight.cargo.site/w/1000/i/3cbd254a79edab3d53c6b80b4a4eb4bd1c7aa9c8573563676684131fccf61440/The-Destiny---Cy-Hinojosa---01.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c40cb42d67a08231f62bff9cacf76c7838a6552b51e0900b2df6fb6658e405bd/The-Destiny---Cy-Hinojosa---02.jpg" data-mid="233680730" border="0"  src="https://freight.cargo.site/w/1000/i/c40cb42d67a08231f62bff9cacf76c7838a6552b51e0900b2df6fb6658e405bd/The-Destiny---Cy-Hinojosa---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7385aeb0dd1c84e23da5d6a9266ce03856625775d0bba29d1d6ae99a552f5c4a/The-Destiny---Cy-Hinojosa---03.jpg" data-mid="233680731" border="0"  src="https://freight.cargo.site/w/1000/i/7385aeb0dd1c84e23da5d6a9266ce03856625775d0bba29d1d6ae99a552f5c4a/The-Destiny---Cy-Hinojosa---03.jpg" /&#62;
Installation
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/82e0bb763428645a9a016ad6410c93beb361906f559f2dfbfb6ad2de8b98cb74/The-Destiny---Cy-Hinojosa---04.jpg" data-mid="233680732" border="0"  src="https://freight.cargo.site/w/1000/i/82e0bb763428645a9a016ad6410c93beb361906f559f2dfbfb6ad2de8b98cb74/The-Destiny---Cy-Hinojosa---04.jpg" /&#62;
Light City Ferry Terminal
Acrylic paint, neon pastel, ink on stretched canvas
42 x 36”
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/132b0a4c967a90192c71786dee5da8fdd2a1789ec751ce414efcd2ac029eace7/The-Destiny---Cy-Hinojosa---08.jpg" data-mid="233680736" border="0"  src="https://freight.cargo.site/w/1000/i/132b0a4c967a90192c71786dee5da8fdd2a1789ec751ce414efcd2ac029eace7/The-Destiny---Cy-Hinojosa---08.jpg" /&#62;Should We Call Someone? 
White charcoal, neon pastel, pencil on black canvas
16 x 12”

&#60;img width="1600" height="2560" width_o="1600" height_o="2560" data-src="https://freight.cargo.site/t/original/i/17685c0163180c57e57e4a58f2ea41ea655a87d0c2577984b3aeeabc8c99f6ab/The-Destiny---Cy-Hinojosa---16.jpg" data-mid="233680744" border="0"  src="https://freight.cargo.site/w/1000/i/17685c0163180c57e57e4a58f2ea41ea655a87d0c2577984b3aeeabc8c99f6ab/The-Destiny---Cy-Hinojosa---16.jpg" /&#62;Light City Neo-Detroit Jacket

Repurposed winter welder coverall, LED runner bands
Chest: 26”, Length: 25”, Shoulder: 21”, Sleeve: 25.5”


	Lala Montoyalalamontoya.myportfolio.com@lalacasita
	Las que sirven (The ones that pour) and Las que sostienen (The ones that hold) are a series of ceramics dedicated to concepts of the world majority - A world of people of color - where first nation people, aboriginals, black folks, mestizos - the world we (the artist) inhabit. A world where we understand that EVERYTHING IS INTERCONNECTED - a world where we understand the importance of all beings, that we see all elements as alive, as belonging, as ancestors - A Language where the word “I” el “YO” “MINE - MIO” does not exist. In this series we carve into clay as our ancestors would have, all that is important to remember - we see ourselves in our role now as ones that pour out and we understand that those who have no written words have to hold what we pour - in this series we create pieces to highlight all the beings, the ideas, the thoughts, the skills, the seeds that we believe are essential to our thrivelihood - understanding that if the ones who receive thrive, then those who pour thrive as well. And if the vessel - Clay - the mother is adorned, and held by the many and the 7 generations she will continue to carry us. 

Las que sirven (The ones that pour) is marked by US - humans – peoples. The word human comes from the Latin word hūmānus, which is derived from homo meaning "man" and humus meaning "earth". This pitcher with 7 handles - representing 7 generations of peoples who shape, and pour all this wisdom out into the mother - understand that the root of this name Human comes from EARTH - and earth teaches us and gives us all we need if we observe and listen. 

Las que sostienen (The ones that hold) embraces the non human life - but acknowledges what the Rarámuri tribe know today as: iwígara is “the belief that all life-forms are interconnected and share the same breath” what is poured into this bowl, all the animal and elemental life have to hold - they not only depend on each other and are interconnected but we (humans) hold the water - the essence - that will allow all life forms to thrive.  
	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d9cbb29cc6d33399fae6b2df64fbbbaa0ca5b25a95dfe46b35d81ebcf01f8c0f/The-Destiny---Lala-Montoya---01.jpg" data-mid="233681212" border="0"  src="https://freight.cargo.site/w/1000/i/d9cbb29cc6d33399fae6b2df64fbbbaa0ca5b25a95dfe46b35d81ebcf01f8c0f/The-Destiny---Lala-Montoya---01.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f262398b547f84293835273eb8d25a5b2c8469b59bd067510c484a5355b258ce/The-Destiny---Lala-Montoya---02.jpg" data-mid="233681213" border="0"  src="https://freight.cargo.site/w/1000/i/f262398b547f84293835273eb8d25a5b2c8469b59bd067510c484a5355b258ce/The-Destiny---Lala-Montoya---02.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2c9f3430726918a293e0dce75c1cfda383390e5a3d4218da3b272b966aa3e270/The-Destiny---Lala-Montoya---03.jpg" data-mid="233681214" border="0"  src="https://freight.cargo.site/w/1000/i/2c9f3430726918a293e0dce75c1cfda383390e5a3d4218da3b272b966aa3e270/The-Destiny---Lala-Montoya---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5e834a7a8c8b192f0b03f7dff4848a3788cb66e72675cd3b6c7711b5f885b935/The-Destiny---Lala-Montoya---04.jpg" data-mid="233681215" border="0"  src="https://freight.cargo.site/w/1000/i/5e834a7a8c8b192f0b03f7dff4848a3788cb66e72675cd3b6c7711b5f885b935/The-Destiny---Lala-Montoya---04.jpg" /&#62;

Zempa Love&#38;nbsp;

Woodblock print, ink on paper
28 x 32” (each)
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5d8a07ca0d8086936ead3468c6856803914e95612038da4d826ee5e0021f3ff5/The-Destiny---Lala-Montoya---05.jpg" data-mid="233681216" border="0"  src="https://freight.cargo.site/w/1000/i/5d8a07ca0d8086936ead3468c6856803914e95612038da4d826ee5e0021f3ff5/The-Destiny---Lala-Montoya---05.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ad06ab788b38d6966f5be0b2b7e1207d95fac1999b09a60262ab3a6c122024ca/The-Destiny---Lala-Montoya---06.jpg" data-mid="233681217" border="0"  src="https://freight.cargo.site/w/1000/i/ad06ab788b38d6966f5be0b2b7e1207d95fac1999b09a60262ab3a6c122024ca/The-Destiny---Lala-Montoya---06.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f9b0a6a1209cbb32e947e4cfa988f734d57b822d606ee026f8d0ff435fa8219b/The-Destiny---Lala-Montoya---07.jpg" data-mid="233681218" border="0"  src="https://freight.cargo.site/w/1000/i/f9b0a6a1209cbb32e947e4cfa988f734d57b822d606ee026f8d0ff435fa8219b/The-Destiny---Lala-Montoya---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4bc9ac5355fddb3de3bc2cc7a26546a4500749c0af0fa305cd2e6b8e0b5095d8/The-Destiny---Lala-Montoya---08.jpg" data-mid="233681219" border="0"  src="https://freight.cargo.site/w/1000/i/4bc9ac5355fddb3de3bc2cc7a26546a4500749c0af0fa305cd2e6b8e0b5095d8/The-Destiny---Lala-Montoya---08.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/6b1ba4db997582900444e33e945e917b6e3d524e33967347e2c1d79ed756d991/The-Destiny---Lala-Montoya---09.jpg" data-mid="233681220" border="0"  src="https://freight.cargo.site/w/1000/i/6b1ba4db997582900444e33e945e917b6e3d524e33967347e2c1d79ed756d991/The-Destiny---Lala-Montoya---09.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/fee5d17588689bf7bd64396feffe890f86f848f55c57c7564051fc99fbad9ad9/The-Destiny---Lala-Montoya---10.jpg" data-mid="233681221" border="0"  src="https://freight.cargo.site/w/1000/i/fee5d17588689bf7bd64396feffe890f86f848f55c57c7564051fc99fbad9ad9/The-Destiny---Lala-Montoya---10.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/718fe89bbc5032e91e6bed92b246cfbe43d2681fbf7c51d2eeafa0c9aabbe665/The-Destiny---Lala-Montoya---11.jpg" data-mid="233681222" border="0"  src="https://freight.cargo.site/w/1000/i/718fe89bbc5032e91e6bed92b246cfbe43d2681fbf7c51d2eeafa0c9aabbe665/The-Destiny---Lala-Montoya---11.jpg" /&#62;

Las que sirven (The ones that pour)

Hand crafted ceramics, Brooklyn red clay with underglaze
15 x 4.5”
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/53709a30a43b5038de335550e3f7f387b40bf7610d4ea00fa1e3b4ce5635f622/The-Destiny---Lala-Montoya---12.jpg" data-mid="233681223" border="0"  src="https://freight.cargo.site/w/1000/i/53709a30a43b5038de335550e3f7f387b40bf7610d4ea00fa1e3b4ce5635f622/The-Destiny---Lala-Montoya---12.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/8d737766ce62b31cdf6aa8d579da443e0172e3181e04e8ffafada11e7412cede/The-Destiny---Lala-Montoya---13.jpg" data-mid="233681224" border="0"  src="https://freight.cargo.site/w/1000/i/8d737766ce62b31cdf6aa8d579da443e0172e3181e04e8ffafada11e7412cede/The-Destiny---Lala-Montoya---13.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e9b02aee3d5dc0df2e733c6cbbce1d962cbcb687de1808ff9def043f2b6dbaad/The-Destiny---Lala-Montoya---14.jpg" data-mid="233681225" border="0"  src="https://freight.cargo.site/w/1000/i/e9b02aee3d5dc0df2e733c6cbbce1d962cbcb687de1808ff9def043f2b6dbaad/The-Destiny---Lala-Montoya---14.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c64948fe3d22517333b7ee5ece33671b870201ddc269d06493357b5693dc5527/The-Destiny---Lala-Montoya---15.jpg" data-mid="233681226" border="0"  src="https://freight.cargo.site/w/1000/i/c64948fe3d22517333b7ee5ece33671b870201ddc269d06493357b5693dc5527/The-Destiny---Lala-Montoya---15.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a93587de005aaa45f3b7afd7d6ebabae283b4a5e809f63f0a05974f3a997bc93/The-Destiny---Lala-Montoya---16.jpg" data-mid="233681227" border="0"  src="https://freight.cargo.site/w/1000/i/a93587de005aaa45f3b7afd7d6ebabae283b4a5e809f63f0a05974f3a997bc93/The-Destiny---Lala-Montoya---16.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0d413ad033052754ca20596bde806277fd0ba9cab495529110813ac20d75ad61/The-Destiny---Lala-Montoya---17.jpg" data-mid="233681228" border="0"  src="https://freight.cargo.site/w/1000/i/0d413ad033052754ca20596bde806277fd0ba9cab495529110813ac20d75ad61/The-Destiny---Lala-Montoya---17.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/db9bd1e762d7037e88c40c49a889974d4d422e8988639c1cfc12c24bc6157550/The-Destiny---Lala-Montoya---18.jpg" data-mid="233681229" border="0"  src="https://freight.cargo.site/w/1000/i/db9bd1e762d7037e88c40c49a889974d4d422e8988639c1cfc12c24bc6157550/The-Destiny---Lala-Montoya---18.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b0406a34c57fa1cfdcf459e7d927f09f71534e924c636649d1b5efab4d3739bf/The-Destiny---Lala-Montoya---19.jpg" data-mid="233681230" border="0"  src="https://freight.cargo.site/w/1000/i/b0406a34c57fa1cfdcf459e7d927f09f71534e924c636649d1b5efab4d3739bf/The-Destiny---Lala-Montoya---19.jpg" /&#62;

Las que sostienen (The ones that hold)
Hand crafted ceramics, Brooklyn red clay with underglaze
15 x 4.5”


&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2e84b9dd9417a07f71ac44c88ae27a6fd880e001903dcec80cb87462eba7e861/The-Destiny---Lala-Montoya---20.jpg" data-mid="233681231" border="0"  src="https://freight.cargo.site/w/1000/i/2e84b9dd9417a07f71ac44c88ae27a6fd880e001903dcec80cb87462eba7e861/The-Destiny---Lala-Montoya---20.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6b76523980247be072093153a0d713b7d4cf40892ed41353b1b2d4db954f8b4f/The-Destiny---Lala-Montoya---21.jpg" data-mid="233681232" border="0"  src="https://freight.cargo.site/w/1000/i/6b76523980247be072093153a0d713b7d4cf40892ed41353b1b2d4db954f8b4f/The-Destiny---Lala-Montoya---21.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/05329ad4a2065578e26e251022fe96ca281c919c00a8682e41ce6798f2652c34/The-Destiny---Lala-Montoya---22.jpg" data-mid="233681233" border="0"  src="https://freight.cargo.site/w/1000/i/05329ad4a2065578e26e251022fe96ca281c919c00a8682e41ce6798f2652c34/The-Destiny---Lala-Montoya---22.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f6c954d03693073e10760a45c6ff6153eeb0739e3ced994ed87ea83af39e0242/The-Destiny---Lala-Montoya---23.jpg" data-mid="233681234" border="0"  src="https://freight.cargo.site/w/1000/i/f6c954d03693073e10760a45c6ff6153eeb0739e3ced994ed87ea83af39e0242/The-Destiny---Lala-Montoya---23.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3382df7a92c2496d490eafc9593986742c4fb39dffa78f65972e16b3a89380ba/The-Destiny---Lala-Montoya---24.jpg" data-mid="233681235" border="0"  src="https://freight.cargo.site/w/1000/i/3382df7a92c2496d490eafc9593986742c4fb39dffa78f65972e16b3a89380ba/The-Destiny---Lala-Montoya---24.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e00ead7dcbc52026f9bce98cc877b533c871ace02ca21ce7284efa9957163166/The-Destiny---Lala-Montoya---25.jpg" data-mid="233681236" border="0"  src="https://freight.cargo.site/w/1000/i/e00ead7dcbc52026f9bce98cc877b533c871ace02ca21ce7284efa9957163166/The-Destiny---Lala-Montoya---25.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/74bb6bfa6bca168cd0619bb2d6306071f73a89fe4ddb8328d208054c013f647c/The-Destiny---Lala-Montoya---26.jpg" data-mid="233681237" border="0"  src="https://freight.cargo.site/w/1000/i/74bb6bfa6bca168cd0619bb2d6306071f73a89fe4ddb8328d208054c013f647c/The-Destiny---Lala-Montoya---26.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/322c3d4bd015456fb2e2cb1748fadf80afbd5a52b1bec29c99e37d7b27852079/The-Destiny---Lala-Montoya---27.jpg" data-mid="233681238" border="0"  src="https://freight.cargo.site/w/1000/i/322c3d4bd015456fb2e2cb1748fadf80afbd5a52b1bec29c99e37d7b27852079/The-Destiny---Lala-Montoya---27.jpg" /&#62;
A Love Letter to Poughkeepsie Farm Project

Ink on fabric, steam rolled woodblock print
58 x 98”

&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/a80dfffef56156506b74fb346d5bde10e2c39f3254e0d90818e9e8e6722026ab/The-Destiny---Lala-Montoya---28.jpg" data-mid="233681239" border="0"  src="https://freight.cargo.site/w/1000/i/a80dfffef56156506b74fb346d5bde10e2c39f3254e0d90818e9e8e6722026ab/The-Destiny---Lala-Montoya---28.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a5c3cc6e776084e1e5eec5d07b3ca0f7b3a7bc3b31429e824df08c4f7e95b143/The-Destiny---Lala-Montoya---29.jpg" data-mid="233681240" border="0"  src="https://freight.cargo.site/w/1000/i/a5c3cc6e776084e1e5eec5d07b3ca0f7b3a7bc3b31429e824df08c4f7e95b143/The-Destiny---Lala-Montoya---29.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/fed28672d0cec7f625ce2027790a6698907dae50475bdd2f1b8687bba1f05a67/The-Destiny---Lala-Montoya---30.jpg" data-mid="233681241" border="0"  src="https://freight.cargo.site/w/1000/i/fed28672d0cec7f625ce2027790a6698907dae50475bdd2f1b8687bba1f05a67/The-Destiny---Lala-Montoya---30.jpg" /&#62;

Who we are (self portrait)

Woodblock print, ink on paper
33 x 42”

	Alisa Sikelianos-Carteralisasikelianoscarter.com
@alisasikelianoscarter
	Inspired by the concept of human bioluminescence and our physical link to stars, Aurora, Vespers, and Midnight were recently included in Alisa Sikelianos-Carter's presentation We Make Our Own Light at Nada NY in 2024. These three works are an offering to and gesture of the divine and potential within. A continuation of her Africosmos series– two-dimensional printed fractal compositions of braids, twists, and dreadlocks, intricately hand adorned with layers of glitter– she has created these new works as studies in luminosity and restrained maximalism. Aurora, Vespers, and Midnight are named for the quality of light that marks our transitions throughout the day. Reminiscent of shields, stained glass, prisms, and abstract free-form renderings of spirit, these works capture the intimate and fleeting glimmers connecting us to the natural world. 

Afronauts and Ancestors employs many Afrofuturist themes. There are elements of otherworldly alienation, callbacks to Black history, radical reenvisionings into the future as a space for people of color, and, given the lack of discernible human faces on her figures, a strong case to be made for new speculation about Black identity. What is interesting to note is that the heads of Alisa Sikelianos-Carter's figures are obscured by what the artist refers to as "crowns": photographs of intricately braided hair (a reminder that Black people and hair is a legitimate thing) here, the crowns do more than draw the viewer's attention they also impede the viewer's recognition of Sikelianos Carter’s figures as unique and definitely human individuals. This is significant because while these hair crowns signify Black culture, the figures highlight something of a more otherworldly nature. What we have is a new sort of figuration, one that uses abstractions to signify an alien identity and yet grounds these abstractions in historical and figurative language codes of the Black body. In short, Sikelianos-Carter has mapped out a new way of approaching and representing Blackness, and it shows how incorporating a bit of Afro-futurist aesthetics into visual work allows one to re-invision Black identity in an intersectional multidimensional way.  
	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9148d30d34ea1d5e6976a344ce3576d88fe6e2a058c0cab53d76aba477d163ce/The-Destiny---Alisa-Sikelianos-Carter---01.jpg" data-mid="233681194" border="0"  src="https://freight.cargo.site/w/1000/i/9148d30d34ea1d5e6976a344ce3576d88fe6e2a058c0cab53d76aba477d163ce/The-Destiny---Alisa-Sikelianos-Carter---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/db7dc3769604f58f8c67d116f77fc6bab01b05aa3063e15bbc685fc90010fa4b/The-Destiny---Alisa-Sikelianos-Carter---02.jpg" data-mid="233681195" border="0"  src="https://freight.cargo.site/w/1000/i/db7dc3769604f58f8c67d116f77fc6bab01b05aa3063e15bbc685fc90010fa4b/The-Destiny---Alisa-Sikelianos-Carter---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e20ac180ee855a8f9a1ada22b7a6bdcea072bc463d8e0b016ad3e66f252c0762/The-Destiny---Alisa-Sikelianos-Carter---03.jpg" data-mid="233681196" border="0"  src="https://freight.cargo.site/w/1000/i/e20ac180ee855a8f9a1ada22b7a6bdcea072bc463d8e0b016ad3e66f252c0762/The-Destiny---Alisa-Sikelianos-Carter---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e4f1c72181b30761997094bf77187c7c6a7958964c67a6fbe8547ff2b1413653/The-Destiny---Alisa-Sikelianos-Carter---04.jpg" data-mid="233681197" border="0"  src="https://freight.cargo.site/w/1000/i/e4f1c72181b30761997094bf77187c7c6a7958964c67a6fbe8547ff2b1413653/The-Destiny---Alisa-Sikelianos-Carter---04.jpg" /&#62;
Afronauts and Ancestors
Ink, gouache, acrylic medium, powder pigment, micaceous oxide, silver foil, interferenc, pigment, glitter, white coarse mica, abalon, shell, and collage on archival paper
93 x 84”


&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/26ff654b2892ac210ab1c865a54575925455a8b66a3b83c3d2b3b3d34bd1a20f/The-Destiny---Alisa-Sikelianos-Carter---05.jpg" data-mid="233681198" border="0"  src="https://freight.cargo.site/w/1000/i/26ff654b2892ac210ab1c865a54575925455a8b66a3b83c3d2b3b3d34bd1a20f/The-Destiny---Alisa-Sikelianos-Carter---05.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3c2bea7a09863e85cd4d73734295e689fe1861e53c6b685781d5f157209716ca/The-Destiny---Alisa-Sikelianos-Carter---10.jpg" data-mid="233681204" border="0"  src="https://freight.cargo.site/w/1000/i/3c2bea7a09863e85cd4d73734295e689fe1861e53c6b685781d5f157209716ca/The-Destiny---Alisa-Sikelianos-Carter---10.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/7fd919fb81fbc7b59b76fa16a4d60b801c7dfb77a039a7ca724a4a6d53db6fea/The-Destiny---Alisa-Sikelianos-Carter---11.jpg" data-mid="233681205" border="0"  src="https://freight.cargo.site/w/1000/i/7fd919fb81fbc7b59b76fa16a4d60b801c7dfb77a039a7ca724a4a6d53db6fea/The-Destiny---Alisa-Sikelianos-Carter---11.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8a8c30569fe65ef7578dd663d82d63dd79ce95364989a2b94018c58478b7d866/The-Destiny---Alisa-Sikelianos-Carter---08.jpg" data-mid="233681202" border="0"  src="https://freight.cargo.site/w/1000/i/8a8c30569fe65ef7578dd663d82d63dd79ce95364989a2b94018c58478b7d866/The-Destiny---Alisa-Sikelianos-Carter---08.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6f14d79ea223d52d04b060b37368e0e0691aa0325745a21a5689989bf1f4d34f/The-Destiny---Alisa-Sikelianos-Carter---09.jpg" data-mid="233681203" border="0"  src="https://freight.cargo.site/w/1000/i/6f14d79ea223d52d04b060b37368e0e0691aa0325745a21a5689989bf1f4d34f/The-Destiny---Alisa-Sikelianos-Carter---09.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3781e6a9fd7d8fae74caa31482ead45690d6c41f215477b3666c5bab358361cb/The-Destiny---Alisa-Sikelianos-Carter---06.jpg" data-mid="233681200" border="0"  src="https://freight.cargo.site/w/1000/i/3781e6a9fd7d8fae74caa31482ead45690d6c41f215477b3666c5bab358361cb/The-Destiny---Alisa-Sikelianos-Carter---06.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3ed57e5384bdfc86b00962952c4500fec485f897d09e081742302c854c4be355/The-Destiny---Alisa-Sikelianos-Carter---07.jpg" data-mid="233681201" border="0"  src="https://freight.cargo.site/w/1000/i/3ed57e5384bdfc86b00962952c4500fec485f897d09e081742302c854c4be355/The-Destiny---Alisa-Sikelianos-Carter---07.jpg" /&#62;
Midnight, Aurora, and Vespers
Unique archival print hand embellished with glitter36 x 24” (each)

	Tony Washingtontonewash.com@t0newash
	As a black neurodivergent artist, hip hop music, particularly elements of sampling, jazz, soul, and graffiti have shaped Washington's identity as a black man. Throughout his upbringing, he silently found blackness in a whitewashed community through hip-hop and protected himself through his headphones, locs, camera, sketchbook, and cans of spray paint. The places he called “home” as a young adult were ultimately just environments of chaos where he stored his belongings. “There is a unique expectation that applies to being raised in an environment where the color of your skin poses a threat to the status quo. My objective is to encourage young black men like me to express themselves freely without stigmatization and find their voices wherever they exist,” says artist T0NEWASH.  
	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/1719ff292d3470232471dc92b7429bef0f27c3b7cf16dd15e9a4107f55f8ae9e/The-Destiny---Tony-Washington---01.jpg" data-mid="233680786" border="0"  src="https://freight.cargo.site/w/1000/i/1719ff292d3470232471dc92b7429bef0f27c3b7cf16dd15e9a4107f55f8ae9e/The-Destiny---Tony-Washington---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e9ed94da55c586b4071ed5c2eea3855d82e5de79c97b4b063f4678ef29347077/The-Destiny---Tony-Washington---02.jpg" data-mid="233680787" border="0"  src="https://freight.cargo.site/w/1000/i/e9ed94da55c586b4071ed5c2eea3855d82e5de79c97b4b063f4678ef29347077/The-Destiny---Tony-Washington---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/516e911a39ab869c459b7d8c3de81a0425dbc7f26244fb85b6463990e4b5ccc8/The-Destiny---Tony-Washington---03.jpg" data-mid="233680788" border="0"  src="https://freight.cargo.site/w/1000/i/516e911a39ab869c459b7d8c3de81a0425dbc7f26244fb85b6463990e4b5ccc8/The-Destiny---Tony-Washington---03.jpg" /&#62;
Heartwheels
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c9c1669f9f1ebf4fafcb248311f0cd6abaff7a8223608c1d6993a1d7bcdc11bf/The-Destiny---Tony-Washington---04.jpg" data-mid="233680789" border="0"  src="https://freight.cargo.site/w/1000/i/c9c1669f9f1ebf4fafcb248311f0cd6abaff7a8223608c1d6993a1d7bcdc11bf/The-Destiny---Tony-Washington---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2b9f4956ecf2d9622fa6be5af67cba8846907ceacef149217576fa895e69c480/The-Destiny---Tony-Washington---05.jpg" data-mid="233680790" border="0"  src="https://freight.cargo.site/w/1000/i/2b9f4956ecf2d9622fa6be5af67cba8846907ceacef149217576fa895e69c480/The-Destiny---Tony-Washington---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b41f2e6c54d0c7b0e718f5df241aea48b25a5bc2bb77be1317784dd9da166086/The-Destiny---Tony-Washington---06.jpg" data-mid="233680791" border="0"  src="https://freight.cargo.site/w/1000/i/b41f2e6c54d0c7b0e718f5df241aea48b25a5bc2bb77be1317784dd9da166086/The-Destiny---Tony-Washington---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/aed5a7d0a2effeead8f231c3827896fc6c7153864d007c696412be086b907803/The-Destiny---Tony-Washington---07.jpg" data-mid="233680792" border="0"  src="https://freight.cargo.site/w/1000/i/aed5a7d0a2effeead8f231c3827896fc6c7153864d007c696412be086b907803/The-Destiny---Tony-Washington---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5df983a5479dccc856eb330e5505acba86ba1260c44eedd3a6214f27fc90507c/The-Destiny---Tony-Washington---08.jpg" data-mid="233680793" border="0"  src="https://freight.cargo.site/w/1000/i/5df983a5479dccc856eb330e5505acba86ba1260c44eedd3a6214f27fc90507c/The-Destiny---Tony-Washington---08.jpg" /&#62;

Neurodivergence

Oil on wood paneling
48 x 112 x 1”


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/acd280202f1264d053194aa13f941e2ec6ff8562c1d6c2034578e768b20fdd16/The-Destiny---Tony-Washington---09.jpg" data-mid="233680794" border="0"  src="https://freight.cargo.site/w/1000/i/acd280202f1264d053194aa13f941e2ec6ff8562c1d6c2034578e768b20fdd16/The-Destiny---Tony-Washington---09.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/268857432bd0244c54869b6b814d3dec97747951fd24af09d256512809e6bca3/The-Destiny---Tony-Washington---10.jpg" data-mid="233680795" border="0"  src="https://freight.cargo.site/w/1000/i/268857432bd0244c54869b6b814d3dec97747951fd24af09d256512809e6bca3/The-Destiny---Tony-Washington---10.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/41742b0065eaafe35c289128ff05d3590301c3c340722c75a8bcfda21a43c5a6/The-Destiny---Tony-Washington---11.jpg" data-mid="233680796" border="0"  src="https://freight.cargo.site/w/1000/i/41742b0065eaafe35c289128ff05d3590301c3c340722c75a8bcfda21a43c5a6/The-Destiny---Tony-Washington---11.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6fcf0071eaad5e9c480cfa27f480befdf55c28c883c4fbb40b2fa30adb001d1e/The-Destiny---Tony-Washington---12.jpg" data-mid="233680797" border="0"  src="https://freight.cargo.site/w/1000/i/6fcf0071eaad5e9c480cfa27f480befdf55c28c883c4fbb40b2fa30adb001d1e/The-Destiny---Tony-Washington---12.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/979d96f996f91c3864fff0f300746bf1f74125b53713d833ad9f02455d1f3e46/The-Destiny---Tony-Washington---13.jpg" data-mid="233680798" border="0"  src="https://freight.cargo.site/w/1000/i/979d96f996f91c3864fff0f300746bf1f74125b53713d833ad9f02455d1f3e46/The-Destiny---Tony-Washington---13.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/211a3c762d13634a983ed0fc71b3a98b552f58bb3225fde2c60fd2e4b584d530/The-Destiny---Tony-Washington---14.jpg" data-mid="233680799" border="0"  src="https://freight.cargo.site/w/1000/i/211a3c762d13634a983ed0fc71b3a98b552f58bb3225fde2c60fd2e4b584d530/The-Destiny---Tony-Washington---14.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f831f958e76fa928e56ee6b6cc7f563e1407dcf8f12299a3f1988b5f1613c48d/The-Destiny---Tony-Washington---15.jpg" data-mid="233680800" border="0"  src="https://freight.cargo.site/w/1000/i/f831f958e76fa928e56ee6b6cc7f563e1407dcf8f12299a3f1988b5f1613c48d/The-Destiny---Tony-Washington---15.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a21e7d0ec66682cc13471d77144f9b0eaee674ad6e2bc4e0057d4c82f7b13fc7/The-Destiny---Tony-Washington---16.jpg" data-mid="233680801" border="0"  src="https://freight.cargo.site/w/1000/i/a21e7d0ec66682cc13471d77144f9b0eaee674ad6e2bc4e0057d4c82f7b13fc7/The-Destiny---Tony-Washington---16.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6c918c04775976a645d701ece5637c6ea836e997a252be5689c98efe9994b761/The-Destiny---Tony-Washington---17.jpg" data-mid="233680802" border="0"  src="https://freight.cargo.site/w/1000/i/6c918c04775976a645d701ece5637c6ea836e997a252be5689c98efe9994b761/The-Destiny---Tony-Washington---17.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/d9af9412e9ac87f26f4818e64dc0966f52e425cfa7c9361995010a01f86d641c/The-Destiny---Tony-Washington---18.jpg" data-mid="233680803" border="0"  src="https://freight.cargo.site/w/1000/i/d9af9412e9ac87f26f4818e64dc0966f52e425cfa7c9361995010a01f86d641c/The-Destiny---Tony-Washington---18.jpg" /&#62;

Cope,&#38;nbsp;You Would Have Done The Same Thing, and&#38;nbsp;Fight Flight Freeze
Mixed media collage on wood panel
38 x 16 x 3”, 48 x 16 x 3”, and 26 x 22 x 5”&#38;nbsp;

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9db0c11fe6ae4fd07cf833f28b950210aaf8c535bc5465554710519e777c80e0/The-Destiny---Tony-Washington---19.jpg" data-mid="233742913" border="0"  src="https://freight.cargo.site/w/1000/i/9db0c11fe6ae4fd07cf833f28b950210aaf8c535bc5465554710519e777c80e0/The-Destiny---Tony-Washington---19.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c4b22185ad24d1198fb6b0ba7379a5977457dfd328b9503d35004b200c7ba4ba/The-Destiny---Tony-Washington---20.jpg" data-mid="233742914" border="0"  src="https://freight.cargo.site/w/1000/i/c4b22185ad24d1198fb6b0ba7379a5977457dfd328b9503d35004b200c7ba4ba/The-Destiny---Tony-Washington---20.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0fb06222157496f27deb57139a7bb283ff276f923f8c118d8aac4aa9784bd636/The-Destiny---Tony-Washington---21.jpg" data-mid="233742915" border="0"  src="https://freight.cargo.site/w/1000/i/0fb06222157496f27deb57139a7bb283ff276f923f8c118d8aac4aa9784bd636/The-Destiny---Tony-Washington---21.jpg" /&#62;
Black Art is Always Expensive

Mixed media on wood
22 x 26 x 5”




&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2191a91a544aaa8564af64c15b3c8c7a9ff490b5b1fdf1376c9fb6582b075ea5/The-Destiny---Opening-Reception---01.jpg" data-mid="228879452" border="0"  src="https://freight.cargo.site/w/1000/i/2191a91a544aaa8564af64c15b3c8c7a9ff490b5b1fdf1376c9fb6582b075ea5/The-Destiny---Opening-Reception---01.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7181c1ef7303dbd4e35ac7d63214431855a1f605dd38bacf417b1fea6aafac03/The-Destiny---Opening-Reception---02.jpg" data-mid="228879453" border="0"  src="https://freight.cargo.site/w/1000/i/7181c1ef7303dbd4e35ac7d63214431855a1f605dd38bacf417b1fea6aafac03/The-Destiny---Opening-Reception---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/0a7e8c8fe3ca835a10658322b4dc20548967770affc94badbb80021b2e9620ef/The-Destiny---Opening-Reception---03.jpg" data-mid="228879454" border="0"  src="https://freight.cargo.site/w/1000/i/0a7e8c8fe3ca835a10658322b4dc20548967770affc94badbb80021b2e9620ef/The-Destiny---Opening-Reception---03.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f733ac825d8483f31f754bf6636607b679d0f430e5808a7f6057f29d0cd9818a/The-Destiny---Opening-Reception---04.jpg" data-mid="228879455" border="0"  src="https://freight.cargo.site/w/1000/i/f733ac825d8483f31f754bf6636607b679d0f430e5808a7f6057f29d0cd9818a/The-Destiny---Opening-Reception---04.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f2a7856abbc26c3352c446abe4011f2464cc6dfff0fdb61c48f9718333f4ab2a/The-Destiny---Opening-Reception---05.jpg" data-mid="228879456" border="0"  src="https://freight.cargo.site/w/1000/i/f2a7856abbc26c3352c446abe4011f2464cc6dfff0fdb61c48f9718333f4ab2a/The-Destiny---Opening-Reception---05.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3ca1ce30ae67c48b6f2491222b0290346dd44d13a83a84fdb3d90310be7609a9/The-Destiny---Opening-Reception---06.jpg" data-mid="228879457" border="0"  src="https://freight.cargo.site/w/1000/i/3ca1ce30ae67c48b6f2491222b0290346dd44d13a83a84fdb3d90310be7609a9/The-Destiny---Opening-Reception---06.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/0dc0110983c9a1fd63a504a964b1a67200e5816e543a853222d7fcd22ad83481/The-Destiny---Opening-Reception---07.jpg" data-mid="228879458" border="0"  src="https://freight.cargo.site/w/1000/i/0dc0110983c9a1fd63a504a964b1a67200e5816e543a853222d7fcd22ad83481/The-Destiny---Opening-Reception---07.jpg" /&#62;
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/23e8cab1cee2557da356f9d226fadf8441e00e6d6e603e0522bc6e45da38cea2/The-Destiny---Opening-Reception---09.jpg" data-mid="228879460" border="0"  src="https://freight.cargo.site/w/1000/i/23e8cab1cee2557da356f9d226fadf8441e00e6d6e603e0522bc6e45da38cea2/The-Destiny---Opening-Reception---09.jpg" /&#62;
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Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



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</description>
		
	</item>
		
		
	<item>
		<title>The Destiny - Programs</title>
				
		<link>https://annstreetgallery.org/The-Destiny-Programs</link>

		<pubDate>Mon, 10 Feb 2025 01:29:37 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/The-Destiny-Programs</guid>

		<description>The DestinySpring 2025 Workshop and Program Series

Saturdays: March 29, April 16, April 26, 6:30 - 8:30pm — “Parable of the Sower” Book Club led by exhibition Curator Jaime Ransome
Saturday, April 5, 2:00-4:00pm — Storytelling through Mixed Media Collage Workshop with Destiny AriannaLimit 12 participants. Reservations required: email Destinyariannastudio@gmail.com&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with full name and phone number
Saturday, May 10 — "Indigo Rising" Afrofuturistic Dance &#38;amp; Drumming by Rhythm of Water Productions featuring PsifireListen to The Destiny Curated Playlist on Spotify here.
	Free public programming supporting ASG’s spring exhibition, The Destiny, includes engagements with guest curator Jaime Ransome and several regional artists, beginning with multiple book club meetings with Jaime for the “Parable of the Sower” on March 29.
Exhibiting artist Destiny Arianna will lead a workshop in April that invites the community to explore storytelling through mixed media collage.

In May will be a performance from Rhythm of Water Productions featuring Psifire titled “Indigo Rising”.



	Parable of the Sower Book ClubSaturday, March 29, 6:30-8:30pmWednesday, April 16, 6:30-8:30pm Saturday, April 26, 6:30-8:30pm
The public is invited to join our spring exhibition guest curator, Jaime Ransome, at Ann Street Gallery for our first book club! Attendees will meet to discuss the themes and characters of Octavia Butler's “Parable of the Sower”. Jaime will guide the conversation and explore the concepts that inspired her curation of our current exhibition, The Destiny.

Jaime encourages attendees to bring topics for discussion to book club meetings in order to work through both the challenging and visionary content of the text in community.

The public is invited to attend one or all book club meetings. While reading the text sections indicated below prior to each meeting is encouraged, it is not required to be part of the conversation:

March 29 meeting will address the sections of text covering the years 2024 - 2025 (pp. 1 - 100)

April 16 meeting will address the sections of text covering the year 2026 (pp. 101 - 150)

April 26 meeting will address the sections of text covering the year 2027 (pp. 151 - 329)

RSVP requested, not required, to jransome.curation@gmail.com

The book club is free and open to the public. All are welcome.

Gallery Hours: Saturdays and Sundays  from 1:00-5:00pm through May 10.

The book can be purchased locally at Golden Hour Books.




	
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	Storytelling through Mixed Media Collage Workshop with Destiny AriannaSaturday, April 5, 20252:00-4:00pmAnn Street Gallery &#38;nbsp;
RSVP required:email Destinyariannastudio@gmail.com with full name and phone numberWorkshop limited to 12 participants.Age 15 and up.

Join us for a free hands-on workshop with exhibiting artist Destiny Arianna to explore storytelling through mixed media collage. Using materials like magazines, newspapers, recycled paper, natural materials, and markers, we’ll reflect on how art can help us reshape our identities, tell our stories, and reclaim our narratives. All materials will be provided.
How can cutting, layering, and rearranging your story reveal a new perspective?In this workshop, we’ll explore themes of:
Place &#38;amp; Identity – How do the places you come from or feel connected to shape who you are?Memory &#38;amp; Perspective – What is a memory tied to a specific place that has shaped you, and how might someone outside of that place see it differently? What overlooked truths or misconceptions can be revealed?Power &#38;amp; Representation – Who controls the narratives about your community or identity, and what voices are missing?
Participants will leave with a mixed media collage that reflects their exploration of identity, memory, and place and a deeper understanding of how collage can be used to express and reshape personal and cultural narratives.
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	Indigo RisingPerformance, Talk &#38;amp; WorkshopA closing celebration of The Destiny exhibition at Ann Street GallerySaturday, May 10, 20254:00-5:30pmFree &#38;amp; Open to the PublicRhythm of Water Productions presents:PsiFire Flo Arts Dance Collective &#38;amp; Baba KaziThe public is invited to a free, celebratory performance of Afrofuturist-inspired dance and drumming in tandem with our spring exhibition, The Destiny, curated by Jaime Ransome.Indigo Rising is a transformative performance by Psi Fire Flow, a Hudson Valley–based Black flow arts dance collective, whose mission is rooted in spreading joy, love, and inspiration, while cultivating safe, empowering spaces for Black, Brown, and Indigenous communities. Their work celebrates the resilient, regal, and radiant essence of Black culture, brought to life through the dazzle and dynamism of flow dance.Flow arts—a form of movement using props for self-expression with roots in festival culture—has been reimagined by Psi Fire Flow as they merge hip-hop, Afrocentric rhythms, and contemporary dance. With glowing wands, fluttering fans, and rhythms echoing from our ancestors, this unique event invites you to witness and experience power, beauty, and purpose in motion. Indigo Rising is not just a show—it’s a movement!The event will include several flow arts dance performances alongside an original DJ mix and live African drumming, a conversation between Ransome and Rhythm of Water Productions co-founder, Nick Jackson, and a participatory workshop including movement, prop work and drumming, giving attendees an opportunity to move together in community and feel the power of dance and drumming in their own bodies as a practice of freedom, joy, and empowerment.Indigo Rising is a story about love as a tool for transformation. In a world overwhelmed by negativity, love becomes our resistance—not by tearing down what exists, but by nurturing and uplifting one another. Indigo Rising is a call to action: to rise, to create, and to unite. The term Indigo—in metaphysical traditions—refers to those with hidden, world-changing abilities. Indigo Children are believed to be a generation born to bring profound change. This performance is both an invocation and a message: it is time for the Indigo generation to rise and build community.Rhythm of Water ProductionsNick JacksonKaela MillerPsiFireNicoWav (Nick Jackson)Zee Liberation (Zanyell Garmon)Timbre La (Amber Brashears)The Provider (Glenda)KaeLaNiCole (Kaela Miller)AccompanimentNate Jackson (Producer/DJ)Baba Kazi Oliver (African Drummer Extraordinaire/Educator)
	

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&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/6ec5b4cb53c261f7d7e1c0691dcfb350db6bbff913fb2cafe38386d0354e508d/The-Destiny---Indigo-Rising---28---Ann-Street-Gallery.jpg" data-mid="233854189" border="0"  src="https://freight.cargo.site/w/1000/i/6ec5b4cb53c261f7d7e1c0691dcfb350db6bbff913fb2cafe38386d0354e508d/The-Destiny---Indigo-Rising---28---Ann-Street-Gallery.jpg" /&#62;
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&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/0c3d59afa88dcf83dc95cd68a0a18182c8f3980bb5062983679cb32d8cea0c90/The-Destiny---Indigo-Rising---30---Ann-Street-Gallery.jpg" data-mid="233854191" border="0"  src="https://freight.cargo.site/w/1000/i/0c3d59afa88dcf83dc95cd68a0a18182c8f3980bb5062983679cb32d8cea0c90/The-Destiny---Indigo-Rising---30---Ann-Street-Gallery.jpg" /&#62;
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ece013eec20ab99c1a0330d5265cde6cc63e607a17c29ee91853fa1433996f82/The-Destiny---Indigo-Rising---36---Ann-Street-Gallery.jpg" data-mid="233854197" border="0"  src="https://freight.cargo.site/w/1000/i/ece013eec20ab99c1a0330d5265cde6cc63e607a17c29ee91853fa1433996f82/The-Destiny---Indigo-Rising---36---Ann-Street-Gallery.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9096ccd6187d219fc637b2a9e75267d37aff3eca0efa57de520e6eb4c2e4761a/The-Destiny---Indigo-Rising---37---Ann-Street-Gallery.jpg" data-mid="233854198" border="0"  src="https://freight.cargo.site/w/1000/i/9096ccd6187d219fc637b2a9e75267d37aff3eca0efa57de520e6eb4c2e4761a/The-Destiny---Indigo-Rising---37---Ann-Street-Gallery.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5fb7d30d6bb2dff35da5292a8a6bd90bfedb6c6110298abc775835b7768bdcaf/The-Destiny---Indigo-Rising---38---Ann-Street-Gallery.jpg" data-mid="233854199" border="0"  src="https://freight.cargo.site/w/1000/i/5fb7d30d6bb2dff35da5292a8a6bd90bfedb6c6110298abc775835b7768bdcaf/The-Destiny---Indigo-Rising---38---Ann-Street-Gallery.jpg" /&#62;
Photo credit B. Wolfe Photography


&#60;img width="3584" height="4480" width_o="3584" height_o="4480" data-src="https://freight.cargo.site/t/original/i/64ccb5305e3e933b5954cdee6826c3f5e93514b3f69e5f4e7615ed1c0ba6e8d5/The-Destiny---Indigo-Rising---Nick-and-Kaela-2.jpeg" data-mid="231899020" border="0" alt="Nick Jackson &#38;amp; Kaela Miller" data-caption="Nick Jackson &#38;amp; Kaela Miller" src="https://freight.cargo.site/w/1000/i/64ccb5305e3e933b5954cdee6826c3f5e93514b3f69e5f4e7615ed1c0ba6e8d5/The-Destiny---Indigo-Rising---Nick-and-Kaela-2.jpeg" /&#62;
&#60;img width="1547" height="1920" width_o="1547" height_o="1920" data-src="https://freight.cargo.site/t/original/i/347cc888320caa79f1d524001877d823e3e2fbfe52d46a81bdb6b683ee86f469/The-Destiny---Indigo-Rising---Kazi.jpg" data-mid="231598243" border="0" alt="Baba Kazi Oliver" data-caption="Baba Kazi Oliver" src="https://freight.cargo.site/w/1000/i/347cc888320caa79f1d524001877d823e3e2fbfe52d46a81bdb6b683ee86f469/The-Destiny---Indigo-Rising---Kazi.jpg" /&#62;
&#60;img width="1481" height="1920" width_o="1481" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7764b943c07574463646c4d17c0cac6c44af7a21e4268d7bc78afd6d1f711efa/The-Destiny---Indigo-Rising---Timbre-La.jpg" data-mid="231598241" border="0" alt="Timbre La" data-caption="Timbre La" src="https://freight.cargo.site/w/1000/i/7764b943c07574463646c4d17c0cac6c44af7a21e4268d7bc78afd6d1f711efa/The-Destiny---Indigo-Rising---Timbre-La.jpg" /&#62;
&#60;img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e5750b3c3d68862f4f5d4534ea850e8f3b9ec33828c1bb6e445bb933062b65fc/The-Destiny---Indigo-Rising---The-Provider.jpg" data-mid="231598242" border="0" alt="The Provider" data-caption="The Provider" src="https://freight.cargo.site/w/1000/i/e5750b3c3d68862f4f5d4534ea850e8f3b9ec33828c1bb6e445bb933062b65fc/The-Destiny---Indigo-Rising---The-Provider.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2958ae5f5ef8e6c31073b5d355b4f6d692e58f9fa00f3bf894703b3a94a490d5/The-Destiny---Indigo-Rising---Zee.jpg" data-mid="231598240" border="0" alt="Zee Liberation" data-caption="Zee Liberation" src="https://freight.cargo.site/w/1000/i/2958ae5f5ef8e6c31073b5d355b4f6d692e58f9fa00f3bf894703b3a94a490d5/The-Destiny---Indigo-Rising---Zee.jpg" /&#62;
About Rhythm of Water Productions:We create one-of-a-kind pieces that are never repeated—maximizing creative freedom and delivering unforgettable experiences. Using dance, music, content creation, and performance, we tell stories of the resilience and brilliance of Black culture.Timbre La is a Renaissance unicorn entrepreneur likely to be found dancing through decadent dimensions and painting between the lines.The Provider is a top-notch engineer who derives pleasure from the execution of creative visions.Meet Zee (she/they) @zeeliberation uses hoops and fans primarily but enjoys dabbling in other props. "Flow arts has given me a way to be embodied and free in a way I had not known before. This feeling is something I hope to share with others to either witness or join and feel for themselves."Kazi has been teaching for 20 years and performing for over 45 years. He is also the musical director of the Kazi Oliver Drummers and Dancers, an ensemble of artists from this continent and the continent of Africa.





	Curated Playlist“Deep in the Bottom - of Africa” by Monique Bingham, Black Coffee 
“Astronomy (8th Light)” by Black Star, Weldon 
“Weary” by Solange 
“As If We Existed” by Solillaquists of Sound 
“Above the Clouds” by Gang Starr, Inspectah Deck 
“Sound and Color” by Alabama Shakes 
“Rebirth of Slick (Cool Like Dat)” by Digable Planets 
“(Sittin’ on) the Dock of the Bay” by Otis ReddingListen to The Destiny Curated Playlist on Spotify here.

	




	Curated Reading ListJaime Ransome’s&#38;nbsp;Curated Reading List 008 has been commissioned to coincide with the exhibition The Destiny at Ann Street Gallery in our Open Reading Room. Jaime’s reading list includes an introduction, title list, and annotations for each title.&#38;nbsp;View or download the list here.
	&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4dd87737d242c7e85d1d1a0197e5200717e82cf01b3781fec4fe04dda5be7b56/The-Destiny---Open-Reading-Room.jpg" data-mid="228994432" border="0"  src="https://freight.cargo.site/w/1000/i/4dd87737d242c7e85d1d1a0197e5200717e82cf01b3781fec4fe04dda5be7b56/The-Destiny---Open-Reading-Room.jpg" /&#62;



Return to Exhibition Overview

Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



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&#38;nbsp;</description>
		
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	<item>
		<title>etheReality - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/etheReality-Exhibition-Overview</link>

		<pubDate>Sun, 17 Aug 2025 02:32:28 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/etheReality-Exhibition-Overview</guid>

		<description>
	etheRealityfrom breath to air, and back
June 21 - August 31, 2025Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday June 28, 5:00 - 7:00 pmExtended hours for Upstate Art WeekendThursday July 17 - Monday July 21, 12:00 - 5:00 pm
The exhibition is curated by Alison McNulty and includes works by:Bel Falleiros
Ghost of a Dream
Sanie Irsay
Mollie McKinley
Jason Mitcham
Megan Pahmier
Linda Stillman
Amy Talluto




etheReality: from breath to air, and back is a group exhibition of works across various media that consider the cyclical, interconnected and often intangible relationship between individuals and the collective. The show attempts to locate our contemporary human reality in the murky, haunted spaces between our cumulative acts of destruction and a shared atmosphere of grief and loss, while offering glimpses of inspiration in connection to each other and the natural world. How is breath tied to time and place? How do our everyday actions and habits co-create a vast cosmic phenomenon that echoes through the ether and implicates us in its return?  Programming at Ann Street Gallery:August 16, 2:00 - 3:30pmOne only Earth, One only SkyWorkshop with Bel Falleiros Details here.RSVP required to annstreetgallery@safe-harbors.orgAugust 23, 2:00 - 3:30pm
Artist Dialogs: Jason Mitcham and Ghost of a Dream, moderated by Alison McNultyDetails here.

August 30, 2:00 - 3:30pm
Artist Panel: Round Robin Q&#38;amp;A between Mollie McKinley, Linda Stillman, Amy Talluto, and curator Alison McNultyDetails here.

Exhibition Materials:

Exhibition Checklist
(Price list available upon request)

Press:Hyperallergic
10 Shows to See in Upstate New York This August(Download PDF here)Two Coats of Paint
Hudson Valley (+vicinity) Selected Gallery Guide: July 2025Times Union
What to see during Upstate Art Weekend(Download PDF here)

 
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&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/06c485fa8c3334ed30a724a13aca2b6c49282061306d84aa82223197849e91d7/etheReality---Individual-Artworks---Amy-Talluto---16.jpg" data-mid="237107508" border="0"  src="https://freight.cargo.site/w/1000/i/06c485fa8c3334ed30a724a13aca2b6c49282061306d84aa82223197849e91d7/etheReality---Individual-Artworks---Amy-Talluto---16.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/6a7c7d733df54213952bbc84dab1014d0faa6b36e4cb59c778b0ac1ebfd27ddb/etheReality---Individual-Artworks---Amy-Talluto---14.jpg" data-mid="237107506" border="0"  src="https://freight.cargo.site/w/1000/i/6a7c7d733df54213952bbc84dab1014d0faa6b36e4cb59c778b0ac1ebfd27ddb/etheReality---Individual-Artworks---Amy-Talluto---14.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ec0e2b666020eedc3da5fbbf2c34c69bc7125550c97bd37c2c5bd115edca9302/etheReality---Individual-Artworks---Amy-Talluto---27.jpg" data-mid="237107519" border="0"  src="https://freight.cargo.site/w/1000/i/ec0e2b666020eedc3da5fbbf2c34c69bc7125550c97bd37c2c5bd115edca9302/etheReality---Individual-Artworks---Amy-Talluto---27.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/cd19fa0ac21c39e5d782df681e271460c6f4cff93baab950b8a61ce131f22834/etheReality---Individual-Artworks---Ghost-of-a-Dream---01.jpg" data-mid="237107404" border="0"  src="https://freight.cargo.site/w/1000/i/cd19fa0ac21c39e5d782df681e271460c6f4cff93baab950b8a61ce131f22834/etheReality---Individual-Artworks---Ghost-of-a-Dream---01.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b8231669c32cb7fd55a626660092a496d81de197e05ea7319ed727dd3b8349c2/etheReality---Individual-Artworks---Ghost-of-a-Dream---07.jpg" data-mid="237107413" border="0"  src="https://freight.cargo.site/w/1000/i/b8231669c32cb7fd55a626660092a496d81de197e05ea7319ed727dd3b8349c2/etheReality---Individual-Artworks---Ghost-of-a-Dream---07.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" data-mid="237107389" border="0"  src="https://freight.cargo.site/w/1000/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" data-mid="237107440" border="0"  src="https://freight.cargo.site/w/1000/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6ed301cc52f6929cfc39cda126972e954d379ab7fb21918ff76268f21aafcef6/etheReality---Individual-Artworks---Sanie-Irsay---01.jpg" data-mid="237107418" border="0"  src="https://freight.cargo.site/w/1000/i/6ed301cc52f6929cfc39cda126972e954d379ab7fb21918ff76268f21aafcef6/etheReality---Individual-Artworks---Sanie-Irsay---01.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" data-mid="237107411" border="0"  src="https://freight.cargo.site/w/1000/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" data-mid="237107502" border="0"  src="https://freight.cargo.site/w/1000/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" data-mid="237107481" border="0"  src="https://freight.cargo.site/w/1000/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" /&#62;


	Bel Falleiros
belfalleiros.com.br
@bel.falleiros
	My artistic practice is driven by the ideas of place and belonging, in understanding how contemporary constructed landscapes (mis)represent the diverse layers of presence that constitute a place. What lies underneath the layers of concrete and everyday rubble?  I learned from my hometown (São Paulo, Brazil) that colonization, displacement, and consequent historical amnesia can create deep scars in the land and for those who inhabit it. What narratives go missing?  I work to recall these stories and their imagery in drawings, photos, sculptures, installations, and site-specific works. 


While working across diverse social, natural, and historical landscapes, I've accumulated experiences that are reminders that every place, person and matter is an integral piece of its ecosystem. Over time, my work has embraced the scale of the landscape to create welcoming and immersive spaces for reconnection: with nature, with our inner self and with the other beings around us. These temporary sacred spaces are an invitation to be closer to the land and to remind of the innate knowledge of our bodies, and of our interconnectedness—an urgent call for our unrooted times. 
&#38;nbsp;
	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" data-mid="237107389" border="0"  src="https://freight.cargo.site/w/1000/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c939d14f86a18fe9278717f99533a5980856fc16ca40b428348b7c19821663bf/etheReality---Individual-Artworks---Bel-Falleiros---02.jpg" data-mid="237107390" border="0"  src="https://freight.cargo.site/w/1000/i/c939d14f86a18fe9278717f99533a5980856fc16ca40b428348b7c19821663bf/etheReality---Individual-Artworks---Bel-Falleiros---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c875c05212186ba629d0094e5b1cbab6e6dddf7a1c4ec0cd59a9abca3e404b11/etheReality---Individual-Artworks---Bel-Falleiros---03.jpg" data-mid="237107391" border="0"  src="https://freight.cargo.site/w/1000/i/c875c05212186ba629d0094e5b1cbab6e6dddf7a1c4ec0cd59a9abca3e404b11/etheReality---Individual-Artworks---Bel-Falleiros---03.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/af106cb1294cbcf309e34f70ac8fe2c9cde1390596077e966abc3acef5a9b383/etheReality---Individual-Artworks---Bel-Falleiros---04.jpg" data-mid="237107392" border="0"  src="https://freight.cargo.site/w/1000/i/af106cb1294cbcf309e34f70ac8fe2c9cde1390596077e966abc3acef5a9b383/etheReality---Individual-Artworks---Bel-Falleiros---04.jpg" /&#62;
Eye of the Earth, Eye ofthe Sky

Terracotta sculptures onBlack Dirt soilDimensions variable2021-2025
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4ec2d3169450eb286a680b73f2769b72b83c1958a2bd883e456cb9c138cac9e0/etheReality---Individual-Artworks---Bel-Falleiros---05.jpg" data-mid="237107393" border="0"  src="https://freight.cargo.site/w/1000/i/4ec2d3169450eb286a680b73f2769b72b83c1958a2bd883e456cb9c138cac9e0/etheReality---Individual-Artworks---Bel-Falleiros---05.jpg" /&#62;Water Songs

Sound collage
3 minutes and 22 seconds
2021

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/328e5962f3f5872f95746d7a6f463abdfb6ce4204e742e3bf7b56ee07415ccec/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" data-mid="237107394" border="0"  src="https://freight.cargo.site/w/1000/i/328e5962f3f5872f95746d7a6f463abdfb6ce4204e742e3bf7b56ee07415ccec/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ba229b2883772019c00a03c3703b2e3e7f110b3a870adb6b8d11e403a7371ed0/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" data-mid="237107395" border="0"  src="https://freight.cargo.site/w/1000/i/ba229b2883772019c00a03c3703b2e3e7f110b3a870adb6b8d11e403a7371ed0/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" /&#62;
Night Sky

Indigo watercolor on paper
9 x 12” (11 x 14” framed)
2025


&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/dbd606b6eac07988a59fb4472d2d23f5dbd000d919632cac87fbc64075a229ff/etheReality---Individual-Artworks---Bel-Falleiros---08.jpg" data-mid="237107396" border="0"  src="https://freight.cargo.site/w/1000/i/dbd606b6eac07988a59fb4472d2d23f5dbd000d919632cac87fbc64075a229ff/etheReality---Individual-Artworks---Bel-Falleiros---08.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9bd362b4f5b3141328515e89eb4e0d3a856d8ce2f989fda8d0c695adc7ead9e7/etheReality---Individual-Artworks---Bel-Falleiros---09.jpg" data-mid="237107397" border="0"  src="https://freight.cargo.site/w/1000/i/9bd362b4f5b3141328515e89eb4e0d3a856d8ce2f989fda8d0c695adc7ead9e7/etheReality---Individual-Artworks---Bel-Falleiros---09.jpg" /&#62;
Woven Night

Color pencil on paper
8 x 11” (11 x 14” framed)
2025



	Ghost of a Dream
ghostofadream.com
@ghostofadreamart


	Our work explores the hopes and dreams of people, using the ephemera left behind in their pursuit of these aspirations. When our collaboration began in 2008, we examined the universal dreams of love and wealth, constructing objects of desire—dream homes, cars, and more—using remnants from gambling, such as scratch tickets, casino playing cards, and carpet from casinos. 


Over time, our focus has shifted toward the collective dream of a better future: one free from the devastating impacts of climate change, and a society that values social justice and political freedom. Each project begins with ephemera we gather—images, posters, videos, and other materials—which we layer, collage, and transform into visual narratives. 


Our current series, If this is paradise, confronts the escalating frequency of climate disasters. By sourcing imagery from thousands of news stories, we highlight recognizable causes and effects of climate change, including deforestation, melting polar ice, forest fires, mining, political unrest, and floods. These composite photographs are created by layering sometimes up to 70 individual images, offering viewers a cumulative perspective on the global crisis. 


Through this work, we aim to challenge the way we relate to the constant stream of climate imagery in the media, hoping the repetitive visualization of global disasters will inspire meaningful action toward a sustainable future.


In a time of travel bans, persecution, climate disaster, and global pandemics, we are working on a project that brings hope into a collective experience. Our video and installation based project Aligned by the Sun, seeks to unify our fractured planet. We are collaborating with artists from each of the 192 UN member states, as well non UN member nations and territories in the world by asking them to capture a short video of the sun. Then we have taken those clips to make large installations, video collages, and still image composites. 


This work is intended to spark a dialogue about equality, location, migration, and the environment. 


Across history, humans have drawn and redrawn lines on this earth. As borders have shifted, one truth has remained constant: we inhabit a single planet that is sustained by the light and warmth of the sun. Aligned by the Sun invites viewers to imagine a future charted by this fact. 


	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/89d2dc5b50867981434daf77db322e4269e31e2844722e2707ca95fc7373e360/etheReality---Installation-Shots---AM---08.jpg" data-mid="237107328" border="0"  src="https://freight.cargo.site/w/1000/i/89d2dc5b50867981434daf77db322e4269e31e2844722e2707ca95fc7373e360/etheReality---Installation-Shots---AM---08.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d39e2464fdc1856a4c6aff95aec979217e61fa6ce1df158eb749d231d02b61ea/etheReality---Individual-Artworks---Ghost-of-a-Dream---02.jpg" data-mid="237107405" border="0"  src="https://freight.cargo.site/w/1000/i/d39e2464fdc1856a4c6aff95aec979217e61fa6ce1df158eb749d231d02b61ea/etheReality---Individual-Artworks---Ghost-of-a-Dream---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ba501ebe95220c359cce89133037fe0ca5e55d20112de50844d0523e10ffad89/etheReality---Individual-Artworks---Ghost-of-a-Dream---03.jpg" data-mid="237107406" border="0"  src="https://freight.cargo.site/w/1000/i/ba501ebe95220c359cce89133037fe0ca5e55d20112de50844d0523e10ffad89/etheReality---Individual-Artworks---Ghost-of-a-Dream---03.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/8c3dd9601f26e75e6d9e0259f14bdbc54320349795ab6d4bc019bb19cdb6eacf/etheReality---Individual-Artworks---Ghost-of-a-Dream---04.jpg" data-mid="237107408" border="0"  src="https://freight.cargo.site/w/1000/i/8c3dd9601f26e75e6d9e0259f14bdbc54320349795ab6d4bc019bb19cdb6eacf/etheReality---Individual-Artworks---Ghost-of-a-Dream---04.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a9f68d86746018784da697011303730a71fd5866da893772d528a6918b46c309/etheReality---Individual-Artworks---Ghost-of-a-Dream---05.jpg" data-mid="237107409" border="0"  src="https://freight.cargo.site/w/1000/i/a9f68d86746018784da697011303730a71fd5866da893772d528a6918b46c309/etheReality---Individual-Artworks---Ghost-of-a-Dream---05.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cd2b919fd31223eae3feed999052e961f01b52b6e6d1b70e23fc299870f73f88/etheReality---Individual-Artworks---Ghost-of-a-Dream---06.jpg" data-mid="237107410" border="0"  src="https://freight.cargo.site/w/1000/i/cd2b919fd31223eae3feed999052e961f01b52b6e6d1b70e23fc299870f73f88/etheReality---Individual-Artworks---Ghost-of-a-Dream---06.jpg" /&#62;
aligned by the sun

Single channel video15 minutes and 40 seconds2022-25

&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b8231669c32cb7fd55a626660092a496d81de197e05ea7319ed727dd3b8349c2/etheReality---Individual-Artworks---Ghost-of-a-Dream---07.jpg" data-mid="237107413" border="0"  src="https://freight.cargo.site/w/1000/i/b8231669c32cb7fd55a626660092a496d81de197e05ea7319ed727dd3b8349c2/etheReality---Individual-Artworks---Ghost-of-a-Dream---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ae7b4116aacdc59e10c8f208942266095ec58fe5d52a32831a494adf4389e555/etheReality---Individual-Artworks---Ghost-of-a-Dream---08.jpg" data-mid="237107414" border="0"  src="https://freight.cargo.site/w/1000/i/ae7b4116aacdc59e10c8f208942266095ec58fe5d52a32831a494adf4389e555/etheReality---Individual-Artworks---Ghost-of-a-Dream---08.jpg" /&#62;
aligned by the sun (a total revolution)

Composite image made by layering stills from videos of the sunset taken by artists in 225 nations around the planet as part of the Aligned by the Sun series printed and mounted on dibond
(list of participants on artists’ website)
58 x 58”
2024

&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" data-mid="237107411" border="0"  src="https://freight.cargo.site/w/1000/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3851842363f03f926f381789bc5192f12d0de7e710e374a9b41dbf027d873b05/etheReality---Individual-Artworks---Ghost-of-a-Dream---10.jpg" data-mid="237107412" border="0"  src="https://freight.cargo.site/w/1000/i/3851842363f03f926f381789bc5192f12d0de7e710e374a9b41dbf027d873b05/etheReality---Individual-Artworks---Ghost-of-a-Dream---10.jpg" /&#62;
They wrote it all down as the progress of man

Deforestation images arranged and layered, printed and mounted on dibond
58 x 58”
2024




	Sanie Irsay
sanieirsay.com
@sanieirsay


	Air Space Parcel above Agnietenplaats 2, 6822 JD, Arnhem, Netherlands, purchased on October 17, 2024. The parcel has a footprint of 314m2. Its horizontal boundaries are coextensive with the boundaries of the building. It starts at the height of 0m above the roof surface, and extends upward to a height of 150m. 
&#38;nbsp;
	
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Air Space Parcel above Agnietenplaats 2Signed contract and survey drawing / plotter print on paper Dimensions variable 2024



	Mollie McKinley
molliemckinley.com
@mollie_mckinley


	My sculptures work with the elementals: water, erosions of earth, material formed by fire, and the ephemerality of air. These elements function as tools, materials, and subjects of the work; they are my collaborators. Carved salt blocks and blown glass access the myths and intelligences of the elementals. This work approaches the unknown as an adored friend, honoring both the ethereal and the tangible. While the series began as experiments about time and erosion during my recovery from cancer, it has evolved to integrate ongoing questions around death, embodiment, and the unseen. 


In the tradition of hermetic alchemy, salt represents the body in relationship to its spirit. The sculptures begin by using water-jet carving techniques to erode blocks of salt. These worn salt-bodies are then paired with blown glass, with breath-inflated glass orbs hovering atop. Sometimes illuminated neon is bent and threaded through holes in the salt. Since glass does not fuse to most materials, these are separate material components that use gravity and balance to stabilize into one sculpture. They are simultaneously precarious and enmeshed. 


Eleven years after my very first salt sculptures, the Tír na nÓg iteration of my salt and glass series began in 2023. Tír na nÓg looks deeper into mythologies of death and afterlife, positioning the sculptures as elemental portals to the otherworld. Their color palette of muted beige, purple-blacks, and yellows all shift in hue based on the intensity of light shining through them. Many have high silver content in the chemical composition, allowing for greater transformations in their appearance. This shift allows the sculptures to vacillate as dynamic objects with life and agency. 


Tír na nÓg is the ancient Celtic underworld/otherworld. Pre-dating the notion of underworld-as-hell, the pre-Christian Celts envisioned the spirit plane as an idealized form of earth. Here, supernatural beings co-exist with the spirits of the dead; possibly with elementals and fae creatures. While each geographic region had variations on who occupied this realm and how to enter into it, the entrances to the underworld were always found on the ground itself, rather than the sky. Swamps, bogs, wells, burial mounds, and a sudden fog or mist could all be temporary doorways to this dimension (although living humans were not encouraged to seek access before their death). Everyone ended up in Tír na nÓg eventually. A universal, paradisal afterlife was connected to the mushy bits of earth itself, rather than above and away in the sky. Our feet, our bodies, are always touching the doorways to the beyond. 


	
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Image 1 courtesy of the artist
Enter Through Smoke

Carved and charred salt,blown glass12 x 15 x 10”2023


	Jason Mitcham
jasonmitcham.com
@jason_mitcham


	Through an interdisciplinary approach rooted in painting and stop-motion animation, my work explores mapping, land use and planning, cycles of growth and decay, layering of history, and the complex web of social, political and environmental forces embedded in the landscape. Both my research and practice are heavily influenced by my history as a land surveyor.   


Using a stop-motion process my animations are created by hundreds or thousands of successive alterations on paintings.  Within the animating process marks are no longer made with the ultimate, final state of the image taking precedence. Rather, every mark creates the animation, so only the next movement matters. No ideal form is thought of. Rather than transcendency, contingency is paramount. A mark’s purpose is to bridge the one before it and the one that will follow it. More than likely it will be overlaid later on, by other marks needed to tell another part of the story. 


As the animations develop, the paintings become topographic “terrains” of built-up layers.  In the end they stand as archaeological remnants of the process.   


Head Full of Doubt/Road Full of Promise was created through a stop-motion process of documenting the development of a single painting. Slight alterations were photographed throughout the painting process, and then are shown in sequential order. Each second of moving image contains approximately 10 alterations on the painting.  The animation also serves as the music video for the title song, written and performed by the Avett Brothers. 


Pumpjacks on Horizon is an animated painting created as part of the three-channel immersive video installation, Pumpjack. The animations for Pumpjack were created over the course of a year, and began with a simple investigation: animate a lone oil pump in a field as a point of departure. A cycle, a pump, a pulse, and a referent to the oil that powers what has shaped the design of our modern landscape and its infrastructure – the automobile. 


Before sound and editing began, the artist’s father died unexpectedly following a heart attack. This event profoundly shaped the final form of the work, which draws a connection between exterior and interior, between infrastructure and the human vascular system, between blood and oil, between a heart and a pumpjack. Placed in an immersive three channel environment, the work creates a heightened corporeal awareness for the viewer. The individual viewer’s body thus becomes a point of departure, both inward and outward as they experience vastly changing scales of systems. Designed as a never-ending loop, the work raises questions about sustainability, cycles of development and ruin, and our roles within larger systems. 


Site/Sight #1 is a painting from an ongoing series of works that combine observational landscape painting with survey mapping imagery.   


Survey Tape on Power Lines is an animated painting that will serve as a scene in the artist’s current in-progress animation, Ever Behind the Sunset. 
&#38;nbsp;
	
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Head Full of Doubt/Road Full of Promise

Stop motion animation painting
4 minutes and 20 seconds
2010
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" data-mid="237107440" border="0"  src="https://freight.cargo.site/w/1000/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" /&#62;
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Pumpjacks on Horizon

Acrylic on canvas
12 x 24”
2021&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/fb53d576a7ae915e200b7fd8bbd6396b8acb0c45a9b85beea30a1c06cb22f2cd/etheReality---Individual-Artworks---Jason-Mitcham---09.jpg" data-mid="237107443" border="0"  src="https://freight.cargo.site/w/1000/i/fb53d576a7ae915e200b7fd8bbd6396b8acb0c45a9b85beea30a1c06cb22f2cd/etheReality---Individual-Artworks---Jason-Mitcham---09.jpg" /&#62;Site/Sight #1

Acrylic on canvas
56 x 84”
2021

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5b2ff8800694546851286479821a94cfd028d350468574531a4dc1707dcf4770/etheReality---Individual-Artworks---Jason-Mitcham---10.jpg" data-mid="237107444" border="0"  src="https://freight.cargo.site/w/1000/i/5b2ff8800694546851286479821a94cfd028d350468574531a4dc1707dcf4770/etheReality---Individual-Artworks---Jason-Mitcham---10.jpg" /&#62;Survey Tape on Power Lines

Acrylic on canvas10 x 15”2019



	Megan Pahmier
meganpahmier.com
@meganpahmier


	My art activates the unseen. I think of the objects I make as three-dimensional drawings, which emerge and recede in space through techniques of camouflage, illusion, and manipulations of scale. Through these object-drawings, I seek to reveal the instability of perception and how varying modes of attention and awareness shape our experience of reality. I wonder: How do we attend to or conceive of the spaces we inhabit? Within a world of networked technologies, what does it mean to be “touched by” something. I make sculptures that explore how objects and experiences “speak” in ways images cannot. I am interested in the psychology of space, the complex network of relationships between objects and their surrounding environment. My work seeks to address aspects of these encounters that are difficult to represent or capture: vibrations, forces, energies. 


Constructed from repeated half-moon sections of individually cut porcelain and joined with cotton twill tape, as above, so below creates an undulating form that embodies the hermetic principle "as above, so below." The object shifts between multiple interpretations—serpent, vertebral column, topographical map, captured fog, or breath—with each reading dependent on the viewer's perspective and frame of reference. 


In the piece rings of fire, tufts of cotton, barely one inch tall, rise like flames from the ground, forming two interlocking circles. Where a cotton ball has been pressed into glue and pulled away, traces remain, a residue that maps moments of contact and release. Through this work, I render visible the “negative” space of sculpture and work to highlight the physicality of that space through something that is barely there. 
&#38;nbsp;
	
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as above, so below
Porcelain, twill tape, andplexi glass5 x 17 x 71”2025’

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rings of fire

Cotton and glue
1 x 78 x 78”
2025


	Linda Stillman
lindastillman.com
@linda_stillman


	I collaborate with nature and work with what nature provides — leaves for collage material, flowers for pigment stains, the sky for inspiration — to preserve moments in time. 


In my Daily Skies project, I document a small section of the sky each day in an ongoing series, started in August 2005, and continuing indefinitely. Each year I make and present the sky images in different media and formats. In 2011 I painted the sky on a small panel each morning when the light was best from my windows I later mounted the paintings by month on panels in the format of the calendar. 


In subsequent years I made works on paper, then I turned to photography. For the last few years, I have also been posting the daily photographs on dedicated Instagram accounts. This year I take photos of the sky each day, draw a white circle on them and post them on Instagram. Later I turn selected ones into paintings. 


Like my parents before me, I subscribe to and read the New York Times for most of my adult life. Reading the paper was a key part of my morning ritual. Many years ago, as a way to indicate to my husband that I’d read the paper so it could be thrown out, I started tearing off the upper right hand corner. Realizing this fragment contained the all important weather forecast, I started saving the corners (called “ears”) and have been making artwork out of them. These corners are meaningful to me as the weather greatly affects my moods and often impact my life more than the headlines. These works reflect my interest in memorializing the everyday and drawing attention to the natural world. 


Whether Weather is a swirling collage of a month's worth of corners from the New York Times. 


Ears to the Sky/Ozone Hole is made from a print of a collage of corners from the New York Times, formed into a circle in which one catches a glimpse of the blue of the sky. It is how I picture an ozone hole, the thinning of ozone in the sky. 

 
	
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&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8671e1a6ae8adbabfe75ea97670a92829da17da0cb83746a2ce306198cab8442/etheReality---Individual-Artworks---Linda-Stillman---04.jpg" data-mid="237107478" border="0"  src="https://freight.cargo.site/w/1000/i/8671e1a6ae8adbabfe75ea97670a92829da17da0cb83746a2ce306198cab8442/etheReality---Individual-Artworks---Linda-Stillman---04.jpg" /&#62;
Images 1 and 2 courtesy of the artist
Daily Skies 2011

Acrylic on paper on panels15 (or 18) x 14 x 0.75”2011/2014

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Ears to the Sky/Ozone Hole

Ink jet print of newspaper collage, acrylic on paper
16 x 14.5”
2017

&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" data-mid="237107481" border="0"  src="https://freight.cargo.site/w/1000/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/8ce6c5bffe50cfcc02dc09800ad5752c060b117176d99a102996bcc1cdec237b/etheReality---Individual-Artworks---Linda-Stillman---09.jpg" data-mid="237107483" border="0"  src="https://freight.cargo.site/w/1000/i/8ce6c5bffe50cfcc02dc09800ad5752c060b117176d99a102996bcc1cdec237b/etheReality---Individual-Artworks---Linda-Stillman---09.jpg" /&#62;
Whether Weather

NYT newspaper clippings, acrylic medium on paper
22 x 30”
2017



	Amy Talluto
amytalluto.com
@talluts


	My paintings lie at the intersection of four personal symbols. The first is a transcription of the sitter's eyes in a famous portrait by Ingres (Joséphine-Éléonore-Marie- Pauline de Galard de Brassac de Béarn, Princesse de Broglie) that have a striking resemblance to my mother’s eyes. Second is a bending and contorting figure sometimes called a "blockhead," other times called a "starchild" that was birthed from a collage fragment. And third is a smooth-trunked tree with a singular knot that functions like an observer or Greek chorus when multiplied. The final fourth symbol is a type of a Victorian pottery called a "spill vase" which is a tubular mantelpiece made by Staffordshire and used to hold slivers of wood, "spills," to light candles before matches were invented. 


I mix and mingle these four symbols into imaginary environments in my paintings, drawings and sculptures. In a surrealist way, these symbols combine to create new meaning out of unexpected configurations. Floating disembodied in atmosphere, stacking one atop another like a ribcage, observing other character's actions, or drifting into deep water, my compositions become flights of fancy that act out loose narratives of memory, recognition and loss. 


Repetition, like in a game of Telephone, whispers infinite permutations into each instance as it morphs and evolves with each work. 
&#38;nbsp;
	
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/7d4ff530beb55efa57cb05129cee4efb6434e550b7077beb76b61d46bc132022/etheReality---Individual-Artworks---Amy-Talluto---03.jpg" data-mid="237107495" border="0"  src="https://freight.cargo.site/w/1000/i/7d4ff530beb55efa57cb05129cee4efb6434e550b7077beb76b61d46bc132022/etheReality---Individual-Artworks---Amy-Talluto---03.jpg" /&#62;
Bending Starchild and&#38;nbsp;Drooping princesses (After Ingres)

Painted ceramic with iridescent acrylic and oil and glazed ceramic
Dimensions variable
2024

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e7d1a1cc9fd09c1f344b92a300c163f8307763e9d2c9b473aaa66f29d52be247/etheReality---Individual-Artworks---Amy-Talluto---05.jpg" data-mid="237107497" border="0"  src="https://freight.cargo.site/w/1000/i/e7d1a1cc9fd09c1f344b92a300c163f8307763e9d2c9b473aaa66f29d52be247/etheReality---Individual-Artworks---Amy-Talluto---05.jpg" /&#62;
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Forest Vision

Graphite on paper
11 x 11”
2025

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/759a3ca7111493a1ba3442114f1d5243699a3ee78d39e8ecb03d32cd68ec4c4f/etheReality---Individual-Artworks---Amy-Talluto---07.jpg" data-mid="237107499" border="0"  src="https://freight.cargo.site/w/1000/i/759a3ca7111493a1ba3442114f1d5243699a3ee78d39e8ecb03d32cd68ec4c4f/etheReality---Individual-Artworks---Amy-Talluto---07.jpg" /&#62;
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Incursion

Oil on canvas 60 x 80” 2024

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" data-mid="237107502" border="0"  src="https://freight.cargo.site/w/1000/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" /&#62;
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Multi-head (Spill Vase)

Polymer clay with oil paint
12 x 8.5 x 5”
2022

&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/6a7c7d733df54213952bbc84dab1014d0faa6b36e4cb59c778b0ac1ebfd27ddb/etheReality---Individual-Artworks---Amy-Talluto---14.jpg" data-mid="237107506" border="0"  src="https://freight.cargo.site/w/1000/i/6a7c7d733df54213952bbc84dab1014d0faa6b36e4cb59c778b0ac1ebfd27ddb/etheReality---Individual-Artworks---Amy-Talluto---14.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ed1b030b93cd78422358480401552ad20f3145975ffe262504f5b7d1afa34e2a/etheReality---Individual-Artworks---Amy-Talluto---15.jpg" data-mid="237107507" border="0"  src="https://freight.cargo.site/w/1000/i/ed1b030b93cd78422358480401552ad20f3145975ffe262504f5b7d1afa34e2a/etheReality---Individual-Artworks---Amy-Talluto---15.jpg" /&#62;
Starchild Out of Balance

Graphite on toned paper
7 x 8.5”
2024


&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/06c485fa8c3334ed30a724a13aca2b6c49282061306d84aa82223197849e91d7/etheReality---Individual-Artworks---Amy-Talluto---16.jpg" data-mid="237107508" border="0"  src="https://freight.cargo.site/w/1000/i/06c485fa8c3334ed30a724a13aca2b6c49282061306d84aa82223197849e91d7/etheReality---Individual-Artworks---Amy-Talluto---16.jpg" /&#62;
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Starchild Rodeo

Graphite on toned paper
10.5 x 8”
2024

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8ccae9d833f551b09aa1f9b5ba44a9a06973cd2b307f48f371f8ae31edc9d6fb/etheReality---Individual-Artworks---Amy-Talluto---18.jpg" data-mid="237107510" border="0"  src="https://freight.cargo.site/w/1000/i/8ccae9d833f551b09aa1f9b5ba44a9a06973cd2b307f48f371f8ae31edc9d6fb/etheReality---Individual-Artworks---Amy-Talluto---18.jpg" /&#62;
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Submerged Princess (After Ingres)

Graphite on paper
9 x 7.25”
2024


&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/30f372f7a7a3b1a422a83380b1c99a583c6b749d4252d9fcc77e945e9e29cd03/etheReality---Individual-Artworks---Amy-Talluto---20.jpg" data-mid="237107512" border="0"  src="https://freight.cargo.site/w/1000/i/30f372f7a7a3b1a422a83380b1c99a583c6b749d4252d9fcc77e945e9e29cd03/etheReality---Individual-Artworks---Amy-Talluto---20.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/8d76264f673704506f81d54badacd096779b0732ffbbec74d31fbcbcbef08e91/etheReality---Individual-Artworks---Amy-Talluto---23.jpg" data-mid="237107515" border="0"  src="https://freight.cargo.site/w/1000/i/8d76264f673704506f81d54badacd096779b0732ffbbec74d31fbcbcbef08e91/etheReality---Individual-Artworks---Amy-Talluto---23.jpg" /&#62;
Tree Head Hill

Glazed ceramic with acrylic paint
9 x 13 x 14”
2024


&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cb727f88be38304c2d6529d46ea13068ce2b9299b8517b22477d726597c90b37/etheReality---Individual-Artworks---Amy-Talluto---24.jpg" data-mid="237107516" border="0"  src="https://freight.cargo.site/w/1000/i/cb727f88be38304c2d6529d46ea13068ce2b9299b8517b22477d726597c90b37/etheReality---Individual-Artworks---Amy-Talluto---24.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a51af671cae132975d3c262d420f776daae0a92b170abb816ac2a65b234da3b4/etheReality---Individual-Artworks---Amy-Talluto---25.jpg" data-mid="237107517" border="0"  src="https://freight.cargo.site/w/1000/i/a51af671cae132975d3c262d420f776daae0a92b170abb816ac2a65b234da3b4/etheReality---Individual-Artworks---Amy-Talluto---25.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6f6465f6bb62be20e00ce5f4083240ce4c8c97d178d1e9b9bde4cbd75b0efbcb/etheReality---Individual-Artworks---Amy-Talluto---26.jpg" data-mid="237107518" border="0"  src="https://freight.cargo.site/w/1000/i/6f6465f6bb62be20e00ce5f4083240ce4c8c97d178d1e9b9bde4cbd75b0efbcb/etheReality---Individual-Artworks---Amy-Talluto---26.jpg" /&#62;
Trust Fall (Spill Vase)

Polymer clay with oil paint
10 x 8.5 x 8”
2022


&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ec0e2b666020eedc3da5fbbf2c34c69bc7125550c97bd37c2c5bd115edca9302/etheReality---Individual-Artworks---Amy-Talluto---27.jpg" data-mid="237107519" border="0"  src="https://freight.cargo.site/w/1000/i/ec0e2b666020eedc3da5fbbf2c34c69bc7125550c97bd37c2c5bd115edca9302/etheReality---Individual-Artworks---Amy-Talluto---27.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ec6ff4019669a6644ae54286fad3f5b3451e7c4ac2ed731ddb056ec39db05ce1/etheReality---Individual-Artworks---Amy-Talluto---28.jpg" data-mid="237107520" border="0"  src="https://freight.cargo.site/w/1000/i/ec6ff4019669a6644ae54286fad3f5b3451e7c4ac2ed731ddb056ec39db05ce1/etheReality---Individual-Artworks---Amy-Talluto---28.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8a035eeb704a43f690a6cae983b8fe3afb520cd84f04a7a0e105ed902daee701/etheReality---Individual-Artworks---Amy-Talluto---29.jpg" data-mid="237107521" border="0"  src="https://freight.cargo.site/w/1000/i/8a035eeb704a43f690a6cae983b8fe3afb520cd84f04a7a0e105ed902daee701/etheReality---Individual-Artworks---Amy-Talluto---29.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2cf0d36dc8a26d531156ab6754bfcff6357d31c481061f160c4ff6048c2cf76e/etheReality---Individual-Artworks---Amy-Talluto---30.jpg" data-mid="237107522" border="0"  src="https://freight.cargo.site/w/1000/i/2cf0d36dc8a26d531156ab6754bfcff6357d31c481061f160c4ff6048c2cf76e/etheReality---Individual-Artworks---Amy-Talluto---30.jpg" /&#62;

Yellow Stack with Watchers

Oil on canvas
36 x 30”
2024




&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/247ee8838cff248366c84d1074f240eb0bf1fab132f7e5c66b2400fd7aecd23b/etheReality---Opening-Reception---Adam-DeVuyst---020.jpg" data-mid="237107351" border="0"  src="https://freight.cargo.site/w/1000/i/247ee8838cff248366c84d1074f240eb0bf1fab132f7e5c66b2400fd7aecd23b/etheReality---Opening-Reception---Adam-DeVuyst---020.jpg" /&#62;
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/818a0d9c121cce9bd29d12f2ee0cda768b15353518e17653fe8a5333aed6e416/etheReality---Programming---Bel-Falleiros---Workshop---12-AM.jpg" data-mid="237392068" border="0"  src="https://freight.cargo.site/w/1000/i/818a0d9c121cce9bd29d12f2ee0cda768b15353518e17653fe8a5333aed6e416/etheReality---Programming---Bel-Falleiros---Workshop---12-AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f9fd44234116dc9c4ed3efad86464cf29c4c1448b923e5f69b45d1ef0bda5e6e/etheReality---Programming---Bel-Falleiros---Workshop---06-AM.jpg" data-mid="237392062" border="0"  src="https://freight.cargo.site/w/1000/i/f9fd44234116dc9c4ed3efad86464cf29c4c1448b923e5f69b45d1ef0bda5e6e/etheReality---Programming---Bel-Falleiros---Workshop---06-AM.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/fcccea08d8891397b8cd4eab479c6a885eb7f1c90285580111dc92d72fb0bd80/etheReality---Programming---Ghost-and-Jason---05-CC.jpg" data-mid="237411073" border="0"  src="https://freight.cargo.site/w/1000/i/fcccea08d8891397b8cd4eab479c6a885eb7f1c90285580111dc92d72fb0bd80/etheReality---Programming---Ghost-and-Jason---05-CC.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/cbcb8c4c0fff87c27b366cbf553856d75a8fc90ead4702b6e82de275d08ecc95/etheReality---Programming---Ghost-and-Jason---15-CC.jpg" data-mid="237411083" border="0"  src="https://freight.cargo.site/w/1000/i/cbcb8c4c0fff87c27b366cbf553856d75a8fc90ead4702b6e82de275d08ecc95/etheReality---Programming---Ghost-and-Jason---15-CC.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/450663f81dc6168adbb3b4e054e0c2060af46282b1d41eb405c3818b9ce87908/etheReality---Programming--Artist-Panel---01.jpg" data-mid="237924879" border="0"  src="https://freight.cargo.site/w/1000/i/450663f81dc6168adbb3b4e054e0c2060af46282b1d41eb405c3818b9ce87908/etheReality---Programming--Artist-Panel---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/cba51654f615126e03f4ada12e3c951e991fc635177e11348556f6f1ebef954a/etheReality---Programming--Artist-Panel---02.jpg" data-mid="237924883" border="0"  src="https://freight.cargo.site/w/1000/i/cba51654f615126e03f4ada12e3c951e991fc635177e11348556f6f1ebef954a/etheReality---Programming--Artist-Panel---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/81b64b27b70e0f98e472e28d38d07d38898fb68f790be6720075d21c8e45bd6c/etheReality---Programming---Poet-Gold---20.jpg" data-mid="237964506" border="0"  src="https://freight.cargo.site/w/1000/i/81b64b27b70e0f98e472e28d38d07d38898fb68f790be6720075d21c8e45bd6c/etheReality---Programming---Poet-Gold---20.jpg" /&#62;
&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a07771943bc7ef4f727b3eb972072de949122fceb560e0e0d1893cddf26d3744/etheReality---Programming---Poet-Gold---26.jpg" data-mid="237964508" border="0"  src="https://freight.cargo.site/w/1000/i/a07771943bc7ef4f727b3eb972072de949122fceb560e0e0d1893cddf26d3744/etheReality---Programming---Poet-Gold---26.jpg" /&#62;
&#60;img width="2560" height="2529" width_o="2560" height_o="2529" data-src="https://freight.cargo.site/t/original/i/19daa30ddea4b4ce7afb0480fb49879f187799fa841cd4b4a8a8d048f03a7425/etheReality---Programming---Poet-Gold---32.jpg" data-mid="237964510" border="0"  src="https://freight.cargo.site/w/1000/i/19daa30ddea4b4ce7afb0480fb49879f187799fa841cd4b4a8a8d048f03a7425/etheReality---Programming---Poet-Gold---32.jpg" /&#62;
&#60;img width="2560" height="2560" width_o="2560" height_o="2560" data-src="https://freight.cargo.site/t/original/i/fcc1da926fddb40db51ca82e0dbdfca7e2b9a35a968deaac74afeebb73674426/etheReality---Opening-Reception---Adam-DeVuyst---018.jpg" data-mid="237107349" border="0"  src="https://freight.cargo.site/w/1000/i/fcc1da926fddb40db51ca82e0dbdfca7e2b9a35a968deaac74afeebb73674426/etheReality---Opening-Reception---Adam-DeVuyst---018.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3bc8843a2b9d5143b9e4060bc64076abbe1c618554b511dafc1a103a96a10dab/etheReality---Opening-Reception---Adam-DeVuyst---016.jpg" data-mid="237107347" border="0"  src="https://freight.cargo.site/w/1000/i/3bc8843a2b9d5143b9e4060bc64076abbe1c618554b511dafc1a103a96a10dab/etheReality---Opening-Reception---Adam-DeVuyst---016.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/59e1e3f3eddc172bee17a4952cd9268b1e42fe32e842322c9fd84a7a43a24b15/etheReality---Opening-Reception---Adam-DeVuyst---017.jpg" data-mid="237107362" border="0"  src="https://freight.cargo.site/w/1000/i/59e1e3f3eddc172bee17a4952cd9268b1e42fe32e842322c9fd84a7a43a24b15/etheReality---Opening-Reception---Adam-DeVuyst---017.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e1d7a2a473e2afb2e89ee905949a80cc7e2cc47c06606aad1ac23eaae2800dd7/etheReality---Opening-Reception---Adam-DeVuyst---008.jpg" data-mid="237107339" border="0"  src="https://freight.cargo.site/w/1000/i/e1d7a2a473e2afb2e89ee905949a80cc7e2cc47c06606aad1ac23eaae2800dd7/etheReality---Opening-Reception---Adam-DeVuyst---008.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d2572fb239505255af079e912b34fd364e77de6cec54f101fc5880ee438f9a38/etheReality---Opening-Reception---Adam-DeVuyst---012.jpg" data-mid="237107343" border="0"  src="https://freight.cargo.site/w/1000/i/d2572fb239505255af079e912b34fd364e77de6cec54f101fc5880ee438f9a38/etheReality---Opening-Reception---Adam-DeVuyst---012.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6a0739bebf8468dfb8c7f005d044564ee77d4e32f7b52c3d8b6fdec7d8d5d29e/etheReality---Opening-Reception---Adam-DeVuyst---001.jpg" data-mid="237107332" border="0"  src="https://freight.cargo.site/w/1000/i/6a0739bebf8468dfb8c7f005d044564ee77d4e32f7b52c3d8b6fdec7d8d5d29e/etheReality---Opening-Reception---Adam-DeVuyst---001.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/03c6baa46b82463eaa9643b7d9694023c10ff884fab3fbc92c39042c2de6240e/etheReality---Opening-Reception---Adam-DeVuyst---002.jpg" data-mid="237107333" border="0"  src="https://freight.cargo.site/w/1000/i/03c6baa46b82463eaa9643b7d9694023c10ff884fab3fbc92c39042c2de6240e/etheReality---Opening-Reception---Adam-DeVuyst---002.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/90345a4273df80d636c5b0ca1c6e478b3a7cadabe05fb707a504cce2182f7e94/etheReality---Opening-Reception---Adam-DeVuyst---003.jpg" data-mid="237107334" border="0"  src="https://freight.cargo.site/w/1000/i/90345a4273df80d636c5b0ca1c6e478b3a7cadabe05fb707a504cce2182f7e94/etheReality---Opening-Reception---Adam-DeVuyst---003.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ba5a1f4783759709be97f92d8edb06710bdb9626c00afba226eefd19eeb140a1/etheReality---Programming---Bel-Falleiros---Workshop---08-AM.jpg" data-mid="237392064" border="0"  src="https://freight.cargo.site/w/1000/i/ba5a1f4783759709be97f92d8edb06710bdb9626c00afba226eefd19eeb140a1/etheReality---Programming---Bel-Falleiros---Workshop---08-AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/b69bc63451d506d70e93090cb46af6082e389e78fea6f1abfc16868b95b9b017/etheReality---Programming---Bel-Falleiros---Workshop---03-AM.jpg" data-mid="237392059" border="0"  src="https://freight.cargo.site/w/1000/i/b69bc63451d506d70e93090cb46af6082e389e78fea6f1abfc16868b95b9b017/etheReality---Programming---Bel-Falleiros---Workshop---03-AM.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e81c7887e3fe0cf8fecdb758c995c9a8b5fb69bb347cd668b50ca9708d992c94/etheReality---Opening-Reception---Adam-DeVuyst---004.jpg" data-mid="237107335" border="0"  src="https://freight.cargo.site/w/1000/i/e81c7887e3fe0cf8fecdb758c995c9a8b5fb69bb347cd668b50ca9708d992c94/etheReality---Opening-Reception---Adam-DeVuyst---004.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/f8c53c57920adcc7bb6e67c9b7ea92ace8f60f7070f83d4b622f3747d687375f/etheReality---Opening-Reception---Adam-DeVuyst---005.jpg" data-mid="237107336" border="0"  src="https://freight.cargo.site/w/1000/i/f8c53c57920adcc7bb6e67c9b7ea92ace8f60f7070f83d4b622f3747d687375f/etheReality---Opening-Reception---Adam-DeVuyst---005.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6c0ee54bef0f3e9d11452f883879e48a015a04e72d9ed8b4a2578086f1a67c53/etheReality---Opening-Reception---Adam-DeVuyst---007.jpg" data-mid="237107338" border="0"  src="https://freight.cargo.site/w/1000/i/6c0ee54bef0f3e9d11452f883879e48a015a04e72d9ed8b4a2578086f1a67c53/etheReality---Opening-Reception---Adam-DeVuyst---007.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9bddfac40137e8e747c067a9a34bd0211ff869579a744c6be636372748379ba5/etheReality---Opening-Reception---Adam-DeVuyst---006.jpg" data-mid="237107337" border="0"  src="https://freight.cargo.site/w/1000/i/9bddfac40137e8e747c067a9a34bd0211ff869579a744c6be636372748379ba5/etheReality---Opening-Reception---Adam-DeVuyst---006.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7a5e2e3fb8fc2a9ccd21d9358309c618b8e2767ffb41f810f977eaeaf2eef1ac/etheReality---Programming---Ghost-and-Jason---02-AM.jpg" data-mid="237411070" border="0"  src="https://freight.cargo.site/w/1000/i/7a5e2e3fb8fc2a9ccd21d9358309c618b8e2767ffb41f810f977eaeaf2eef1ac/etheReality---Programming---Ghost-and-Jason---02-AM.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/d942985c4e001931a1879b0f4e6300112a958bbdaf80383d009ec5f301c15a23/etheReality---Programming---Ghost-and-Jason---12-CC.jpg" data-mid="237411080" border="0"  src="https://freight.cargo.site/w/1000/i/d942985c4e001931a1879b0f4e6300112a958bbdaf80383d009ec5f301c15a23/etheReality---Programming---Ghost-and-Jason---12-CC.jpg" /&#62;
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Opening reception photographs courtesy of Adam DeVuyst



Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



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