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	<title>Ann Street Gallery</title>
	<link>https://annstreetgallery.org</link>
	<description>Ann Street Gallery</description>
	<pubDate>Sun, 01 Mar 2026 14:25:18 +0000</pubDate>
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		<pubDate>Thu, 11 Mar 2021 22:36:46 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

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	ANN STREET GALLERY
104 Ann Street 
Newburgh NY 12550 



annstreetgallery@safe-harbors.org
(845) 562-6940 
ext. 105








Follow us on Instagram @annstreetgallery

	GALLERY HOURSThe Gallery is open Saturdays and Sundays 1:00-5:00pm and by appointment during exhibitions.
Our next exhibition is June 21 - August 31, 2025. Details here.
For updates on our programming, please sign up for our newsletter here!

	MAILING LISTSubscribe to the gallery newsletter&#60;img width="2400" height="2401" width_o="2400" height_o="2401" data-src="https://freight.cargo.site/t/original/i/6550146bc46a45f372110a485e35ea42c4bc905d634eb419717a20dae71d9956/ASG-Logo-Standard---red-fill.jpg" data-mid="219289222" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/6550146bc46a45f372110a485e35ea42c4bc905d634eb419717a20dae71d9956/ASG-Logo-Standard---red-fill.jpg" /&#62;

SUPPORT ANN STREET GALLERY
Your gift supports our mission. Make a donation today.


	ABOUT THE GALLERYUnder the umbrella of Safe Harbors of the Hudson, a nonprofit organization that combines supportive housing and the arts, Ann Street Gallery presents contemporary art through exhibitions and programming that create new opportunities for education and immersion in the arts in Newburgh.
Ann Street Gallery’s exhibitions, 
events, and programs seek to increase arts literacy and appreciation 
by engaging community and promoting forward thinking, 
socially and ecologically responsive, and under-represented positions in contemporary practice.We strive to host inclusive, accessible programs that enable all individuals to engage fully. To request an accommodation or for inquiries about accessibility, please contact the Gallery at annstreetgallery@safe-harbors.org
	ABOUT SAFE HARBORSTransforming Lives and Building Community through Housing and the ArtsAnn Street Gallery is a program of Safe Harbors of the Hudson. Safe Harbors of the Hudson is a mixed-use, non-profit housing and arts redevelopment project. The project began in 2002 with the purchase of the Hotel Newburgh, a once proud destination, that had deteriorated over the years. Safe Harbors purchased the hotel in 2002 and in 2004 was awarded $21 million in state, county and federal funds to create a vibrant affordable, supportive housing complex.
Learn more about us
&#60;img width="244" height="152" width_o="244" height_o="152" data-src="https://freight.cargo.site/t/original/i/ee8b38d3ef94b372e5234f03b090c16cacc6654b4d39a775ef9cb8650249f127/safe-harbors-of-the-hudson-logo.png" data-mid="102889167" border="0"  src="https://freight.cargo.site/w/244/i/ee8b38d3ef94b372e5234f03b090c16cacc6654b4d39a775ef9cb8650249f127/safe-harbors-of-the-hudson-logo.png" /&#62;
	ANNUAL NEWSLETTERSDownloads:
2025 SHOH Newsletter
2024 SHOH Newsletter
2023-2024 SHOH Newsletter 



&#60;img width="1978" height="2560" width_o="1978" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e08f4bb6383169fe106026db7e2ffa357a7c7bfa1a3bd0c066d594e41ab0a867/SHOH_Newsletter-2025.jpg" data-mid="243940097" border="0"  src="https://freight.cargo.site/w/1000/i/e08f4bb6383169fe106026db7e2ffa357a7c7bfa1a3bd0c066d594e41ab0a867/SHOH_Newsletter-2025.jpg" /&#62;
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	GALLERY DIRECTORAlison McNulty
amcnulty@safe-harbors.org&#60;img width="720" height="930" width_o="720" height_o="930" data-src="https://freight.cargo.site/t/original/i/8884d3795b932b0e90830f95c3053e11581506833fb9f8e7404652efea0acf3b/00_AMcNulty_Headshot2.jpg" data-mid="219380892" border="0" data-scale="100" src="https://freight.cargo.site/w/720/i/8884d3795b932b0e90830f95c3053e11581506833fb9f8e7404652efea0acf3b/00_AMcNulty_Headshot2.jpg" /&#62;

	GALLERY ASSISTANTFerris Ramirezframirez@safe-harbors.org
&#60;img width="720" height="930" width_o="720" height_o="930" data-src="https://freight.cargo.site/t/original/i/d313d2f75bb81de9e1a1bf0fd4ab40b4fc34cc8c7759346bad817e6b641d1e80/Ferris-Ramirez---Headshot.png" data-mid="219380897" border="0" data-scale="100" src="https://freight.cargo.site/w/720/i/d313d2f75bb81de9e1a1bf0fd4ab40b4fc34cc8c7759346bad817e6b641d1e80/Ferris-Ramirez---Headshot.png" /&#62;

	GALLERY ASSISTANT: 
WE’RE HIRING!
Learn more and apply here
&#60;img width="1500" height="1800" width_o="1500" height_o="1800" data-src="https://freight.cargo.site/t/original/i/87b2d75a0376981e0368e18e9bbb1e2450d378e14deef485067f84a144dee024/Gallery-Assistant---for-website.png" data-mid="244489718" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/87b2d75a0376981e0368e18e9bbb1e2450d378e14deef485067f84a144dee024/Gallery-Assistant---for-website.png" /&#62;

	FLOORPLAN&#60;img width="792" height="1224" width_o="792" height_o="1224" data-src="https://freight.cargo.site/t/original/i/56ee2859f68474cd504963593a9863f04d4a08144dff35955d180e34d7176c01/ASG_BasePlanDims_11x17.jpg" data-mid="180987590" border="0"  src="https://freight.cargo.site/w/792/i/56ee2859f68474cd504963593a9863f04d4a08144dff35955d180e34d7176c01/ASG_BasePlanDims_11x17.jpg" /&#62;

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	Ceiling height:

 120” in main gallery and front of gallery

137” along east side of gallery traversed by the pipe122” to pipe

108” in back corner and back media room





	DIVERSITY, EQUITY, &#38;amp; INCLUSION
Safe Harbors of the Hudson is committed to fostering and maintaining an environment that values diversity, equity, belonging and access. This inclusive approach is integral to Safe Harbors’ workplace, housing and community programming.

We strive to ensure Safe Harbors’ leadership reflects the community and is focused on the success and celebration of Newburgh and its residents. This is a place where people are valued, respected and supported in reaching their full potential and where community voices can be harmoniously engaged and amplified. We recognize that diverse ideas, voices and perspectives strengthen our work and our community.

“In diversity, there is beauty and strength.”~Maya Angelou

Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation.
&#38;nbsp;



&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="178512396" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="224861839" border="0" data-scale="11" src="https://freight.cargo.site/w/744/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="178512394" border="0" data-scale="43" src="https://freight.cargo.site/w/982/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" /&#62;
&#60;img width="465" height="122" width_o="465" height_o="122" data-src="https://freight.cargo.site/t/original/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" data-mid="210049543" border="0" data-scale="24" src="https://freight.cargo.site/w/465/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="505" height="118" width_o="505" height_o="118" data-src="https://freight.cargo.site/t/original/i/4db2f6d370d56534e1f5bcf17908460351a734b46c5efc6901834fa7f5cc827f/TD-Charitable-Foundation.jpg" data-mid="210049518" border="0" data-scale="31" src="https://freight.cargo.site/w/505/i/4db2f6d370d56534e1f5bcf17908460351a734b46c5efc6901834fa7f5cc827f/TD-Charitable-Foundation.jpg" /&#62;
We are grateful to our community partners:
Golden Hour Books
Newburgh Art Supply
The Newburgh Pottery


&#60;img width="303" height="303" width_o="303" height_o="303" data-src="https://freight.cargo.site/t/original/i/b732b9c8b0313f9c25e5e0261c19e618b3ca77287a8ba8881402c7c4b766fbf3/Golden-Hourr-Circle-Logo.jpg" data-mid="237521318" border="0"  src="https://freight.cargo.site/w/303/i/b732b9c8b0313f9c25e5e0261c19e618b3ca77287a8ba8881402c7c4b766fbf3/Golden-Hourr-Circle-Logo.jpg" /&#62;
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		<title>Newsletter</title>
				
		<link>https://annstreetgallery.org/Newsletter</link>

		<pubDate>Tue, 07 May 2024 18:27:21 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

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	<item>
		<title>Past Exhibitions</title>
				
		<link>https://annstreetgallery.org/Past-Exhibitions</link>

		<pubDate>Mon, 10 Jun 2024 11:53:06 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

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		<description>
	Untethered Creatures:
bodies of emergent loreEmerging Artist Fellowship Exhibition 2025
September 27, 2025 - November 23, 2025William PK Carter
Ana Maria Farina
Bridget Vasquez
	Exhibition
&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/8eccf700b912443dd333c7dc95aa4fdf9cf2e36d3c35fda469b1ef441c234edb/Untethered-Creatures---Exhibition-Overview.jpg" data-mid="242030867" border="0"  src="https://freight.cargo.site/w/1000/i/8eccf700b912443dd333c7dc95aa4fdf9cf2e36d3c35fda469b1ef441c234edb/Untethered-Creatures---Exhibition-Overview.jpg" /&#62;

Untethered Creatures: bodies of emergent lore showcases the work of 2025 fellows William PK Carter, Ana Maria Farina, and Bridget Vasquez, whose individual creative practices range from painting, sculpture, textiles, puppetry, and multidisciplinary works...

Learn more here
	Fellowship Directory
&#60;img width="900" height="719" width_o="900" height_o="719" data-src="https://freight.cargo.site/t/original/i/794102603995a468ff5a246c42ae83c03cd0ff1ed19c916957f99c41076c71cf/Fellowship-Directory---2025.jpg" data-mid="242030866" border="0"  src="https://freight.cargo.site/w/900/i/794102603995a468ff5a246c42ae83c03cd0ff1ed19c916957f99c41076c71cf/Fellowship-Directory---2025.jpg" /&#62;

Ann Street Gallery is proud to support artists with experimental practices within the visual arts, performance, and interdisciplinary practice as an essential part of Ann Street Gallery’s program and mission. The Fellowship places special emphasis on artists exploring narratives aside or sub-current to those formally acknowledged by art historians, especially practices that foster an active exchange with local organizations and communities, or are rooted in exploring aspects of place, history, or non-dominant cultural competencies and practices...
Learn more here


	etheReality:from breath to air, and backJune 21 - August 31, 2025Bel Falleiros
Ghost of a Dream
Sanie Irsay
Mollie McKinley
Jason Mitcham
Megan Pahmier
Linda Stillman
Amy TallutoCurated by Alison McNulty
	Exhibition
&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/f4d5d8c4b996df1253044a6bdf3fe290b7b69309efd229a4d7c81ea5668fd25d/etheReality-Exhibition-Overview.jpg" data-mid="237849502" border="0"  src="https://freight.cargo.site/w/1000/i/f4d5d8c4b996df1253044a6bdf3fe290b7b69309efd229a4d7c81ea5668fd25d/etheReality-Exhibition-Overview.jpg" /&#62;etheReality: from breath to air, and back is a group exhibition of works across various media that consider the cyclical, interconnected and often intangible relationship between individuals and the collective. The show attempts to locate our contemporary human reality in the murky, haunted spaces between our cumulative acts of destruction and a shared atmosphere of grief and loss, while offering glimpses of inspiration in connection to each other and the natural world. How is breath tied to time and place? How do our everyday actions and habits co-create a vast cosmic phenomenon that echoes through the ether and implicates us in its return?Learn more here
 


	Programs
&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/3a6c94230ac138fe6e5bc661958cfac31a37c42e528079145a8c8d1e1a0bd3d6/etheReality-Programming.jpg" data-mid="237849501" border="0"  src="https://freight.cargo.site/w/1000/i/3a6c94230ac138fe6e5bc661958cfac31a37c42e528079145a8c8d1e1a0bd3d6/etheReality-Programming.jpg" /&#62;
Free public programming for etheReality includes artist-led participatory programs, dialogue, and panel...
Learn more here






	The Destiny
...is to take root among the starsMarch 15, 2025 - May 10, 2025Destiny Arianna
Vernon Byron
Cy Hinojosa
Lala Montoya
Alisa Sikelianos-Carter
Tony Washington
Curated by guest curator Jaime Ransome
	Exhibition&#60;img width="1500" height="945" width_o="1500" height_o="945" data-src="https://freight.cargo.site/t/original/i/ed5beac5be7c08441c4c1b8a58dddabec1c7c2ca37d71e968ae3ceb5bc6c69f9/The-Destiny---Installation-Shots---01.jpg" data-mid="233855311" border="0"  src="https://freight.cargo.site/w/1000/i/ed5beac5be7c08441c4c1b8a58dddabec1c7c2ca37d71e968ae3ceb5bc6c69f9/The-Destiny---Installation-Shots---01.jpg" /&#62;

Inspired by the prescient works of African American, feminist author, Octavia Butler, The Destiny is an exhibition of six BIPOC artists working in upstate New York. The exhibition examines concepts prevalent in Butler’s Parable of the Sower, which depicts imagined futures and recalls distant pasts through magical realism in a post-apocalyptic landscape. The novel reflects our fears about climate change, canonizes our futures as intelligent beings on a dying planet, and unearths the “essential human resources” that will be necessary for humans to inhabit - not colonize - a new world in space or on an unrecognizable Earth...
Learn more here
	Programs
&#60;img width="1500" height="1198" width_o="1500" height_o="1198" data-src="https://freight.cargo.site/t/original/i/9d5a93458c121bedd2e7f23b89d52b68cf215a0da122d1cb9692a5c9f1f64b40/The-Destiny---Indigo-Rising---01.jpg" data-mid="233855312" border="0"  src="https://freight.cargo.site/w/1000/i/9d5a93458c121bedd2e7f23b89d52b68cf215a0da122d1cb9692a5c9f1f64b40/The-Destiny---Indigo-Rising---01.jpg" /&#62;

Free public programming for The Destiny includes artist-led participatory programs, our first book club, curated playlist, and a curated reading list...
 
Learn more here





	Threads in TimeEmerging Artist Fellowship Exhibition 2024
September 28, 2024 - November 24, 2024Matthew Gilbert
Nicole Hixon
Zeinab Manesh
	Exhibition
&#60;img width="2560" height="1613" width_o="2560" height_o="1613" data-src="https://freight.cargo.site/t/original/i/00b40d2f0a95812fed52c1ff808be9a36cc0b4d05bf456e2732dc7d607ad7f43/Threads-in-Time---Installation-Shots---01.jpg" data-mid="224075749" border="0"  src="https://freight.cargo.site/w/1000/i/00b40d2f0a95812fed52c1ff808be9a36cc0b4d05bf456e2732dc7d607ad7f43/Threads-in-Time---Installation-Shots---01.jpg" /&#62;

Threads in Time brings together the work of Ann Street Gallery 2024 Emerging Artist Fellows Matthew Gilbert, Nicole Hixon, and Zeinab Manesh, whose sculptures and installations interweave representations of past, present, and future to connect individual identity and cultural heritage across eras. In a world marked by division and displacement, the artists’ reflections on isolation, belonging, and transformation encourage us to consider the legacies we leave behind and the ways in which art can both preserve and reshape our understanding of the world...

Learn more here
	Fellowship Directory
&#60;img width="2406" height="1921" width_o="2406" height_o="1921" data-src="https://freight.cargo.site/t/original/i/94ee569b28d5273530428d2168d7642182d37a99d624861be869a62da4413984/Fellowship-Directory---2024.jpg" data-mid="224286124" border="0"  src="https://freight.cargo.site/w/1000/i/94ee569b28d5273530428d2168d7642182d37a99d624861be869a62da4413984/Fellowship-Directory---2024.jpg" /&#62;

Ann Street Gallery is proud to support artists with experimental practices within the visual arts, performance, and interdisciplinary practice as an essential part of Ann Street Gallery’s program and mission. The Fellowship places special emphasis on artists exploring narratives aside or sub-current to those formally acknowledged by art historians, especially practices that foster an active exchange with local organizations and communities, or are rooted in exploring aspects of place, history, or non-dominant cultural competencies and practices...
Learn more here




	Back and Forth, Between Names:An exhibitionabout bodiesof waterJuly 6, 2024 - August 25, 2024Rachel Olivia Berg
Eliza Evans
Matt Frieburghaus
Koyoltzintli
Carmen Lizardo
Lauren Rosenthal McManus
Renana Neuman
Jaanika Peerna
Valerie Piraino
Adie Russell
Sarah Cameron Sunde
Suzy SureckCurated by Alison McNulty


	Exhibition
&#60;img width="4032" height="2540" width_o="4032" height_o="2540" data-src="https://freight.cargo.site/t/original/i/7e849e0a8a9530867cd06e0169fb4f9b2b48251d92b3d1a0f7913393d3010166/Back-and-Forth-Between-Names---Installation-Shots---01-resized.jpg" data-mid="217277396" border="0"  src="https://freight.cargo.site/w/1000/i/7e849e0a8a9530867cd06e0169fb4f9b2b48251d92b3d1a0f7913393d3010166/Back-and-Forth-Between-Names---Installation-Shots---01-resized.jpg" /&#62;
Back and Forth, Between Names is a group exhibition exploring the pervious boundaries and shifting identities of bodies comprised of water. Works across media invite viewers to consider water as material, collaborator, place, and metaphor, communicating water’s agency and animacy in its fluidity and similitude between human and nonhuman bodies. Engaging the poetics of water, the exhibition seeks places where language loosens its grip on the knowable, conjuring bodies in, of, and as water...
 
Learn more here 

	Programs
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/3f5cf79b5b64c8bc91eb46c21c131d38396efa9d62aab2cdfd2287f296e4b845/Back-and-Forth-Between-Names---Performance---Koyo---20-resized.jpg" data-mid="217277397" border="0"  src="https://freight.cargo.site/w/1000/i/3f5cf79b5b64c8bc91eb46c21c131d38396efa9d62aab2cdfd2287f296e4b845/Back-and-Forth-Between-Names---Performance---Koyo---20-resized.jpg" /&#62;
Free public programming for Back and Forth, Between Names includes three artist-led participatory programs, gallery talks, and a curated reading list...
 
Learn more here 



	From the Ground UPA project led by 2023-2024 Artist Researcher
in Residence, Jean-Marc Superville SovakDecember 1, 2023 - March 31, 2024Lillian AlbertiMichelle CorporanStevenson EstimeDonna FrancisShani RichardsJean-Marc Superville Sovak
Edwin TorresCurated by&#38;nbsp;Jean-Marc Superville Sovak and Alison McNulty
	Exhibition
&#60;img width="1920" height="1211" width_o="1920" height_o="1211" data-src="https://freight.cargo.site/t/original/i/bbe43ab9b5e250b85728edede47c77440359d1bf6e019a104ae0d3739dd536d9/From-the-Ground-UP---Draft---01.jpg" data-mid="224113648" border="0"  src="https://freight.cargo.site/w/1000/i/bbe43ab9b5e250b85728edede47c77440359d1bf6e019a104ae0d3739dd536d9/From-the-Ground-UP---Draft---01.jpg" /&#62;
From the Ground UP activates the gallery with a series of events amidst an evolving installation by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak. The project is dedicated to imagining and collectively creating memorials for honoring African-Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground”. The exhibition includes a shifting presentation of archeological documentation and historical records, an installation inspired by burial shrouds and conjuring bundles, a growing display of community offerings and messages, and an exhibition of commissioned artworks by regional artists responding to Superville Sovak's research and speculation on the Burial Ground...
Learn more here

	Project Directory
&#60;img width="3000" height="2400" width_o="3000" height_o="2400" data-src="https://freight.cargo.site/t/original/i/ce421101169f9288f8f18bdfea934cd417cbbd02504191b0c36c003436c1fe52/From-The-Ground-UP.png" data-mid="224113647" border="0"  src="https://freight.cargo.site/w/1000/i/ce421101169f9288f8f18bdfea934cd417cbbd02504191b0c36c003436c1fe52/From-The-Ground-UP.png" /&#62;
From the Ground UP is hosted by Ann Street Gallery and consists of three fluid project phases. The first phase launches in October 2023 with a series of community gatherings, presentations, and events extending through February 2024.
The second phase of the project transforms the Gallery space into a lab, workshop, and exhibition space for Superville Sovak’s research, his socially engaged art practice, his creative output, and the display and performance of commissioned works from other interdisciplinary artists and cultural producers.
The third phase of the project includes creating digital and analog archives of the project to record the public’s interactions, the artist’s research and process, documentation of events, and the developments of the project in the form of a website and printed materials. The project archives aim to serve as a model for collective forms of memorialization, a resource, and a symbolic form of restorative justice for the City of Newburgh...
Learn more here





	Re:Manifest
Emerging Artist Fellowship Exhibition 2023
September 16, 2023 - October 31, 2023Rachel Olivia Berg
Shani Richards
Michelle Corporan
	Exhibition
&#60;img width="1920" height="1210" width_o="1920" height_o="1210" data-src="https://freight.cargo.site/t/original/i/05a14f80ae2f2a9ace0edfddf13c37b9759224e41ec59d9a0f4d27de4b2c5be9/ReManifest---Installation-Shots---01.jpg" data-mid="224111470" border="0"  src="https://freight.cargo.site/w/1000/i/05a14f80ae2f2a9ace0edfddf13c37b9759224e41ec59d9a0f4d27de4b2c5be9/ReManifest---Installation-Shots---01.jpg" /&#62;
Re:Manifest as conceived by the 2023 Ann Street Gallery Emerging Artist Fellows aims to challenge&#38;nbsp; romanticized histories of the United States and make evident the artists’ voices, stories, and visions. The works in Re:Manifest exhibit (re-)emergences of cultural identity informed by the nuanced perspectives of the Fellowship cohort and how they identify their personal lineages. Through their fellowships Rachel Olivia Berg (Mnicoujou Lakota), Michelle Corporan (Afro Caribbean, Spanish, and Japanese lineages), and Shani Richards (Afro-American) unearth historical events, honor their ancestors, and explore places in the Hudson Valley to reclaim narratives that have been overlooked, forgotten, or ignored...
Learn more here
	Fellowship Directory

&#60;img width="2406" height="1920" width_o="2406" height_o="1920" data-src="https://freight.cargo.site/t/original/i/09c8cc420716f45b6172f139f733bcf19ea6bfa8bf7317e4b8f33c86dafd2427/Fellowship-Directory---2023.jpg" data-mid="224286123" border="0"  src="https://freight.cargo.site/w/1000/i/09c8cc420716f45b6172f139f733bcf19ea6bfa8bf7317e4b8f33c86dafd2427/Fellowship-Directory---2023.jpg" /&#62;
Ann Street Gallery is proud to support artists with experimental practices within the visual arts, performance, and interdisciplinary practice as an essential part of Ann Street Gallery’s program and mission. The Fellowship places special emphasis on artists exploring narratives aside or sub-current to those formally acknowledged by art historians, especially practices that foster an active exchange with local organizations and communities, or are rooted in exploring aspects of place, history, or non-dominant cultural competencies and practices...
Learn more here



	Listening&#38;nbsp; &#38;nbsp;to Land: Imaginal Technologies,
Material Conduits, 
&#38;amp;
Landscape Translations Toward Perceiving Place

July 13, 2023 - August 27, 2023
Margaux CrumpDonna FrancisKaterie GladdysKatie GroveEllie
IronsSergey JivetinKite and Robbie WingFernanda MelloSteve RossiJean-Marc Superville SovakSusan WalshMillicent Young
Curated by Alison McNulty

	
	Exhibition
&#60;img width="3734" height="2352" width_o="3734" height_o="2352" data-src="https://freight.cargo.site/t/original/i/8aa13b976252a3966034bea85449adb44334420e5bf5331dc7e7537ea49183f6/Ltl1.jpg" data-mid="212789422" border="0"  src="https://freight.cargo.site/w/1000/i/8aa13b976252a3966034bea85449adb44334420e5bf5331dc7e7537ea49183f6/Ltl1.jpg" /&#62;
Listening to Land is a group exhibition exploring practices of listening in relation to place and the place-making potential of creative acts of listening, wherein to land is a verb, and listening provides a point of ingress. Artists in the exhibition use storytelling, jam-making, woodworking, basketry, mapping, lenses, microphones, speakers, and other technologies to heighten our ability to relate to our surroundings and other beings, and to extend our capacity to perceive beyond what is visible or knowable in the landscape...

Learn more here
	Programs
&#60;img width="1920" height="1535" width_o="1920" height_o="1535" data-src="https://freight.cargo.site/t/original/i/2b4b42733f2376c51f8cd2706c9466155bad29a4631f7c3f0214c1212cf4c21d/Listening-to-Land---Workshop---Katie-Grove---15.jpg" data-mid="212742823" border="0"  src="https://freight.cargo.site/w/1000/i/2b4b42733f2376c51f8cd2706c9466155bad29a4631f7c3f0214c1212cf4c21d/Listening-to-Land---Workshop---Katie-Grove---15.jpg" /&#62;
Free public programming for Listening to Land includes four artist-led participatory programs, gallery talks, and a curated reading list...

Learn more here



Explore our exhibitions prior to Summer 2023 with this link.</description>
		
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	<item>
		<title>Events</title>
				
		<link>https://annstreetgallery.org/Events</link>

		<pubDate>Thu, 20 Jun 2024 09:47:13 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/Events</guid>

		<description>
	Spring 2026 programming at Ann Street GalleryThe following events are part of Ann Street Gallery's 2026 spring exhibition (your body is a porous language (our) embodied connectionsCurated by Edwin TorresApril 11 - May 31, 2026Programming is free &#38;amp; Open to the Public


	

	(your) body is a porous language(our) embodied connectionsOpening ReceptionSaturday, April 11, 4:00 - 6:00 pm

	
(your) body is a poetry reading
	
Sunday, April 26, 3:00 - 5:00 pmfeaturing:Carolina Abreu / 
body as complexity of belonging
Brenda Coultas / 
history as interrogated imaginationK.J. Holmes / 
movement as porous stabilitySean G. Meehan / 
vibration as continuous bodyEdwin Torres / 
language as construct of porosity
Join exhibition curator Edwin Torres, with two poets, a movement artist and a snare drummer as they explore the relational territory and social engagements opened by the forms and languages inhabiting the gallery. Torres invites the audience to experience an embodied dialogue between language, listening, and the artworks on display. The event opens cross-disciplinary conversation unfolding in evolving, responsive rhythms and seeks creation and participation through a connective pulsing within the gallery's walls.&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/23fd4863bfa24e3a7fd5c697ec2d52f33b917d8c66a83e21be01ec44dc947dd1/DRAFT-v1---reading.jpg" data-mid="247443519" border="0"  src="https://freight.cargo.site/w/1000/i/23fd4863bfa24e3a7fd5c697ec2d52f33b917d8c66a83e21be01ec44dc947dd1/DRAFT-v1---reading.jpg" /&#62;


	

	Gallery Walkthrough and Q&#38;amp;A with curator Edwin TorresSaturday May 2, 2:00 - 3:00 pmJoin us at Ann Street Gallery for an informal gallery walkthrough and Q&#38;amp;A with Edwin Torres, the curator of our spring exhibition, (your) body is a porous language: (our) embodied connections. Torres will introduce his Curated Reading List for our Open Reading Room program, discuss how his aesthetics as a poet and performer informed his selection of artworks, reflect on the development of a curatorial process, and take a closer look at the inspiration and aspirations underpinning the exhibition.
	

(your) body is a workshop

	Saturday, May 16, 10:00AM-1:00PMJeanine Durning
RSVP required to
 annstreetgallery@safe-harbors.orgDetails coming soon.


	
(your) body is an art talkSaturday, May 23, 3:00 - 5:00 pm  Mónica de la Torre and Renee Gladman Moderated by Edwin Torres
Details coming soon.


	


	Fall of Freedom

Nationwide, November 21-22 Ann Street Gallery Open Saturday November 22 and Sunday November 23 1:00-5:00pm
Sunday, November 23, 2:30pmPuppet Performance for Sport of for Beauty by William PK Carter&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Details below﻿
Ann Street&#38;nbsp;Gallery&#38;nbsp;is proud to present the closing weekend of&#38;nbsp;Untethered Creatures&#38;nbsp;as part of Fall of Freedom, a nationwide movement of artists and cultural organizations united against authoritarianism and efforts to limit free expression.

﻿To learn more, visit: falloffreedom.comAs part of Fall of Freedom, Ann Street Gallery is proud to present a closign performance of:

for Sport or for Beauty

Sunday, November 23, 2:30pmPuppet Performance by William PK CarterAnn Street Gallery, 104 Ann Street Free &#38;amp; Open to the PublicPlease join us on Sunday, November 23 at 2:30pm for a final performance of For Sport or For Beauty to close out the 2025 Emerging Artist Fellowship exhibition, Untethered Creatures: bodies of emergent lore &#38;nbsp;
 For Sport or For Beauty is a puppet performance by William PK Carter, one of three Emerging Artist Fellows with Ann Street Gallery in 2025. For Sport or For Beauty illustrates the relationship between people with marginalized identities and the anxiety-informed “prey mentality.” This performance follows a youthful deer as it learns that there are people in this world who are out to get it. Adopting a lifestyle of fleeing in response to that truth, the deer realises that their self defense mechanism actually enforces the threats of fear and acts on behalf of an unseen oppressor. The deer is struck by a car, killing the fearful body but not the newly-liberated spirit. This introspection sparks a revelation and metamorphosis into a creature much for fantastical and free.
Performed by William PK Carter ft. puppeteer Emily Batsford, this piece is an excerpt of a longer performative work in development.


	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/d5651615db53e5d23b753803ccdc038da13ef1c6ad1e9cadcdfb96e02f7efc8d/Socials-Template-2A.jpg" data-mid="240942147" border="0"  src="https://freight.cargo.site/w/1000/i/d5651615db53e5d23b753803ccdc038da13ef1c6ad1e9cadcdfb96e02f7efc8d/Socials-Template-2A.jpg" /&#62;
&#60;img width="2048" height="2459" width_o="2048" height_o="2459" data-src="https://freight.cargo.site/t/original/i/d2f20869ab93e8522f2ba9a59521bf24614cc08f0f27570b219c6506c75b1b40/For-Sport-or-For-Beauty---Performance-Flyer---November.PNG.PNG" data-mid="240222595" border="0"  src="https://freight.cargo.site/w/1000/i/d2f20869ab93e8522f2ba9a59521bf24614cc08f0f27570b219c6506c75b1b40/For-Sport-or-For-Beauty---Performance-Flyer---November.PNG.PNG" /&#62;


&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/77210f650eff334426df42062213b3d647b642ac002fd5544cc503e47e527ad8/Untethered-Creatures---Closing-Reception---01-AM.jpg" data-mid="241814692" border="0"  src="https://freight.cargo.site/w/1000/i/77210f650eff334426df42062213b3d647b642ac002fd5544cc503e47e527ad8/Untethered-Creatures---Closing-Reception---01-AM.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f85a27e3ae970ed30e91a972185fdb89a594f8b304d5ca89622a3f6d32bb22f4/Untethered-Creatures---Closing-Reception---10-AM.jpg" data-mid="241814702" border="0"  src="https://freight.cargo.site/w/1000/i/f85a27e3ae970ed30e91a972185fdb89a594f8b304d5ca89622a3f6d32bb22f4/Untethered-Creatures---Closing-Reception---10-AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ecb7ab50284d23aae56a7b41e175b4f95d8567e7b80603691a8b9e738f923555/Untethered-Creatures---Closing-Reception---11-AM.jpg" data-mid="241814703" border="0"  src="https://freight.cargo.site/w/1000/i/ecb7ab50284d23aae56a7b41e175b4f95d8567e7b80603691a8b9e738f923555/Untethered-Creatures---Closing-Reception---11-AM.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c0d60defe8e4a05876d127465562ae419213aae7b5db1280fd99ca8e28a7371a/Untethered-Creatures---Closing-Reception---05-AM.jpg" data-mid="241814697" border="0"  src="https://freight.cargo.site/w/1000/i/c0d60defe8e4a05876d127465562ae419213aae7b5db1280fd99ca8e28a7371a/Untethered-Creatures---Closing-Reception---05-AM.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4ad2713579f82b8c5ce93d4cc244b32eab4e9b68309d4ba6efa61bcc5d89ad26/Untethered-Creatures---Closing-Reception---13-AM.jpg" data-mid="241814705" border="0"  src="https://freight.cargo.site/w/1000/i/4ad2713579f82b8c5ce93d4cc244b32eab4e9b68309d4ba6efa61bcc5d89ad26/Untethered-Creatures---Closing-Reception---13-AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d5e24b94ed3b7505e41b3389fc5612468d1e25afccba79faf99b8c21add927a3/Untethered-Creatures---Closing-Reception---07-AM.jpg" data-mid="241814699" border="0"  src="https://freight.cargo.site/w/1000/i/d5e24b94ed3b7505e41b3389fc5612468d1e25afccba79faf99b8c21add927a3/Untethered-Creatures---Closing-Reception---07-AM.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/bb3e03d608fd58cdfde8b5db0e134cb186582ddd24dc4777108365f240fdf8ca/Untethered-Creatures---Closing-Reception---09-AM.jpg" data-mid="241814701" border="0"  src="https://freight.cargo.site/w/1000/i/bb3e03d608fd58cdfde8b5db0e134cb186582ddd24dc4777108365f240fdf8ca/Untethered-Creatures---Closing-Reception---09-AM.jpg" /&#62;




	Ann Street Gallery
Emerging Artist Fellowship Gallery Talks
Saturday, October 18, 2:00pmPlease join us next in the gallery for artist talks with our 2025 Emerging Artist Fellows: William PK Carter, Ana Maria Farina, and Bridget Vasquez. With individual creative practices ranging from painting, sculpture, textiles, puppetry, and multidisciplinary works, each of the artists will introduce their art practice, discuss the development of their fellowship project, and guide us through their works exhibited in Untethered Creatures. The artists will also share their Curated Reading List, a short list of printed materials that inform or inspire their work, as part of our Open Reading Room program.Learn more about the Fellows here and the Fellowship program here.Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the Public
	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/f8005b36e49e26d467dee2caa8f331143ed55b0b0006fcc0f8d961f41ec96005/Untethered-Creatures---Gallery-Talks---Flyer.jpg" data-mid="240222598" border="0"  src="https://freight.cargo.site/w/1000/i/f8005b36e49e26d467dee2caa8f331143ed55b0b0006fcc0f8d961f41ec96005/Untethered-Creatures---Gallery-Talks---Flyer.jpg" /&#62;



	Newburgh Open Studios &#38;amp;
Puppet Performance
  Extended hours, with the artistsSaturday, September 27, 12:00-6:00pmPerformance by William PK Carter 3:30pmSunday, September 28, 12:00-6:00pmPerformance by William PK Carter 1:30pm&#38;nbsp;
 Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the PublicWe are thrilled to celebrate the opening of Untethered Creatures: bodies of emergent lore on Saturday, September 27. The day will include a moving performance of an excerpt of For Sport or For Beauty by William PK Carter and collaborator Emily Batsford, followed by a reception for our 2025 Fellows and community.

We are always proud to be part of Newburgh Open Studios. Thank you to all who will attend!




	&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/95729eecb406fbfd74458c777bc02532c9a16f06f447a8c0150c3e42b710100d/Newburgh-Open-Studios---2025.jpg" data-mid="240222597" border="0"  src="https://freight.cargo.site/w/700/i/95729eecb406fbfd74458c777bc02532c9a16f06f447a8c0150c3e42b710100d/Newburgh-Open-Studios---2025.jpg" /&#62;
&#60;img width="2048" height="2459" width_o="2048" height_o="2459" data-src="https://freight.cargo.site/t/original/i/bc3dcbc538fbf894fbcad0f95284dd72ab6227beb94fe24090e136b43591dfd2/For-Sport-or-For-Beauty---Performance-Flyer---Semptember.PNG" data-mid="240222596" border="0"  src="https://freight.cargo.site/w/1000/i/bc3dcbc538fbf894fbcad0f95284dd72ab6227beb94fe24090e136b43591dfd2/For-Sport-or-For-Beauty---Performance-Flyer---Semptember.PNG" /&#62;




	Artist Panel: 
Mollie McKinley, Linda Stillman, &#38;amp; Amy Talluto Round Robin Q&#38;amp;A between exhibiting artists in etheReality, from breath to air, and back, with curator, Alison McNulty 
  
Saturday, August 30, 2025 
2:00 - 3:30pm 
 
Ann Street Gallery, 104 Ann Street 
Free &#38;amp; Open to the Public 
 
Please join us in the gallery for a round robin Q&#38;amp;A between exhibiting artists Mollie McKinley, Linda Stillman, and Amy Talluto, with curator Alison McNulty. The artists and curator will take turns instigating a fast-moving conversation through a series of prepared questions and spontaneous answers followed by an open dialog with the audience.  

Both intentional and playful, this panel offers an unusual format with diverse access points to the artists and curator, aiming to draw out the themes, resonances, and motivations underlying the exhibition and the works that comprise it through the participants’ engagement with each other’s work. 
	&#60;img width="2100" height="1630" width_o="2100" height_o="1630" data-src="https://freight.cargo.site/t/original/i/913273b4d8033687cc1a660d3c168c7543d8913a3e060871be731bc196c231da/etheReality---Programming---Mollie--Linda--Amy-Panel.png" data-mid="237411146" border="0"  src="https://freight.cargo.site/w/1000/i/913273b4d8033687cc1a660d3c168c7543d8913a3e060871be731bc196c231da/etheReality---Programming---Mollie--Linda--Amy-Panel.png" /&#62;
Mollie McKinley, Linda Stillman, &#38;amp; Amy Talluto
Mollie McKinley is an interdisciplinary artist whose practice works with non-human intelligences of the elements. She works with media such as photography, light, glass, and sculpture to materialize the ethereal and visceral aspects of nature consciousness. McKinley’s work has been shown at The Contemporary Jewish Museum San Francisco, NADA Foreland, Turley Gallery, Fridman Gallery, Pioneer Works, UrbanGlass, Independent Curators International, The Samuel Dorsky Museum at SUNY New Paltz, The Museum of Arts and Design, Anthology Film Archives, and many others. McKinley holds a BA in photography from Bard College, and an MFA in sculpture/dimensional studies from Alfred University. Her critical writing on art and arts education can be found in Museum Teen Programs How-To Kit, published by the Walker Art Center in collaboration with the Dia Art Foundation (2023); Emergency Index Vol. 10+ (2023) and in Peer Review Vol. 3 (2025). McKinley is based in the Hudson Valley of New York, and works as a photographer and educator at the Dia Art Foundation.molliemckinley.com@mollie_mckinley
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&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/3ed015684592cfd49c9fc652c025deb417f06fb9939d48c6a503c4c28e6bef7f/etheReality---Individual-Artworks---Mollie-McKinley---04.jpg" data-mid="237411155" border="0"  src="https://freight.cargo.site/w/1000/i/3ed015684592cfd49c9fc652c025deb417f06fb9939d48c6a503c4c28e6bef7f/etheReality---Individual-Artworks---Mollie-McKinley---04.jpg" /&#62;
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Enter Through Smoke by Mollie McKinley 
Linda Stillman is a Hudson Valley based artist who works in various media including drawing, painting, photography and collage. She focuses on the natural world and the passage of time.Stillman’s work has been featured in many exhibitions in galleries and museums around the country and abroad including the Brooklyn Museum, the Dorsky Museum, the Arts Club of Chicago, and the Visual Arts Center of New Jersey.She has been awarded fellowships and residencies at the Virginia Center for Creative Arts, the New York Foundation for the Arts MARK program, the Wave Hill Winter Workspace and The Studios at Mass MoCA.Her art is in many private and public collections such as the Dorsky Museum, Montefiore Hospital and Memorial Sloan Kettering Cancer Center.Stillman graduated from the University of Pennsylvania (BA), the School of Visual Arts and Vermont College of Fine Arts (MFA).lindastillman.com@linda_stillman

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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2d060ac84b0fba3eac7c1fe97a88c87482f8c7e31e10748cfed5f4b36cb1cc5e/etheReality---Individual-Artworks---Linda-Stillman---03.jpg" data-mid="237411153" border="0"  src="https://freight.cargo.site/w/1000/i/2d060ac84b0fba3eac7c1fe97a88c87482f8c7e31e10748cfed5f4b36cb1cc5e/etheReality---Individual-Artworks---Linda-Stillman---03.jpg" /&#62;
Daily Skies 2011 by Linda Stillman 
Amy Talluto is a painter and sculptor who lives and works in Hurley NY. She was born in New Orleans, LA and earned her BFA from Washington University in St. Louis and her MFA from the School of Visual Arts in New York. In 2018 she was awarded a NYFA/NYSCA Artist Fellowship in Painting and was an Artforum Critics Pick for her solo exhibition at Black &#38;amp; White Gallery (Brooklyn). She has recently shown her work at Auxier Kline Gallery, Jeff Bailey Gallery, The Garrison Art Center, the Samuel Dorsky Museum, Geoffrey Young Gallery, The Albany Airport and Wave Hill Gardens. She has been an Artist in Residence at MacDowell (NH), the Saltonstall Foundation (NY), Ucross Foundation (WY), Provincetown Dune Shacks &#38;amp; the Byrdcliffe Colony (NY). She participated in Norte Maar’s 2025 Counterpointe 12 collaborative ballet as a visual artist (Brooklyn). She is also the host and producer of the Pep Talks for Artists Podcast.amytalluto.com@talluts

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Multi-head (Spill Vase) by Amy Talluto


	Be the Poem: Living Beyond Our FearsPoet Gold Live performance and Book Signing
  
Sunday, August 31, 2025 4:00 - 7:00pm 
 Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the Public 
 We are proud to be hosting an evening that celebrates creativity in every form with Poet Gold and an exciting roster of local performers. Join us for this live performance stop on Poet Gold's book signing tour.
Poet Gold: Artist, Poet, Author&#38;nbsp;
Appointed the 2017 and 2018 NYS Dutchess County Poet Laureate, Poet Gold is the recipient of numerous awards which include the 2016 Dutchess County Executive’s Artivist Award and the Dutchess County Athena Award honoree. With countless recitations, she has opened for Grammy-nominated artists and has spoken at renowned organizations such as Omega Institute and Self Employment in the Arts.&#38;nbsp;

@_poetgold_https://www.poetgold.com/
Gwen Laster: Violinist, Composer, Teaching Artist&#38;nbsp;
https://www.gwenlaster.net/
@lastergwen
Damon Banks: World-Jazz Bassist/Composer https://damonbanks.net/@deeceebanks
Ralph M’Vore: Dancer, Singer, Choreographer@ralphmvore@mvore.ent.artsAngel Michael Lau: Percussionist
@alauperc
Jaydee Great: Hip Hop Artist, Poet
@jaydeegreat
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&#60;img width="1849" height="2560" width_o="1849" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5fc74b076e44a5716e23073e39369eda1b5f8cb3a93fe37d01115ba9c437f3ad/etheReality---Programming---Poet-Gold---37.jpg" data-mid="237964538" border="0"  src="https://freight.cargo.site/w/1000/i/5fc74b076e44a5716e23073e39369eda1b5f8cb3a93fe37d01115ba9c437f3ad/etheReality---Programming---Poet-Gold---37.jpg" /&#62;



	Artist Dialogs: 
Ghost of a Dream &#38;amp; Jason MitchamArtist presentations and conversation with exhibiting artists in etheReality, from breath to air, and back&#38;nbsp;
Saturday,
August 23, 20252:00 - 3:30pm
Ann Street Gallery, 104 Ann Street Free &#38;amp; Open to the Public
Please join us in the gallery for talks with exhibiting artists Ghost of a Dream and Jason Mitcham as they offer a deeper look into their creative practices and the ways their works relate to the themes and questions guiding the exhibition,&#38;nbsp;ethereality, from breath to air, and back. 
Presentations will be
followed by a conversation with curator and gallery director,
Alison McNulty, including a Q&#38;amp;A with the audience. 







	&#60;img width="2400" height="1313" width_o="2400" height_o="1313" data-src="https://freight.cargo.site/t/original/i/fc7828ea6ddba428d420d3f826d57fdcb41e81b00a34d194bacfedd434c64c9f/Ghost-of-a-Dream---Headshot.jpg" data-mid="237107286" border="0"  src="https://freight.cargo.site/w/1000/i/fc7828ea6ddba428d420d3f826d57fdcb41e81b00a34d194bacfedd434c64c9f/Ghost-of-a-Dream---Headshot.jpg" /&#62;Ghost of a Dream is the collaborative project of Lauren Was and Adam Eckstrom founded in 2008. Ghost of a Dream's work has been shown in solo exhibitions at the Museum of Contemporary Art Arlington, MassArt Art Museum, Ackland Art Museum, Hunterdon Art Museum, and at the Colorado Springs Fine Art Center and in group exhibitions at Crystal Bridges Museum, Courtauld Museum, Minneapolis Institute of Art, Frist Center for Visual Arts, The Mint Museum, Museum of Craft and Design, and The Textile Museum of Canada among other venues.Ghost of a Dream has received support from the Pollock-Krasner Foundation, New York Foundation for the Arts, Joan Mitchell Foundation, Artist Resource Trust, Jerome Foundation. They received the first annual Young Masters Art Prize in London and have participated in artist residencies in Berlin, Basel, Beijing, France, and at venues throughout the US including Bemis Center, ISCP, Smack Mellon, Wassaic Project, the Joan Mitchell Foundation AIR in New Orleans, and Elsewhere Museum. They will attend the Rauschenberg Foundation AIR in 2024. Ghost of a Dream’s work has been featured in publications including The New York Times, Vogue Magazine, Hyperallergic, BlouinArtinfo, ArtFCity, W Magazine, Interview Magazine, and World of Interiors.ghostofadream.com@ghostofadreamart


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/446d31d05a5b8f605c20479f4afa5df66e65746aea5aea796d5b6c6dd49e8907/etheReality---Individual-Artwork---Ghost-of-a-Dream---01.jpg" data-mid="237107291" border="0"  src="https://freight.cargo.site/w/1000/i/446d31d05a5b8f605c20479f4afa5df66e65746aea5aea796d5b6c6dd49e8907/etheReality---Individual-Artwork---Ghost-of-a-Dream---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2d87f356aed28809b72ea65c710647a1296dd75f89e42c2a3c4876f9301a81da/etheReality---Individual-Artwork---Ghost-of-a-Dream---02.jpg" data-mid="237107290" border="0"  src="https://freight.cargo.site/w/1000/i/2d87f356aed28809b72ea65c710647a1296dd75f89e42c2a3c4876f9301a81da/etheReality---Individual-Artwork---Ghost-of-a-Dream---02.jpg" /&#62;

aligned by the sun (a total
revolution)

	&#60;img width="2400" height="1313" width_o="2400" height_o="1313" data-src="https://freight.cargo.site/t/original/i/b284430cb9f1d3d993f915a186f64f148ef784b9e7a77b583cac8bffb66c1adb/Jason-Mitcham---Headshot.jpg" data-mid="237107285" border="0"  src="https://freight.cargo.site/w/1000/i/b284430cb9f1d3d993f915a186f64f148ef784b9e7a77b583cac8bffb66c1adb/Jason-Mitcham---Headshot.jpg" /&#62;Jason Mitcham is a visual artist whose work spans painting, drawing and stop motion animation. He has held solo museum exhibitions at the North Carolina Museum of Art and the Flint Institute of Arts. His work is included in numerous private collections, and in the public collections of the North Carolina Museum of Art, the Mint Museum, the Weatherspoon Art Museum, and the University of Florida School of Forest Resources and Conservation. He has received grants from the New York Foundation for the Arts, the Elizabeth Greenshields Foundation, the Foundation for Contemporary Art, was a finalist for the 1858 Prize at the Gibbs Museum, and has been a resident at Yaddo. He received a BFA from East Carolina University and an MFA from the University of Florida.jasonmitcham.com@jason_mitcham

&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/d96e826b33b63de0082e333ec9f467cc97da30115ed17ff8a95e2408034a1cb0/etheReality---Individual-Artwork---Jason-Mitcham---04.jpg" data-mid="237107289" border="0"  src="https://freight.cargo.site/w/1000/i/d96e826b33b63de0082e333ec9f467cc97da30115ed17ff8a95e2408034a1cb0/etheReality---Individual-Artwork---Jason-Mitcham---04.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/b78359dfa245657dd3fb1c9658566a91a3bbd16c8e9cfc0ab36ddbdc5b9bd6ab/etheReality---Individual-Artwork---Jason-Mitcham---05.jpg" data-mid="237107288" border="0"  src="https://freight.cargo.site/w/1000/i/b78359dfa245657dd3fb1c9658566a91a3bbd16c8e9cfc0ab36ddbdc5b9bd6ab/etheReality---Individual-Artwork---Jason-Mitcham---05.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/5c5b4a67cf5816d0e2990244a32a7f73edaa0c8a890341f8d1d985274ebb1797/etheReality---Individual-Artwork---Jason-Mitcham---07.jpg" data-mid="237107287" border="0"  src="https://freight.cargo.site/w/1000/i/5c5b4a67cf5816d0e2990244a32a7f73edaa0c8a890341f8d1d985274ebb1797/etheReality---Individual-Artwork---Jason-Mitcham---07.jpg" /&#62;

Head Full of Doubt/
Road Full of Promise





	One only Earth, One only Sky
a multisensory workshop with clay, breath, and touch
with exhibiting artist, Bel Falleiros 








Saturday,
August 16, 20252:00 - 3:30pmAnn Street Gallery, 104 Ann Street&#38;nbsp;
Free &#38;amp; Open to the PublicRSVP required to&#38;nbsp;annstreetgallery@safe-harbors.org
Limited Space Available






In a hands-on workshop we will use a multisensory clay exercise to investigate how to open space inside ourselves so we can relate better to what is around us.  Can clay, silence, breath and darkness teach us about listening?  In a safe environment we will experiment with different forms of experiencing art, artmaking, and ways of sharing knowledge in an embodied way, guided by our touch, scent, and inner self.  

Guided by the Guarani word “Edjapyxaka” (shared by the Guarani Mbya educator and filmmaker Carlos Papa), the workshop and artworks presented by Bel Falleiros relate to the necessary gesture of going to the darkness and to silence (or getting off the light or the noise) as a technology to better listen and to better understand our inner self and what is around us.  Like the exhibition, etheReality, this is a reminder that the breath, the air or the cosmos are constant presences and signal our interconnectedness: a crucial understanding for our moment of social and environmental collapse.In ungrounded and restless times like ours, art and embodied knowledge can be powerful and simple tools for changing our fast and destructive way of doing things.&#38;nbsp; This is a workshop about remembering that we already have what is needed to walk gentler on the earth and to remember our interconnectedness. We just have to make space for these things, like the space we will open in the clay during the workshop, or the space we open in our lungs in every (deep) breath, or the restorative dream space we get with a full night of rest.&#38;nbsp; The workshop is an invitation for all of us to be part of a necessary regenerative force and care for our inner self, each other, and the earth.
 
We are thrilled to partner with The Newburgh Pottery for clay and a special firing of the vessels made in this workshop.
&#60;img width="667" height="297" width_o="667" height_o="297" data-src="https://freight.cargo.site/t/original/i/da2b19346ba0982d614e6105da3c215774ebb5420e88fd1f2cc83bc7801414ee/Screenshot-2025-08-26-at-8.20.32PM.png" data-mid="237521214" border="0"  src="https://freight.cargo.site/w/667/i/da2b19346ba0982d614e6105da3c215774ebb5420e88fd1f2cc83bc7801414ee/Screenshot-2025-08-26-at-8.20.32PM.png" /&#62;

	&#60;img width="2560" height="1936" width_o="2560" height_o="1936" data-src="https://freight.cargo.site/t/original/i/c21ac01d902f2cdddc53df432a7fe64e177f4be1c1a2af1476b44f3d2d76581f/etheReality---Programming---Bel-Falleiros---01.jpg" data-mid="236775312" border="0"  src="https://freight.cargo.site/w/1000/i/c21ac01d902f2cdddc53df432a7fe64e177f4be1c1a2af1476b44f3d2d76581f/etheReality---Programming---Bel-Falleiros---01.jpg" /&#62;Bel Falleiros&#38;nbsp;is a Brazilian artist whose practice focuses on place and belonging. She creates immersive welcoming spaces to be in community with nature, with our inner being and the beings around us. She is a fellow artist of Sacatar Institute (2014), Pecos National Park (2016), Burnside Farm, Detroit (2017), Santa Fe Art Institute (2018/2025), Socrates Sculpture Park (2020), More Art (2021) and Wave Hill (2023).  She was a Dia:Beacon artist-in-residence for their Teens Program (2021-2) and had a commissioned piece for the 37o Panorama of Brazilian Art at MAM-SP (2022). Her recent solo show at KinoSaito (2024) presented a retrospective of works made in the past 7 years. She will be one of the Recess Art Session program artists in the Spring of 2026. In addition to her studio practice, she participates in collaborative projects across the Americas connecting art, community, education and autonomous thinking.belfalleiros.com.br@bel.falleiros



&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6b431d0cbc8f44f60aed42ec6df9284cd0ef3ea79ab9036892098431df680d9c/etheReality---Programming---Bel-Falleiros---02.jpg" data-mid="236775313" border="0"  src="https://freight.cargo.site/w/1000/i/6b431d0cbc8f44f60aed42ec6df9284cd0ef3ea79ab9036892098431df680d9c/etheReality---Programming---Bel-Falleiros---02.jpg" /&#62;
&#60;img width="2560" height="1709" width_o="2560" height_o="1709" data-src="https://freight.cargo.site/t/original/i/4c1334282511a301a87446a8c03c947536af58d180cd37708630699b829ecbac/etheReality---Programming---Bel-Falleiros---03.jpg" data-mid="236775314" border="0"  src="https://freight.cargo.site/w/1000/i/4c1334282511a301a87446a8c03c947536af58d180cd37708630699b829ecbac/etheReality---Programming---Bel-Falleiros---03.jpg" /&#62;
&#60;img width="2560" height="2097" width_o="2560" height_o="2097" data-src="https://freight.cargo.site/t/original/i/c50a9eade97b51f13fb7a105305ad4642306a1f047bb28bb8f11f4396ad27026/etheReality---Programming---Bel-Falleiros---04.jpg" data-mid="236775315" border="0"  src="https://freight.cargo.site/w/1000/i/c50a9eade97b51f13fb7a105305ad4642306a1f047bb28bb8f11f4396ad27026/etheReality---Programming---Bel-Falleiros---04.jpg" /&#62;
Previous workshops at Dia:Beacon, the Tang,
and&#38;nbsp;Socrates Sculpture Park
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/061ab71bcb73e2716784693fac764df36b62c52bf7eb668b2269804c7965af24/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" data-mid="236775326" border="0"  src="https://freight.cargo.site/w/1000/i/061ab71bcb73e2716784693fac764df36b62c52bf7eb668b2269804c7965af24/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/617ad65cfd7dfec3e743d885897b37c5c3bc8a918722aeac9ec8745734a1aa72/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" data-mid="236775328" border="0"  src="https://freight.cargo.site/w/1000/i/617ad65cfd7dfec3e743d885897b37c5c3bc8a918722aeac9ec8745734a1aa72/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" /&#62;
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&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c350ad896bf0ae65d447359e26a16d99f4da959177622cb1593869ee6c18add7/etheReality---Individual-Artworks---Bel-Falleiros---09.jpg" data-mid="236775329" border="0"  src="https://freight.cargo.site/w/1000/i/c350ad896bf0ae65d447359e26a16d99f4da959177622cb1593869ee6c18add7/etheReality---Individual-Artworks---Bel-Falleiros---09.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/477b2f44250a6c3a4d2eb9b6a7f5d76afb376e9c4010d9071eb91d8f43e69f1b/etheReality---Programming---Bel-Falleiros---05.jpg" data-mid="236775316" border="0"  src="https://freight.cargo.site/w/1000/i/477b2f44250a6c3a4d2eb9b6a7f5d76afb376e9c4010d9071eb91d8f43e69f1b/etheReality---Programming---Bel-Falleiros---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/f0f2550762222fdca4e4b34031dd6aa611d05c9f6e79c9e0135a3c776b0e8ff6/etheReality---Programming---Bel-Falleiros---06.jpg" data-mid="236775317" border="0"  src="https://freight.cargo.site/w/1000/i/f0f2550762222fdca4e4b34031dd6aa611d05c9f6e79c9e0135a3c776b0e8ff6/etheReality---Programming---Bel-Falleiros---06.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/36b82ae7f3e15a685d9a66c12d8c603565fc6c5f2cab10046303808b2a759041/etheReality---Programming---Bel-Falleiros---07.jpg" data-mid="236775318" border="0"  src="https://freight.cargo.site/w/1000/i/36b82ae7f3e15a685d9a66c12d8c603565fc6c5f2cab10046303808b2a759041/etheReality---Programming---Bel-Falleiros---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3a0bc95054362d2d94f2934e375ae476cff635a3cab17ec3b819ffcd32369942/etheReality---Programming---Bel-Falleiros---08.jpg" data-mid="236775319" border="0"  src="https://freight.cargo.site/w/1000/i/3a0bc95054362d2d94f2934e375ae476cff635a3cab17ec3b819ffcd32369942/etheReality---Programming---Bel-Falleiros---08.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/044d3168ee4abdbb2457af482283de4c03bc806b724d5d005f7abbd534cab622/etheReality---Programming---Bel-Falleiros---09.jpg" data-mid="236775320" border="0"  src="https://freight.cargo.site/w/1000/i/044d3168ee4abdbb2457af482283de4c03bc806b724d5d005f7abbd534cab622/etheReality---Programming---Bel-Falleiros---09.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c9d9554e9622bb1c013b0c3aa2b52772f1623d046925c009eb2dc79c43eea8fa/etheReality---Programming---Bel-Falleiros---10.jpg" data-mid="236775321" border="0"  src="https://freight.cargo.site/w/1000/i/c9d9554e9622bb1c013b0c3aa2b52772f1623d046925c009eb2dc79c43eea8fa/etheReality---Programming---Bel-Falleiros---10.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/bf07e868c9d577a6e0cd388c4211d929362275973d63f6b057acac9ccd27d913/etheReality---Programming---Bel-Falleiros---11.jpg" data-mid="236775322" border="0"  src="https://freight.cargo.site/w/1000/i/bf07e868c9d577a6e0cd388c4211d929362275973d63f6b057acac9ccd27d913/etheReality---Programming---Bel-Falleiros---11.jpg" /&#62;

Night Sky, Woven Night,
and Eye of the Earth, Eye of the Sky




	


















Indigo Rising
Performance, Talk &#38;amp;
Workshop
A closing celebration of The Destiny exhibition at Ann Street Gallery






 
Saturday,
May 10, 2025
4:00-5:30pmFree &#38;amp; Open to the Public

Rhythm of Water
Productions presents:
PsiFire Flo Arts Dance
Collective &#38;amp; Baba Kazi







The public is
invited to a free, celebratory performance of Afrofuturist-inspired dance and
drumming in tandem with our spring exhibition, The Destiny, curated by Jaime
Ransome. 



Indigo
Rising is a transformative performance by Psi Fire Flow, a Hudson Valley–based
Black flow arts dance collective, whose mission is rooted in spreading joy,
love, and inspiration, while cultivating safe, empowering spaces for Black,
Brown, and Indigenous communities. Their work celebrates the resilient,
regal, and radiant essence of Black culture, brought to life through the dazzle
and dynamism of flow dance. 



Flow
arts—a form of movement using props for self-expression with roots in festival
culture—has been reimagined by Psi Fire Flow as they merge hip-hop, Afrocentric
rhythms, and contemporary dance. With glowing wands, fluttering fans,
and rhythms echoing from our ancestors, this unique event invites you to
witness and experience power, beauty, and purpose in motion. Indigo Rising is
not just a show—it’s a movement!



The event will
include several flow arts dance performances alongside an original DJ mix and
live African drumming, a conversation between Ransome and Rhythm of Water
Productions co-founder, Nick Jackson, and a participatory workshop including
movement, prop work and drumming, giving attendees an opportunity to move
together in community and feel the power of dance and drumming in their own
bodies as a practice of freedom, joy, and empowerment. 



Indigo Rising is a story about love as a tool for
transformation. In a world overwhelmed by negativity, love becomes our
resistance—not by tearing down what exists, but by nurturing and uplifting one
another. Indigo Rising is a call to action: to rise, to create, and to unite.
The term Indigo—in metaphysical traditions—refers to those with hidden,
world-changing abilities. Indigo Children are believed to be a generation born
to bring profound change. This performance is both an invocation and a message:
it is time for the Indigo generation to rise and build community. 

Rhythm of Water Productions
Nick Jackson
Kaela Miller

PsiFire

NicoWav (Nick Jackson)
Zee Liberation (Zanyell Garmon)

Timbre La (Amber Brashears)

The Provider (Glenda)

KaeLaNiCole (Kaela Miller)

Accompaniment

Nate Jackson (Producer/DJ)

Baba Kazi Oliver (African Drummer Extraordinaire/Educator)


	
&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/7fd6c4a7c238444f64f71655a2351b041eeb8c896de9828705a13e73aadd3f98/The-Destiny---Indigo-Rising---Flier-and-Instagram---FInalAM.jpg" data-mid="231832147" border="0"  src="https://freight.cargo.site/w/1000/i/7fd6c4a7c238444f64f71655a2351b041eeb8c896de9828705a13e73aadd3f98/The-Destiny---Indigo-Rising---Flier-and-Instagram---FInalAM.jpg" /&#62;
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Kaela Miller

&#60;img width="1481" height="1920" width_o="1481" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3d7d1bc921cea2293c5ab43452ba5aefe3c5665b9677e91b156ae3d54c19d38b/The-Destiny---Indigo-Rising---Timbre-La.jpg" data-mid="231636217" border="0" alt="Timbre La" data-caption="Timbre La" src="https://freight.cargo.site/w/1000/i/3d7d1bc921cea2293c5ab43452ba5aefe3c5665b9677e91b156ae3d54c19d38b/The-Destiny---Indigo-Rising---Timbre-La.jpg" /&#62;
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About Rhythm of Water Productions:We create one-of-a-kind pieces that are never repeated—maximizing creative freedom and delivering unforgettable experiences. Using dance, music, content creation, and performance, we tell stories of the resilience and brilliance of Black culture.Timbre La is a Renaissance unicorn entrepreneur likely to be found dancing through decadent dimensions and painting between the lines.

The Provider is a top-notch engineer who derives pleasure from the execution of creative visions.
Meet Zee (she/they) @zeeliberation uses hoops and fans primarily but enjoys dabbling in other props. "Flow arts has given me a way to be embodied and free in a way I had not known before. This feeling is something I hope to share with others to either witness or join and feel for themselves."

Kazi has been teaching for 20 years and performing for over 45 years. He is also the musical director of the Kazi Oliver Drummers and Dancers, an ensemble of artists from this continent and the continent of Africa.






	Parable of the Sower Book Club&#38;nbsp;
Saturday, March 29, 6:30-8:30pm 
***MEETING SCHEDULED FOR Saturday, April 12 POSTPONED TO WEDNESDAY APRIL 16 6:30-8:30pm***&#38;nbsp;

 Saturday, April 26, 6:30-8:30pm
The public is invited to join our spring exhibition guest curator, Jaime Ransome, at Ann Street Gallery for our first book club! Attendees will meet to discuss the themes and characters of Octavia Butler's “Parable of the Sower”. Jaime will guide the conversation and explore the concepts that inspired her curation of our current exhibition, The Destiny.
Jaime encourages attendees to bring topics for discussion to book club meetings in order to work through both the challenging and visionary content of the text in community.
The public is invited to attend one or all book club meetings. While reading the text sections indicated below prior to each meeting is encouraged, it is not required to be part of the conversation:
March 29 meeting will address the sections of text covering the years 2024 - 2025 (pp. 1 - 100)
April 12 meeting POSTPONED TO WEDNESDAY APRIL 16 6:30-8:30pm
April 12 meeting will address the sections of text covering the year 2026 (pp. 101 - 150)
April 26 meeting will address the sections of text covering the year 2027 (pp. 151 - 329)
RSVP requested, not required, to jransome.curation@gmail.com
The book club is free and open to the public. All are welcome.
Gallery Hours: Saturdays and Sundays from 1:00-5:00pm through May 10.
The book can be purchased locally at Golden Hour Books.

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	Storytelling through Mixed Media Collage Workshop with Destiny AriannaSaturday, April 5, 20252:00-4:00pmAnn Street Gallery &#38;nbsp;
RSVP required:email Destinyariannastudio@gmail.com with full name and phone numberWorkshop limited to 12 participants.Age 15 and up.

Join us for a free hands-on workshop with exhibiting artist Destiny Arianna to explore storytelling through mixed media collage. Using materials like magazines, newspapers, recycled paper, natural materials, and markers, we’ll reflect on how art can help us reshape our identities, tell our stories, and reclaim our narratives. All materials will be provided.
How can cutting, layering, and rearranging your story reveal a new perspective?In this workshop, we’ll explore themes of:
Place &#38;amp; Identity – How do the places you come from or feel connected to shape who you are?Memory &#38;amp; Perspective – What is a memory tied to a specific place that has shaped you, and how might someone outside of that place see it differently? What overlooked truths or misconceptions can be revealed?Power &#38;amp; Representation – Who controls the narratives about your community or identity, and what voices are missing?
Participants will leave with a mixed media collage that reflects their exploration of identity, memory, and place and a deeper understanding of how collage can be used to express and reshape personal and cultural narratives.
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	From the Ground UPArtist Researcher in Residence 2023-2024Project Archive Launch &#38;amp; Community GatheringFebruary 2, 2025 from 2:00-4:00pmDear Ann Street Gallery Community:

I am pleased to invite you to a special community gathering at Ann Street Gallery on Sunday, February 2 from 2:00-4:00pm to commemorate the launch of the Open Access Digital Archive of From the Ground UP as a record of the project and a&#38;nbsp;resource&#38;nbsp;free and open to the public. After almost a year since the project’s conclusion, we are thrilled to bring back the Gallery's first Artist Researcher in Residence 2023-24 (ARiR) Jean-Marc Superville Sovak for an open forum for reflection, feedback, and forward-looking visions.
The gathering will include an informal walkthrough of the archive navigation and contents, including documentation of the evolving exhibition, our community gatherings, and a detailed demonstration of Superville Sovak’s research. In an introduction to his research in the archive, Superville Sovak writes:
There are three main primary research sources, which have allowed this project to speculate greatly on the lives of those Newburgh residents of African descent who specifically sought relief for the burial of their loved ones who were laid to rest in Newburgh’s “Colored Burial Ground”. To my knowledge, the names of these individuals - a direct result of this collective research - will now be available digitally to the public for the first time.
We view this gathering as an opportunity to introduce resources, as well as to vision, with you, the public, and our collaborators, the uses and future potential of our work and experiences throughout From the Ground UP. To this end, we will hold space during the gathering for public input, updates, collaborator feedback, and open conversation on the project, the archive, and the first iteration of Ann Street Gallery’s Artist Researcher in Residence program.
Superville Sovak will also introduce a prototype for a collective memorial, extending the questions that guided his residency project, and inviting continued participation in his collaborative process. As Superville Sovak says:
I keep returning to the question of what a collective memorial can look like, and I want the public to dream with me.
In the spirit of all From the Ground UP gatherings, we look forward to sharing coffee, tea, snacks, and conversation in community. Additionally, we warmly celebrate a new catalog produced by collaborator, Francois Deschamps. Deschamps assembled copies of the on-site portraits he gave to project collaborators and audience members during five From the Ground UP&#38;nbsp;events, together with a reflection on his experience, into a printed catalog that will be available at the gallery.

This gathering is an opportunity to reconnect, revisit, and engage with the stories and ideas that shape From the Ground UP. Together, we can continue the conversation and honor the on-going work of healing together. As Superville Sovak writes:

Since the beginning of what I imagined was possible with a project like From the Ground UP, I knew that the release of a publicly accessible, institutionally stable, and&#38;nbsp;humanly-designed&#38;nbsp;archive of my research around the potential of naming those “unnamed” and of knowing those “unknown” would be at the root of this project. In a way, it’s possible that everything that occurred during the events at Ann Street Gallery during my residency were in preparation for this moment...

We look forward to seeing you on Saturday, February 2 from 2:00-4:00pm.
Alison McNulty&#38;nbsp;
Ann Street Gallery Director

	
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	Ann Street Gallery Emerging Artist Fellowship Gallery Talks
October 19th 2:00pm

Ann Street Gallery Emerging Artist Fellows Matthew Gilbert, Nicole Hixon, and Zeinab Manesh will introduce their work, fellowship projects, and experience in the fellowship program. Join us in the Gallery at 2pm for informal 15-minute talks, with additional time for questions!
Learn more about the Fellows here and the Fellowship program here.
Two Coats of Paint Second Annual Hudson Valley Gallery Crawl
October 19-20 1:00-5:00 pmInteractive map available here.
More Information here.
Artist talks and Gallery Crawl free and open to the public. No reservations neccessary.
Gallery Hours: Saturdays and Sundays through November 24 from 1:00-5:00 pm


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	Ann Street Gallery presents two performances at the Mahicannituck/Hudson riverfront in conjunction with the exhibition Back and Forth, Between Names: An exhibition about bodies of water!&#38;nbsp;Find individual performance details below!
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	Glacier Elegy Newburgh
August 24 at 2:00pmA participatory performance by Jaanika Peernaat People’s Park, Newburgh riverfront&#38;nbsp; followed by a closing reception at Ann Street GalleryFree and open to the public. No reservations required.What would you do if you were handed the last piece of natural ice left on Earth? This silent question guides Jaanika in her Glacier Elegy Newburgh performance as she invites audience members to ponder the question with her.
Ever since Jaanika Peerna was a little girl dreaming of becoming an Olympic figure skater in the northern European country of Estonia,&#38;nbsp;the material of ice&#38;nbsp;has been close and dear to&#38;nbsp;her:&#38;nbsp;its toughness, transparency, beauty, as well as fragility. As we are witnessing a massive and furious melting speed of glaciers in polar regions these past decades,&#38;nbsp;Jaanika has been looking for ways to face the facts, heal the soul, as well as act as&#38;nbsp;an artist in order to help slow the destruction down. 
Jaanika’s Glacier Elegy Newburgh performance takes place on the shore of the Mahicannituck/Hudson River, which itself flows in a glacier carved bed. Glaciers that covered&#38;nbsp;and moved through&#38;nbsp;what is now known as&#38;nbsp;the Hudson Valley&#38;nbsp;over&#38;nbsp;20,000 years ago carved grooves into the landscape, deepened the river bed,&#38;nbsp;and shaped the landscape. 
For Glacier Elegy Newburgh, we will proceed together from our meeting point (see map and instructions to the right) and ground ourselves at the riverfront. Jaanika’s gestures and movements will invite the audience to collectively imagine connections between the landscape when it was sculpted by ice, the water moving both ways, and the pending absence of ice from the earth.

	

	
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Glacier Elegy Brooklyn by Jaanika Peerna photo credit: Annette Solakoglu


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MEETING POINT, PARKING, RECEPTIONJaanika’s performance will begin at 2:00pm.The audience should navigate to People’s Park, Newburgh. People’s Park is on the South Side of the riverfront boat launch at the end of Washington St. Enter the park at the fence pictured above, and walk toward the meeting point at the edge of the tall grasses, ahead and to the right upon entering the park. Parking is not available in the lot adjacent the park; please navigate to the ferry parking lot as indicated on the map above or walk from the the Gallery. The park is .5 mi walk from the gallery at 104 Ann St. with 100 feet of elevation change.Please join us back at the gallery for a closing reception following Jaanika’s performance!

Jaanika Peerna is an Estonian-born artist living and working in New York since 1998. Her work encompasses drawing, installation, and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. Her art practice stems from the corporeal experience of our existence and reaches towards enhanced awareness of the fragility, interconnectedness and wonder of all life. She has exhibited her work and performed extensively in the entire New York metropolitan area as well as in Europe and Australia. Her work is in numerous private collections in the USA and Europe and is part of the Fonds National d’Art Contemporain, Paris. Her performance Glacier Elegy was acquired by the Glyn Vivian Museum in the UK and her drawing is in the Royal Collection of Sweden. In 2022 a monograph Glacier Elegies was published by Terra Nova Press, distributed by MIT Press. https://www.jaanikapeerna.net/
@jaanika_peerna_studio

	To Cleanse the River

August 18, 5:00pmA procession from Ann Street Gallery to the river and back including a participatory performance and elemental listening event at the waterfront with KoyoltzintliFree and open to the public. No reservations required.
 

 In a soon to be dystopian reality, there will be an instrument that alongside mushrooms and algae will help decompose debris and plastic from the waters. 

This instrument that emits sound frequencies that dissolve waste and bodily ailments (not) oddly enough sounds like a pre-american water whistle. So it happens that the answers to our future environmental and soul-based dilemmas are stored as artifacts in museums, when in fact they are ancient future technologies ready to assist us. conclusion : get those instruments out of the museum; let's hear them play!

Join Koyotzintli as we walk from the gallery to the river holding embracing gathering tuning aligning dissolving through sound.
Koyotzintli started making pre-columbian instruments from a place of grief; making and hearing them taught her about grief, as the environmentalist of the soul. It healed something in her, and since then, making has turned into inquiry: When were these instruments played, what rituals enveloped them, how did their rites of passages, and funerary rites sound? In addition, she explore pathways for indigenous and diasporic communities to reclaim these technologies, challenging colonial narratives through the essential act of listening.
Through crafting these instruments, Koyotztintli stitches together fragmented stories and revives one of the oldest and most obscure sonic heritages--Abya Yala's legacy. She seek guidance from celestial constellations as she shapes flute beings, water whistle beings, rattle beings, serpent beings--each endowed with unique patterns and frequencies. These inter-dimensional mechanisms are imbued with sonic codes, they are ancient future technologies, carrying memory about land and self.

	
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Koyotzintli playing Untitled (For Toshiko, triple water whistle), to be used in the performance,&#38;nbsp;To Cleanse the River&#38;nbsp;Untitled (For Toshiko, triple water whistle), installed at Ann Street Gallery
MEETING POINT &#38;amp; PROCESSIONWe will meet at 5:00pm inside Ann Street Gallery at 104 Ann Street, Newburgh.
Koyotzintli will lead a procession from Ann Street Gallery to the river, a .6 mile walk with a significant 100 feet of elevation change. Following her participatory performance and elemental listening event (about 40 mins), we will return to the gallery and replace the instrument within Koyotzintli’s constellation of seeds and ceramic figures at the Gallery. 
For audience members who wish to meet the procession at the riverfront, please meet us at 5:15 at the gate to People’s Park at the bottom of Washington Street, next to the boat launch. Parking is available in the&#38;nbsp;ferry parking lot,as indicated on the map posted below for Glacier Elegy Newburgh.

	
		
		
	
	
		
			
				
					
						
Koyoltzintli, is an interdisciplinary artist, healer, and educator living in NY. She grew up on the pacific coast and
the Andean mountains in Ecuador, these are geographies that permeate her work. She focuses on sound,
ancestral technologies, ritual, and storytelling through collaborative processes and personal narratives.
Nominated for Prix Pictet in 2019, and 2023 her work has been exhibited in the National Portrait Gallery in
Washington, DC, the United Nations, Parish Art Museum, Princeton University, Aperture Foundation in NYC,
and Paris Photo, She has had two solo shows at Miyako Yoshinaga Gallery and a solo show at Leila Greiche
in 2023. She has taught at CalArts, SVA, ICP, and CUNY. Koyoltzintli, has received multiple awards and
fellowships including the Musée du Quai Branly in Paris, NYFA, We Woman and most recently, the Latinx Artist
Fellowship by US Latinx Art Forum (USLAF). Her first monograph Other Stories was published in 2017 by
Autograph ABP. Her work was featured in the Native issue of Aperture Magazine (no. 240) and was included in
the book Latinx Photography in the United States by Elizabeth Ferrer former chief curator at BRIC. Koyoltzintli
has performed at various places among them, Whitney Museum, Wave Hill, Socrates Park, Brooklyn Museum,
Queens Museum.

					
				
			
		
	
https://koyoltzintli.com/@koyotzintli

	Water, Ink, Breath, Movement
A Workshop with
Suzy SureckSunday, August 4, 2:00pm -4:00pmAnn Street
Gallery104 Ann
Street, Newburgh, NY







UPDATE: THE WORKSHOP IS FILLED TO CAPACITY! Thank you!This workshop is
free and open to the public, but reservations are required and the
workshop will be capped at 12, with a waiting list. All are
welcome, regardless of experience level. Materials are provided.
Email amcnulty@safe-harbors.org to
reserve your spot by Friday August 2 at 9pm.



Please join us for a day of playful discovery and
artistic liberation in a free ink workshop with Ann Street Gallery exhibiting
artist, Suzy Sureck. Suzy’s workshop offers the public a glimpse into the
processes informing her Indigo Series, some of which are included in the
exhibition, Back and Forth, Between Names: An exhibition about bodies of
water.


The workshop will begin in
Ann Street Gallery, with an introduction to the exhibition and Suzy’s practice.
The artist will
discuss examples from her Indigo Series, which show water's fluidity and
structure, translucency, and unpredictability. Working with ink and water, Suzy
tunes in to a dance between intention and chance, starting with gestures from
the hand and body. The group will move to a workspace with tables, where Suzy will
lead us through dynamic mark making, using guided gestures and movements to
loosen us up to water’s flow. Let creativity roll with this free-drawing
process! You will be guided through gestures and serendipitous ink
techniques, unleashing fluid forms and vibrant colors.&#38;nbsp; 


With
hesitation or confidence, we make a mark, then let go of expectation, flowing
with surprise, alive with wonder. This process of direct experience continues
to be Suzy’s grounding practice and a lot of fun; she looks forward to sharing
it with you!



Suzy’s
ink process is seen in the images that move through pages of her first book of
poetry and drawings SEE /SAW published by LumenDot in December 2023. Signed
copies will be available.
	
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	Suzy Sureck Indigo Series works and workshop
Suzy Sureck is a
multidisciplinary artist whose sculpture, installation, and drawing involve
physical and metaphoric qualities of wind, water, and the poetics of shadow and
light. Cross-pollinating disciplines, she merges traditional media and
technology to bring nature’s wisdom to audiences experientially through text,
image, audio, and video. Suzy’s works have been exhibited in galleries,
museums, sculpture parks, biennials, art foundations and alternative spaces in
the U.S., Europe, the Middle East, Korea, Australia, and India. Recent works
include projection performances in the Hudson Valley, Germany and Lincoln
Center.&#38;nbsp; She has been awarded multiple
residencies including MassMOCA, Yaddo, Virginia Center for Creative Arts, Art
Omi and Studios of Key West. Her works have been reviewed in the NY Times,
Hyperallergic, Sculpture Magazine, World Art, Flash Art and. New Observations.
Suzy received a MFA in Sculpture from Cranbrook and BFA from Cooper Union. She
lives and works in New York, and is an educator at Pratt Institute and DIA.
https://suzysureck.com/@suzysureck


	Summer Exhibition Opens!
Back and Forth, Between Names:An exhibition about bodies of waterExhibitionJuly 6 - August 25, 2024Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment
Opening ReceptionSaturday July 6, 4:00 - 7:00 pmExtended hours for Upstate Art WeekendFriday July 19 - Sunday July 21, 12:00 - 5:00 pmWe are excited to share our participation in the fifth edition of Upstate Art Weekend! Over 140 cultural organizations will participate in this year’s edition, celebrating art and culture in ten counties in the Catskill Mountains and Hudson Valley. Ann Street Gallery in Newburgh is number 8 on the Upstate Art Weekend map.ProgrammingAugust 4 — Ink Workshop with Suzy Sureck 2:00pmAugust 18 — performance by Koyoltzintli 5:00pm August 24 — performance of Glacier Elegy Newburgh by &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Jaanika Peerna 2:00pm
 
Exhibition information here.
Ann Street Gallery’s summer exhibition and programming are made possible with support from the Dominican Sisters of Hope Ministry Fund and The M&#38;amp;T Charitable Foundation.
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	&#60;img width="1830" height="1230" width_o="1830" height_o="1230" data-src="https://freight.cargo.site/t/original/i/260da9c2d41a3aa81cb454348dec25efcbd403ead1f3238a7164dcfd1a39ed98/Back-and-Forth-Between-Names---Postcard-Front-Final-JULY2-.jpg" data-mid="215419138" border="0"  src="https://freight.cargo.site/w/1000/i/260da9c2d41a3aa81cb454348dec25efcbd403ead1f3238a7164dcfd1a39ed98/Back-and-Forth-Between-Names---Postcard-Front-Final-JULY2-.jpg" /&#62;

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	Emerging Artist Fellowship AnnouncementsOur Emerging Artist Fellowship 2024 Open Call closed on June 3, 2024. Applicants will be notified of jury selections in June, so stay tuned!
 
Find details about the Fellowship, alumni, and their projects here.
The 2024 Emerging Artist Fellowship is supported, in part, by the TD Charitable Foundation. The 2024 Fellowship Exhibition is made possible with funds from the Statewide Community Regrants Program, a regrant program of the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and administered by Arts Mid-Hudson.  

&#60;img width="1042" height="237" width_o="1042" height_o="237" data-src="https://freight.cargo.site/t/original/i/4f15f8d9567057128ca3edacb7036b5081f4a92a916ee2ec03a7d9c651badace/TD.jpg" data-mid="213272438" border="0"  src="https://freight.cargo.site/w/1000/i/4f15f8d9567057128ca3edacb7036b5081f4a92a916ee2ec03a7d9c651badace/TD.jpg" /&#62;
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&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; 
	
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Emerging Artist Fellowship Exhibition 2023 — Re:Manifest
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/843134e1dce59688223c9f52af01ad0b3ca0c15293bd0081fac60b30b6823078/Anthology---Installation---01.jpg" data-mid="213272329" border="0"  src="https://freight.cargo.site/w/1000/i/843134e1dce59688223c9f52af01ad0b3ca0c15293bd0081fac60b30b6823078/Anthology---Installation---01.jpg" /&#62;
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Emerging Artist Fellowship Exhibition 2022 — Anthology





	

Calling Them Home: A Tribute to the “99”SaturdayFebruary 24, 20242-4pmAnn Street GalleryFree &#38;amp; open to the public.Join us for a From the Ground UP performance celebrating the lives and honoring the deaths of those buried in Newburgh “Colored” Burial Ground, including the 99 individuals who were exhumed during construction of the City of Newburgh’s courthouse in 2008, and continue to await reburial.This last performance in the series of From the Ground UP events will include Newburgh’s all-star cast of Ralph, Jazzy, Manni &#38;amp; Dev M’Vore performing hymns, spirituals and movement. From the Ground UP project lead Jean-Marc Superville Sovak will introduce newly commissioned artworks on exhibition in the Gallery through March.The Gallery exhibition will continue to be open Saturdays and Sundays 12-4 through March 31.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. Visitors can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/087d003e499f3a46d7fd41e541521a21ca0c55c3f4079cf0902fc9be96a5024b/FTGU-Feb-24_FINAL.jpg" data-mid="213270841" border="0"  src="https://freight.cargo.site/w/1000/i/087d003e499f3a46d7fd41e541521a21ca0c55c3f4079cf0902fc9be96a5024b/FTGU-Feb-24_FINAL.jpg" /&#62;






	Myra B. Young Armstsead, Author of Freedom’s Gardener; James F. Brown, Horticulture, and the Hudson Valley in Antebellum America &#38;amp; Professor of Historical Studies at Bard College, &#38;amp; Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville SovakSaturdayFebruary 17, 20244:30-5:30pmAnn Street GalleryFree &#38;amp; open to the public.Dr. Armstead and Superville Sovak will conjure the extraordinary ordinariness of the life of James F. Brown, an emancipated Black man turned Master Gardener who established in 1851 the "Colored Peoples Union Burying Ground" at Fishkill Landing (present day Beacon, NY).The care and concern shown for burial spaces for African-Americans by an enfranchised, free Black man such as Brown as well as the concerns and activities of his days as chronicled in his journals, demonstrate dignity and respect claimed in both life and death, which contrast with descriptions and records of the "Colored” Burial Ground as operated by Newburgh’s Almshouse until 1867. The comparison invites us to look closer at evidence that the Ancestors buried in Newburgh’s “Colored” Burial Ground were cared for by their loved ones while also considering a vision for how they could have been shown proper care and respect under the city's charge. &#38;nbsp; &#38;nbsp;@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. Visitors can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!
	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/4d9e2a4ecf242105aa3d4a0324caaa627834a15a467d124fc405b7b6c5a91ba1/FTGU_Feb-17_FINAL.jpg" data-mid="213270842" border="0"  src="https://freight.cargo.site/w/1000/i/4d9e2a4ecf242105aa3d4a0324caaa627834a15a467d124fc405b7b6c5a91ba1/FTGU_Feb-17_FINAL.jpg" /&#62;






	

Unfolding GriefSaturdayFebruary 10, 20242-4pmAnn Street GalleryFree &#38;amp; open to the public.We invite the public to a community conversation in the Gallery. In remembrance of Ancestors buried in Newburgh's "Colored" Burial Ground, Ann Street Gallery Artist Researcher in Residence Jean-Marc Superville Sovak &#38;amp; artist, storyteller, and conservationist Vivian Sansour will hold space for local faith leaders, invited guests, and community members to share personal stories of loss from experiences across time &#38;amp; cultures.The conversation and stories that will be shared from direct experience aim to collectively consider:Whose deaths get to be mourned?Who deserves to be remembered? And how?How should the dead, once desecrated, be honored?Please join us on Saturday to&#38;nbsp; listen and converse within the evolving Gallery installation for the project From the Ground UP, which currently includes an installation by Jean-Marc Superville Sovak, photographs by Donna Francis, sumi ink drawing by Michelle Corporan, and a collection of books on loan from A Little Light Bookstore &#38;amp; Educational Center for Culture, History, &#38;amp; Freedom in Newburgh.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. Visitors can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/bab30357898bc1ceec353412df6be469392b98f45fbfcf1e977b8e801dedb159/FTGU-FEB-10_final.jpg" data-mid="213270843" border="0"  src="https://freight.cargo.site/w/1000/i/bab30357898bc1ceec353412df6be469392b98f45fbfcf1e977b8e801dedb159/FTGU-FEB-10_final.jpg" /&#62;





	Poems for the AncestorsSaturdayFebruary 3, 20242pmAnn Street GalleryFree &#38;amp; open to the public.We are thrilled to invite the public to a free poetry reading&#38;nbsp; in the Gallery on Saturday, February 3rd at 2pm to conjure, remember, and honor those laid to rest in Newburgh’s “Colored” Burial Ground.&#38;nbsp; Kate Hymes, Ulster County Poet Laureate, Poet Gold,&#38;nbsp; Dutchess County Poet Laureate, and Edwin Torres, Nuyorican Legend, will be performing and reading new and existing works in response to Artist Researcher in Residence, Jean-Marc Superville Sovak’s research on the Burial Ground, speculation on who may be buried there, and the context and circumstances of their burials.Please join us on Saturday for this unique reading performance amidst the evolving Gallery installation for the project From the Ground UP, which currently includes an installation by Jean-Marc Superville Sovak and photographs by Donna Francis.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. You can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome!
	

&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/b7da0d9011409c0d57c981a83359f81c6346fc19bbd107f552e73bf1c6693d9f/FTGU-Feb-3-poster2.jpg" data-mid="213270844" border="0"  src="https://freight.cargo.site/w/1000/i/b7da0d9011409c0d57c981a83359f81c6346fc19bbd107f552e73bf1c6693d9f/FTGU-Feb-3-poster2.jpg" /&#62;


&#60;img width="1920" height="1155" width_o="1920" height_o="1155" data-src="https://freight.cargo.site/t/original/i/75186e56da6d0ea74c6fdf3b11c5e80b562ad3f5fccd51158f74fb7ab4d6064d/FtGU---Events---10---Feb-3---01.jpg" data-mid="213270933" border="0"  src="https://freight.cargo.site/w/1000/i/75186e56da6d0ea74c6fdf3b11c5e80b562ad3f5fccd51158f74fb7ab4d6064d/FtGU---Events---10---Feb-3---01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/94adb5a1d33e71ea7dfce5513ce35c7e47c4a5f437b0dc606264a14624de651e/FtGU---Events---10---Feb-3---02.jpg" data-mid="213270934" border="0"  src="https://freight.cargo.site/w/1000/i/94adb5a1d33e71ea7dfce5513ce35c7e47c4a5f437b0dc606264a14624de651e/FtGU---Events---10---Feb-3---02.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9115c3566f7e7f04bad06e0bd619dd0147cf65718f36c2ca86f8fe6ec14f551c/FtGU---Events---10---Feb-3---03.jpg" data-mid="213270935" border="0"  src="https://freight.cargo.site/w/1000/i/9115c3566f7e7f04bad06e0bd619dd0147cf65718f36c2ca86f8fe6ec14f551c/FtGU---Events---10---Feb-3---03.jpg" /&#62;
&#60;img width="1283" height="1920" width_o="1283" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2e0cc9b5a691669724e3baaedd05f1c2ad34f34b748a314613ba6f8bcc163249/FtGU---Events---10---Feb-3---04.jpg" data-mid="213270936" border="0"  src="https://freight.cargo.site/w/1000/i/2e0cc9b5a691669724e3baaedd05f1c2ad34f34b748a314613ba6f8bcc163249/FtGU---Events---10---Feb-3---04.jpg" /&#62;
&#60;img width="1920" height="1284" width_o="1920" height_o="1284" data-src="https://freight.cargo.site/t/original/i/8a4e74d2edc85199c5d35afeb0a4b4b3a54d738f747f41958d3d611b3b334fde/FtGU---Events---10---Feb-3---05.jpg" data-mid="213270937" border="0"  src="https://freight.cargo.site/w/1000/i/8a4e74d2edc85199c5d35afeb0a4b4b3a54d738f747f41958d3d611b3b334fde/FtGU---Events---10---Feb-3---05.jpg" /&#62;
&#60;img width="1920" height="1285" width_o="1920" height_o="1285" data-src="https://freight.cargo.site/t/original/i/6a41aa1fae6f1e35ae0e121bf6f1a149ba639298bd01c709efd4b041b5356627/FtGU---Events---10---Feb-3---06.jpg" data-mid="213270938" border="0"  src="https://freight.cargo.site/w/1000/i/6a41aa1fae6f1e35ae0e121bf6f1a149ba639298bd01c709efd4b041b5356627/FtGU---Events---10---Feb-3---06.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e69e376412f676972cfa9f66c2ea1751361ade6ea8aaa012cf6a326f3ecf2928/FtGU---Events---10---Feb-3---07.jpg" data-mid="213270939" border="0"  src="https://freight.cargo.site/w/1000/i/e69e376412f676972cfa9f66c2ea1751361ade6ea8aaa012cf6a326f3ecf2928/FtGU---Events---10---Feb-3---07.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a01c7c95e6296728700c89ffa1ee91eb0c4910694d1bfadb85824d83a5469c28/FtGU---Events---10---Feb-3---08.jpg" data-mid="213270940" border="0"  src="https://freight.cargo.site/w/1000/i/a01c7c95e6296728700c89ffa1ee91eb0c4910694d1bfadb85824d83a5469c28/FtGU---Events---10---Feb-3---08.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4919b865ccacb493b8237c8ea9dc70d23f7becb7b9d1e6334e21c0bb0819b2ab/FtGU---Events---10---Feb-3---09.jpg" data-mid="213270941" border="0"  src="https://freight.cargo.site/w/1000/i/4919b865ccacb493b8237c8ea9dc70d23f7becb7b9d1e6334e21c0bb0819b2ab/FtGU---Events---10---Feb-3---09.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/0413ca6b30b61b466fe4b5290ce59ded2901bb4b30c4594e0078c0b179cd58c8/FtGU---Events---10---Feb-3---10.jpg" data-mid="213270942" border="0"  src="https://freight.cargo.site/w/1000/i/0413ca6b30b61b466fe4b5290ce59ded2901bb4b30c4594e0078c0b179cd58c8/FtGU---Events---10---Feb-3---10.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f99d7c6e8ad0ee9fddc8ffafb6fe534789ab2a4427fe40abe219eb374b420906/FtGU---Events---10---Feb-3---11.jpg" data-mid="213270943" border="0"  src="https://freight.cargo.site/w/1000/i/f99d7c6e8ad0ee9fddc8ffafb6fe534789ab2a4427fe40abe219eb374b420906/FtGU---Events---10---Feb-3---11.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/329438a6180b0fac03715071ddeac9b331dac54079a39f973faa614f9a0b3091/FtGU---Events---10---Feb-3---12.jpg" data-mid="213270944" border="0"  src="https://freight.cargo.site/w/1000/i/329438a6180b0fac03715071ddeac9b331dac54079a39f973faa614f9a0b3091/FtGU---Events---10---Feb-3---12.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/be3fe992c58cb1ef704b778fce08b5b47e5fc7cb29646aeb367a2554bec4239b/FtGU---Events---10---Feb-3---13.jpg" data-mid="213270945" border="0"  src="https://freight.cargo.site/w/1000/i/be3fe992c58cb1ef704b778fce08b5b47e5fc7cb29646aeb367a2554bec4239b/FtGU---Events---10---Feb-3---13.jpg" /&#62;
&#60;img width="1283" height="1920" width_o="1283" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6ed8f7c1ce57424ecd91f85bd618ee5e40707bda6848201c656d6cb21e7cfc84/FtGU---Events---10---Feb-3---14.jpg" data-mid="213270946" border="0"  src="https://freight.cargo.site/w/1000/i/6ed8f7c1ce57424ecd91f85bd618ee5e40707bda6848201c656d6cb21e7cfc84/FtGU---Events---10---Feb-3---14.jpg" /&#62;
&#60;img width="1283" height="1920" width_o="1283" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a5adaa8f1fa57cec170dd75fe816badb2bd1dcc7d51438b7381ec452115292b2/FtGU---Events---10---Feb-3---15.jpg" data-mid="213270947" border="0"  src="https://freight.cargo.site/w/1000/i/a5adaa8f1fa57cec170dd75fe816badb2bd1dcc7d51438b7381ec452115292b2/FtGU---Events---10---Feb-3---15.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c7b42b651319818325f7f465fc1829404237cffe04b7d640b2e73959acdbb9f6/FtGU---Events---10---Feb-3---16.jpg" data-mid="213270948" border="0"  src="https://freight.cargo.site/w/1000/i/c7b42b651319818325f7f465fc1829404237cffe04b7d640b2e73959acdbb9f6/FtGU---Events---10---Feb-3---16.jpg" /&#62;
&#60;img width="1443" height="1920" width_o="1443" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3439e9be993a21cffa6e7a86753fa98a656de35bf0f559d50b262d3016a19cc3/FtGU---Events---10---Feb-3---17.jpg" data-mid="213270949" border="0"  src="https://freight.cargo.site/w/1000/i/3439e9be993a21cffa6e7a86753fa98a656de35bf0f559d50b262d3016a19cc3/FtGU---Events---10---Feb-3---17.jpg" /&#62;






	

Songs for the AncestorsSaturdayJanuary 27, 20242pmAnn Street GalleryFree &#38;amp; open to the public.We are thrilled to invite the public to a free ensemble performance in the Gallery on Saturday, January 27th at 2pm to Honor the Ancestors. Led by award-winning violinist, Gwen Laster, this ensemble includes bassist Damon Banks, guitarist/vocalist Patrick Jones, &#38;amp; percussionist Todd Isler. The ensemble will perform music from the Black American Diaspora, including folkloric music, African ceremonial music, Blues, and Jazz to honor those laid to rest in Newburgh’s “Colored” burial ground.Please join us on Saturday for this unique performance amidst the evolving Gallery installation for the project From the Ground UP.@ftgu2024 is a convergence of local community stakeholders and artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak @supersovak. The project brings Superville Sovak’s creative research and practice together with community members dedicated to imagining, rendering, and presenting collaboratively-designed visions for remembering and honoring African- Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and the arts.Please visit our Opportunites page to read about our Open Calls for participation in the project. You can bring your offerings, letters, sketches, ideas, and questions on Saturdays &#38;amp; Sundays 12-4. We will continue to host events every Saturday through February.No reservation needed. All are welcome! 


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/358f1cb9d4f6f1a064367f31a4b3f000084a70169a412f01ae8fa06b48c5883e/FTGU_Jan-27_FINAL.jpg" data-mid="213270845" border="0"  src="https://freight.cargo.site/w/1000/i/358f1cb9d4f6f1a064367f31a4b3f000084a70169a412f01ae8fa06b48c5883e/FTGU_Jan-27_FINAL.jpg" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/9700636d3df48d55de2fbb117fb76309ef7b2937faba2b627a2c6918c8b01a64/FtGU---Events---09---Jan-27---01.jpg" data-mid="213270925" border="0"  src="https://freight.cargo.site/w/1000/i/9700636d3df48d55de2fbb117fb76309ef7b2937faba2b627a2c6918c8b01a64/FtGU---Events---09---Jan-27---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/7d53bc9f0c9f5661adb71f40c48d0d790941f6408a3fc635714494e444dba372/FtGU---Events---09---Jan-27---02.jpg" data-mid="213270926" border="0"  src="https://freight.cargo.site/w/1000/i/7d53bc9f0c9f5661adb71f40c48d0d790941f6408a3fc635714494e444dba372/FtGU---Events---09---Jan-27---02.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a7456f9d965cc5bf00fe89af2e461b44fe2324b1e3b7ac67b94e832761063d69/FtGU---Events---09---Jan-27---03.jpg" data-mid="213270927" border="0"  src="https://freight.cargo.site/w/1000/i/a7456f9d965cc5bf00fe89af2e461b44fe2324b1e3b7ac67b94e832761063d69/FtGU---Events---09---Jan-27---03.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/67d65bfb75a0868c2bd52feae75b803eea08c3ef7a003053193ffbd79516602f/FtGU---Events---09---Jan-27---04.jpg" data-mid="213270928" border="0"  src="https://freight.cargo.site/w/1000/i/67d65bfb75a0868c2bd52feae75b803eea08c3ef7a003053193ffbd79516602f/FtGU---Events---09---Jan-27---04.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6790e7955d3ab866b379d1f1315c33eed916edba1a2afc7cde603a2e34748419/FtGU---Events---09---Jan-27---05.jpg" data-mid="213270929" border="0"  src="https://freight.cargo.site/w/1000/i/6790e7955d3ab866b379d1f1315c33eed916edba1a2afc7cde603a2e34748419/FtGU---Events---09---Jan-27---05.jpg" /&#62;
&#60;img width="1920" height="1081" width_o="1920" height_o="1081" data-src="https://freight.cargo.site/t/original/i/8c13ffc4bb16bc7619d1fffa84d4e1883260d8d220a857e146ee80d79c18665b/FtGU---Events---09---Jan-27---06.jpg" data-mid="213270930" border="0"  src="https://freight.cargo.site/w/1000/i/8c13ffc4bb16bc7619d1fffa84d4e1883260d8d220a857e146ee80d79c18665b/FtGU---Events---09---Jan-27---06.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/15c9af528c01354bae156be583c82eeae968d8e4a21575c404f2e14de55a3692/FtGU---Events---09---Jan-27---07.jpg" data-mid="213270931" border="0"  src="https://freight.cargo.site/w/1000/i/15c9af528c01354bae156be583c82eeae968d8e4a21575c404f2e14de55a3692/FtGU---Events---09---Jan-27---07.jpg" /&#62;
&#60;img width="1443" height="1920" width_o="1443" height_o="1920" data-src="https://freight.cargo.site/t/original/i/8bcf009abc418c5189be5bc99630b0c170b3fe51c3815fd9e3f2a6351deb8a3e/FtGU---Events---09---Jan-27---08.jpg" data-mid="213270932" border="0"  src="https://freight.cargo.site/w/1000/i/8bcf009abc418c5189be5bc99630b0c170b3fe51c3815fd9e3f2a6351deb8a3e/FtGU---Events---09---Jan-27---08.jpg" /&#62;




	Conjuring the AncestorsSaturdayJanuary 20, 202412-4pmAnn Street GalleryFree &#38;amp; open to the public.ASG Artist Researcher in Residence, Jean-Marc Superville Sovak, invites the public for a drop-in workshop this Saturday. Superville Sovak will give short presentations at 12:30, 1:30, and 2:30 to introduce his residency project, From the Ground UP, and explain his strategies for Conjuring the Ancestors, creating Collective Monuments, and honoring those buried in Newburgh’s “Colored” Burial Ground.Through the drafting of letters, shared conversation, and visioning ceremonies, Superville Sovak, will guide visitors in ways of using his research on the Newburgh “Colored” Burial Ground to honor and remember their ancestors. Visitors are encouraged to come with questions or messages to write or to be transcribed by the artist.Come by to learn about Newburgh history, engage in conversation with Superville Sovak on his latest research on the Burial Ground, Alms House Records, and Census Reports, and learn about the different ways you can contribute to the project! Visitors need not have prior knowledge of the project or the history to participate.&#38;nbsp; All materials provided.No Appointment needed: drop in, stay as long as you wish, all are welcome!
	&#60;img width="2542" height="3289" width_o="2542" height_o="3289" data-src="https://freight.cargo.site/t/original/i/edfd5fc7b3206e4f0978e2b4f7654bffccc17f37802e1c5eb3e296b61c07bfb1/FTGU_Jan-20_FINALLL.jpg" data-mid="213270846" border="0"  src="https://freight.cargo.site/w/1000/i/edfd5fc7b3206e4f0978e2b4f7654bffccc17f37802e1c5eb3e296b61c07bfb1/FTGU_Jan-20_FINALLL.jpg" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/18ac2b605f35a67405fc59014d8c815b0babb5d3234babf63da50d7177275910/FtGU---Events---08---Jan-20---01.jpg" data-mid="213270910" border="0"  src="https://freight.cargo.site/w/1000/i/18ac2b605f35a67405fc59014d8c815b0babb5d3234babf63da50d7177275910/FtGU---Events---08---Jan-20---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a6f099272d19d7d921c2e3767ad51140346a7ca29903e10868b3c30d91c3b244/FtGU---Events---08---Jan-20---02.jpg" data-mid="213270911" border="0"  src="https://freight.cargo.site/w/1000/i/a6f099272d19d7d921c2e3767ad51140346a7ca29903e10868b3c30d91c3b244/FtGU---Events---08---Jan-20---02.jpg" /&#62;
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Letters to the AncestorsSaturdayJanuary 13, 202412-4pmAnn Street GalleryFree &#38;amp; open to the public.We are excited to invite the public to our next FTGU event this Saturday January 13, 12pm-4pm! Please join ASG’s Artist Researcher in Residence, Jean-Marc Superville Sovak for the workshop, “Letters to the Ancestors,” an opportunity to put pen to paper and craft messages to those buried in, and those disinterred from, Newburgh’s “Colored” Burial Ground.Open to all ages, this workshop will include all materials, writing prompts, technical demonstrations and introductions to the historical context of New York’s (painfully) Gradual Abolition of Slavery.Superville Sovak will introduce his residency project and the historical context of the workshop at 12:30, 1:30, &#38;amp; 2:30.  Come anytime, stay as long as you wish!From the Ground UP events will continue on Saturday afternoons throughout January and February 2024, including artist talks and hands-on workshops as well as commissioned performances and poetry readings.The Gallery is open Saturdays and Sundays 12-4 (and by appointment) through February to:
view Superville Sovak’s evolving installation in the Gallery, which will gradually transform to include commissioned artworks from other regional artistscollect, document, discuss, and display offerings, messages, and conjuring bundles from the publicdiscuss the project and your visions for memorialization with the artistcollect coats for distribution in Newburghreference our curated collection of reading materialsFTGU events are updated weekly on ASG website and IG accounts and @ftgu2024


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	Artist Talk &#38;amp; Research Presentation: Jean-Mark Superville Sovak, ASG Artist Researcher in ResidenceSaturdayJanuary 6, 20242-4pmAnn Street GalleryFree &#38;amp; open to the public.Please join us Saturday January 6, 2024 2-4pm in the Gallery as Artist Researcher in Residence, Jean Marc Superville Sovak, presents his evolving residency research for the Project, From the Ground UP. Superville Sovak’s presentation will review his findings from the Newburgh Alms House Records (1853-58) and the Newburgh "Colored" Burial Ground Archeology, Osteology, and History Report. The event will feature guest artists reading Phillis Wheatley, Khalil Gibran, David Mills, and more!From the Ground UP is a coalition of local community stakeholders &#38;amp; artists dedicated to imagining ways to remember &#38;amp; honor African-Americans buried in Newburgh’s “Colored” Burial Ground through conversation &#38;amp; the arts. The project is led by Ann Street Gallery Artist Researcher in Residence (ARiR) Jean-Marc Superville Sovak.Events will continue on Saturday afternoons throughout January and February 2024. The Gallery is open Saturdays and Sundays 12-4 through February to:view Superville Sovak’s evolving projectcollect coats for distribution in Newburghdocument, discuss, and display offerings and conjuring bundles from the publicdiscuss the project and visions for memorialization with the artistTo learn more visit supervillesovak.com and follow @supersovak and @FTGU2024.
	

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&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/56adbc83a6ba9c3a4d3f5ab34a4a837eed3649ae1bbea84c8845f1823fc15ec5/FtGU---Events---06---Jan-6---01.jpg" data-mid="213270884" border="0"  src="https://freight.cargo.site/w/1000/i/56adbc83a6ba9c3a4d3f5ab34a4a837eed3649ae1bbea84c8845f1823fc15ec5/FtGU---Events---06---Jan-6---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/efa67b3f26be6b03a916ec7f5e17553f482abcc887feb443f84be8ba0b2392c6/FtGU---Events---06---Jan-6---02.jpg" data-mid="213270885" border="0"  src="https://freight.cargo.site/w/1000/i/efa67b3f26be6b03a916ec7f5e17553f482abcc887feb443f84be8ba0b2392c6/FtGU---Events---06---Jan-6---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/495ffd8e1a2dbc947546be93971e3185888cd3c9b63e51ee56118382524690cb/FtGU---Events---06---Jan-6---03.jpg" data-mid="213270886" border="0"  src="https://freight.cargo.site/w/1000/i/495ffd8e1a2dbc947546be93971e3185888cd3c9b63e51ee56118382524690cb/FtGU---Events---06---Jan-6---03.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a4275d8dea080efb8d2ac21dd86002ecbab03369e46627b17e08269dd95d2e3c/FtGU---Events---06---Jan-6---04.jpg" data-mid="213270887" border="0"  src="https://freight.cargo.site/w/1000/i/a4275d8dea080efb8d2ac21dd86002ecbab03369e46627b17e08269dd95d2e3c/FtGU---Events---06---Jan-6---04.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1668c120ab7dc0f3d985a24d2f791dee5ac75c3cfc343b3d2f7485e48556e00b/FtGU---Events---06---Jan-6---05.jpg" data-mid="213270888" border="0"  src="https://freight.cargo.site/w/1000/i/1668c120ab7dc0f3d985a24d2f791dee5ac75c3cfc343b3d2f7485e48556e00b/FtGU---Events---06---Jan-6---05.jpg" /&#62;




	

Artist Talk: Jean-Mark Superville Sovak, ASG Artist Researcher in ResidenceSaturdayDec. 16, 20232-4pmAnn Street GalleryFree &#38;amp; open to the public.Please join us today at 2pm in the Gallery or on Zoom for an artist talk by ASG Artist Researcher in Residence, Jean-Marc Superville Sovak. Zoom link @ftgu2024Join Zoom MeetingMeeting ID: 882 6827 6731Passcode: FTGU2023Superville Sovak will present his art practice and research leading to his residency project, From the Ground UP. He will discuss his approach to the project and answer questions about his research followed by a discussion and reflection.Superville Sovak and From the Ground UP are in residence at ASG through February. Over the course of the residency, the project transforms the Gallery into a lab, workshop, and exhibition space dedicated to the memorialization of African-American lives and deaths in Newburgh shortly after the Gradual Abolition of slavery in NY state.Coat Collection:As a participatory and durational form of memorialization, the gallery requests donations of gently used winter coats to distribute in the vicinity.


	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/cef266b82613dd589cb4aff584dd542f27a1d22dc94b69535a18ff1acd75d2d8/FTGU_Dec-16-Flier-Final.jpg" data-mid="213270849" border="0"  src="https://freight.cargo.site/w/1000/i/cef266b82613dd589cb4aff584dd542f27a1d22dc94b69535a18ff1acd75d2d8/FTGU_Dec-16-Flier-Final.jpg" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f9d44a07d7feb9da366b6fbf83324a161a932fd57af8904d15b87141977baf09/FtGU---Events---05---Dec-16---01.jpg" data-mid="213270878" border="0"  src="https://freight.cargo.site/w/1000/i/f9d44a07d7feb9da366b6fbf83324a161a932fd57af8904d15b87141977baf09/FtGU---Events---05---Dec-16---01.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e323c096d0e564a0f01d16b5be28e51a1b6509044387d3c2210ca8e22d7f4764/FtGU---Events---05---Dec-16---02.jpg" data-mid="213270879" border="0"  src="https://freight.cargo.site/w/1000/i/e323c096d0e564a0f01d16b5be28e51a1b6509044387d3c2210ca8e22d7f4764/FtGU---Events---05---Dec-16---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/06c003610db8e0663f0a805ca4d92307475f2a0e950b837300e17156a0d21350/FtGU---Events---05---Dec-16---03.jpg" data-mid="213270880" border="0"  src="https://freight.cargo.site/w/1000/i/06c003610db8e0663f0a805ca4d92307475f2a0e950b837300e17156a0d21350/FtGU---Events---05---Dec-16---03.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ab1e3a68688d5ca2a51641357610988c2eae9c1fef9a7d694e9657fc5a6e43f3/FtGU---Events---05---Dec-16---04.jpg" data-mid="213270881" border="0"  src="https://freight.cargo.site/w/1000/i/ab1e3a68688d5ca2a51641357610988c2eae9c1fef9a7d694e9657fc5a6e43f3/FtGU---Events---05---Dec-16---04.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d65ab68709b58818b9dfbc5ef5b7c9d3dfb29b3b97b98f88a25647bdc3cb6dc7/FtGU---Events---05---Dec-16---05.jpg" data-mid="213270882" border="0"  src="https://freight.cargo.site/w/1000/i/d65ab68709b58818b9dfbc5ef5b7c9d3dfb29b3b97b98f88a25647bdc3cb6dc7/FtGU---Events---05---Dec-16---05.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/6d9089edbb3696f50678533bd59742286e393919e2f9f6b3af24cdfe11ec275d/FtGU---Events---05---Dec-16---06.jpg" data-mid="213270883" border="0"  src="https://freight.cargo.site/w/1000/i/6d9089edbb3696f50678533bd59742286e393919e2f9f6b3af24cdfe11ec275d/FtGU---Events---05---Dec-16---06.jpg" /&#62;





	Community GatheringSaturdayDec. 9, 20232-4pmAnn Street GalleryFree &#38;amp; open to the public.Historian Dr. Christina Ziegler-McPherson will Zoom in to this in-person gathering to introduce visitors to the historical context of the project From the Ground UPduring the post Emancipation (1827) and antebellum years (1861-65) that coincide with the Newburgh “colored” cemetery’s usage. THe presentation will be followed by a Q&#38;amp;A hosted by Ann Street Gallery’s Artist Researcher in Residence, Jean-Marc Superville-Sovak &#38;amp; community organizer Gabrielle Burton-Hill.Coat Collection:As a participatory and durational form of memorialization, the gallery requests donations of gently used winter coats to distribute in the vicinity.
	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/92a12a18ed193037883e61bf51f1ca8785c9e86a282095e1e9f38aff2bb26104/FTGU_Dec-9_V3.jpg" data-mid="213270850" border="0"  src="https://freight.cargo.site/w/1000/i/92a12a18ed193037883e61bf51f1ca8785c9e86a282095e1e9f38aff2bb26104/FTGU_Dec-9_V3.jpg" /&#62;


&#60;img width="1920" height="937" width_o="1920" height_o="937" data-src="https://freight.cargo.site/t/original/i/8a7d3ab896c05d39d9b62c5441339a1216706848255a7457a7ed3da2a0db54c9/FtGU---Events---04---Dec-9---01.jpg" data-mid="213270874" border="0"  src="https://freight.cargo.site/w/1000/i/8a7d3ab896c05d39d9b62c5441339a1216706848255a7457a7ed3da2a0db54c9/FtGU---Events---04---Dec-9---01.jpg" /&#62;
&#60;img width="1400" height="1920" width_o="1400" height_o="1920" data-src="https://freight.cargo.site/t/original/i/0977dd1e500aa20fe60f5368c8de51df935f6858db0908c6d8dc826855fea4d9/FtGU---Events---04---Dec-9---02.jpg" data-mid="213270875" border="0"  src="https://freight.cargo.site/w/1000/i/0977dd1e500aa20fe60f5368c8de51df935f6858db0908c6d8dc826855fea4d9/FtGU---Events---04---Dec-9---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/49b5e173e663cd5d0d9a5c0bcab6294e79b9a12cb5e30501d1e6ecf315bc9db6/FtGU---Events---04---Dec-9---03.jpg" data-mid="213270876" border="0"  src="https://freight.cargo.site/w/1000/i/49b5e173e663cd5d0d9a5c0bcab6294e79b9a12cb5e30501d1e6ecf315bc9db6/FtGU---Events---04---Dec-9---03.jpg" /&#62;
&#60;img width="1416" height="1920" width_o="1416" height_o="1920" data-src="https://freight.cargo.site/t/original/i/44cf083555df4aa5b851c340fe187d153943f57881ab01448d2bd38c1ae7922f/FtGU---Events---04---Dec-9---04.jpg" data-mid="213270877" border="0"  src="https://freight.cargo.site/w/1000/i/44cf083555df4aa5b851c340fe187d153943f57881ab01448d2bd38c1ae7922f/FtGU---Events---04---Dec-9---04.jpg" /&#62;



	

Community GatheringSaturdayOct 28, 20233-5pmBroadway &#38;amp; Robinson AveFree &#38;amp; open to the public.


	&#60;img width="3840" height="4946" width_o="3840" height_o="4946" data-src="https://freight.cargo.site/t/original/i/37ff4295e71e491526ba70535876a97a90cc32172b2e5f7a819de24fe6175afa/Oct-28-Poster.png" data-mid="213270853" border="0"  src="https://freight.cargo.site/w/1000/i/37ff4295e71e491526ba70535876a97a90cc32172b2e5f7a819de24fe6175afa/Oct-28-Poster.png" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c04a02d087c84d676a989eb8847c9e2e7a0bc8416d37a8a4add2667845fa2312/FtGU---Events---02---Oct-15---01.jpg" data-mid="213270863" border="0"  src="https://freight.cargo.site/w/1000/i/c04a02d087c84d676a989eb8847c9e2e7a0bc8416d37a8a4add2667845fa2312/FtGU---Events---02---Oct-15---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/9dfb77b78d955853642ab75ae4b426ca1d764e343467f40327bcab6fcbe14b52/FtGU---Events---02---Oct-15---02.jpg" data-mid="213270864" border="0"  src="https://freight.cargo.site/w/1000/i/9dfb77b78d955853642ab75ae4b426ca1d764e343467f40327bcab6fcbe14b52/FtGU---Events---02---Oct-15---02.jpg" /&#62;



	

Community Gathering, Workshop &#38;amp; Artist TalkSaturdayOct 21, 20233-5pmAnn Street GalleryFree &#38;amp; open to the public.Please join sculptor Vinnie Bagwell, Community Activist Gabrielle Burton Hill, and artist Jean-Marc Superville Sovak for a community gathering, artist talk, and workshop this Saturday October 21 from 3-5pm in Ann Street Gallery.This event launches From the Ground UP, a coalition of local community stakeholders &#38;amp; artists led by Ann Street Gallery Artist Researcher in Residence, Jean-Marc Superville Sovak, who are dedicated to imagining ways to remember &#38;amp; honor African-Americans buried in the “Newburgh Colored Burial Ground” through conversation &#38;amp; the arts.From the Ground UP will consist of a series of gatherings at Ann Street Gallery and other local sites that are free and open to the public with the aim to solicit, discuss, and materialize answers from a wide variety of community stakeholders committed to collectively asking such questions as: How should memorials function? How should the dead, once desecrated, now be honored? What is the reparative capacity of a memorial and how can gestures, space, or objects serve that capacity to its fullest potential?

Saturday’s program will include:
An introduction to the initiative From the Ground UP from artist and educator, Jean-Marc Superville SovakAn artist talk and presentation from sculptor Vinnie Bagwell about her visionary work in reframing public art and memorials to include historic black imagesA workshop with community activist Gabrielle Burton Hill, which will provide an overview of the history of the “Newburgh Colored Burial Ground” and the Newburgh Colored Burial Ground Association’s 15 year-long effort to raise awareness about this overlooked aspect of Newburgh’s history.&#38;nbsp; The workshop also aims to identify the priorities of local community stakeholders in the project From the Ground UP





	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/62767986b75c73ee102f7154b07d8591d3bb4f9bd767c5cca1039b16e8713f49/FTGU_Vinnie-poster5-AM-edit.jpg" data-mid="213270851" border="0"  src="https://freight.cargo.site/w/1000/i/62767986b75c73ee102f7154b07d8591d3bb4f9bd767c5cca1039b16e8713f49/FTGU_Vinnie-poster5-AM-edit.jpg" /&#62;


&#60;img width="1920" height="1203" width_o="1920" height_o="1203" data-src="https://freight.cargo.site/t/original/i/4ef59693928848dd591d4991b31d721d11ab5e1db9de5a47da613125955e8c9e/FtGU---Events---03---Oct-21---01.jpg" data-mid="213270865" border="0"  src="https://freight.cargo.site/w/1000/i/4ef59693928848dd591d4991b31d721d11ab5e1db9de5a47da613125955e8c9e/FtGU---Events---03---Oct-21---01.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c3093f7e233e9a487afdd7b2ffa401cfb1e3d7e437db058cc293c93e5a2fabd2/FtGU---Events---03---Oct-21---02.jpg" data-mid="213270866" border="0"  src="https://freight.cargo.site/w/1000/i/c3093f7e233e9a487afdd7b2ffa401cfb1e3d7e437db058cc293c93e5a2fabd2/FtGU---Events---03---Oct-21---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/5c2bd9d1b37d8b18e0fae29014798eedc467129510161a4c7f9aaf4ce1d61808/FtGU---Events---03---Oct-21---03.jpg" data-mid="213270867" border="0"  src="https://freight.cargo.site/w/1000/i/5c2bd9d1b37d8b18e0fae29014798eedc467129510161a4c7f9aaf4ce1d61808/FtGU---Events---03---Oct-21---03.jpg" /&#62;
&#60;img width="1920" height="1186" width_o="1920" height_o="1186" data-src="https://freight.cargo.site/t/original/i/610538616e87d0a7074e61b6e9251d51e8303d42e449333802732edb2b0b707b/FtGU---Events---03---Oct-21---04.jpg" data-mid="213270868" border="0"  src="https://freight.cargo.site/w/1000/i/610538616e87d0a7074e61b6e9251d51e8303d42e449333802732edb2b0b707b/FtGU---Events---03---Oct-21---04.jpg" /&#62;
&#60;img width="1920" height="1152" width_o="1920" height_o="1152" data-src="https://freight.cargo.site/t/original/i/170769eca8e4591181651d57108c99e84a0a91f8e5603c58acdf26743531d6a0/FtGU---Events---03---Oct-21---05.jpg" data-mid="213270869" border="0"  src="https://freight.cargo.site/w/1000/i/170769eca8e4591181651d57108c99e84a0a91f8e5603c58acdf26743531d6a0/FtGU---Events---03---Oct-21---05.jpg" /&#62;
&#60;img width="1920" height="1157" width_o="1920" height_o="1157" data-src="https://freight.cargo.site/t/original/i/686c2032f6df153744f8e0241a55f205494a48f4519958f648b971ed1cf93b6d/FtGU---Events---03---Oct-21---06.jpg" data-mid="213270870" border="0"  src="https://freight.cargo.site/w/1000/i/686c2032f6df153744f8e0241a55f205494a48f4519958f648b971ed1cf93b6d/FtGU---Events---03---Oct-21---06.jpg" /&#62;
&#60;img width="1920" height="1024" width_o="1920" height_o="1024" data-src="https://freight.cargo.site/t/original/i/3c2d227df679cf3d15c08a587f379a260b831afd97dc3930e413b286fb2b8376/FtGU---Events---03---Oct-21---07.jpg" data-mid="213270871" border="0"  src="https://freight.cargo.site/w/1000/i/3c2d227df679cf3d15c08a587f379a260b831afd97dc3930e413b286fb2b8376/FtGU---Events---03---Oct-21---07.jpg" /&#62;
&#60;img width="1920" height="894" width_o="1920" height_o="894" data-src="https://freight.cargo.site/t/original/i/ea93e164ec73807088b4a9288b2b699df91d333340e9dfbd2651a4429ce8c608/FtGU---Events---03---Oct-21---08.jpg" data-mid="213270872" border="0"  src="https://freight.cargo.site/w/1000/i/ea93e164ec73807088b4a9288b2b699df91d333340e9dfbd2651a4429ce8c608/FtGU---Events---03---Oct-21---08.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/2e5c97e5e37a79aa33d46c75dc2da981ae8a25390ff271b2b96675f7713a5936/FtGU---Events---03---Oct-21---09.jpg" data-mid="213270873" border="0"  src="https://freight.cargo.site/w/1000/i/2e5c97e5e37a79aa33d46c75dc2da981ae8a25390ff271b2b96675f7713a5936/FtGU---Events---03---Oct-21---09.jpg" /&#62;




	

Community GatheringSaturdayOct 8, 20233-5pmBroadway &#38;amp; Robinson AveFree &#38;amp; open to the public.


	&#60;img width="2970" height="3840" width_o="2970" height_o="3840" data-src="https://freight.cargo.site/t/original/i/db8e28cbb7ca8cb72f80aa929bcaeef9b9aba9b510d7683d4c1670df95473192/Oct-8-Poster.png" data-mid="213270993" border="0"  src="https://freight.cargo.site/w/1000/i/db8e28cbb7ca8cb72f80aa929bcaeef9b9aba9b510d7683d4c1670df95473192/Oct-8-Poster.png" /&#62;


&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1c2246a94b2fcfe805c67846c310aeae24332b5c3aa14199221055053930e672/FtGU---Events---01---Oct-8---01.jpg" data-mid="213270854" border="0"  src="https://freight.cargo.site/w/1000/i/1c2246a94b2fcfe805c67846c310aeae24332b5c3aa14199221055053930e672/FtGU---Events---01---Oct-8---01.jpg" /&#62;
&#60;img width="1920" height="1784" width_o="1920" height_o="1784" data-src="https://freight.cargo.site/t/original/i/9ae8ebb6387296cd436dc1a15ffa4b54f35881b7bc6b6320177413d0818fbb8f/FtGU---Events---01---Oct-8---02.jpg" data-mid="213270855" border="0"  src="https://freight.cargo.site/w/1000/i/9ae8ebb6387296cd436dc1a15ffa4b54f35881b7bc6b6320177413d0818fbb8f/FtGU---Events---01---Oct-8---02.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/8868c8f6e80a1d25885b0c121a863f39b1240b964d35f835fc56adc9b48a4524/FtGU---Events---01---Oct-8---03.jpg" data-mid="213270856" border="0"  src="https://freight.cargo.site/w/1000/i/8868c8f6e80a1d25885b0c121a863f39b1240b964d35f835fc56adc9b48a4524/FtGU---Events---01---Oct-8---03.jpg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/fe876d580e96d0ef7fab6c07b23822a31f91d8ad51cdf2f87603175631b1d1fd/FtGU---Events---01---Oct-8---04.jpg" data-mid="213270857" border="0"  src="https://freight.cargo.site/w/1000/i/fe876d580e96d0ef7fab6c07b23822a31f91d8ad51cdf2f87603175631b1d1fd/FtGU---Events---01---Oct-8---04.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/88674c50917751c3f423fc82ead0d05e2403e0ee09798159558f9b5347184979/FtGU---Events---01---Oct-8---05.jpg" data-mid="213270858" border="0"  src="https://freight.cargo.site/w/1000/i/88674c50917751c3f423fc82ead0d05e2403e0ee09798159558f9b5347184979/FtGU---Events---01---Oct-8---05.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6a083ece1a52ddd6a222a1a6186834f763650153a663c630cbc719f2c1880c8c/FtGU---Events---01---Oct-8---06.jpg" data-mid="213270859" border="0"  src="https://freight.cargo.site/w/1000/i/6a083ece1a52ddd6a222a1a6186834f763650153a663c630cbc719f2c1880c8c/FtGU---Events---01---Oct-8---06.jpg" /&#62;
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&#60;img width="1455" height="1920" width_o="1455" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6595851a63d804223da797383daf68db7479bedd987ed94d22d86747e31e0b16/FtGU---Events---01---Oct-8---09.jpg" data-mid="213270862" border="0"  src="https://freight.cargo.site/w/1000/i/6595851a63d804223da797383daf68db7479bedd987ed94d22d86747e31e0b16/FtGU---Events---01---Oct-8---09.jpg" /&#62;




	Ann Street Gallery is honored to announce Artist Researcher in Residence, Jean-Marc Superville Sovak &#38;amp; his residency project, From The Ground UP
Jean-Marc Superville Sovak is a multidisciplinary artist and teaching professional whose work represents silent histories of multi-racial identities that make up the DNA of this country as well his own. His “a-Historical Landscapes” involve altering original 19th-century landscape engravings to include images from Anti-Slavery publications. His public artwork includes organizing a “Burial for White Supremacy”, retracing steps on the Underground Railroad at Hudson Valley historic sites, monuments to Afro-Dutch pioneers in Rockland County, and a memorial to the earliest Africans to arrive in Rhode Island. A graduate of Bard College (M.F.A. Film/Video), Jean-Marc is the 2023 recipient of Art Mid-Hudson’s Empowering Artist Award and an Individual Artist Commission. Jean-Marc’s art has been exhibited at RecessArt, Brooklyn, the Aldrich Contemporary Art Museum, Arts Westchester, Socrates Sculpture Park, and the Katonah Museum of Art. Jean-Marc has been a guest curator at the Dorsky Museum and has been Visiting Artist at Bard College, SUNY New Paltz, Columbia University and Vassar College.From the Ground UP is a convergence of local community stakeholders and artists led by Ann Street
Gallery Artist Researcher in Residence (ARiR) Jean-Marc Superville Sovak. The project brings Superville
Sovak’s creative research and practice together with community members dedicated to imagining,
rendering, and presenting collaboratively-designed visions for remembering and honoring African-
Americans buried in, and disinterred from, Newburgh’s “Colored Burial Ground” through conversation and
the arts.From the Ground UP is
conceived as an open-source feedback loop to display a diversity of ideas and creative forms of what
publicly-inspired and collaboratively-designed memorials could look like, including stories, offerings,
speculative proposals, performances, readings, discussions, and more.

					
				
			
		
	

To learn more about Jean-Marc Superville Sovak’s practice and research, visit
http://www.supervillesovak.com and follow @supersovak and @FTGU2024.


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	Collective Re:Manifesting A Community Engagement on Indigenous People’s DayMonday October 9, 2023 4-6pm in the Safe Harbors Green, Newburgh NY&#38;nbsp; (Corner of Broadway &#38;amp; Liberty)
 

The 2023 Ann Street Gallery Emerging Artist Fellows Rachel Olivia Berg, Michelle Corporan, &#38;amp; Shani Richards invite the public to engage in conversation and questioning surrounding freedom, discovery, and identity toward collective creative actions and commitment to change.
The Ann Street Gallery will be open 3-8:30pm for the exhibition Re:Manifest and will host a Screening of the documentary “Columbus in America”in Ann Street Gallery 6:30-8pm104 Ann St Newburgh, NY 12550All programming free &#38;amp; open to the public.

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	Listening to Land
Closing Reception &#38;amp; Gallery TalksExhibitionJuly 13 - August 27 

Closing Reception
Sunday August 27 4:00 - 5:30 PM


Please join artists included in “Listening to Land” for an informal closing reception and gallery talks on Sunday, August 27th following Kite and Robbie Wing’s Workshop for Listening to Nonhumans.The Gallery will be open both Sat Aug 26th and Sun Aug 27th 1:00 - 5:00PM
Listening to Nonhumans Workshop Sunday Aug 27th 2:00 - 4:00 PM
Reception &#38;amp; Gallery Talks Sunday Aug 27th 4:00 - 5:30 PMThese events will close out our summer exhibition! Don’t miss the last weekend to see this show and hear from theThe workshop and reception are free and open to the public and do not require a reservation. We hope you will come and take a closer look and listen with us this weekend!

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	Listening to Land - Listening to Nonhumans (Heard and Unheard)A Workshop with Kite &#38;amp; Robbie WingSUNDAY AUG 272-4pmFollowed by a closing reception with gallery talks 4-5:30Free and open to the public; No reservation requiredLocation:Ann Street Gallery, 104 Ann Street, Newburgh NY 12550Note: this workshop includes 30+ mins of walking with a small group outside the gallery.In this workshop, Kite and Robbie Wing will guide participants in listening to the knowable and the unknowable: listening with and through nonhumans in the physical world and nonhumans in the unseen world. This training proposes that the frameworks for ethical decision-making must be learned in relationship with nonhuman beings. Half of this training will involve outdoor soundwalks, the other half will involve dreaming and futuring. Listening to nonhumans, on earth and in the spirit world leads to knowing how nonhumans create new knowledge.This workshop was developed thinking alongside the work of the Initiative for Indigenous Futures, Leroy Little bear, Leanne Simpson, Dylan Robinson, Raven Chacon, Zoe Todd, AM Kanngeiser, Florian Malzacher, Jonas Staal; and Fondazione Sandretto.Kite’s photograph and Curated Reading List 003, along with Kite and Robbie Wing’s 8-channel sound installation are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Kite (Dr. Suzanne Kite) is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition,and an MFA from Bard College’s Milton Avery Graduate School, and a Ph.D. in Fine Arts from Concordia University, Montreal. Kite’s scholarship and practice investigate contemporary Lakȟóta ontologies through research-creation, computational media, and performance, often working in collaboration with family and community members. Recently, Kite has been developing body interfaces for machine learning driven performance and sculptures generated by dreams, and experimental sound and video work. Kite has published in The Journal of Design and Science (MIT Press), with the award winning article, “Making Kin with Machines,” co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis. Kite is currently a 2023 Creative Capital Award Winner, 2023 USA Fellow, and a 2022-2023 Creative Time Open Call artist with Alisha B. Wormsley. Kite is currently Artist-in-Residence and Visiting Scholar at Bard College and a Research Associate and Residency Coordinator for the Abundant Intelligences (Indigenous AI) project.http://kitekitekitekite.com/@kitekitekitekitekiteRobbie Wing (Cherokee) is an artist, musician, and composer. His artistic practice focuses on immersive and spatialized sound installations, ecological sound art, and composition for acoustic instruments, electronics, and field recordings. Robbie holds an undergraduate degree in Environmental Sustainability and a master's degree in Urban Design from the University of Oklahoma where he developed sound art installations based on his research on environmental psychology and acoustic landscapes. Robbie has presented his work and performed at various venues, including the Portland Institute for Contemporary Art, Tulsa Artist Fellowship Flagship Gallery, Philbrook Museum, University of Kent in Chatham, UK, Institute for Advanced Studies in Kószeg, Hungary, Roy and Edna Disney CalArts Theater and the Center for Arts, Research &#38;amp; Alliances.RobbieWing.com@wingrobbie
	&#60;img width="1920" height="1273" width_o="1920" height_o="1273" data-src="https://freight.cargo.site/t/original/i/6d68098472f545c2500681708f4512ed4981076ef54aedacb55e75161359cf22/Listening-to-Land---Workshop-04---Listening-to-Nonhumans03.jpg" data-mid="213271441" border="0"  src="https://freight.cargo.site/w/1000/i/6d68098472f545c2500681708f4512ed4981076ef54aedacb55e75161359cf22/Listening-to-Land---Workshop-04---Listening-to-Nonhumans03.jpg" /&#62;&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/51fc03b7cbeedcd2707d1dc2c3bf2fb95c32fcf65fda0b688573c4ba0e33fb78/Listening-to-Land---Workshop-04---Listening-to-Nonhumans02.jpg" data-mid="213271440" border="0"  src="https://freight.cargo.site/w/1000/i/51fc03b7cbeedcd2707d1dc2c3bf2fb95c32fcf65fda0b688573c4ba0e33fb78/Listening-to-Land---Workshop-04---Listening-to-Nonhumans02.jpg" /&#62;




	Listening to Land - Feral Hues of the Hudson River EstuaryA Workshop on Foraging &#38;amp; Making Paint with Wild Plants in Newburghwith Ellie IronsSaturday August 192:00 - 4:00 pmFree and open to the public; Limited to 12 participants
Reservation requiredEmail amcnulty@safe-harbors.orgLocation: Ann Street Gallery, 104 Ann Street, Newburgh NY 12550 &#38;amp; Newburgh RiverfrontConfirmed participants will receive an email with schedule and meeting pointInterdisciplinary artist and educator Ellie Irons will lead a hands-on foraging and paint-making workshop focused on the wild, weedy, and feral plants who green the city streets and shoreline ofEllie’s Watershed Topography drawings are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Ellie Irons is an artist and educator living and working on Mohican land in current-day Troy, New York, USA. From foraged watercolor paintings to un-lawning experiments, her work combines socially engaged art, ecology fieldwork, and embodied learning. She is a co-founder of the Next Epoch Seed Library and the Environmental Performance Agency, collaborations investigating relationships between humans and spontaneous urban plants (aka weeds). Her solo and collaborative work has been part of recent exhibitions on contemporary environmental art, including The Department of Human and Natural Services at NURTUREArt, Ecological Consciousness: Artist as Instigator at Wave Hill, and Unsettled Nature at the Smithsonian Museum of Natural History. Her work has been covered by publications ranging from Art in America to the Proceedings of the National Academy of Sciences. Irons received a BA from Scripps College in Los Angeles and an MFA from Hunter College in New York. In December 2021, she completed a PhD&#38;nbsp;in arts practice at Rensselaer Polytechnic Institute, focused on socially engaged environmental art. She is currently a community science educator and lab manager at the Sanctuary for&#38;nbsp;Independent Media’s NATURE Lab.
https://ellieirons.com/
@elslaurelEllie's recent book Feral Hues: A Guide to Painting with Weeds will&#38;nbsp; be available for purchase. (Sliding scale $15-25)
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	Ann Street Gallery will participate in Upstate Art Weekend July 22-23, 2023ASG Gallery is featured on Route 4 of the UPAW Journeys Route Plan:“Ann Street
104 Ann Street
Curated by Hudson Valley name-to-know
Alison McNulty, an artist and educator, is
“Listening to Land,” an exhibition of
practices that use listening in relation to
place and place-making from Margaux
Crump, Donna Francis, Katerie Gladdys, Katie Grove, Ellie
Irons, Sergey Jivetin, Kite and Robbie Wing, Fernanda
Mello, Steve Rossi, Jean-Marc Superville Sovak, Susan Walsh, and Millicent Young.Download the Route Plan Here.Find the customizable MAP Here.


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	Listening to Land - Basswood Cordagewith Katie GroveUpstate Art WeekendSunday July 23rd12:00 - 3:00 pmParticipants are invited to join for just a few minutes or the entire workshop period.Free and open to the public.No Reservation needed.Cordage, made by twisting two strands of plant fiber together by hand, is one of the oldest technologies in human culture. In this drop-in workshop with artist and basketry teacher Kati Grove participants will learn to make cordage with locally harvested basswood tree bark fiber in an immersive, thought provoking, and welcoming setting. During the workshop the instructor will share stories of how she harvested and processed the fiber as well as the history of this material in North America, Europe, and Asia.Several works by Katie Grove are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Katie Grove is an artist and educator whose passion is to inspire both viewers of her art and students in her basketry classes to build a relationship with the plants growing around them. She teaches from her studio in the beautiful Rondout Valley of New York State and enjoys a robust studio practice that merges traditional basketry techniques with sculpture. Katie holds a BF in Printmaking from SUNY New Paltz and an MFA in Interdisciplinary Art from the NOMAD program at University ofHartford.To learn more about Katie’s process as an artist and basket maker visit
www.katiegrovestudios.com@katiegrovebasketry
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	Listening to Land - Seed StoriesSeed Engraving with Sergey JivetinUpstate Art WeekendSaturday July 22nd12:00-3:00 pmThere will be a limited number of customized seed engravings created for people who would like to bring sentimental seeds and share a relevant story.For this free first-come, first-serve program, you must sign up in advance for your 45-minute time slot.Email Sergey to reserve your spot starting Monday, July 17: sergey@jivetin.comHudson Valley-based artist-miniaturist Sergey Jivetin will bring his on-going seed story project to Ann Street Galley. Sergey will hand-engrave seeds with illustrations based on narratives about plants and their deep connection with farmers, seed savers, naturalists, and enthusiast gardeners who nurture and preserve them. If you would like to share your personal story of such a relationship between plants and people, bring a relevant seed and Sergey will illustrate your individual story then engrave his image on your seed!Several works by Sergey Jivetin are featured in Ann Street Gallery’s summer exhibition, Listening to Land.Sergey Jivetin makes artwork that blurs the boundaries of fine art, craft, and design. With extensive experience in the various formats of design and manufacturing, including fine and art jewelry, product design, and industrial and medical engineering, Jivetin embodies skillful and thoughtful approaches in both concept and execution of the work in a variety of formats from micro to macro scale. Born in Tashkent, Uzbekistan in 1977. Living and working in the USA since 1992. Received MFA from SUNY New Paltz, NY, and BFA from Parsons School of Design, NY. Taught at SUNY New Paltz and NJCU, RISD, and Kean University.Honors include: Louis Comfort Tiffany Foundation biennial award (2011), New York Foundation for the Arts Individual Artist’s Fellowships (2009 and 2005); Reed Foundation Individual Artist’s Grant (2007), Herbert Hoffman Preis, Germany (2005); Second Prize and Grand Prize at Itami International Jewelry Biennial, (2009 and 2005)Work is in the permanent collection of the Smithsonian American Art Museum, Metropolitan Museum of Art, Museum of Art and Design, Mint Museum, Dallas Museum of Art, and Itami Craft Museum, Japan.To learn more about Sergey’s work visit

https://www.sergeyjivetin.com/ https://www.seedengraving.com/
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	Safe Harbors of the Hudson and Ann Street Gallery are thrilled to introduce our 2023 Ann Street Gallery Emerging Artist Fellows: Shani Richards, Michelle Corporan, and Rachel Olivia Berg. Find details about the Fellowship, the selected Fellows, and their projects HERE.
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	Listening to Land:Imaginal Technologies, Material Conduits, 
&#38;amp; Landscape Translations Toward Perceiving PlaceJuly 13, 2023 - August 27, 2023Opening Reception July 15, 4:00-7:00pm Closing Reception &#38;amp; Gallery Talks August 27, 4:00-5:30pmListening to Land is a group exhibition exploring practices of listening in relation to place and the place-making potential of creative acts of listening, wherein to land is a verb, and listening provides a point of ingress.Artists in the exhibition use storytelling, jam-making, woodworking, basketry, mapping, lenses, microphones, speakers, and other technologies to heighten our ability to relate to our surroundings and other beings, and to extend our capacity to perceive beyond what is visible or knowable in the landscape. Prehistoric, mythical, and contemporary techniques used by the artists help us to imagine futures in which humans are in more reciprocal relationships with each other and the broader cosmology of entities with whom we share the land.The exhibition offers sounds, portals, and moments of suspension, aiming to inspire silence, slowness, and humility. Materials such as wood, water, stone, soil, plants, glass, metal, horsehair, and minerals act as conduits for the voices of the land from whence they came. The artists invoke the non-human presences of specific places through ultrasensitive explorations of their materials’ inherent qualities and capabilities, inviting us to pause, and reshaping our perceptions.The works in the exhibition suggest that when one listens to land, the land reveals entanglements with intangible forces and phenomena, with buried histories and lost kinships, and with water systems. Rather than rendering landscapes that delineate land from water, human activity, or the cosmos, the works in the exhibition translate images of landscape into abstractions, experiences, revisions, and mappings that allow us to know the land through intricate and interconnected relationships.Free public programming supporting the exhibition will include engagements with several regional artists, informal gallery talks at a closing reception walk-through, and Curated Reading List 003 in our Open Reading Room...Learn more hereThe exhibition is curated by Gallery Director Alison McNulty and includes works by:
Margaux CrumpDonna FrancisKaterie GladdysKatie GroveEllie
IronsSergey JivetinKite and Robbie WingFernanda MelloSteve RossiJean-Marc Superville SovakSusan WalshMillicent YoungThe exhibition, programming, and receptions are free and open to the public, but some workshops accommodate a limited number of participants and require a reservation.

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Listening to Land Exhibition Page
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	<item>
		<title>(your) body is a porous language - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/your-body-is-a-porous-language-Exhibition-Overview</link>

		<pubDate>Sun, 01 Mar 2026 14:25:18 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/your-body-is-a-porous-language-Exhibition-Overview</guid>

		<description>
	(your) body is a porous language&#38;nbsp; &#38;nbsp; &#38;nbsp;(our) embodied connections 
April 11 - May 31, 2026Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday, April 11, 4:00 - 6:00 pmCurated by poet, performance artist, and Beacon resident Edwin Torres, the exhibition will feature work by:
Elizabeth Castagna
Todd Colby
Matthew Friday
Renee Gladman
Charmaine Lee &#38;amp; Gryphon Rue
Shanzhai Lyric
Erika Mahr
Tamalyn Miller
Gabriela Salazar
Sasha Stiles
Edwin Torres
Yara Travieso
Cecilia Vicuña
Millicent Young
Zina Zinchenko&#38;nbsp;
(your) body is a porous language :&#38;nbsp;(our) embodied&#38;nbsp;connections is an exhibition seeking transformative ways of relating through poetic structures. Works across and between disciplines traverse the permeable territory between bodies, emotions, words, and dimensions of physical architecture, the page, and virtual spaces. What curator Edwin Torres refers to as “language-making,” in the form of installation, sculpture, painting, drawing, digital media, movement, writing, poetry, fashion design, and sound art, simultaneously delineates and dissolves boundaries between mind, body, and environment. 

Torres adds, "Our bodies are liquid vibrational forces that mirror the patterns of our human porosity, rewriting our connections with every move and utterance we choose. The transformative process of&#38;nbsp;poetry's&#38;nbsp;sense-shifting&#38;nbsp;is a navigation between mind and body that&#38;nbsp;art-making&#38;nbsp;creates openings for. How we adapt to immediacy informs the architecture of our portals, embodying a poem’s dimension — to speak while listening. Across the many voices and forms gathered, this exhibit proposes how&#38;nbsp;language-making&#38;nbsp;can shape our willingness to interrogate a continually evolving world.” 

Gallery Director Alison McNulty shared, “We are thrilled to welcome accomplished multidisciplinary poet, Edwin Torres, back to Ann Street Gallery as guest curator of our spring group exhibition. The curatorial role is an organic extension of Torres’ work, highlighting his brilliance as a poet and performer, building on his long-standing interest and engagement with visual and performing art and artists, and expanding his creative and thematic interests around space, language, materiality, sound, and the body into the 3D space of the gallery. We enthusiastically invite the public&#38;nbsp;back to the gallery this spring&#38;nbsp;to experience&#38;nbsp;Torres’&#38;nbsp;ambitious, sensual, and&#38;nbsp;intellectually rigorous&#38;nbsp;group exhibition, along with an exciting series of programs also organized by Torres, including a poetry performance, a workshop, and an artist talk.”   Special Events &#38;amp; Performances at Ann Street Gallery: all events are free and open to the public; 
space limited where RSVP requested(your) body is a poetry reading

Sunday, April 26, 3:00 - 5:00 pm

Carolina Abreu, Brenda Coultas &#38;amp; Edwin Torres (poetry), 
 K.J. Holmes (dance), Sean G. Meehan (snare) 
Click here for more details.
Gallery Walkthrough and Q&#38;amp;A&#38;nbsp;with curator Edwin Torres
Saturday May 2, 2:00 - 3:00 pmClick here for more details.

(your) body is a workshop


Saturday, May 16, 10:00AM-1:00PMJeanine Durning

RSVP required to annstreetgallery@safe-harbors.org

(your) body is an art talk

Saturday, May 23, 3:00 - 5:00 pm 
 Mónica de la Torre and Renee Gladman Moderated by Edwin Torres

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Yara Travies, Video collage of digital &#38;amp; super 8mm film, 2024


&#60;img width="3938" height="5646" width_o="3938" height_o="5646" data-src="https://freight.cargo.site/t/original/i/81f0722f11754cd06349a528e9c4ec443d27c2908a74786071c261f64f4d5b83/EMahr_Erasure-31.jpg" data-mid="246159771" border="0"  src="https://freight.cargo.site/w/1000/i/81f0722f11754cd06349a528e9c4ec443d27c2908a74786071c261f64f4d5b83/EMahr_Erasure-31.jpg" /&#62;Erasure 31, Erika Mahr&#38;nbsp;
charcoal, graphite, chalkboard surface mylar on panel, 36 x 24", 2022
&#60;img width="1381" height="1571" width_o="1381" height_o="1571" data-src="https://freight.cargo.site/t/original/i/e49ae106e9cc4bfd132f957fa7e6b6c65fa29a80f5ad093f119a4eab3017dbef/Edwin-install-promo2.jpg" data-mid="246159809" border="0"  src="https://freight.cargo.site/w/1000/i/e49ae106e9cc4bfd132f957fa7e6b6c65fa29a80f5ad093f119a4eab3017dbef/Edwin-install-promo2.jpg" /&#62;
Sanctuary for a Thousand Falls (detail), 
Edwin Torres,&#38;nbsp;mixed media installation, dimensions variable, 2025


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	Introducing Guest Curator, Edwin TorresAnn Street Gallery is thrilled to announce Edwin Torres as the guest curator of our spring group exhibition, (your) body is a porous language : (our) embodied&#38;nbsp;connections, opening with a reception on Saturday, April 11 from 4:00 - 6:00 pm and running through May 31.
Edwin Torres is a Nuyorican poet and performance artist known for his innovative, multi-sensory approach to poetry, seeking our possibilities for connection by investigating our entry into language. A multidisciplinary poet rooted in the languages of sight and sound, Torres is interested in the physicality of language, as a permeable territory traveled between us, infinite with mistake and wonder. His performances blend vocal improvisation, physical movement, and audience interaction. Born in the Bronx, Torres is an adjunct poetry professor at Columbia University currently living in Beacon, NY. 

Torres has previously performed at Safe Harbors of the Hudson’s Literary Festival and was commissioned to write and perform new work for Ann Street Gallery’s inaugural Artist Researcher in Residence program, From the Ground UP. His piece for the exhibit,&#38;nbsp;“Burial Chant: did you in your life leave any wonder behind”,&#38;nbsp;was recorded and presented in the gallery,&#38;nbsp;and&#38;nbsp;available in the online project archive. 
Torres is the author of multiple books of poetry, including “Quanundrum: i will be your many angled thing” (Roof Books, awarded an American Book Award), “Xoeteox: the infinite word object” (Wave Books), “Ameriscopia” (University of Arizona), and &#38;nbsp;“Feel Recordings In The Evershift” (Wave Books) forthcoming this fall. He is also the editor of “The Body&#38;nbsp;In&#38;nbsp;Language: An Anthology”&#38;nbsp;(Counterpath&#38;nbsp;Press). He has been awarded fellowships from NYSCA, Foundation for Contemporary Arts, Arts Mid-Hudson&#38;nbsp;and&#38;nbsp;NYFA&#38;nbsp;among others. He&#38;nbsp;has presented his&#38;nbsp;bodylingo&#38;nbsp;poetics worldwide and locally at the Soon Is Now climate&#38;nbsp;festival&#38;nbsp;among others. His work has been widely anthologized in volumes including&#38;nbsp;“New Weathers: Poetics from the Naropa Archives,”&#38;nbsp;“Poets&#38;nbsp;In&#38;nbsp;The 21st Century: Poetics of Social Engagement,”&#38;nbsp;and&#38;nbsp;“Aloud: Voices from The Nuyorican Poets Cafe”.  Torres’ visual poetics have been exhibited at Exit Art, White Box, EFA Gallery in NYC, and a graphic retrospective “Poesís: The Visual Language of Edwin Torres” at the Center for Book and Paper Arts in Chicago. His sound recordings include “Sublingual Infinities”,&#38;nbsp;with sound artist Stephen Vitiello, and his own CD&#38;nbsp;“Holy Kid”,&#38;nbsp;which was included in the Whitney Museum’s exhibit&#38;nbsp;“The Last American Century Pt. II”.&#38;nbsp;Torres has collaborated with artists across a variety of media and has taught process-oriented creativity workshops across the nation titled,&#38;nbsp;“Brainlingo: Writing&#38;nbsp;The&#38;nbsp;Voice&#38;nbsp;Of&#38;nbsp;The&#38;nbsp;Body”.
More about Torres can be found&#38;nbsp;on Instagram&#38;nbsp;at&#38;nbsp;@Brainlingo_&#38;nbsp;




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	HOLDING LIGHT SUTRA&#38;nbsp;
A MULTIMEDIA INSTALLATION
Safe Harbors’ Ritz Theater Stagehouse
100 Ann Street
Newburgh, NY 12550
May 9 - July 12, 2026Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 12:00 - 5:00 pm
And Upstate Art Weekend
Thursday, June 25 - Monday, June 29, 12:00 - 5:00 pm
Opening ReceptionSaturday, May 9, 4:00 - 7:00 pm
Performance Event featuring Timothy Hill and Jeni AscosiSunday, May 31, 4:00 - 7:00 pmClosing Reception and Project Documentary ScreeningSunday, July 12, 4:00 - 7:00 pm
STRONGROOM is proud to present, in collaboration with Safe Harbors of the Hudson’s Ann Street Gallery, HOLDING LIGHT SUTRA, a multimedia installation by Millicent Young. Taking place in the historic Safe Harbors’ Ritz Theater Stagehouse in Newburgh, NY, the installation incorporates sculpture, sound, and video projection, and will open on Saturday May 9 with a reception and artist discussion from 4–7PM. It will remain open on weekends from 12–5PM through July 12, including a performance event on June 7, and documentary screening and closing reception on July 12.

Set in the Ritz Theater Stagehouse, which Safe Harbors only recently reopened to the public after being inaccessible since the 1970s, HOLDING LIGHT SUTRA will transform the soaring raw space into an immersive installation and meditation on displacement, fragmentation, and transformation. Through this work she will focus on “intimacy and a belonging arrived at after brokenness;” in a site of decay and revitalization.

Constructed of white horse hair, a suspended cubic form floats in the center of the space, simultaneously absorbing and fragmenting two video projections, exuding a sense of both permeability and impenetrability. The work makes formal and metaphorical use of two aspects inherent to the material hair – that it stirs like breath with air movement, and that it gathers light and becomes a luminous presence.

Projected through the hair will be images of nature, and structural ruins, accompanied by audio field recordings made in Ulster County, where the artist is based, and along the Atlantic coast, as well as her own voice. The recordings are journalistic and create an intimacy in the work alongside universal themes. The artist said, “With the disappearance of habitat—by human encroachment, rising seas, genocide, and ecocide—come the loss of memory, language, and sense of belonging: the tethers that bind us against fragmentation.” This fragmentation is further emphasized through the use of the handmade sculptural form, paired with the fleeting materials of sound and projection, and the site itself. In this way, the artist integrates concept, material, and metaphor.

“While my current work responds to specific events of breakdown: the collapsing biosphere, war, and the loss of language, place, and relationship, my artwork meets these events as matters of the soul - where collective history and personal story merge, and where contemplative stillness and agency meet.” - Millicent Young

Millicent Young is a studio artist focusing on installations that integrate handmade sculpture, projection, verse, and sound. Young (b.1958, NYC) attended the Dalton School on scholarship (1962-1976) where her study of visual art, craft, music, and poetry were foundational. Cross cultural childhood experiences, the diversity of her family background, and her immersion in rural lifeways were formative influences on Young’s social ecological citizenship. Young went on to study at Wesleyan University, University of Virginia (BA 1984), University of Denver, and James Madison University (MFA 1997). Young has received multiple grants from New York State Council on the Arts, Arts Mid Hudson, Foundation for Contemporary Art, and the Virginia Museum of Fine Arts. Since 1995, her work has received awards from curators affiliated with the Smithsonian, Hirshhorn, Dia, New, Guggenheim, and Whitney Museums in juried exhibitions. It received a top award at the Biennale of Contemporary Art in Florence Italy (2005). Her work is included in the National Museum of Women in the Arts collection and was featured on the cover of Sculpture Magazine (March/April 2020). She received the Distinguished Alumni Award from the School of Art, Design, and Art History at James Madison University.This project is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional support provided by the Henry Moore Foundation; and an Arts and Culture Project regrant from NYSCA administered by Arts Mid-Hudson.





Safe Harbors' Ann Street Gallery exhibitions are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the Cowles Charitable Trust, Dominican Sisters of Hope Ministry Fund, M&#38;amp;T Charitable Foundation, and individual donors.

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	<item>
		<title>etheReality - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/etheReality-Exhibition-Overview</link>

		<pubDate>Sun, 17 Aug 2025 02:32:28 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/etheReality-Exhibition-Overview</guid>

		<description>
	etheRealityfrom breath to air, and back
June 21 - August 31, 2025Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday June 28, 5:00 - 7:00 pmExtended hours for Upstate Art WeekendThursday July 17 - Monday July 21, 12:00 - 5:00 pm
The exhibition is curated by Alison McNulty and includes works by:Bel Falleiros
Ghost of a Dream
Sanie Irsay
Mollie McKinley
Jason Mitcham
Megan Pahmier
Linda Stillman
Amy Talluto




etheReality: from breath to air, and back is a group exhibition of works across various media that consider the cyclical, interconnected and often intangible relationship between individuals and the collective. The show attempts to locate our contemporary human reality in the murky, haunted spaces between our cumulative acts of destruction and a shared atmosphere of grief and loss, while offering glimpses of inspiration in connection to each other and the natural world. How is breath tied to time and place? How do our everyday actions and habits co-create a vast cosmic phenomenon that echoes through the ether and implicates us in its return?  Programming at Ann Street Gallery:August 16, 2:00 - 3:30pmOne only Earth, One only SkyWorkshop with Bel Falleiros Details here.RSVP required to annstreetgallery@safe-harbors.orgAugust 23, 2:00 - 3:30pm
Artist Dialogs: Jason Mitcham and Ghost of a Dream, moderated by Alison McNultyDetails here.

August 30, 2:00 - 3:30pm
Artist Panel: Round Robin Q&#38;amp;A between Mollie McKinley, Linda Stillman, Amy Talluto, and curator Alison McNultyDetails here.

Exhibition Materials:

Exhibition Checklist
(Price list available upon request)

Press:Hyperallergic
10 Shows to See in Upstate New York This August(Download PDF here)Two Coats of Paint
Hudson Valley (+vicinity) Selected Gallery Guide: July 2025Times Union
What to see during Upstate Art Weekend(Download PDF here)

 
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&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" data-mid="237107389" border="0"  src="https://freight.cargo.site/w/1000/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" data-mid="237107440" border="0"  src="https://freight.cargo.site/w/1000/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6ed301cc52f6929cfc39cda126972e954d379ab7fb21918ff76268f21aafcef6/etheReality---Individual-Artworks---Sanie-Irsay---01.jpg" data-mid="237107418" border="0"  src="https://freight.cargo.site/w/1000/i/6ed301cc52f6929cfc39cda126972e954d379ab7fb21918ff76268f21aafcef6/etheReality---Individual-Artworks---Sanie-Irsay---01.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" data-mid="237107411" border="0"  src="https://freight.cargo.site/w/1000/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" data-mid="237107502" border="0"  src="https://freight.cargo.site/w/1000/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" data-mid="237107481" border="0"  src="https://freight.cargo.site/w/1000/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" /&#62;


	Bel Falleiros
belfalleiros.com.br
@bel.falleiros
	My artistic practice is driven by the ideas of place and belonging, in understanding how contemporary constructed landscapes (mis)represent the diverse layers of presence that constitute a place. What lies underneath the layers of concrete and everyday rubble?  I learned from my hometown (São Paulo, Brazil) that colonization, displacement, and consequent historical amnesia can create deep scars in the land and for those who inhabit it. What narratives go missing?  I work to recall these stories and their imagery in drawings, photos, sculptures, installations, and site-specific works. 


While working across diverse social, natural, and historical landscapes, I've accumulated experiences that are reminders that every place, person and matter is an integral piece of its ecosystem. Over time, my work has embraced the scale of the landscape to create welcoming and immersive spaces for reconnection: with nature, with our inner self and with the other beings around us. These temporary sacred spaces are an invitation to be closer to the land and to remind of the innate knowledge of our bodies, and of our interconnectedness—an urgent call for our unrooted times. 
&#38;nbsp;
	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" data-mid="237107389" border="0"  src="https://freight.cargo.site/w/1000/i/1fcdc7ab934958ad5462d2a509a67b39ddece44fc7f3536341e632af34ad4f60/etheReality---Individual-Artworks---Bel-Falleiros---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c939d14f86a18fe9278717f99533a5980856fc16ca40b428348b7c19821663bf/etheReality---Individual-Artworks---Bel-Falleiros---02.jpg" data-mid="237107390" border="0"  src="https://freight.cargo.site/w/1000/i/c939d14f86a18fe9278717f99533a5980856fc16ca40b428348b7c19821663bf/etheReality---Individual-Artworks---Bel-Falleiros---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c875c05212186ba629d0094e5b1cbab6e6dddf7a1c4ec0cd59a9abca3e404b11/etheReality---Individual-Artworks---Bel-Falleiros---03.jpg" data-mid="237107391" border="0"  src="https://freight.cargo.site/w/1000/i/c875c05212186ba629d0094e5b1cbab6e6dddf7a1c4ec0cd59a9abca3e404b11/etheReality---Individual-Artworks---Bel-Falleiros---03.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/af106cb1294cbcf309e34f70ac8fe2c9cde1390596077e966abc3acef5a9b383/etheReality---Individual-Artworks---Bel-Falleiros---04.jpg" data-mid="237107392" border="0"  src="https://freight.cargo.site/w/1000/i/af106cb1294cbcf309e34f70ac8fe2c9cde1390596077e966abc3acef5a9b383/etheReality---Individual-Artworks---Bel-Falleiros---04.jpg" /&#62;
Eye of the Earth, Eye ofthe Sky

Terracotta sculptures onBlack Dirt soilDimensions variable2021-2025
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4ec2d3169450eb286a680b73f2769b72b83c1958a2bd883e456cb9c138cac9e0/etheReality---Individual-Artworks---Bel-Falleiros---05.jpg" data-mid="237107393" border="0"  src="https://freight.cargo.site/w/1000/i/4ec2d3169450eb286a680b73f2769b72b83c1958a2bd883e456cb9c138cac9e0/etheReality---Individual-Artworks---Bel-Falleiros---05.jpg" /&#62;Water Songs

Sound collage
3 minutes and 22 seconds
2021

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/328e5962f3f5872f95746d7a6f463abdfb6ce4204e742e3bf7b56ee07415ccec/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" data-mid="237107394" border="0"  src="https://freight.cargo.site/w/1000/i/328e5962f3f5872f95746d7a6f463abdfb6ce4204e742e3bf7b56ee07415ccec/etheReality---Individual-Artworks---Bel-Falleiros---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ba229b2883772019c00a03c3703b2e3e7f110b3a870adb6b8d11e403a7371ed0/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" data-mid="237107395" border="0"  src="https://freight.cargo.site/w/1000/i/ba229b2883772019c00a03c3703b2e3e7f110b3a870adb6b8d11e403a7371ed0/etheReality---Individual-Artworks---Bel-Falleiros---07.jpg" /&#62;
Night Sky

Indigo watercolor on paper
9 x 12” (11 x 14” framed)
2025


&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/dbd606b6eac07988a59fb4472d2d23f5dbd000d919632cac87fbc64075a229ff/etheReality---Individual-Artworks---Bel-Falleiros---08.jpg" data-mid="237107396" border="0"  src="https://freight.cargo.site/w/1000/i/dbd606b6eac07988a59fb4472d2d23f5dbd000d919632cac87fbc64075a229ff/etheReality---Individual-Artworks---Bel-Falleiros---08.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9bd362b4f5b3141328515e89eb4e0d3a856d8ce2f989fda8d0c695adc7ead9e7/etheReality---Individual-Artworks---Bel-Falleiros---09.jpg" data-mid="237107397" border="0"  src="https://freight.cargo.site/w/1000/i/9bd362b4f5b3141328515e89eb4e0d3a856d8ce2f989fda8d0c695adc7ead9e7/etheReality---Individual-Artworks---Bel-Falleiros---09.jpg" /&#62;
Woven Night

Color pencil on paper
8 x 11” (11 x 14” framed)
2025



	Ghost of a Dream
ghostofadream.com
@ghostofadreamart


	Our work explores the hopes and dreams of people, using the ephemera left behind in their pursuit of these aspirations. When our collaboration began in 2008, we examined the universal dreams of love and wealth, constructing objects of desire—dream homes, cars, and more—using remnants from gambling, such as scratch tickets, casino playing cards, and carpet from casinos. 


Over time, our focus has shifted toward the collective dream of a better future: one free from the devastating impacts of climate change, and a society that values social justice and political freedom. Each project begins with ephemera we gather—images, posters, videos, and other materials—which we layer, collage, and transform into visual narratives. 


Our current series, If this is paradise, confronts the escalating frequency of climate disasters. By sourcing imagery from thousands of news stories, we highlight recognizable causes and effects of climate change, including deforestation, melting polar ice, forest fires, mining, political unrest, and floods. These composite photographs are created by layering sometimes up to 70 individual images, offering viewers a cumulative perspective on the global crisis. 


Through this work, we aim to challenge the way we relate to the constant stream of climate imagery in the media, hoping the repetitive visualization of global disasters will inspire meaningful action toward a sustainable future.


In a time of travel bans, persecution, climate disaster, and global pandemics, we are working on a project that brings hope into a collective experience. Our video and installation based project Aligned by the Sun, seeks to unify our fractured planet. We are collaborating with artists from each of the 192 UN member states, as well non UN member nations and territories in the world by asking them to capture a short video of the sun. Then we have taken those clips to make large installations, video collages, and still image composites. 


This work is intended to spark a dialogue about equality, location, migration, and the environment. 


Across history, humans have drawn and redrawn lines on this earth. As borders have shifted, one truth has remained constant: we inhabit a single planet that is sustained by the light and warmth of the sun. Aligned by the Sun invites viewers to imagine a future charted by this fact. 


	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/89d2dc5b50867981434daf77db322e4269e31e2844722e2707ca95fc7373e360/etheReality---Installation-Shots---AM---08.jpg" data-mid="237107328" border="0"  src="https://freight.cargo.site/w/1000/i/89d2dc5b50867981434daf77db322e4269e31e2844722e2707ca95fc7373e360/etheReality---Installation-Shots---AM---08.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d39e2464fdc1856a4c6aff95aec979217e61fa6ce1df158eb749d231d02b61ea/etheReality---Individual-Artworks---Ghost-of-a-Dream---02.jpg" data-mid="237107405" border="0"  src="https://freight.cargo.site/w/1000/i/d39e2464fdc1856a4c6aff95aec979217e61fa6ce1df158eb749d231d02b61ea/etheReality---Individual-Artworks---Ghost-of-a-Dream---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ba501ebe95220c359cce89133037fe0ca5e55d20112de50844d0523e10ffad89/etheReality---Individual-Artworks---Ghost-of-a-Dream---03.jpg" data-mid="237107406" border="0"  src="https://freight.cargo.site/w/1000/i/ba501ebe95220c359cce89133037fe0ca5e55d20112de50844d0523e10ffad89/etheReality---Individual-Artworks---Ghost-of-a-Dream---03.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/8c3dd9601f26e75e6d9e0259f14bdbc54320349795ab6d4bc019bb19cdb6eacf/etheReality---Individual-Artworks---Ghost-of-a-Dream---04.jpg" data-mid="237107408" border="0"  src="https://freight.cargo.site/w/1000/i/8c3dd9601f26e75e6d9e0259f14bdbc54320349795ab6d4bc019bb19cdb6eacf/etheReality---Individual-Artworks---Ghost-of-a-Dream---04.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a9f68d86746018784da697011303730a71fd5866da893772d528a6918b46c309/etheReality---Individual-Artworks---Ghost-of-a-Dream---05.jpg" data-mid="237107409" border="0"  src="https://freight.cargo.site/w/1000/i/a9f68d86746018784da697011303730a71fd5866da893772d528a6918b46c309/etheReality---Individual-Artworks---Ghost-of-a-Dream---05.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cd2b919fd31223eae3feed999052e961f01b52b6e6d1b70e23fc299870f73f88/etheReality---Individual-Artworks---Ghost-of-a-Dream---06.jpg" data-mid="237107410" border="0"  src="https://freight.cargo.site/w/1000/i/cd2b919fd31223eae3feed999052e961f01b52b6e6d1b70e23fc299870f73f88/etheReality---Individual-Artworks---Ghost-of-a-Dream---06.jpg" /&#62;
aligned by the sun

Single channel video15 minutes and 40 seconds2022-25

&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b8231669c32cb7fd55a626660092a496d81de197e05ea7319ed727dd3b8349c2/etheReality---Individual-Artworks---Ghost-of-a-Dream---07.jpg" data-mid="237107413" border="0"  src="https://freight.cargo.site/w/1000/i/b8231669c32cb7fd55a626660092a496d81de197e05ea7319ed727dd3b8349c2/etheReality---Individual-Artworks---Ghost-of-a-Dream---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ae7b4116aacdc59e10c8f208942266095ec58fe5d52a32831a494adf4389e555/etheReality---Individual-Artworks---Ghost-of-a-Dream---08.jpg" data-mid="237107414" border="0"  src="https://freight.cargo.site/w/1000/i/ae7b4116aacdc59e10c8f208942266095ec58fe5d52a32831a494adf4389e555/etheReality---Individual-Artworks---Ghost-of-a-Dream---08.jpg" /&#62;
aligned by the sun (a total revolution)

Composite image made by layering stills from videos of the sunset taken by artists in 225 nations around the planet as part of the Aligned by the Sun series printed and mounted on dibond
(list of participants on artists’ website)
58 x 58”
2024

&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" data-mid="237107411" border="0"  src="https://freight.cargo.site/w/1000/i/09c76efade4f6125dd99b9f0906148d5074c5b6d3f4fd20b549132d1ee60b2ae/etheReality---Individual-Artworks---Ghost-of-a-Dream---09.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3851842363f03f926f381789bc5192f12d0de7e710e374a9b41dbf027d873b05/etheReality---Individual-Artworks---Ghost-of-a-Dream---10.jpg" data-mid="237107412" border="0"  src="https://freight.cargo.site/w/1000/i/3851842363f03f926f381789bc5192f12d0de7e710e374a9b41dbf027d873b05/etheReality---Individual-Artworks---Ghost-of-a-Dream---10.jpg" /&#62;
They wrote it all down as the progress of man

Deforestation images arranged and layered, printed and mounted on dibond
58 x 58”
2024




	Sanie Irsay
sanieirsay.com
@sanieirsay


	Air Space Parcel above Agnietenplaats 2, 6822 JD, Arnhem, Netherlands, purchased on October 17, 2024. The parcel has a footprint of 314m2. Its horizontal boundaries are coextensive with the boundaries of the building. It starts at the height of 0m above the roof surface, and extends upward to a height of 150m. 
&#38;nbsp;
	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6ed301cc52f6929cfc39cda126972e954d379ab7fb21918ff76268f21aafcef6/etheReality---Individual-Artworks---Sanie-Irsay---01.jpg" data-mid="237107418" border="0"  src="https://freight.cargo.site/w/1000/i/6ed301cc52f6929cfc39cda126972e954d379ab7fb21918ff76268f21aafcef6/etheReality---Individual-Artworks---Sanie-Irsay---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/7fcbc1a3b71ff666a43c036a6a94b5fc4fca8d0b3ec670238ac87e5df34c531a/etheReality---Individual-Artworks---Sanie-Irsay---02.jpg" data-mid="237107419" border="0"  src="https://freight.cargo.site/w/1000/i/7fcbc1a3b71ff666a43c036a6a94b5fc4fca8d0b3ec670238ac87e5df34c531a/etheReality---Individual-Artworks---Sanie-Irsay---02.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/6e074630e3e67f917e193451149c05f73d5cf938b5f15dfaf99b9fe50318189b/etheReality---Individual-Artworks---Sanie-Irsay---03.jpg" data-mid="237107420" border="0"  src="https://freight.cargo.site/w/1000/i/6e074630e3e67f917e193451149c05f73d5cf938b5f15dfaf99b9fe50318189b/etheReality---Individual-Artworks---Sanie-Irsay---03.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/b17b8108f70eac3d2d1a9ffed5c9bc4e6631c4e76da17cb15f9b1fb6b9dd2d18/etheReality---Individual-Artworks---Sanie-Irsay---04.jpg" data-mid="237107421" border="0"  src="https://freight.cargo.site/w/1000/i/b17b8108f70eac3d2d1a9ffed5c9bc4e6631c4e76da17cb15f9b1fb6b9dd2d18/etheReality---Individual-Artworks---Sanie-Irsay---04.jpg" /&#62;
Air Space Parcel above Agnietenplaats 2Signed contract and survey drawing / plotter print on paper Dimensions variable 2024



	Mollie McKinley
molliemckinley.com
@mollie_mckinley


	My sculptures work with the elementals: water, erosions of earth, material formed by fire, and the ephemerality of air. These elements function as tools, materials, and subjects of the work; they are my collaborators. Carved salt blocks and blown glass access the myths and intelligences of the elementals. This work approaches the unknown as an adored friend, honoring both the ethereal and the tangible. While the series began as experiments about time and erosion during my recovery from cancer, it has evolved to integrate ongoing questions around death, embodiment, and the unseen. 


In the tradition of hermetic alchemy, salt represents the body in relationship to its spirit. The sculptures begin by using water-jet carving techniques to erode blocks of salt. These worn salt-bodies are then paired with blown glass, with breath-inflated glass orbs hovering atop. Sometimes illuminated neon is bent and threaded through holes in the salt. Since glass does not fuse to most materials, these are separate material components that use gravity and balance to stabilize into one sculpture. They are simultaneously precarious and enmeshed. 


Eleven years after my very first salt sculptures, the Tír na nÓg iteration of my salt and glass series began in 2023. Tír na nÓg looks deeper into mythologies of death and afterlife, positioning the sculptures as elemental portals to the otherworld. Their color palette of muted beige, purple-blacks, and yellows all shift in hue based on the intensity of light shining through them. Many have high silver content in the chemical composition, allowing for greater transformations in their appearance. This shift allows the sculptures to vacillate as dynamic objects with life and agency. 


Tír na nÓg is the ancient Celtic underworld/otherworld. Pre-dating the notion of underworld-as-hell, the pre-Christian Celts envisioned the spirit plane as an idealized form of earth. Here, supernatural beings co-exist with the spirits of the dead; possibly with elementals and fae creatures. While each geographic region had variations on who occupied this realm and how to enter into it, the entrances to the underworld were always found on the ground itself, rather than the sky. Swamps, bogs, wells, burial mounds, and a sudden fog or mist could all be temporary doorways to this dimension (although living humans were not encouraged to seek access before their death). Everyone ended up in Tír na nÓg eventually. A universal, paradisal afterlife was connected to the mushy bits of earth itself, rather than above and away in the sky. Our feet, our bodies, are always touching the doorways to the beyond. 


	
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Image 1 courtesy of the artist
Enter Through Smoke

Carved and charred salt,blown glass12 x 15 x 10”2023


	Jason Mitcham
jasonmitcham.com
@jason_mitcham


	Through an interdisciplinary approach rooted in painting and stop-motion animation, my work explores mapping, land use and planning, cycles of growth and decay, layering of history, and the complex web of social, political and environmental forces embedded in the landscape. Both my research and practice are heavily influenced by my history as a land surveyor.   


Using a stop-motion process my animations are created by hundreds or thousands of successive alterations on paintings.  Within the animating process marks are no longer made with the ultimate, final state of the image taking precedence. Rather, every mark creates the animation, so only the next movement matters. No ideal form is thought of. Rather than transcendency, contingency is paramount. A mark’s purpose is to bridge the one before it and the one that will follow it. More than likely it will be overlaid later on, by other marks needed to tell another part of the story. 


As the animations develop, the paintings become topographic “terrains” of built-up layers.  In the end they stand as archaeological remnants of the process.   


Head Full of Doubt/Road Full of Promise was created through a stop-motion process of documenting the development of a single painting. Slight alterations were photographed throughout the painting process, and then are shown in sequential order. Each second of moving image contains approximately 10 alterations on the painting.  The animation also serves as the music video for the title song, written and performed by the Avett Brothers. 


Pumpjacks on Horizon is an animated painting created as part of the three-channel immersive video installation, Pumpjack. The animations for Pumpjack were created over the course of a year, and began with a simple investigation: animate a lone oil pump in a field as a point of departure. A cycle, a pump, a pulse, and a referent to the oil that powers what has shaped the design of our modern landscape and its infrastructure – the automobile. 


Before sound and editing began, the artist’s father died unexpectedly following a heart attack. This event profoundly shaped the final form of the work, which draws a connection between exterior and interior, between infrastructure and the human vascular system, between blood and oil, between a heart and a pumpjack. Placed in an immersive three channel environment, the work creates a heightened corporeal awareness for the viewer. The individual viewer’s body thus becomes a point of departure, both inward and outward as they experience vastly changing scales of systems. Designed as a never-ending loop, the work raises questions about sustainability, cycles of development and ruin, and our roles within larger systems. 


Site/Sight #1 is a painting from an ongoing series of works that combine observational landscape painting with survey mapping imagery.   


Survey Tape on Power Lines is an animated painting that will serve as a scene in the artist’s current in-progress animation, Ever Behind the Sunset. 
&#38;nbsp;
	
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Head Full of Doubt/Road Full of Promise

Stop motion animation painting
4 minutes and 20 seconds
2010
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" data-mid="237107440" border="0"  src="https://freight.cargo.site/w/1000/i/89c0b74a5350937c46e64d45d2a1555f9a6b3f2665fc19ddacee99e7c95f338a/etheReality---Individual-Artworks---Jason-Mitcham---06.jpg" /&#62;
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Pumpjacks on Horizon

Acrylic on canvas
12 x 24”
2021&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/fb53d576a7ae915e200b7fd8bbd6396b8acb0c45a9b85beea30a1c06cb22f2cd/etheReality---Individual-Artworks---Jason-Mitcham---09.jpg" data-mid="237107443" border="0"  src="https://freight.cargo.site/w/1000/i/fb53d576a7ae915e200b7fd8bbd6396b8acb0c45a9b85beea30a1c06cb22f2cd/etheReality---Individual-Artworks---Jason-Mitcham---09.jpg" /&#62;Site/Sight #1

Acrylic on canvas
56 x 84”
2021

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5b2ff8800694546851286479821a94cfd028d350468574531a4dc1707dcf4770/etheReality---Individual-Artworks---Jason-Mitcham---10.jpg" data-mid="237107444" border="0"  src="https://freight.cargo.site/w/1000/i/5b2ff8800694546851286479821a94cfd028d350468574531a4dc1707dcf4770/etheReality---Individual-Artworks---Jason-Mitcham---10.jpg" /&#62;Survey Tape on Power Lines

Acrylic on canvas10 x 15”2019



	Megan Pahmier
meganpahmier.com
@meganpahmier


	My art activates the unseen. I think of the objects I make as three-dimensional drawings, which emerge and recede in space through techniques of camouflage, illusion, and manipulations of scale. Through these object-drawings, I seek to reveal the instability of perception and how varying modes of attention and awareness shape our experience of reality. I wonder: How do we attend to or conceive of the spaces we inhabit? Within a world of networked technologies, what does it mean to be “touched by” something. I make sculptures that explore how objects and experiences “speak” in ways images cannot. I am interested in the psychology of space, the complex network of relationships between objects and their surrounding environment. My work seeks to address aspects of these encounters that are difficult to represent or capture: vibrations, forces, energies. 


Constructed from repeated half-moon sections of individually cut porcelain and joined with cotton twill tape, as above, so below creates an undulating form that embodies the hermetic principle "as above, so below." The object shifts between multiple interpretations—serpent, vertebral column, topographical map, captured fog, or breath—with each reading dependent on the viewer's perspective and frame of reference. 


In the piece rings of fire, tufts of cotton, barely one inch tall, rise like flames from the ground, forming two interlocking circles. Where a cotton ball has been pressed into glue and pulled away, traces remain, a residue that maps moments of contact and release. Through this work, I render visible the “negative” space of sculpture and work to highlight the physicality of that space through something that is barely there. 
&#38;nbsp;
	
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as above, so below
Porcelain, twill tape, andplexi glass5 x 17 x 71”2025’

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rings of fire

Cotton and glue
1 x 78 x 78”
2025


	Linda Stillman
lindastillman.com
@linda_stillman


	I collaborate with nature and work with what nature provides — leaves for collage material, flowers for pigment stains, the sky for inspiration — to preserve moments in time. 


In my Daily Skies project, I document a small section of the sky each day in an ongoing series, started in August 2005, and continuing indefinitely. Each year I make and present the sky images in different media and formats. In 2011 I painted the sky on a small panel each morning when the light was best from my windows I later mounted the paintings by month on panels in the format of the calendar. 


In subsequent years I made works on paper, then I turned to photography. For the last few years, I have also been posting the daily photographs on dedicated Instagram accounts. This year I take photos of the sky each day, draw a white circle on them and post them on Instagram. Later I turn selected ones into paintings. 


Like my parents before me, I subscribe to and read the New York Times for most of my adult life. Reading the paper was a key part of my morning ritual. Many years ago, as a way to indicate to my husband that I’d read the paper so it could be thrown out, I started tearing off the upper right hand corner. Realizing this fragment contained the all important weather forecast, I started saving the corners (called “ears”) and have been making artwork out of them. These corners are meaningful to me as the weather greatly affects my moods and often impact my life more than the headlines. These works reflect my interest in memorializing the everyday and drawing attention to the natural world. 


Whether Weather is a swirling collage of a month's worth of corners from the New York Times. 


Ears to the Sky/Ozone Hole is made from a print of a collage of corners from the New York Times, formed into a circle in which one catches a glimpse of the blue of the sky. It is how I picture an ozone hole, the thinning of ozone in the sky. 

 
	
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&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8671e1a6ae8adbabfe75ea97670a92829da17da0cb83746a2ce306198cab8442/etheReality---Individual-Artworks---Linda-Stillman---04.jpg" data-mid="237107478" border="0"  src="https://freight.cargo.site/w/1000/i/8671e1a6ae8adbabfe75ea97670a92829da17da0cb83746a2ce306198cab8442/etheReality---Individual-Artworks---Linda-Stillman---04.jpg" /&#62;
Images 1 and 2 courtesy of the artist
Daily Skies 2011

Acrylic on paper on panels15 (or 18) x 14 x 0.75”2011/2014

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Ears to the Sky/Ozone Hole

Ink jet print of newspaper collage, acrylic on paper
16 x 14.5”
2017

&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" data-mid="237107481" border="0"  src="https://freight.cargo.site/w/1000/i/2d8539536b294345a8e2376eae4834c5917053f21c4448c1f8cb871ccdfa47c5/etheReality---Individual-Artworks---Linda-Stillman---07.jpg" /&#62;
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Whether Weather

NYT newspaper clippings, acrylic medium on paper
22 x 30”
2017



	Amy Talluto
amytalluto.com
@talluts


	My paintings lie at the intersection of four personal symbols. The first is a transcription of the sitter's eyes in a famous portrait by Ingres (Joséphine-Éléonore-Marie- Pauline de Galard de Brassac de Béarn, Princesse de Broglie) that have a striking resemblance to my mother’s eyes. Second is a bending and contorting figure sometimes called a "blockhead," other times called a "starchild" that was birthed from a collage fragment. And third is a smooth-trunked tree with a singular knot that functions like an observer or Greek chorus when multiplied. The final fourth symbol is a type of a Victorian pottery called a "spill vase" which is a tubular mantelpiece made by Staffordshire and used to hold slivers of wood, "spills," to light candles before matches were invented. 


I mix and mingle these four symbols into imaginary environments in my paintings, drawings and sculptures. In a surrealist way, these symbols combine to create new meaning out of unexpected configurations. Floating disembodied in atmosphere, stacking one atop another like a ribcage, observing other character's actions, or drifting into deep water, my compositions become flights of fancy that act out loose narratives of memory, recognition and loss. 


Repetition, like in a game of Telephone, whispers infinite permutations into each instance as it morphs and evolves with each work. 
&#38;nbsp;
	
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Bending Starchild and&#38;nbsp;Drooping princesses (After Ingres)

Painted ceramic with iridescent acrylic and oil and glazed ceramic
Dimensions variable
2024

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e7d1a1cc9fd09c1f344b92a300c163f8307763e9d2c9b473aaa66f29d52be247/etheReality---Individual-Artworks---Amy-Talluto---05.jpg" data-mid="237107497" border="0"  src="https://freight.cargo.site/w/1000/i/e7d1a1cc9fd09c1f344b92a300c163f8307763e9d2c9b473aaa66f29d52be247/etheReality---Individual-Artworks---Amy-Talluto---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b4ff3398ee5b6d037f07e72905c606d084065c8412479e77ecee34e05e6471ab/etheReality---Individual-Artworks---Amy-Talluto---06.jpg" data-mid="237107498" border="0"  src="https://freight.cargo.site/w/1000/i/b4ff3398ee5b6d037f07e72905c606d084065c8412479e77ecee34e05e6471ab/etheReality---Individual-Artworks---Amy-Talluto---06.jpg" /&#62;
Forest Vision

Graphite on paper
11 x 11”
2025

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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4faeb053a0348febda4312de8160b46128387a2e1e23fcabf213ddad4654cfad/etheReality---Individual-Artworks---Amy-Talluto---09.jpg" data-mid="237107501" border="0"  src="https://freight.cargo.site/w/1000/i/4faeb053a0348febda4312de8160b46128387a2e1e23fcabf213ddad4654cfad/etheReality---Individual-Artworks---Amy-Talluto---09.jpg" /&#62;
Incursion

Oil on canvas 60 x 80” 2024

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" data-mid="237107502" border="0"  src="https://freight.cargo.site/w/1000/i/ba48ea3d97561e235e92fe211b6f0b2c0e7181eb39ce36350641cdc13a207251/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" /&#62;
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Multi-head (Spill Vase)

Polymer clay with oil paint
12 x 8.5 x 5”
2022

&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/6a7c7d733df54213952bbc84dab1014d0faa6b36e4cb59c778b0ac1ebfd27ddb/etheReality---Individual-Artworks---Amy-Talluto---14.jpg" data-mid="237107506" border="0"  src="https://freight.cargo.site/w/1000/i/6a7c7d733df54213952bbc84dab1014d0faa6b36e4cb59c778b0ac1ebfd27ddb/etheReality---Individual-Artworks---Amy-Talluto---14.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ed1b030b93cd78422358480401552ad20f3145975ffe262504f5b7d1afa34e2a/etheReality---Individual-Artworks---Amy-Talluto---15.jpg" data-mid="237107507" border="0"  src="https://freight.cargo.site/w/1000/i/ed1b030b93cd78422358480401552ad20f3145975ffe262504f5b7d1afa34e2a/etheReality---Individual-Artworks---Amy-Talluto---15.jpg" /&#62;
Starchild Out of Balance

Graphite on toned paper
7 x 8.5”
2024


&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/06c485fa8c3334ed30a724a13aca2b6c49282061306d84aa82223197849e91d7/etheReality---Individual-Artworks---Amy-Talluto---16.jpg" data-mid="237107508" border="0"  src="https://freight.cargo.site/w/1000/i/06c485fa8c3334ed30a724a13aca2b6c49282061306d84aa82223197849e91d7/etheReality---Individual-Artworks---Amy-Talluto---16.jpg" /&#62;
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Starchild Rodeo

Graphite on toned paper
10.5 x 8”
2024

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8ccae9d833f551b09aa1f9b5ba44a9a06973cd2b307f48f371f8ae31edc9d6fb/etheReality---Individual-Artworks---Amy-Talluto---18.jpg" data-mid="237107510" border="0"  src="https://freight.cargo.site/w/1000/i/8ccae9d833f551b09aa1f9b5ba44a9a06973cd2b307f48f371f8ae31edc9d6fb/etheReality---Individual-Artworks---Amy-Talluto---18.jpg" /&#62;
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Submerged Princess (After Ingres)

Graphite on paper
9 x 7.25”
2024


&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/30f372f7a7a3b1a422a83380b1c99a583c6b749d4252d9fcc77e945e9e29cd03/etheReality---Individual-Artworks---Amy-Talluto---20.jpg" data-mid="237107512" border="0"  src="https://freight.cargo.site/w/1000/i/30f372f7a7a3b1a422a83380b1c99a583c6b749d4252d9fcc77e945e9e29cd03/etheReality---Individual-Artworks---Amy-Talluto---20.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/8d76264f673704506f81d54badacd096779b0732ffbbec74d31fbcbcbef08e91/etheReality---Individual-Artworks---Amy-Talluto---23.jpg" data-mid="237107515" border="0"  src="https://freight.cargo.site/w/1000/i/8d76264f673704506f81d54badacd096779b0732ffbbec74d31fbcbcbef08e91/etheReality---Individual-Artworks---Amy-Talluto---23.jpg" /&#62;
Tree Head Hill

Glazed ceramic with acrylic paint
9 x 13 x 14”
2024


&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cb727f88be38304c2d6529d46ea13068ce2b9299b8517b22477d726597c90b37/etheReality---Individual-Artworks---Amy-Talluto---24.jpg" data-mid="237107516" border="0"  src="https://freight.cargo.site/w/1000/i/cb727f88be38304c2d6529d46ea13068ce2b9299b8517b22477d726597c90b37/etheReality---Individual-Artworks---Amy-Talluto---24.jpg" /&#62;
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Trust Fall (Spill Vase)

Polymer clay with oil paint
10 x 8.5 x 8”
2022


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Yellow Stack with Watchers

Oil on canvas
36 x 30”
2024




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Opening reception photographs courtesy of Adam DeVuyst



Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="237107306" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="237107303" border="0" data-scale="11" src="https://freight.cargo.site/w/744/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="237107302" border="0" data-scale="43" src="https://freight.cargo.site/w/982/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" /&#62;
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	</item>
		
		
	<item>
		<title>etheReality - Programs</title>
				
		<link>https://annstreetgallery.org/etheReality-Programs</link>

		<pubDate>Sun, 08 Jun 2025 17:28:18 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/etheReality-Programs</guid>

		<description>
	etheReality
from breath to air, and back
Summer 2025 Workshop and Program SeriesSaturday, August 16, 2025, 2:00 - 3:30pm — “One only Earth, One only Sky” with exhibiting artist, Bel Falleiros
Saturday, August 23, 2025, 2:00 - 3:30pm — Artist dialogs with exhibiting artists, Ghost of a Dream &#38;amp; Jason MitchamSaturday, August 30, 2025, 2:00 - 3:30pm — Artist Panel:Round Robin Q&#38;amp;A between Mollie McKinley, Linda Stillman, Amy Talluto, and curator Alison McNulty

	Free public programming supporting ASG’s summer exhibition, etheReality: from breath to air, and back, includes engagements with curator and gallery director Alison McNulty and several regional artists, beginning with a multisensory workshop with exhibiting artist Bel Falleiros for&#38;nbsp;“One only Earth, One only Sky” on August 16.
Exhibiting artists Ghost of a Dream and Jason Mitcham will present their work, offering a deeper look into their creative practices and the ways they relate to the themes and questions guiding the exhibition, on August 23.
An artist panel on August 30 with exhibiting artists Mollie&#38;nbsp;McKinley, Linda Stillman, Amy Talluto, and curator Alison McNulty will offer diverse access points to the artists and curator, aiming to draw out the themes, resonances, and motivations underlying the exhibition.



	One only Earth, One only Skya multisensory workshop with clay, breath, and touchwith exhibiting artist, Bel FalleirosSaturday, August 16, 20252:00 - 3:30pmAnn Street Gallery, 104 Ann Street Free &#38;amp; Open to the PublicRSVP required to annstreetgallery@safe-harbors.orgLimited Space AvailableIn a hands-on workshop we will use a multisensory clay exercise to investigate how to open space inside ourselves so we can relate better to what is around us. Can clay, silence, breath and darkness teach us about listening? In a safe environment we will experiment with different forms of experiencing art, artmaking, and ways of sharing knowledge in an embodied way, guided by our touch, scent, and inner self.Guided by the Guarani word “Edjapyxaka” (shared by the Guarani Mbya educator and filmmaker Carlos Papa), the workshop and artworks presented by Bel Falleiros relate to the necessary gesture of going to the darkness and to silence (or getting off the light or the noise) as a technology to better listen and to better understand our inner self and what is around us. Like the exhibition, etheReality, this is a reminder that the breath, the air or the cosmos are constant presences and signal our interconnectedness: a crucial understanding for our moment of social and environmental collapse.In ungrounded and restless times like ours, art and embodied knowledge can be powerful and simple tools for changing our fast and destructive way of doing things.&#38;nbsp; This is a workshop about remembering that we already have what is needed to walk gentler on the earth and to remember our interconnectedness. We just have to make space for these things, like the space we will open in the clay during the workshop, or the space we open in our lungs in every (deep) breath, or the restorative dream space we get with a full night of rest.&#38;nbsp; The workshop is an invitation for all of us to be part of a necessary regenerative force and care for our inner self, each other, and the earth.
	&#60;img width="2560" height="1936" width_o="2560" height_o="1936" data-src="https://freight.cargo.site/t/original/i/2c91893331e40e9191ceb03b0807a0bfe628c79c3e8e8ac7529243d8406ec151/etheReality---Programming---Bel-Falleiros---01.jpg" data-mid="237128106" border="0"  src="https://freight.cargo.site/w/1000/i/2c91893331e40e9191ceb03b0807a0bfe628c79c3e8e8ac7529243d8406ec151/etheReality---Programming---Bel-Falleiros---01.jpg" /&#62;Bel Falleiros is a Brazilian artist whose practice focuses on place and belonging. She creates immersive welcoming spaces to be in community with nature, with our inner being and the beings around us. She is a fellow artist of Sacatar Institute (2014), Pecos National Park (2016), Burnside Farm, Detroit (2017), Santa Fe Art Institute (2018/2025), Socrates Sculpture Park (2020), More Art (2021) and Wave Hill (2023). She was a Dia:Beacon artist-in-residence for their Teens Program (2021-2) and had a commissioned piece for the 37o Panorama of Brazilian Art at MAM-SP (2022). Her recent solo show at KinoSaito (2024) presented a retrospective of works made in the past 7 years. She will be one of the Recess Art Session program artists in the Spring of 2026. In addition to her studio practice, she participates in collaborative projects across the Americas connecting art, community, education and autonomous thinking.belfalleiros.com.br@bel.falleiros

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5fe3d08d0496c2907da199b31e55c7ce8e4fc075c5099f9857acd399b1bf77b1/etheReality---Programming---Bel-Falleiros---02.jpg" data-mid="237128107" border="0"  src="https://freight.cargo.site/w/1000/i/5fe3d08d0496c2907da199b31e55c7ce8e4fc075c5099f9857acd399b1bf77b1/etheReality---Programming---Bel-Falleiros---02.jpg" /&#62;
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&#60;img width="2560" height="2097" width_o="2560" height_o="2097" data-src="https://freight.cargo.site/t/original/i/02f5c7b0873d954d956576e59b2379ae2ae47ab681a21736efd5d9962f21a04e/etheReality---Programming---Bel-Falleiros---04.jpg" data-mid="237128109" border="0"  src="https://freight.cargo.site/w/1000/i/02f5c7b0873d954d956576e59b2379ae2ae47ab681a21736efd5d9962f21a04e/etheReality---Programming---Bel-Falleiros---04.jpg" /&#62;
Previous workshops at Dia:Beacon, the Tang,and Socrates Sculpture Park

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&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/0b8eaea037d68e5fd623a5590fbf99007fb3e2ab42f86c2e97402d092eedc42f/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---26.jpg" data-mid="237925373" border="0"  src="https://freight.cargo.site/w/1000/i/0b8eaea037d68e5fd623a5590fbf99007fb3e2ab42f86c2e97402d092eedc42f/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---26.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2eb7351f078cce12c6aceecbd412e92c6eb7f47d1c1389bd06d86ccdcd590732/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---27.jpg" data-mid="237925374" border="0"  src="https://freight.cargo.site/w/1000/i/2eb7351f078cce12c6aceecbd412e92c6eb7f47d1c1389bd06d86ccdcd590732/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---27.jpg" /&#62;
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&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/7e29e307c0d0a050cfe93b6c2809a00bf06e51f1c7c2a073b84891b91bd0f51d/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---29.jpg" data-mid="237925376" border="0"  src="https://freight.cargo.site/w/1000/i/7e29e307c0d0a050cfe93b6c2809a00bf06e51f1c7c2a073b84891b91bd0f51d/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---29.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/88990e074b67cebc9634cf87d2a9b408ab0323ced847533511744886218ada9e/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---30.jpg" data-mid="237925377" border="0"  src="https://freight.cargo.site/w/1000/i/88990e074b67cebc9634cf87d2a9b408ab0323ced847533511744886218ada9e/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---30.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9ebbbb32a706d8c1fb158096fb1b9998c0d453a0ee78496a710b5baf9ef71170/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---31.jpg" data-mid="237925378" border="0"  src="https://freight.cargo.site/w/1000/i/9ebbbb32a706d8c1fb158096fb1b9998c0d453a0ee78496a710b5baf9ef71170/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---31.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6212caa8aa3ecea5dfab69aaf87a487a9a4d41c4e133539d5856c35c53f7b7a3/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---32.jpg" data-mid="237925379" border="0"  src="https://freight.cargo.site/w/1000/i/6212caa8aa3ecea5dfab69aaf87a487a9a4d41c4e133539d5856c35c53f7b7a3/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---32.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/b93bc8df6063a09ec4cf771510715f757f1ce12efc9c3ce09b9ecc4a163edd5f/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---33.jpg" data-mid="237925380" border="0"  src="https://freight.cargo.site/w/1000/i/b93bc8df6063a09ec4cf771510715f757f1ce12efc9c3ce09b9ecc4a163edd5f/etheReality---Programming--Bel-Falleiros---Workshop-Pieces---33.jpg" /&#62;

Photographs of finished pots courtesy of Bel Falleiros

	Artist Dialogs:Ghost of a Dream &#38;amp; Jason MitchamArtist presentations and conversation with exhibiting artists in etheReality, from breath to air, and back 
Saturday, August 23, 20252:00 - 3:30pmAnn Street Gallery, 104 Ann StreetFree &#38;amp; Open to the PublicPlease join us in the gallery for slide presentations from Ghost of a Dream and Jason Mitcham as they offer a deeper look into their creative practices and the ways they relate to the themes and questions guiding the exhibition, etheReality: from breath to air, and back.Presentations will be followed by a conversation with curator and gallery director, Alison McNulty, including a Q&#38;amp;A with the audience.
	&#60;img width="2400" height="1313" width_o="2400" height_o="1313" data-src="https://freight.cargo.site/t/original/i/76f1ed4411590009aa727da2ecab24c8d0fc4d52e64ad05e2036e108c71f9994/Ghost-of-a-Dream---Headshot.jpg" data-mid="237128123" border="0"  src="https://freight.cargo.site/w/1000/i/76f1ed4411590009aa727da2ecab24c8d0fc4d52e64ad05e2036e108c71f9994/Ghost-of-a-Dream---Headshot.jpg" /&#62;
Ghost of a Dream is the collaborative project of Lauren Was and Adam Eckstrom founded in 2008. Ghost of a Dream's work has been shown in solo exhibitions at the Museum of Contemporary Art Arlington, MassArt Art Museum, Ackland Art Museum, Hunterdon Art Museum, and at the Colorado Springs Fine Art Center and in group exhibitions at Crystal Bridges Museum, Courtauld Museum, Minneapolis Institute of Art, Frist Center for Visual Arts, The Mint Museum, Museum of Craft and Design, and The Textile Museum of Canada among other venues.Ghost of a Dream has received support from the Pollock-Krasner Foundation, New York Foundation for the Arts, Joan Mitchell Foundation, Artist Resource Trust, Jerome Foundation. They received the first annual Young Masters Art Prize in London and have participated in artist residencies in Berlin, Basel, Beijing, France, and at venues throughout the US including Bemis Center, ISCP, Smack Mellon, Wassaic Project, the Joan Mitchell Foundation AIR in New Orleans, and Elsewhere Museum. They will attend the Rauschenberg Foundation AIR in 2024. Ghost of a Dream’s work has been featured in publications including The New York Times, Vogue Magazine, Hyperallergic, BlouinArtinfo, ArtFCity, W Magazine, Interview Magazine, and World of Interiors.ghostofadream.com@ghostofadreamart

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/05f566aee01e48f8fcba512ce98d196f9948e6987bdd95a64dd0d66a44a67f3e/etheReality---Individual-Artwork---Ghost-of-a-Dream---01.jpg" data-mid="237128136" border="0"  src="https://freight.cargo.site/w/1000/i/05f566aee01e48f8fcba512ce98d196f9948e6987bdd95a64dd0d66a44a67f3e/etheReality---Individual-Artwork---Ghost-of-a-Dream---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b38205638876609d83a9e5a63150d00ed7fb4de8983ff6b4bd84089e50374910/etheReality---Individual-Artwork---Ghost-of-a-Dream---02.jpg" data-mid="237128137" border="0"  src="https://freight.cargo.site/w/1000/i/b38205638876609d83a9e5a63150d00ed7fb4de8983ff6b4bd84089e50374910/etheReality---Individual-Artwork---Ghost-of-a-Dream---02.jpg" /&#62;
aligned by the sun (a totalrevolution)
	&#60;img width="2400" height="1313" width_o="2400" height_o="1313" data-src="https://freight.cargo.site/t/original/i/2595c98c399ed0f32f938f467876c27740b08fc5f0e4ebda068fbf5536d0d39a/Jason-Mitcham---Headshot.jpg" data-mid="237128124" border="0"  src="https://freight.cargo.site/w/1000/i/2595c98c399ed0f32f938f467876c27740b08fc5f0e4ebda068fbf5536d0d39a/Jason-Mitcham---Headshot.jpg" /&#62;
Jason Mitcham is a visual artist whose work spans painting, drawing and stop motion animation. He has held solo museum exhibitions at the North Carolina Museum of Art and the Flint Institute of Arts. His work is included in numerous private collections, and in the public collections of the North Carolina Museum of Art, the Mint Museum, the Weatherspoon Art Museum, and the University of Florida School of Forest Resources and Conservation. He has received grants from the New York Foundation for the Arts, the Elizabeth Greenshields Foundation, the Foundation for Contemporary Art, was a finalist for the 1858 Prize at the Gibbs Museum, and has been a resident at Yaddo. He received a BFA from East Carolina University and an MFA from the University of Florida.jasonmitcham.com@jason_mitcham

&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/dd319163cc9f80a52141b573f0dffedede934a5f78287596e462427f9b551f26/etheReality---Individual-Artwork---Jason-Mitcham---04.jpg" data-mid="237128138" border="0"  src="https://freight.cargo.site/w/1000/i/dd319163cc9f80a52141b573f0dffedede934a5f78287596e462427f9b551f26/etheReality---Individual-Artwork---Jason-Mitcham---04.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/dfb3069098b9c2fb4b8cb0c24ed1bb21af53e9bf0913e390e1a708b1b10a159f/etheReality---Individual-Artwork---Jason-Mitcham---05.jpg" data-mid="237128139" border="0"  src="https://freight.cargo.site/w/1000/i/dfb3069098b9c2fb4b8cb0c24ed1bb21af53e9bf0913e390e1a708b1b10a159f/etheReality---Individual-Artwork---Jason-Mitcham---05.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/9777790ad1e9a5cb5a233a6be43409acccaa53739caba9dea71d26cf1dcab032/etheReality---Individual-Artwork---Jason-Mitcham---07.jpg" data-mid="237128140" border="0"  src="https://freight.cargo.site/w/1000/i/9777790ad1e9a5cb5a233a6be43409acccaa53739caba9dea71d26cf1dcab032/etheReality---Individual-Artwork---Jason-Mitcham---07.jpg" /&#62;
Head Full of Doubt/Road Full of Promise

	
	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1d616c8ba60155e9a3375ca26a4c2f9f9681719e2e8a2d86f21d628c2dfae8d5/etheReality---Programming---Ghost-and-Jason---01-AM.jpg" data-mid="237411085" border="0"  src="https://freight.cargo.site/w/1000/i/1d616c8ba60155e9a3375ca26a4c2f9f9681719e2e8a2d86f21d628c2dfae8d5/etheReality---Programming---Ghost-and-Jason---01-AM.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2a893b653fca705e456602efbf54d7da8c24cbb244646ca345a7b7dbddcf4bf1/etheReality---Programming---Ghost-and-Jason---02-AM.jpg" data-mid="237411086" border="0"  src="https://freight.cargo.site/w/1000/i/2a893b653fca705e456602efbf54d7da8c24cbb244646ca345a7b7dbddcf4bf1/etheReality---Programming---Ghost-and-Jason---02-AM.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/8e941b3d1bdd006fb77908299b2e963af56cc4a1f26c0b1894cc4d0260546363/etheReality---Programming---Ghost-and-Jason---03-CC.jpg" data-mid="237411087" border="0"  src="https://freight.cargo.site/w/1000/i/8e941b3d1bdd006fb77908299b2e963af56cc4a1f26c0b1894cc4d0260546363/etheReality---Programming---Ghost-and-Jason---03-CC.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/ae1990aa85aa85aefaf3606ad9c28a9331c983840c85ae1aca470bee6e6dcce6/etheReality---Programming---Ghost-and-Jason---04-CC.jpg" data-mid="237411088" border="0"  src="https://freight.cargo.site/w/1000/i/ae1990aa85aa85aefaf3606ad9c28a9331c983840c85ae1aca470bee6e6dcce6/etheReality---Programming---Ghost-and-Jason---04-CC.jpg" /&#62;
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&#60;img width="2560" height="1927" width_o="2560" height_o="1927" data-src="https://freight.cargo.site/t/original/i/a9d392a8fa43061e0bafa6baa8ed72348520d4e6b320cbc150b68d35cd94187d/etheReality---Programming---Ghost-and-Jason---06-CC.jpg" data-mid="237411090" border="0"  src="https://freight.cargo.site/w/1000/i/a9d392a8fa43061e0bafa6baa8ed72348520d4e6b320cbc150b68d35cd94187d/etheReality---Programming---Ghost-and-Jason---06-CC.jpg" /&#62;
&#60;img width="2560" height="1927" width_o="2560" height_o="1927" data-src="https://freight.cargo.site/t/original/i/aa0c80d5277477893f7bb25938a1b80693a735f9412f51e4b1f12afdefd63df7/etheReality---Programming---Ghost-and-Jason---07-CC.jpg" data-mid="237411091" border="0"  src="https://freight.cargo.site/w/1000/i/aa0c80d5277477893f7bb25938a1b80693a735f9412f51e4b1f12afdefd63df7/etheReality---Programming---Ghost-and-Jason---07-CC.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/40996e8ad16544c6e71462fd832f5679819ebf54f2c6c010221cde8de1afcb1e/etheReality---Programming---Ghost-and-Jason---08-CC.jpg" data-mid="237411092" border="0"  src="https://freight.cargo.site/w/1000/i/40996e8ad16544c6e71462fd832f5679819ebf54f2c6c010221cde8de1afcb1e/etheReality---Programming---Ghost-and-Jason---08-CC.jpg" /&#62;
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&#60;img width="2560" height="1927" width_o="2560" height_o="1927" data-src="https://freight.cargo.site/t/original/i/f556b1b2281437e733214b1f4c15bd4382eba512c800eba88af2a0d21225fbe7/etheReality---Programming---Ghost-and-Jason---10-CC.jpg" data-mid="237411094" border="0"  src="https://freight.cargo.site/w/1000/i/f556b1b2281437e733214b1f4c15bd4382eba512c800eba88af2a0d21225fbe7/etheReality---Programming---Ghost-and-Jason---10-CC.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/646646175f6d770a0434ee8bdb7161b22d58cb435af0e7a3573b657102214b44/etheReality---Programming---Ghost-and-Jason---11-CC.jpg" data-mid="237411095" border="0"  src="https://freight.cargo.site/w/1000/i/646646175f6d770a0434ee8bdb7161b22d58cb435af0e7a3573b657102214b44/etheReality---Programming---Ghost-and-Jason---11-CC.jpg" /&#62;
&#60;img width="2560" height="1928" width_o="2560" height_o="1928" data-src="https://freight.cargo.site/t/original/i/04cfb0c3db3e7f836c2b16c49e7c942b4c0aebda51a4d6c5ee935af1ab7e162a/etheReality---Programming---Ghost-and-Jason---12-CC.jpg" data-mid="237411096" border="0"  src="https://freight.cargo.site/w/1000/i/04cfb0c3db3e7f836c2b16c49e7c942b4c0aebda51a4d6c5ee935af1ab7e162a/etheReality---Programming---Ghost-and-Jason---12-CC.jpg" /&#62;
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	Artist Panel:Mollie McKinley, Linda Stillman, &#38;amp; Amy TallutoRound Robin Q&#38;amp;A between exhibiting artists in etheReality, from breath to air, and back, with curator, Alison McNultySaturday, August 30, 20252:00 - 3:30pmAnn Street Gallery, 104 Ann StreetFree &#38;amp; Open to the PublicPlease join us in the gallery for a round robin Q&#38;amp;A between exhibiting artists Mollie McKinley, Linda Stillman, and Amy Talluto, with curator Alison McNulty. The artists and curator will take turns instigating a fast-moving conversation through a series of prepared questions and spontaneous answers followed by an open dialog with the audience.Both intentional and playful, this panel offers an unusual format with diverse access points to the artists and curator, aiming to draw out the themes, resonances, and motivations underlying the exhibition and the works that comprise it through the participants’ engagement with each other’s work.
	&#60;img width="2100" height="1630" width_o="2100" height_o="1630" data-src="https://freight.cargo.site/t/original/i/0c31bc097bbb3affeb1eeade4bb26278a9cf76cbc0274e022f68830e7d26566b/etheReality---Programming---Mollie--Linda--Amy-Panel.png" data-mid="237852012" border="0"  src="https://freight.cargo.site/w/1000/i/0c31bc097bbb3affeb1eeade4bb26278a9cf76cbc0274e022f68830e7d26566b/etheReality---Programming---Mollie--Linda--Amy-Panel.png" /&#62;Mollie McKinley, Linda Stillman, &#38;amp; Amy Talluto
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Mollie McKinley is an interdisciplinary artist whose practice works with non-human intelligences of the elements. She works with media such as photography, light, glass, and sculpture to materialize the ethereal and visceral aspects of nature consciousness. McKinley’s work has been shown at The Contemporary Jewish Museum San Francisco, NADA Foreland, Turley Gallery, Fridman Gallery, Pioneer Works, UrbanGlass, Independent Curators International, The Samuel Dorsky Museum at SUNY New Paltz, The Museum of Arts and Design, Anthology Film Archives, and many others. McKinley holds a BA in photography from Bard College, and an MFA in sculpture/dimensional studies from Alfred University. Her critical writing on art and arts education can be found in Museum Teen Programs How-To Kit, published by the Walker Art Center in collaboration with the Dia Art Foundation (2023); Emergency Index Vol. 10+ (2023) and in Peer Review Vol. 3 (2025). McKinley is based in the Hudson Valley of New York, and works as a photographer and educator at the Dia Art Foundation.molliemckinley.com@mollie_mckinley
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Enter Through Smoke by Mollie McKinley
Linda Stillman is a Hudson Valley based artist who works in various media including drawing, painting, photography and collage. She focuses on the natural world and the passage of time.Stillman’s work has been featured in many exhibitions in galleries and museums around the country and abroad including the Brooklyn Museum, the Dorsky Museum, the Arts Club of Chicago, and the Visual Arts Center of New Jersey.She has been awarded fellowships and residencies at the Virginia Center for Creative Arts, the New York Foundation for the Arts MARK program, the Wave Hill Winter Workspace and The Studios at Mass MoCA.Her art is in many private and public collections such as the Dorsky Museum, Montefiore Hospital and Memorial Sloan Kettering Cancer Center.Stillman graduated from the University of Pennsylvania (BA), the School of Visual Arts and Vermont College of Fine Arts (MFA).lindastillman.com@linda_stillman
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Daily Skies 2011 by Linda Stillman
Amy Talluto is a painter and sculptor who lives and works in Hurley NY. She was born in New Orleans, LA and earned her BFA from Washington University in St. Louis and her MFA from the School of Visual Arts in New York. In 2018 she was awarded a NYFA/NYSCA Artist Fellowship in Painting and was an Artforum Critics Pick for her solo exhibition at Black &#38;amp; White Gallery (Brooklyn). She has recently shown her work at Auxier Kline Gallery, Jeff Bailey Gallery, The Garrison Art Center, the Samuel Dorsky Museum, Geoffrey Young Gallery, The Albany Airport and Wave Hill Gardens. She has been an Artist in Residence at MacDowell (NH), the Saltonstall Foundation (NY), Ucross Foundation (WY), Provincetown Dune Shacks &#38;amp; the Byrdcliffe Colony (NY). She participated in Norte Maar’s 2025 Counterpointe 12 collaborative ballet as a visual artist (Brooklyn). She is also the host and producer of the Pep Talks for Artists Podcast.amytalluto.com@talluts

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/a227a0cd79d9b9b31739be0e647d003e947d5b155a39501ce226175ea97ecffc/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" data-mid="237852019" border="0"  src="https://freight.cargo.site/w/1000/i/a227a0cd79d9b9b31739be0e647d003e947d5b155a39501ce226175ea97ecffc/etheReality---Individual-Artworks---Amy-Talluto---10.jpg" /&#62;
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Multi-head (Spill Vase) by Amy Talluto

	Ann Street Gallery is on the 2025Upstate Art Weekend (UPAW) ProgramWe are excited to share our participation in the fifth edition of Upstate Art Weekend, July 17-21, 2025! Over 150 cultural organizations will participate in this year’s edition, celebrating art and culture in ten counties in the Catskill Mountain and Hudson Valley.
Follow @upstateartweekend for more information and regular programming updates.
	&#60;img width="1129" height="1160" width_o="1129" height_o="1160" data-src="https://freight.cargo.site/t/original/i/f629bac491b836219b0ba55a7729b18842be04af0eedc3eccac1941a014363e6/participant_square_cloud.jpg" data-mid="235152767" border="0"  src="https://freight.cargo.site/w/1000/i/f629bac491b836219b0ba55a7729b18842be04af0eedc3eccac1941a014363e6/participant_square_cloud.jpg" /&#62;

Return to Exhibition Overview

Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



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</description>
		
	</item>
		
		
	<item>
		<title>The Destiny - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/The-Destiny-Exhibition-Overview</link>

		<pubDate>Mon, 10 Feb 2025 01:15:39 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/The-Destiny-Exhibition-Overview</guid>

		<description>
	The Destiny
...is to take root among the stars
March 15 - May 10, 2025Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday March 15, 6:00 - 8:00 pmThe exhibition is curated by guest curator Jaime Ransome and includes works by:
Destiny Arianna
Vernon ByronCy Hinojosa
Lala MontoyaAlisa Sikelianos-Carter

Tony Washington
Inspired by the prescient works of African American, feminist author, Octavia Butler, The Destiny is an exhibition of six BIPOC artists working in upstate New York. The exhibition examines concepts prevalent in Butler’s Parable of the Sower, which depicts imagined futures and recalls distant pasts through magical realism in a post-apocalyptic landscape. The novel reflects our fears about climate change, canonizes our futures as intelligent beings on a dying planet, and unearths the “essential human resources” that will be necessary for humans to inhabit - not colonize - a new world in space or on an unrecognizable Earth. 

Artists Lala Montoya and Destiny Arianna illuminate stories of our Indigenous histories, imploring the audience to remember the parables of their families, for they have encrypted the codex for humanity’s success in their stories, rituals, and heirlooms. The works from artists Tony Washington and Vernon Byron resonate the tone of our present, warning about the correlation between rapid technological expansion and systematized dismantling of cultural collaboration. Alisa Sikelianos-Carter and Cy Hinojosa depict our paths to the future - our devolution if we seek no other home and our cosmic legacy if we return to the stars.&#38;nbsp; 

Contributing to an evolving vision of Afro-Futurism, these works of painting, ceramics, video, mixed media, and installation exercise Butler’s theory that small groups of similarly motivated people can create great change. The Destiny acts as a blueprint for how to build something new and sustainable, especially during eras of devastation, hopelessness and fire. Butler finds hope in the idea that Earth is just a womb - just the beginning - and that only by radically reinventing our relationship to it by venturing outside it can our species truly be born, grow, and change.&#38;nbsp; 

“All that you touch you Change. All that you Change Changes You. The only lasting truth is Change. God is Change.” 
-Octavia Butler, Parable of the Sower&#38;nbsp;Programming at Ann Street Gallery: March 29, April 12 (POSTPONED to April 16), April 26, 6:30 - 8:30pm 

“Parable of the Sower” Book Club Led by exhibition Curator Jaime Ransome. 
Free and open to the public.
Details here.RSVP requested, not required to jransome.curation@gmail.comApril 5, 2:00-4:00pmStorytelling through Mixed Media Collage Workshop with Destiny Arianna. Free and open to the public.
Limit 12 participants.
Details here.
Reservations required: email with full name and phone number destinyariannastudio@gmail.comMay 10, 4:00-5:00pm
"Indigo Rising" Afrofuturistic Dance &#38;amp; Drumming by Rhythm of Water Productions featuring PsiFire 
Listen to The Destiny Curated Playlist on Spotify here.



EXHIBITION MATERIALS:

Exhibition Checklist 
(Price list available upon request)
The Destiny Curated Playlist on Spotify.
Curated Reading List 008 by Jaime Ransome
(click to view/download)


Press:Hyperallergic&#38;nbsp;10 Art Shows to See in Upstate New York This April
(Download PDF here)

Chronogram 
Curating the Cosmos: "The Destiny" at Ann Street Gallery (Download PDF here)
Two Coats of Paint&#38;nbsp;
Hudson Valley Selected Gallery Guide: March 2025
	
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	Download Exhibition Guide Here

	
	
	
	The exhibtion guide will include materials lists and dates, along with artist statements.



	Guest Curator Jaime Ransome
jransomecuration.com@jransome.curator

	Jaime Ransome (she/her) is a Poughkeepsie local who pursued her undergraduate degree in Film and her graduate degree in Museum Studies at Syracuse University. Ransome was the Gallery Manager and Curatorial Team Instructor at the Trolley Barn Gallery in Poughkeepsie until it closed in January 2025. In her time at the Trolley Barn Gallery, Ransome has trained countless local youth in the art of curation and museum education and is continuing to inspire young minds as she teaches introductory art history as an adjunct professor at Dutchess Community College. Ransome has curated over 30 exhibitions in her career: from member shows to international juried exhibitions to teen art showcases. Ransome is passionate about highlighting the work of living contemporary BIPOC and feminist artists and specializes in working with artists to develop site-specific, community-inspired installation work and embodying the principles of curatorial activism.
	&#60;img width="1430" height="1430" width_o="1430" height_o="1430" data-src="https://freight.cargo.site/t/original/i/71cdc211f997273a06cd902e727cd71ab1497c8f0bb45d5c8970936d70d0deb3/4044F80A-6A73-4292-9D84-784BE20B1533-copy.JPG" data-mid="226935186" border="0"  src="https://freight.cargo.site/w/1000/i/71cdc211f997273a06cd902e727cd71ab1497c8f0bb45d5c8970936d70d0deb3/4044F80A-6A73-4292-9D84-784BE20B1533-copy.JPG" /&#62;



	Destiny Ariannadestinyariannastudio.com
@destinyariannastudio

	My artistic practice is driven by a deep commitment to reclaiming and reimagining the narratives surrounding Black and Indigenous identities. I believe art can challenge the dominant narratives that often marginalize these communities, offering alternative perspectives that reflect our histories, cultures, and lived experiences. Through my interdisciplinary approach, I aim to engage with the complexities of identity, history, and the environment, using art as a reclamation, to challenge stereotypes, and continue to preserve culture. My work questions ways we are socialized, or taught to think about culture, ownership, and belonging. 

My practice spans a variety of media, including photography, collage, painting, and installation. Each medium allows me to explore different facets of my identity and my relationship to the land. In my work, I address themes such as land stewardship, ancestral memory, and the reclamation of sacred spaces.

My aspiration for the work I create—both in the present and moving forward—is for it to serve as a means of cultural preservation, a catalyst for social transformation, and a profound reminder that our identities are fundamentally intertwined with the land we inhabit, shaping not only our present but also our future.  
	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d5dc9c19b7fdbb87c205bef36d20d6b5282ef862282e0d958f340220ce45cbf2/The-Destiny---Destiny-Arianna---01.jpg" data-mid="233681206" border="0"  src="https://freight.cargo.site/w/1000/i/d5dc9c19b7fdbb87c205bef36d20d6b5282ef862282e0d958f340220ce45cbf2/The-Destiny---Destiny-Arianna---01.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7c90c826bea14aab1d1c59ca1d28879ba08b8b89c6c936fe52d86b304a88a61a/The-Destiny---Destiny-Arianna---02.jpg" data-mid="233681207" border="0"  src="https://freight.cargo.site/w/1000/i/7c90c826bea14aab1d1c59ca1d28879ba08b8b89c6c936fe52d86b304a88a61a/The-Destiny---Destiny-Arianna---02.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5832ddb5d8ded4f2afcf953d827513605d383ed67424025690d05201739c2642/The-Destiny---Destiny-Arianna---03.jpg" data-mid="233681208" border="0"  src="https://freight.cargo.site/w/1000/i/5832ddb5d8ded4f2afcf953d827513605d383ed67424025690d05201739c2642/The-Destiny---Destiny-Arianna---03.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f54f9ef68a218a26bdb49e1d74518556203c477dac0820957429d9b7cad4500e/The-Destiny---Destiny-Arianna---04.jpg" data-mid="233681209" border="0"  src="https://freight.cargo.site/w/1000/i/f54f9ef68a218a26bdb49e1d74518556203c477dac0820957429d9b7cad4500e/The-Destiny---Destiny-Arianna---04.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/0b97e8ded4be4c13df4a32ca0fe0bf37e0c4fc397ed7c85421b5ffb9f7091cbb/The-Destiny---Destiny-Arianna---05.jpg" data-mid="233681210" border="0"  src="https://freight.cargo.site/w/1000/i/0b97e8ded4be4c13df4a32ca0fe0bf37e0c4fc397ed7c85421b5ffb9f7091cbb/The-Destiny---Destiny-Arianna---05.jpg" /&#62;

 What’s in the Water?

Digital photography, glass, wood, acrylic paint, wooden table, wooden rocking chair, sheer curtains, quahog shell, sage, peppermints, abalone shell
Dimensions variable

	Vernon Byronvernonmbyronartdesign.com@ten_yaksha
	I am interested in the conceptual and physical limitations of media and materiality. This body of work is a conceptual subversion of the collage process. Instead of physical textures, I capture material phenomena, such as water rippling, reshape them into polygonal planes, and arrange them to form contrasting areas of color, material, and directional flow that move in consonance and dissonance. The collaged forms utilize space, time, and site to create rich, multidimensional structures that shift cyclically over set temporal intervals, defying the flatness and stillness attributed to the printed image. In this work, the materials in question are the structure of the human form (as expressed through dance), light, shadow, and the mass of the surrounding (visual) space. As the piece progresses, each element commands the viewer’s focus as they traverse the image plane and exit the scene.   
	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/10344607031b6979ec16ca9b695b88deb192197ddaa250eb840bc7bcb41ea7be/The-Destiny---Vernon-Byron---01.jpg" data-mid="233680806" border="0"  src="https://freight.cargo.site/w/1000/i/10344607031b6979ec16ca9b695b88deb192197ddaa250eb840bc7bcb41ea7be/The-Destiny---Vernon-Byron---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b7ec5fde1285ea9e87c75efc3f3d0f10d01aee2ed851cab0f8a626c19459b99d/The-Destiny---Vernon-Byron---02.jpg" data-mid="233680807" border="0"  src="https://freight.cargo.site/w/1000/i/b7ec5fde1285ea9e87c75efc3f3d0f10d01aee2ed851cab0f8a626c19459b99d/The-Destiny---Vernon-Byron---02.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/d8a637ddcade3b2c2cb20a9ae77fe84a40c84a0661ad9f359eef8351467c352a/The-Destiny---Vernon-Byron---03.jpg" data-mid="233680808" border="0"  src="https://freight.cargo.site/w/1000/i/d8a637ddcade3b2c2cb20a9ae77fe84a40c84a0661ad9f359eef8351467c352a/The-Destiny---Vernon-Byron---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5380d6e9437e954e2d7b16f2e4889ab7776c48e96f31ee0178f950535dcd366e/The-Destiny---Vernon-Byron---04.jpg" data-mid="233680809" border="0"  src="https://freight.cargo.site/w/1000/i/5380d6e9437e954e2d7b16f2e4889ab7776c48e96f31ee0178f950535dcd366e/The-Destiny---Vernon-Byron---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/51532aba9bc3a0c9fb66ad03f4c84c5fda85f3e658c14d1feada9237a335043f/The-Destiny---Vernon-Byron---05.jpg" data-mid="233680810" border="0"  src="https://freight.cargo.site/w/1000/i/51532aba9bc3a0c9fb66ad03f4c84c5fda85f3e658c14d1feada9237a335043f/The-Destiny---Vernon-Byron---05.jpg" /&#62;

Wind-up/Wind-down (Installation)

Layered video projection
10 minutes

Wind-up/Wind-down
(Video)
30 minutes


	Cy Hinojosacyfi.squarespace.com/home@cyfi.art
	Subjects in every scene portray habits of humans that I believe would follow us into the stars, whether it is seeking faith in the misdirection of false prophets, or altering ourselves to find comfort in discomfort. Humans are creatures of habit no matter where we find ourselves, on or off-world. 

	
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3cbd254a79edab3d53c6b80b4a4eb4bd1c7aa9c8573563676684131fccf61440/The-Destiny---Cy-Hinojosa---01.jpg" data-mid="233680729" border="0"  src="https://freight.cargo.site/w/1000/i/3cbd254a79edab3d53c6b80b4a4eb4bd1c7aa9c8573563676684131fccf61440/The-Destiny---Cy-Hinojosa---01.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c40cb42d67a08231f62bff9cacf76c7838a6552b51e0900b2df6fb6658e405bd/The-Destiny---Cy-Hinojosa---02.jpg" data-mid="233680730" border="0"  src="https://freight.cargo.site/w/1000/i/c40cb42d67a08231f62bff9cacf76c7838a6552b51e0900b2df6fb6658e405bd/The-Destiny---Cy-Hinojosa---02.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7385aeb0dd1c84e23da5d6a9266ce03856625775d0bba29d1d6ae99a552f5c4a/The-Destiny---Cy-Hinojosa---03.jpg" data-mid="233680731" border="0"  src="https://freight.cargo.site/w/1000/i/7385aeb0dd1c84e23da5d6a9266ce03856625775d0bba29d1d6ae99a552f5c4a/The-Destiny---Cy-Hinojosa---03.jpg" /&#62;
Installation
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/82e0bb763428645a9a016ad6410c93beb361906f559f2dfbfb6ad2de8b98cb74/The-Destiny---Cy-Hinojosa---04.jpg" data-mid="233680732" border="0"  src="https://freight.cargo.site/w/1000/i/82e0bb763428645a9a016ad6410c93beb361906f559f2dfbfb6ad2de8b98cb74/The-Destiny---Cy-Hinojosa---04.jpg" /&#62;
Light City Ferry Terminal
Acrylic paint, neon pastel, ink on stretched canvas
42 x 36”
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/132b0a4c967a90192c71786dee5da8fdd2a1789ec751ce414efcd2ac029eace7/The-Destiny---Cy-Hinojosa---08.jpg" data-mid="233680736" border="0"  src="https://freight.cargo.site/w/1000/i/132b0a4c967a90192c71786dee5da8fdd2a1789ec751ce414efcd2ac029eace7/The-Destiny---Cy-Hinojosa---08.jpg" /&#62;Should We Call Someone? 
White charcoal, neon pastel, pencil on black canvas
16 x 12”

&#60;img width="1600" height="2560" width_o="1600" height_o="2560" data-src="https://freight.cargo.site/t/original/i/17685c0163180c57e57e4a58f2ea41ea655a87d0c2577984b3aeeabc8c99f6ab/The-Destiny---Cy-Hinojosa---16.jpg" data-mid="233680744" border="0"  src="https://freight.cargo.site/w/1000/i/17685c0163180c57e57e4a58f2ea41ea655a87d0c2577984b3aeeabc8c99f6ab/The-Destiny---Cy-Hinojosa---16.jpg" /&#62;Light City Neo-Detroit Jacket

Repurposed winter welder coverall, LED runner bands
Chest: 26”, Length: 25”, Shoulder: 21”, Sleeve: 25.5”


	Lala Montoyalalamontoya.myportfolio.com@lalacasita
	Las que sirven (The ones that pour) and Las que sostienen (The ones that hold) are a series of ceramics dedicated to concepts of the world majority - A world of people of color - where first nation people, aboriginals, black folks, mestizos - the world we (the artist) inhabit. A world where we understand that EVERYTHING IS INTERCONNECTED - a world where we understand the importance of all beings, that we see all elements as alive, as belonging, as ancestors - A Language where the word “I” el “YO” “MINE - MIO” does not exist. In this series we carve into clay as our ancestors would have, all that is important to remember - we see ourselves in our role now as ones that pour out and we understand that those who have no written words have to hold what we pour - in this series we create pieces to highlight all the beings, the ideas, the thoughts, the skills, the seeds that we believe are essential to our thrivelihood - understanding that if the ones who receive thrive, then those who pour thrive as well. And if the vessel - Clay - the mother is adorned, and held by the many and the 7 generations she will continue to carry us. 

Las que sirven (The ones that pour) is marked by US - humans – peoples. The word human comes from the Latin word hūmānus, which is derived from homo meaning "man" and humus meaning "earth". This pitcher with 7 handles - representing 7 generations of peoples who shape, and pour all this wisdom out into the mother - understand that the root of this name Human comes from EARTH - and earth teaches us and gives us all we need if we observe and listen. 

Las que sostienen (The ones that hold) embraces the non human life - but acknowledges what the Rarámuri tribe know today as: iwígara is “the belief that all life-forms are interconnected and share the same breath” what is poured into this bowl, all the animal and elemental life have to hold - they not only depend on each other and are interconnected but we (humans) hold the water - the essence - that will allow all life forms to thrive.  
	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d9cbb29cc6d33399fae6b2df64fbbbaa0ca5b25a95dfe46b35d81ebcf01f8c0f/The-Destiny---Lala-Montoya---01.jpg" data-mid="233681212" border="0"  src="https://freight.cargo.site/w/1000/i/d9cbb29cc6d33399fae6b2df64fbbbaa0ca5b25a95dfe46b35d81ebcf01f8c0f/The-Destiny---Lala-Montoya---01.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f262398b547f84293835273eb8d25a5b2c8469b59bd067510c484a5355b258ce/The-Destiny---Lala-Montoya---02.jpg" data-mid="233681213" border="0"  src="https://freight.cargo.site/w/1000/i/f262398b547f84293835273eb8d25a5b2c8469b59bd067510c484a5355b258ce/The-Destiny---Lala-Montoya---02.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2c9f3430726918a293e0dce75c1cfda383390e5a3d4218da3b272b966aa3e270/The-Destiny---Lala-Montoya---03.jpg" data-mid="233681214" border="0"  src="https://freight.cargo.site/w/1000/i/2c9f3430726918a293e0dce75c1cfda383390e5a3d4218da3b272b966aa3e270/The-Destiny---Lala-Montoya---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5e834a7a8c8b192f0b03f7dff4848a3788cb66e72675cd3b6c7711b5f885b935/The-Destiny---Lala-Montoya---04.jpg" data-mid="233681215" border="0"  src="https://freight.cargo.site/w/1000/i/5e834a7a8c8b192f0b03f7dff4848a3788cb66e72675cd3b6c7711b5f885b935/The-Destiny---Lala-Montoya---04.jpg" /&#62;

Zempa Love&#38;nbsp;

Woodblock print, ink on paper
28 x 32” (each)
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5d8a07ca0d8086936ead3468c6856803914e95612038da4d826ee5e0021f3ff5/The-Destiny---Lala-Montoya---05.jpg" data-mid="233681216" border="0"  src="https://freight.cargo.site/w/1000/i/5d8a07ca0d8086936ead3468c6856803914e95612038da4d826ee5e0021f3ff5/The-Destiny---Lala-Montoya---05.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ad06ab788b38d6966f5be0b2b7e1207d95fac1999b09a60262ab3a6c122024ca/The-Destiny---Lala-Montoya---06.jpg" data-mid="233681217" border="0"  src="https://freight.cargo.site/w/1000/i/ad06ab788b38d6966f5be0b2b7e1207d95fac1999b09a60262ab3a6c122024ca/The-Destiny---Lala-Montoya---06.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f9b0a6a1209cbb32e947e4cfa988f734d57b822d606ee026f8d0ff435fa8219b/The-Destiny---Lala-Montoya---07.jpg" data-mid="233681218" border="0"  src="https://freight.cargo.site/w/1000/i/f9b0a6a1209cbb32e947e4cfa988f734d57b822d606ee026f8d0ff435fa8219b/The-Destiny---Lala-Montoya---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4bc9ac5355fddb3de3bc2cc7a26546a4500749c0af0fa305cd2e6b8e0b5095d8/The-Destiny---Lala-Montoya---08.jpg" data-mid="233681219" border="0"  src="https://freight.cargo.site/w/1000/i/4bc9ac5355fddb3de3bc2cc7a26546a4500749c0af0fa305cd2e6b8e0b5095d8/The-Destiny---Lala-Montoya---08.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/6b1ba4db997582900444e33e945e917b6e3d524e33967347e2c1d79ed756d991/The-Destiny---Lala-Montoya---09.jpg" data-mid="233681220" border="0"  src="https://freight.cargo.site/w/1000/i/6b1ba4db997582900444e33e945e917b6e3d524e33967347e2c1d79ed756d991/The-Destiny---Lala-Montoya---09.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/fee5d17588689bf7bd64396feffe890f86f848f55c57c7564051fc99fbad9ad9/The-Destiny---Lala-Montoya---10.jpg" data-mid="233681221" border="0"  src="https://freight.cargo.site/w/1000/i/fee5d17588689bf7bd64396feffe890f86f848f55c57c7564051fc99fbad9ad9/The-Destiny---Lala-Montoya---10.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/718fe89bbc5032e91e6bed92b246cfbe43d2681fbf7c51d2eeafa0c9aabbe665/The-Destiny---Lala-Montoya---11.jpg" data-mid="233681222" border="0"  src="https://freight.cargo.site/w/1000/i/718fe89bbc5032e91e6bed92b246cfbe43d2681fbf7c51d2eeafa0c9aabbe665/The-Destiny---Lala-Montoya---11.jpg" /&#62;

Las que sirven (The ones that pour)

Hand crafted ceramics, Brooklyn red clay with underglaze
15 x 4.5”
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/53709a30a43b5038de335550e3f7f387b40bf7610d4ea00fa1e3b4ce5635f622/The-Destiny---Lala-Montoya---12.jpg" data-mid="233681223" border="0"  src="https://freight.cargo.site/w/1000/i/53709a30a43b5038de335550e3f7f387b40bf7610d4ea00fa1e3b4ce5635f622/The-Destiny---Lala-Montoya---12.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/8d737766ce62b31cdf6aa8d579da443e0172e3181e04e8ffafada11e7412cede/The-Destiny---Lala-Montoya---13.jpg" data-mid="233681224" border="0"  src="https://freight.cargo.site/w/1000/i/8d737766ce62b31cdf6aa8d579da443e0172e3181e04e8ffafada11e7412cede/The-Destiny---Lala-Montoya---13.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e9b02aee3d5dc0df2e733c6cbbce1d962cbcb687de1808ff9def043f2b6dbaad/The-Destiny---Lala-Montoya---14.jpg" data-mid="233681225" border="0"  src="https://freight.cargo.site/w/1000/i/e9b02aee3d5dc0df2e733c6cbbce1d962cbcb687de1808ff9def043f2b6dbaad/The-Destiny---Lala-Montoya---14.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c64948fe3d22517333b7ee5ece33671b870201ddc269d06493357b5693dc5527/The-Destiny---Lala-Montoya---15.jpg" data-mid="233681226" border="0"  src="https://freight.cargo.site/w/1000/i/c64948fe3d22517333b7ee5ece33671b870201ddc269d06493357b5693dc5527/The-Destiny---Lala-Montoya---15.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a93587de005aaa45f3b7afd7d6ebabae283b4a5e809f63f0a05974f3a997bc93/The-Destiny---Lala-Montoya---16.jpg" data-mid="233681227" border="0"  src="https://freight.cargo.site/w/1000/i/a93587de005aaa45f3b7afd7d6ebabae283b4a5e809f63f0a05974f3a997bc93/The-Destiny---Lala-Montoya---16.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0d413ad033052754ca20596bde806277fd0ba9cab495529110813ac20d75ad61/The-Destiny---Lala-Montoya---17.jpg" data-mid="233681228" border="0"  src="https://freight.cargo.site/w/1000/i/0d413ad033052754ca20596bde806277fd0ba9cab495529110813ac20d75ad61/The-Destiny---Lala-Montoya---17.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/db9bd1e762d7037e88c40c49a889974d4d422e8988639c1cfc12c24bc6157550/The-Destiny---Lala-Montoya---18.jpg" data-mid="233681229" border="0"  src="https://freight.cargo.site/w/1000/i/db9bd1e762d7037e88c40c49a889974d4d422e8988639c1cfc12c24bc6157550/The-Destiny---Lala-Montoya---18.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b0406a34c57fa1cfdcf459e7d927f09f71534e924c636649d1b5efab4d3739bf/The-Destiny---Lala-Montoya---19.jpg" data-mid="233681230" border="0"  src="https://freight.cargo.site/w/1000/i/b0406a34c57fa1cfdcf459e7d927f09f71534e924c636649d1b5efab4d3739bf/The-Destiny---Lala-Montoya---19.jpg" /&#62;

Las que sostienen (The ones that hold)
Hand crafted ceramics, Brooklyn red clay with underglaze
15 x 4.5”


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&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/f6c954d03693073e10760a45c6ff6153eeb0739e3ced994ed87ea83af39e0242/The-Destiny---Lala-Montoya---23.jpg" data-mid="233681234" border="0"  src="https://freight.cargo.site/w/1000/i/f6c954d03693073e10760a45c6ff6153eeb0739e3ced994ed87ea83af39e0242/The-Destiny---Lala-Montoya---23.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/74bb6bfa6bca168cd0619bb2d6306071f73a89fe4ddb8328d208054c013f647c/The-Destiny---Lala-Montoya---26.jpg" data-mid="233681237" border="0"  src="https://freight.cargo.site/w/1000/i/74bb6bfa6bca168cd0619bb2d6306071f73a89fe4ddb8328d208054c013f647c/The-Destiny---Lala-Montoya---26.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/322c3d4bd015456fb2e2cb1748fadf80afbd5a52b1bec29c99e37d7b27852079/The-Destiny---Lala-Montoya---27.jpg" data-mid="233681238" border="0"  src="https://freight.cargo.site/w/1000/i/322c3d4bd015456fb2e2cb1748fadf80afbd5a52b1bec29c99e37d7b27852079/The-Destiny---Lala-Montoya---27.jpg" /&#62;
A Love Letter to Poughkeepsie Farm Project

Ink on fabric, steam rolled woodblock print
58 x 98”

&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/a80dfffef56156506b74fb346d5bde10e2c39f3254e0d90818e9e8e6722026ab/The-Destiny---Lala-Montoya---28.jpg" data-mid="233681239" border="0"  src="https://freight.cargo.site/w/1000/i/a80dfffef56156506b74fb346d5bde10e2c39f3254e0d90818e9e8e6722026ab/The-Destiny---Lala-Montoya---28.jpg" /&#62;
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&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/fed28672d0cec7f625ce2027790a6698907dae50475bdd2f1b8687bba1f05a67/The-Destiny---Lala-Montoya---30.jpg" data-mid="233681241" border="0"  src="https://freight.cargo.site/w/1000/i/fed28672d0cec7f625ce2027790a6698907dae50475bdd2f1b8687bba1f05a67/The-Destiny---Lala-Montoya---30.jpg" /&#62;

Who we are (self portrait)

Woodblock print, ink on paper
33 x 42”

	Alisa Sikelianos-Carteralisasikelianoscarter.com
@alisasikelianoscarter
	Inspired by the concept of human bioluminescence and our physical link to stars, Aurora, Vespers, and Midnight were recently included in Alisa Sikelianos-Carter's presentation We Make Our Own Light at Nada NY in 2024. These three works are an offering to and gesture of the divine and potential within. A continuation of her Africosmos series– two-dimensional printed fractal compositions of braids, twists, and dreadlocks, intricately hand adorned with layers of glitter– she has created these new works as studies in luminosity and restrained maximalism. Aurora, Vespers, and Midnight are named for the quality of light that marks our transitions throughout the day. Reminiscent of shields, stained glass, prisms, and abstract free-form renderings of spirit, these works capture the intimate and fleeting glimmers connecting us to the natural world. 

Afronauts and Ancestors employs many Afrofuturist themes. There are elements of otherworldly alienation, callbacks to Black history, radical reenvisionings into the future as a space for people of color, and, given the lack of discernible human faces on her figures, a strong case to be made for new speculation about Black identity. What is interesting to note is that the heads of Alisa Sikelianos-Carter's figures are obscured by what the artist refers to as "crowns": photographs of intricately braided hair (a reminder that Black people and hair is a legitimate thing) here, the crowns do more than draw the viewer's attention they also impede the viewer's recognition of Sikelianos Carter’s figures as unique and definitely human individuals. This is significant because while these hair crowns signify Black culture, the figures highlight something of a more otherworldly nature. What we have is a new sort of figuration, one that uses abstractions to signify an alien identity and yet grounds these abstractions in historical and figurative language codes of the Black body. In short, Sikelianos-Carter has mapped out a new way of approaching and representing Blackness, and it shows how incorporating a bit of Afro-futurist aesthetics into visual work allows one to re-invision Black identity in an intersectional multidimensional way.  
	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9148d30d34ea1d5e6976a344ce3576d88fe6e2a058c0cab53d76aba477d163ce/The-Destiny---Alisa-Sikelianos-Carter---01.jpg" data-mid="233681194" border="0"  src="https://freight.cargo.site/w/1000/i/9148d30d34ea1d5e6976a344ce3576d88fe6e2a058c0cab53d76aba477d163ce/The-Destiny---Alisa-Sikelianos-Carter---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/db7dc3769604f58f8c67d116f77fc6bab01b05aa3063e15bbc685fc90010fa4b/The-Destiny---Alisa-Sikelianos-Carter---02.jpg" data-mid="233681195" border="0"  src="https://freight.cargo.site/w/1000/i/db7dc3769604f58f8c67d116f77fc6bab01b05aa3063e15bbc685fc90010fa4b/The-Destiny---Alisa-Sikelianos-Carter---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e20ac180ee855a8f9a1ada22b7a6bdcea072bc463d8e0b016ad3e66f252c0762/The-Destiny---Alisa-Sikelianos-Carter---03.jpg" data-mid="233681196" border="0"  src="https://freight.cargo.site/w/1000/i/e20ac180ee855a8f9a1ada22b7a6bdcea072bc463d8e0b016ad3e66f252c0762/The-Destiny---Alisa-Sikelianos-Carter---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e4f1c72181b30761997094bf77187c7c6a7958964c67a6fbe8547ff2b1413653/The-Destiny---Alisa-Sikelianos-Carter---04.jpg" data-mid="233681197" border="0"  src="https://freight.cargo.site/w/1000/i/e4f1c72181b30761997094bf77187c7c6a7958964c67a6fbe8547ff2b1413653/The-Destiny---Alisa-Sikelianos-Carter---04.jpg" /&#62;
Afronauts and Ancestors
Ink, gouache, acrylic medium, powder pigment, micaceous oxide, silver foil, interferenc, pigment, glitter, white coarse mica, abalon, shell, and collage on archival paper
93 x 84”


&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/26ff654b2892ac210ab1c865a54575925455a8b66a3b83c3d2b3b3d34bd1a20f/The-Destiny---Alisa-Sikelianos-Carter---05.jpg" data-mid="233681198" border="0"  src="https://freight.cargo.site/w/1000/i/26ff654b2892ac210ab1c865a54575925455a8b66a3b83c3d2b3b3d34bd1a20f/The-Destiny---Alisa-Sikelianos-Carter---05.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3c2bea7a09863e85cd4d73734295e689fe1861e53c6b685781d5f157209716ca/The-Destiny---Alisa-Sikelianos-Carter---10.jpg" data-mid="233681204" border="0"  src="https://freight.cargo.site/w/1000/i/3c2bea7a09863e85cd4d73734295e689fe1861e53c6b685781d5f157209716ca/The-Destiny---Alisa-Sikelianos-Carter---10.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/7fd919fb81fbc7b59b76fa16a4d60b801c7dfb77a039a7ca724a4a6d53db6fea/The-Destiny---Alisa-Sikelianos-Carter---11.jpg" data-mid="233681205" border="0"  src="https://freight.cargo.site/w/1000/i/7fd919fb81fbc7b59b76fa16a4d60b801c7dfb77a039a7ca724a4a6d53db6fea/The-Destiny---Alisa-Sikelianos-Carter---11.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8a8c30569fe65ef7578dd663d82d63dd79ce95364989a2b94018c58478b7d866/The-Destiny---Alisa-Sikelianos-Carter---08.jpg" data-mid="233681202" border="0"  src="https://freight.cargo.site/w/1000/i/8a8c30569fe65ef7578dd663d82d63dd79ce95364989a2b94018c58478b7d866/The-Destiny---Alisa-Sikelianos-Carter---08.jpg" /&#62;
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&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3781e6a9fd7d8fae74caa31482ead45690d6c41f215477b3666c5bab358361cb/The-Destiny---Alisa-Sikelianos-Carter---06.jpg" data-mid="233681200" border="0"  src="https://freight.cargo.site/w/1000/i/3781e6a9fd7d8fae74caa31482ead45690d6c41f215477b3666c5bab358361cb/The-Destiny---Alisa-Sikelianos-Carter---06.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3ed57e5384bdfc86b00962952c4500fec485f897d09e081742302c854c4be355/The-Destiny---Alisa-Sikelianos-Carter---07.jpg" data-mid="233681201" border="0"  src="https://freight.cargo.site/w/1000/i/3ed57e5384bdfc86b00962952c4500fec485f897d09e081742302c854c4be355/The-Destiny---Alisa-Sikelianos-Carter---07.jpg" /&#62;
Midnight, Aurora, and Vespers
Unique archival print hand embellished with glitter36 x 24” (each)

	Tony Washingtontonewash.com@t0newash
	As a black neurodivergent artist, hip hop music, particularly elements of sampling, jazz, soul, and graffiti have shaped Washington's identity as a black man. Throughout his upbringing, he silently found blackness in a whitewashed community through hip-hop and protected himself through his headphones, locs, camera, sketchbook, and cans of spray paint. The places he called “home” as a young adult were ultimately just environments of chaos where he stored his belongings. “There is a unique expectation that applies to being raised in an environment where the color of your skin poses a threat to the status quo. My objective is to encourage young black men like me to express themselves freely without stigmatization and find their voices wherever they exist,” says artist T0NEWASH.  
	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/1719ff292d3470232471dc92b7429bef0f27c3b7cf16dd15e9a4107f55f8ae9e/The-Destiny---Tony-Washington---01.jpg" data-mid="233680786" border="0"  src="https://freight.cargo.site/w/1000/i/1719ff292d3470232471dc92b7429bef0f27c3b7cf16dd15e9a4107f55f8ae9e/The-Destiny---Tony-Washington---01.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e9ed94da55c586b4071ed5c2eea3855d82e5de79c97b4b063f4678ef29347077/The-Destiny---Tony-Washington---02.jpg" data-mid="233680787" border="0"  src="https://freight.cargo.site/w/1000/i/e9ed94da55c586b4071ed5c2eea3855d82e5de79c97b4b063f4678ef29347077/The-Destiny---Tony-Washington---02.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/516e911a39ab869c459b7d8c3de81a0425dbc7f26244fb85b6463990e4b5ccc8/The-Destiny---Tony-Washington---03.jpg" data-mid="233680788" border="0"  src="https://freight.cargo.site/w/1000/i/516e911a39ab869c459b7d8c3de81a0425dbc7f26244fb85b6463990e4b5ccc8/The-Destiny---Tony-Washington---03.jpg" /&#62;
Heartwheels
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c9c1669f9f1ebf4fafcb248311f0cd6abaff7a8223608c1d6993a1d7bcdc11bf/The-Destiny---Tony-Washington---04.jpg" data-mid="233680789" border="0"  src="https://freight.cargo.site/w/1000/i/c9c1669f9f1ebf4fafcb248311f0cd6abaff7a8223608c1d6993a1d7bcdc11bf/The-Destiny---Tony-Washington---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2b9f4956ecf2d9622fa6be5af67cba8846907ceacef149217576fa895e69c480/The-Destiny---Tony-Washington---05.jpg" data-mid="233680790" border="0"  src="https://freight.cargo.site/w/1000/i/2b9f4956ecf2d9622fa6be5af67cba8846907ceacef149217576fa895e69c480/The-Destiny---Tony-Washington---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b41f2e6c54d0c7b0e718f5df241aea48b25a5bc2bb77be1317784dd9da166086/The-Destiny---Tony-Washington---06.jpg" data-mid="233680791" border="0"  src="https://freight.cargo.site/w/1000/i/b41f2e6c54d0c7b0e718f5df241aea48b25a5bc2bb77be1317784dd9da166086/The-Destiny---Tony-Washington---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/aed5a7d0a2effeead8f231c3827896fc6c7153864d007c696412be086b907803/The-Destiny---Tony-Washington---07.jpg" data-mid="233680792" border="0"  src="https://freight.cargo.site/w/1000/i/aed5a7d0a2effeead8f231c3827896fc6c7153864d007c696412be086b907803/The-Destiny---Tony-Washington---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5df983a5479dccc856eb330e5505acba86ba1260c44eedd3a6214f27fc90507c/The-Destiny---Tony-Washington---08.jpg" data-mid="233680793" border="0"  src="https://freight.cargo.site/w/1000/i/5df983a5479dccc856eb330e5505acba86ba1260c44eedd3a6214f27fc90507c/The-Destiny---Tony-Washington---08.jpg" /&#62;

Neurodivergence

Oil on wood paneling
48 x 112 x 1”


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/acd280202f1264d053194aa13f941e2ec6ff8562c1d6c2034578e768b20fdd16/The-Destiny---Tony-Washington---09.jpg" data-mid="233680794" border="0"  src="https://freight.cargo.site/w/1000/i/acd280202f1264d053194aa13f941e2ec6ff8562c1d6c2034578e768b20fdd16/The-Destiny---Tony-Washington---09.jpg" /&#62;
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/41742b0065eaafe35c289128ff05d3590301c3c340722c75a8bcfda21a43c5a6/The-Destiny---Tony-Washington---11.jpg" data-mid="233680796" border="0"  src="https://freight.cargo.site/w/1000/i/41742b0065eaafe35c289128ff05d3590301c3c340722c75a8bcfda21a43c5a6/The-Destiny---Tony-Washington---11.jpg" /&#62;
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Cope,&#38;nbsp;You Would Have Done The Same Thing, and&#38;nbsp;Fight Flight Freeze
Mixed media collage on wood panel
38 x 16 x 3”, 48 x 16 x 3”, and 26 x 22 x 5”&#38;nbsp;

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9db0c11fe6ae4fd07cf833f28b950210aaf8c535bc5465554710519e777c80e0/The-Destiny---Tony-Washington---19.jpg" data-mid="233742913" border="0"  src="https://freight.cargo.site/w/1000/i/9db0c11fe6ae4fd07cf833f28b950210aaf8c535bc5465554710519e777c80e0/The-Destiny---Tony-Washington---19.jpg" /&#62;
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Black Art is Always Expensive

Mixed media on wood
22 x 26 x 5”




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Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="226275930" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="226275932" border="0" data-scale="11" src="https://freight.cargo.site/w/744/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="226275933" border="0" data-scale="43" src="https://freight.cargo.site/w/982/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>The Destiny - Programs</title>
				
		<link>https://annstreetgallery.org/The-Destiny-Programs</link>

		<pubDate>Mon, 10 Feb 2025 01:29:37 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/The-Destiny-Programs</guid>

		<description>The DestinySpring 2025 Workshop and Program Series

Saturdays: March 29, April 16, April 26, 6:30 - 8:30pm — “Parable of the Sower” Book Club led by exhibition Curator Jaime Ransome
Saturday, April 5, 2:00-4:00pm — Storytelling through Mixed Media Collage Workshop with Destiny AriannaLimit 12 participants. Reservations required: email Destinyariannastudio@gmail.com&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with full name and phone number
Saturday, May 10 — "Indigo Rising" Afrofuturistic Dance &#38;amp; Drumming by Rhythm of Water Productions featuring PsifireListen to The Destiny Curated Playlist on Spotify here.
	Free public programming supporting ASG’s spring exhibition, The Destiny, includes engagements with guest curator Jaime Ransome and several regional artists, beginning with multiple book club meetings with Jaime for the “Parable of the Sower” on March 29.
Exhibiting artist Destiny Arianna will lead a workshop in April that invites the community to explore storytelling through mixed media collage.

In May will be a performance from Rhythm of Water Productions featuring Psifire titled “Indigo Rising”.



	Parable of the Sower Book ClubSaturday, March 29, 6:30-8:30pmWednesday, April 16, 6:30-8:30pm Saturday, April 26, 6:30-8:30pm
The public is invited to join our spring exhibition guest curator, Jaime Ransome, at Ann Street Gallery for our first book club! Attendees will meet to discuss the themes and characters of Octavia Butler's “Parable of the Sower”. Jaime will guide the conversation and explore the concepts that inspired her curation of our current exhibition, The Destiny.

Jaime encourages attendees to bring topics for discussion to book club meetings in order to work through both the challenging and visionary content of the text in community.

The public is invited to attend one or all book club meetings. While reading the text sections indicated below prior to each meeting is encouraged, it is not required to be part of the conversation:

March 29 meeting will address the sections of text covering the years 2024 - 2025 (pp. 1 - 100)

April 16 meeting will address the sections of text covering the year 2026 (pp. 101 - 150)

April 26 meeting will address the sections of text covering the year 2027 (pp. 151 - 329)

RSVP requested, not required, to jransome.curation@gmail.com

The book club is free and open to the public. All are welcome.

Gallery Hours: Saturdays and Sundays  from 1:00-5:00pm through May 10.

The book can be purchased locally at Golden Hour Books.




	
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	Storytelling through Mixed Media Collage Workshop with Destiny AriannaSaturday, April 5, 20252:00-4:00pmAnn Street Gallery &#38;nbsp;
RSVP required:email Destinyariannastudio@gmail.com with full name and phone numberWorkshop limited to 12 participants.Age 15 and up.

Join us for a free hands-on workshop with exhibiting artist Destiny Arianna to explore storytelling through mixed media collage. Using materials like magazines, newspapers, recycled paper, natural materials, and markers, we’ll reflect on how art can help us reshape our identities, tell our stories, and reclaim our narratives. All materials will be provided.
How can cutting, layering, and rearranging your story reveal a new perspective?In this workshop, we’ll explore themes of:
Place &#38;amp; Identity – How do the places you come from or feel connected to shape who you are?Memory &#38;amp; Perspective – What is a memory tied to a specific place that has shaped you, and how might someone outside of that place see it differently? What overlooked truths or misconceptions can be revealed?Power &#38;amp; Representation – Who controls the narratives about your community or identity, and what voices are missing?
Participants will leave with a mixed media collage that reflects their exploration of identity, memory, and place and a deeper understanding of how collage can be used to express and reshape personal and cultural narratives.
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	Indigo RisingPerformance, Talk &#38;amp; WorkshopA closing celebration of The Destiny exhibition at Ann Street GallerySaturday, May 10, 20254:00-5:30pmFree &#38;amp; Open to the PublicRhythm of Water Productions presents:PsiFire Flo Arts Dance Collective &#38;amp; Baba KaziThe public is invited to a free, celebratory performance of Afrofuturist-inspired dance and drumming in tandem with our spring exhibition, The Destiny, curated by Jaime Ransome.Indigo Rising is a transformative performance by Psi Fire Flow, a Hudson Valley–based Black flow arts dance collective, whose mission is rooted in spreading joy, love, and inspiration, while cultivating safe, empowering spaces for Black, Brown, and Indigenous communities. Their work celebrates the resilient, regal, and radiant essence of Black culture, brought to life through the dazzle and dynamism of flow dance.Flow arts—a form of movement using props for self-expression with roots in festival culture—has been reimagined by Psi Fire Flow as they merge hip-hop, Afrocentric rhythms, and contemporary dance. With glowing wands, fluttering fans, and rhythms echoing from our ancestors, this unique event invites you to witness and experience power, beauty, and purpose in motion. Indigo Rising is not just a show—it’s a movement!The event will include several flow arts dance performances alongside an original DJ mix and live African drumming, a conversation between Ransome and Rhythm of Water Productions co-founder, Nick Jackson, and a participatory workshop including movement, prop work and drumming, giving attendees an opportunity to move together in community and feel the power of dance and drumming in their own bodies as a practice of freedom, joy, and empowerment.Indigo Rising is a story about love as a tool for transformation. In a world overwhelmed by negativity, love becomes our resistance—not by tearing down what exists, but by nurturing and uplifting one another. Indigo Rising is a call to action: to rise, to create, and to unite. The term Indigo—in metaphysical traditions—refers to those with hidden, world-changing abilities. Indigo Children are believed to be a generation born to bring profound change. This performance is both an invocation and a message: it is time for the Indigo generation to rise and build community.Rhythm of Water ProductionsNick JacksonKaela MillerPsiFireNicoWav (Nick Jackson)Zee Liberation (Zanyell Garmon)Timbre La (Amber Brashears)The Provider (Glenda)KaeLaNiCole (Kaela Miller)AccompanimentNate Jackson (Producer/DJ)Baba Kazi Oliver (African Drummer Extraordinaire/Educator)
	

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&#60;img width="2560" height="1357" width_o="2560" height_o="1357" data-src="https://freight.cargo.site/t/original/i/6bc0d91d241d11755216d5c96f93897038cc18f53021069762e5046557d0ab54/The-Destiny---Indigo-Rising---33---B.-Wolfe-Photography.jpg" data-mid="233854194" border="0"  src="https://freight.cargo.site/w/1000/i/6bc0d91d241d11755216d5c96f93897038cc18f53021069762e5046557d0ab54/The-Destiny---Indigo-Rising---33---B.-Wolfe-Photography.jpg" /&#62;
&#60;img width="2560" height="1393" width_o="2560" height_o="1393" data-src="https://freight.cargo.site/t/original/i/c8b5772acf6f1ba86ad8f3d8085a52e9a57485de1c87a473b473f3eba478c2e5/The-Destiny---Indigo-Rising---34---B.-Wolfe-Photography.jpg" data-mid="233854195" border="0"  src="https://freight.cargo.site/w/1000/i/c8b5772acf6f1ba86ad8f3d8085a52e9a57485de1c87a473b473f3eba478c2e5/The-Destiny---Indigo-Rising---34---B.-Wolfe-Photography.jpg" /&#62;
&#60;img width="2560" height="1500" width_o="2560" height_o="1500" data-src="https://freight.cargo.site/t/original/i/828c25a312a80c5b3134f5c8212247a4996897aff6b3b066f9c50895c051cf65/The-Destiny---Indigo-Rising---35---B.-Wolfe-Photography.jpg" data-mid="233854196" border="0"  src="https://freight.cargo.site/w/1000/i/828c25a312a80c5b3134f5c8212247a4996897aff6b3b066f9c50895c051cf65/The-Destiny---Indigo-Rising---35---B.-Wolfe-Photography.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ece013eec20ab99c1a0330d5265cde6cc63e607a17c29ee91853fa1433996f82/The-Destiny---Indigo-Rising---36---Ann-Street-Gallery.jpg" data-mid="233854197" border="0"  src="https://freight.cargo.site/w/1000/i/ece013eec20ab99c1a0330d5265cde6cc63e607a17c29ee91853fa1433996f82/The-Destiny---Indigo-Rising---36---Ann-Street-Gallery.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9096ccd6187d219fc637b2a9e75267d37aff3eca0efa57de520e6eb4c2e4761a/The-Destiny---Indigo-Rising---37---Ann-Street-Gallery.jpg" data-mid="233854198" border="0"  src="https://freight.cargo.site/w/1000/i/9096ccd6187d219fc637b2a9e75267d37aff3eca0efa57de520e6eb4c2e4761a/The-Destiny---Indigo-Rising---37---Ann-Street-Gallery.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5fb7d30d6bb2dff35da5292a8a6bd90bfedb6c6110298abc775835b7768bdcaf/The-Destiny---Indigo-Rising---38---Ann-Street-Gallery.jpg" data-mid="233854199" border="0"  src="https://freight.cargo.site/w/1000/i/5fb7d30d6bb2dff35da5292a8a6bd90bfedb6c6110298abc775835b7768bdcaf/The-Destiny---Indigo-Rising---38---Ann-Street-Gallery.jpg" /&#62;
Photo credit B. Wolfe Photography


&#60;img width="3584" height="4480" width_o="3584" height_o="4480" data-src="https://freight.cargo.site/t/original/i/64ccb5305e3e933b5954cdee6826c3f5e93514b3f69e5f4e7615ed1c0ba6e8d5/The-Destiny---Indigo-Rising---Nick-and-Kaela-2.jpeg" data-mid="231899020" border="0" alt="Nick Jackson &#38;amp; Kaela Miller" data-caption="Nick Jackson &#38;amp; Kaela Miller" src="https://freight.cargo.site/w/1000/i/64ccb5305e3e933b5954cdee6826c3f5e93514b3f69e5f4e7615ed1c0ba6e8d5/The-Destiny---Indigo-Rising---Nick-and-Kaela-2.jpeg" /&#62;
&#60;img width="1547" height="1920" width_o="1547" height_o="1920" data-src="https://freight.cargo.site/t/original/i/347cc888320caa79f1d524001877d823e3e2fbfe52d46a81bdb6b683ee86f469/The-Destiny---Indigo-Rising---Kazi.jpg" data-mid="231598243" border="0" alt="Baba Kazi Oliver" data-caption="Baba Kazi Oliver" src="https://freight.cargo.site/w/1000/i/347cc888320caa79f1d524001877d823e3e2fbfe52d46a81bdb6b683ee86f469/The-Destiny---Indigo-Rising---Kazi.jpg" /&#62;
&#60;img width="1481" height="1920" width_o="1481" height_o="1920" data-src="https://freight.cargo.site/t/original/i/7764b943c07574463646c4d17c0cac6c44af7a21e4268d7bc78afd6d1f711efa/The-Destiny---Indigo-Rising---Timbre-La.jpg" data-mid="231598241" border="0" alt="Timbre La" data-caption="Timbre La" src="https://freight.cargo.site/w/1000/i/7764b943c07574463646c4d17c0cac6c44af7a21e4268d7bc78afd6d1f711efa/The-Destiny---Indigo-Rising---Timbre-La.jpg" /&#62;
&#60;img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e5750b3c3d68862f4f5d4534ea850e8f3b9ec33828c1bb6e445bb933062b65fc/The-Destiny---Indigo-Rising---The-Provider.jpg" data-mid="231598242" border="0" alt="The Provider" data-caption="The Provider" src="https://freight.cargo.site/w/1000/i/e5750b3c3d68862f4f5d4534ea850e8f3b9ec33828c1bb6e445bb933062b65fc/The-Destiny---Indigo-Rising---The-Provider.jpg" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2958ae5f5ef8e6c31073b5d355b4f6d692e58f9fa00f3bf894703b3a94a490d5/The-Destiny---Indigo-Rising---Zee.jpg" data-mid="231598240" border="0" alt="Zee Liberation" data-caption="Zee Liberation" src="https://freight.cargo.site/w/1000/i/2958ae5f5ef8e6c31073b5d355b4f6d692e58f9fa00f3bf894703b3a94a490d5/The-Destiny---Indigo-Rising---Zee.jpg" /&#62;
About Rhythm of Water Productions:We create one-of-a-kind pieces that are never repeated—maximizing creative freedom and delivering unforgettable experiences. Using dance, music, content creation, and performance, we tell stories of the resilience and brilliance of Black culture.Timbre La is a Renaissance unicorn entrepreneur likely to be found dancing through decadent dimensions and painting between the lines.The Provider is a top-notch engineer who derives pleasure from the execution of creative visions.Meet Zee (she/they) @zeeliberation uses hoops and fans primarily but enjoys dabbling in other props. "Flow arts has given me a way to be embodied and free in a way I had not known before. This feeling is something I hope to share with others to either witness or join and feel for themselves."Kazi has been teaching for 20 years and performing for over 45 years. He is also the musical director of the Kazi Oliver Drummers and Dancers, an ensemble of artists from this continent and the continent of Africa.





	Curated Playlist“Deep in the Bottom - of Africa” by Monique Bingham, Black Coffee 
“Astronomy (8th Light)” by Black Star, Weldon 
“Weary” by Solange 
“As If We Existed” by Solillaquists of Sound 
“Above the Clouds” by Gang Starr, Inspectah Deck 
“Sound and Color” by Alabama Shakes 
“Rebirth of Slick (Cool Like Dat)” by Digable Planets 
“(Sittin’ on) the Dock of the Bay” by Otis ReddingListen to The Destiny Curated Playlist on Spotify here.

	




	Curated Reading ListJaime Ransome’s&#38;nbsp;Curated Reading List 008 has been commissioned to coincide with the exhibition The Destiny at Ann Street Gallery in our Open Reading Room. Lauren’s reading list includes an introduction, title list, and annotations for each title.&#38;nbsp;View or download the list here.
	&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4dd87737d242c7e85d1d1a0197e5200717e82cf01b3781fec4fe04dda5be7b56/The-Destiny---Open-Reading-Room.jpg" data-mid="228994432" border="0"  src="https://freight.cargo.site/w/1000/i/4dd87737d242c7e85d1d1a0197e5200717e82cf01b3781fec4fe04dda5be7b56/The-Destiny---Open-Reading-Room.jpg" /&#62;



Return to Exhibition Overview

Safe Harbors' Ann Street Gallery programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and with funding from the Cowles Charitable Trust, Dominican Sisters of Hope, M&#38;amp;T Charitable Foundation, and TD Charitable Foundation. 



&#60;img width="1692" height="401" width_o="1692" height_o="401" data-src="https://freight.cargo.site/t/original/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" data-mid="226276179" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/828bcefca1ef2d4a59a554f30c626c047e97f0e8ecae4cd4f1a5c29464db0b8c/NYSCA.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="744" height="591" width_o="744" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" data-mid="226276177" border="0" data-scale="11" src="https://freight.cargo.site/w/744/i/6e8417730d3221f804bb8e226530f69ff174bef529d63b91eb8480a75cf92ae8/The-Cowles-Charitable-Trust-Logo.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="982" height="160" width_o="982" height_o="160" data-src="https://freight.cargo.site/t/original/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" data-mid="226276178" border="0" data-scale="43" src="https://freight.cargo.site/w/982/i/a09f415f7baa1e9c4455b89d9f668089a3334a8443df1dd9e0c3d2e359f6de43/Dominican-Sisters-of-Hope-2.png" /&#62;
&#60;img width="465" height="122" width_o="465" height_o="122" data-src="https://freight.cargo.site/t/original/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" data-mid="226276176" border="0" data-scale="24" src="https://freight.cargo.site/w/465/i/347d4b14fe80cc2d75914bf7f7fe5dad4a31a04d656ddca6109b5fcf0674ec29/M-T-Bank.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="505" height="118" width_o="505" height_o="118" data-src="https://freight.cargo.site/t/original/i/4db2f6d370d56534e1f5bcf17908460351a734b46c5efc6901834fa7f5cc827f/TD-Charitable-Foundation.jpg" data-mid="226276175" border="0" data-scale="31" src="https://freight.cargo.site/w/505/i/4db2f6d370d56534e1f5bcf17908460351a734b46c5efc6901834fa7f5cc827f/TD-Charitable-Foundation.jpg" /&#62;
&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Back and Forth, Between Names - Exhibition Overview</title>
				
		<link>https://annstreetgallery.org/Back-and-Forth-Between-Names-Exhibition-Overview</link>

		<pubDate>Thu, 18 Jul 2024 00:22:15 +0000</pubDate>

		<dc:creator>Ann Street Gallery</dc:creator>

		<guid isPermaLink="true">https://annstreetgallery.org/Back-and-Forth-Between-Names-Exhibition-Overview</guid>

		<description>
	Back and Forth, Between Names:An exhibition about bodies of water
July 6 - August 25, 2024Free &#38;amp; Open to the publicSaturdays &#38;amp; Sundays 1:00 - 5:00 pm&#38;amp; by appointment

Opening ReceptionSaturday July 6, 4:00 - 7:00 pm
Extended hours for Upstate Art WeekendFriday July 19 - Sunday July 21, 12:00 - 5:00 pmProgramming:August 4, 2:00pm— Ink Workshop with Suzy Sureck
August 18, 5:00pm — performance of To Cleanse the River by Koyoltzintli
August 24, 2:00pm — performance of Glacier Elegy Newburgh by Jaanika Peerna followed by a closing reception
PROGRAMMING DETAILS CAN BE FOUND HERE.The exhibition is curated by Alison McNulty and includes works by:
Rachel Olivia BergEliza EvansMatt FrieburghausKoyoltzintliCarmen LizardoLauren Rosenthal McManusRenana NeumanJaanika PeernaValerie PirainoAdie RussellSarah Cameron Sunde
Suzy Sureck
Back and Forth, Between Names explores the pervious boundaries and
shifting identities of bodies comprised of water. Works across media invite
viewers to consider water as material, collaborator, place, and metaphor, communicating
water’s agency and animacy in its fluidity and similitude between human and
nonhuman bodies. Engaging the poetics of
water, the exhibition seeks places where language loosens its grip on the knowable, conjuring bodies in, of,
and as water.


The works on display
reference or index the artists’ embodied experiences of waters within and
between continents from the Mahicannituck/Hudson River, the coast of the Dominican Republic, the
coast of Ecuador and the Andes, the Global South, the Arctic,
and elsewhere in the form of rivers, lakes, ponds, oceans, glaciers, and
waterfalls. The artists open spaces of abstraction, reframed boundaries, and
reclamation by investigating watery phenomena like tides, fog, waves, osmosis,
crossings, submersion, dripping, freezing, melting, floating, eroding, and
dissolving. The invitation to question what water carries, returns, and undoes allows discrete, namable identities and the
borders between entities to drift, cycle, and dissipate.


The porous edges that
shape bodies of water speak to mutuality,
responsibility, and healing within a broader field of relations. The artists contend with the physical
challenges of changing states of matter, bodies in constant flux and motion,
and gravity, as well as personal and ancestral traumas related to water,
colonial legacies of partial or unrecorded histories, contemporary migration
and climate catastrophes. Works of sculpture, drawing, painting, installation,
collage, photography, and video incorporate media such as ice, plants, clay,
rock-based pigment, hair extensions, rope, cut paper, charcoal, water-based
media, 3D and 2D prints, sound, and projections. Back
and forth, holding the necessity, tragedy, and beauty of bodies of water, these
artists’ practices move between immersing and gathering, observing and
listening, playing and mourning, responding and remembering.
EXHIBITION MATERIALS:

Exhibition Guide (click to view/download)The image gallery to the right corresponds to the Exhibition checklist.(Price list available upon request)

Curated Reading List 006 (click to view/download)by Lauren Rosenthal McManus
Back and Forth, Between Names exhibition and&#38;nbsp;programming are free and open to all.
PRESS:
Hyperallergic: 8 Shows to See in Upstate New York This August, by Taliesin Thomas
&#60;img width="1500" height="1033" width_o="1500" height_o="1033" data-src="https://freight.cargo.site/t/original/i/404a8c75d94c5c1db1e46ea32dcf17b684a0e3e79fb3bc8910f38d6dd26de764/Screenshot-2024-08-05-at-2.36.09PM.png" data-mid="215997264" border="0"  src="https://freight.cargo.site/w/1000/i/404a8c75d94c5c1db1e46ea32dcf17b684a0e3e79fb3bc8910f38d6dd26de764/Screenshot-2024-08-05-at-2.36.09PM.png" /&#62;

	
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&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c9ef0e2a7e1095c15107f80806cb17071e18a6f2197f178829885fd0335ad728/Back-and-Forth-Between-Names---Installation-Shots---02.jpg" data-mid="215998305" border="0"  src="https://freight.cargo.site/w/1000/i/c9ef0e2a7e1095c15107f80806cb17071e18a6f2197f178829885fd0335ad728/Back-and-Forth-Between-Names---Installation-Shots---02.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/c61ceade834167b7718fc2b40a916e4bac004a3f0f4e1f87fd85cdb612527a59/Back-and-Forth-Between-Names---Installation-Shots---03.jpg" data-mid="215998306" border="0"  src="https://freight.cargo.site/w/1000/i/c61ceade834167b7718fc2b40a916e4bac004a3f0f4e1f87fd85cdb612527a59/Back-and-Forth-Between-Names---Installation-Shots---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/116bdb2e567fc95971117cd2506acb75bf8e4b8843bff0a47d2097cd54aff83d/Back-and-Forth-Between-Names---Installation-Shots---04.jpg" data-mid="215998307" border="0"  src="https://freight.cargo.site/w/1000/i/116bdb2e567fc95971117cd2506acb75bf8e4b8843bff0a47d2097cd54aff83d/Back-and-Forth-Between-Names---Installation-Shots---04.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/13818eb86f90238b3b3f80e2d7f0cdf43dbbb79b23c80f35f775987772fc457b/Back-and-Forth-Between-Names---Installation-Shots---05.jpg" data-mid="215998303" border="0"  src="https://freight.cargo.site/w/1000/i/13818eb86f90238b3b3f80e2d7f0cdf43dbbb79b23c80f35f775987772fc457b/Back-and-Forth-Between-Names---Installation-Shots---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/7673c5d3c0ba69581ae4bd14dc0a8c709b0d404f0fd5ea3a2b5daa77c2a64c99/Back-and-Forth-Between-Names---Installation-Shots---06.jpg" data-mid="215998308" border="0"  src="https://freight.cargo.site/w/1000/i/7673c5d3c0ba69581ae4bd14dc0a8c709b0d404f0fd5ea3a2b5daa77c2a64c99/Back-and-Forth-Between-Names---Installation-Shots---06.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a7de8871396557ba42d68f598c8e3b3a08c1687ee96d51107e0eeacff465f00a/Back-and-Forth-Between-Names---Installation-Shots---07.jpg" data-mid="215998309" border="0"  src="https://freight.cargo.site/w/1000/i/a7de8871396557ba42d68f598c8e3b3a08c1687ee96d51107e0eeacff465f00a/Back-and-Forth-Between-Names---Installation-Shots---07.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b0d70e69c1b2435c1106c4ff9895af1f7e7af8b392381b0c9cde595ec771ea1e/Back-and-Forth-Between-Names---Installation-Shots---08.jpg" data-mid="215998310" border="0"  src="https://freight.cargo.site/w/1000/i/b0d70e69c1b2435c1106c4ff9895af1f7e7af8b392381b0c9cde595ec771ea1e/Back-and-Forth-Between-Names---Installation-Shots---08.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a181c389c0dcabe453ee72d6900390d9131a334ed6606c598e9e2214c29cd27e/Back-and-Forth-Between-Names---Installation-Shots---09.jpg" data-mid="215998311" border="0"  src="https://freight.cargo.site/w/1000/i/a181c389c0dcabe453ee72d6900390d9131a334ed6606c598e9e2214c29cd27e/Back-and-Forth-Between-Names---Installation-Shots---09.jpg" /&#62;


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&#60;img width="1830" height="1230" width_o="1830" height_o="1230" data-src="https://freight.cargo.site/t/original/i/17e50145c79d47ba7f5b2069bad51e43efd1b1a27ed71ff78f9763a816f04eb4/Back-and-Forth-Between-Names---Postcard---FINAL_BACK_6_19_24.jpg" data-mid="214843189" border="0"  src="https://freight.cargo.site/w/1000/i/17e50145c79d47ba7f5b2069bad51e43efd1b1a27ed71ff78f9763a816f04eb4/Back-and-Forth-Between-Names---Postcard---FINAL_BACK_6_19_24.jpg" /&#62;



	Download Exhibition Guide Here
	
	
	
	The exhibtion guide includes materials lists and dates, along with the statements included below



	Rachel Olivia Berglivartfully.com/about
@livartfully

	Hanwi Wacipi Moh-He-Con-Nuck


















Cyanotype on Cotton and Muslin
19.5 x 19.5”

My artistic practice is rooted in observation of the natural world and Indigenous values. I explore materials to create artworks in diverse artistic media that express Lakota ontologies, histories of living beings, human connections to environments, and investigation of natural cycles.Using paint, wood, plaster, clay, metal, fabric, cyanotype, ink, and found objects in my artwork I create installations, paintings, and photographs with variations of imagery including Lakota symbols, mirrored and repeated forms, landscapes, skyscapes, constellations, plants, stones, and water. These elements embody the most ancient teachings of humanity and carry with them knowledge, truths, and realities that weave together stories both within and outside of traditional, contemporary, indigenous, and western ways of being and methodologies.My art process aims to focus intersections between nature and personal “ways of being” addressing multiplicity of cultures and practices to allow space to reflect upon and learn about the mystery of life, death, and connections to Mitakyue Oyasin (All My Relations).The title translates to: Moon Dance with The Waters that Never Stand Still

	
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/9b364a74214ae720ec482e1f5b00d457c77923ee311a4045d1d3e6e2154e33f6/Back-and-Forth-Between-Names---Individual-Artworks---003.jpg" data-mid="215994734" border="0" alt="Hanwi Wacipi Moh-He-Con-Nuck" data-caption="Hanwi Wacipi Moh-He-Con-Nuck" src="https://freight.cargo.site/w/1000/i/9b364a74214ae720ec482e1f5b00d457c77923ee311a4045d1d3e6e2154e33f6/Back-and-Forth-Between-Names---Individual-Artworks---003.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/fa986d60959bf9b98ed9cc672d6f9049f7308caa61febb58bb3107383308ec1d/Back-and-Forth-Between-Names---Individual-Artworks---004.jpg" data-mid="215681332" border="0" alt="Hanwi Wacipi Moh-He-Con-Nuck (Detail)" data-caption="Hanwi Wacipi Moh-He-Con-Nuck (Detail)" src="https://freight.cargo.site/w/1000/i/fa986d60959bf9b98ed9cc672d6f9049f7308caa61febb58bb3107383308ec1d/Back-and-Forth-Between-Names---Individual-Artworks---004.jpg" /&#62;



	Eliza Evanseevans.net@eevans777

	Garden
Triptych of individually framed plants
13.5 x 16.25 x 4” (Installation dimensions variable)




















By playing with the plane, surface, and unspoken invitations to interaction, this work undermines expectations about what one finds on and how one interacts with objects on a white wall. This space is no more contrived than environments we think of as more natural.

	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/bff5a4872cca1e2bd9b2c97bb841e7363b8bddf0585a70100aad69ea73b6aca5/Back-and-Forth-Between-Names---Individual-Artworks---009a.jpg" data-mid="215994735" border="0" alt="Garden" data-caption="Garden" src="https://freight.cargo.site/w/1000/i/bff5a4872cca1e2bd9b2c97bb841e7363b8bddf0585a70100aad69ea73b6aca5/Back-and-Forth-Between-Names---Individual-Artworks---009a.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/fa5bd9872676854bf79782da7752b672fcf74adcfd4f4bf4a1f78f24064f8523/Back-and-Forth-Between-Names---Individual-Artworks---009b.jpg" data-mid="215997720" border="0" alt="Garden (Wilted)" data-caption="Garden (Wilted)" src="https://freight.cargo.site/w/1000/i/fa5bd9872676854bf79782da7752b672fcf74adcfd4f4bf4a1f78f24064f8523/Back-and-Forth-Between-Names---Individual-Artworks---009b.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/cc77282e2fb6f78732a791b9408470c7243ed2bb27eb8bb008d8ce23e21150b5/Back-and-Forth-Between-Names---Individual-Artworks---010a.jpg" data-mid="215994736" border="0" alt="Garden (Close up)" data-caption="Garden (Close up)" src="https://freight.cargo.site/w/1000/i/cc77282e2fb6f78732a791b9408470c7243ed2bb27eb8bb008d8ce23e21150b5/Back-and-Forth-Between-Names---Individual-Artworks---010a.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9b1a04707d70cc82dc1c7b2368b7249eeb9081041892b54a0f5d84dc1dd30b60/Back-and-Forth-Between-Names---Individual-Artworks---010.jpg" data-mid="215681338" border="0" alt="Garden (Close up Wilted)" data-caption="Garden (Close up Wilted)" src="https://freight.cargo.site/w/1000/i/9b1a04707d70cc82dc1c7b2368b7249eeb9081041892b54a0f5d84dc1dd30b60/Back-and-Forth-Between-Names---Individual-Artworks---010.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1c1a2cba58818e75e7b2699948e5ef9d02bee9ba75dfc06ab61e6904618f1078/Back-and-Forth-Between-Names---Individual-Artworks---011.jpg" data-mid="215681339" border="0" alt="Garden (Detail no. 1)" data-caption="Garden (Detail no. 1)" src="https://freight.cargo.site/w/1000/i/1c1a2cba58818e75e7b2699948e5ef9d02bee9ba75dfc06ab61e6904618f1078/Back-and-Forth-Between-Names---Individual-Artworks---011.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/52caea501cc08b5b2b4956ce88fd8b3d7ccd9001a1955592ab8d6ab6e9a39c85/Back-and-Forth-Between-Names---Individual-Artworks---012.jpg" data-mid="215681340" border="0" alt="Garden (Detail no. 2)" data-caption="Garden (Detail no. 2)" src="https://freight.cargo.site/w/1000/i/52caea501cc08b5b2b4956ce88fd8b3d7ccd9001a1955592ab8d6ab6e9a39c85/Back-and-Forth-Between-Names---Individual-Artworks---012.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fe547689fd9ac9dcf0be40548081098648c6e58b7ef2121595ef0b36dc600fd9/Back-and-Forth-Between-Names---Individual-Artworks---013.jpg" data-mid="215681341" border="0" alt="Garden (Detail no. 3)" data-caption="Garden (Detail no. 3)" src="https://freight.cargo.site/w/1000/i/fe547689fd9ac9dcf0be40548081098648c6e58b7ef2121595ef0b36dc600fd9/Back-and-Forth-Between-Names---Individual-Artworks---013.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/ed13315a9b9cae4a3c7afef6b4b19aba5bd3c8ebd517148b1efa6389d04e6389/Back-and-Forth-Between-Names---Individual-Artworks---014.jpg" data-mid="215681342" border="0" alt="Garden (Detail no. 4)" data-caption="Garden (Detail no. 4)" src="https://freight.cargo.site/w/1000/i/ed13315a9b9cae4a3c7afef6b4b19aba5bd3c8ebd517148b1efa6389d04e6389/Back-and-Forth-Between-Names---Individual-Artworks---014.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b835303190f4966831e1b9f923a209e7732a5dc44a9268e6946c285affa7a9a0/Back-and-Forth-Between-Names---Individual-Artworks---015.jpg" data-mid="215681343" border="0" alt="Garden (Detail no. 5)" data-caption="Garden (Detail no. 5)" src="https://freight.cargo.site/w/1000/i/b835303190f4966831e1b9f923a209e7732a5dc44a9268e6946c285affa7a9a0/Back-and-Forth-Between-Names---Individual-Artworks---015.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/1d5c4336dee9024949edf58dc0b89f52e680e67c82be4a8746493f4579a0ec09/Back-and-Forth-Between-Names---Individual-Artworks---016.jpg" data-mid="215681345" border="0" alt="Garden (Detail no. 6)" data-caption="Garden (Detail no. 6)" src="https://freight.cargo.site/w/1000/i/1d5c4336dee9024949edf58dc0b89f52e680e67c82be4a8746493f4579a0ec09/Back-and-Forth-Between-Names---Individual-Artworks---016.jpg" /&#62;



	Matt Frieburghausmattfrieburghaus.com@mattfrieburghaus


	Ghosts of IcebergsWatercolor
11 x 14”

The Ghosts of Icebergs series depicts the shapes of icebergs from real images as witnessed in the high Arctic. The qualities and structure of each berg is only slightly hinted at with its reflection in Arctic waters. These paintings are like portraits of ice that is most likely long gone or has greatly changed due to melt since they were recorded. Although this is a normal process, the rate in which glaciers are melting and calving icebergs is greater than ever due to climate change.

	
&#60;img width="2560" height="927" width_o="2560" height_o="927" data-src="https://freight.cargo.site/t/original/i/44feb3f617dce1af3b9f2e4173af892a91bbc5ac668fe602e55e64c4b5d3b839/Back-and-Forth-Between-Names---Individual-Artworks---027.jpg" data-mid="215994737" border="0" alt="Ghosts of Icebergs (Installation View)" data-caption="Ghosts of Icebergs (Installation View)" src="https://freight.cargo.site/w/1000/i/44feb3f617dce1af3b9f2e4173af892a91bbc5ac668fe602e55e64c4b5d3b839/Back-and-Forth-Between-Names---Individual-Artworks---027.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/f2a9be01e43758c5d5cabd6c561967231ce54ccee4e75d04a7999390d15265b1/Back-and-Forth-Between-Names---Individual-Artworks---028.jpg" data-mid="215681357" border="0" alt="Ghosts of Icebergs, N 79&#38;deg; 32' E 12&#38;deg; 35&#38;rsquo;" data-caption="Ghosts of Icebergs, N 79° 32' E 12° 35’" src="https://freight.cargo.site/w/1000/i/f2a9be01e43758c5d5cabd6c561967231ce54ccee4e75d04a7999390d15265b1/Back-and-Forth-Between-Names---Individual-Artworks---028.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c43631990abf03f2622e4d9f5ac046d93f62e7ded5f712ec4d98dd7b2b194c65/Back-and-Forth-Between-Names---Individual-Artworks---029.jpg" data-mid="215681358" border="0" alt="Ghosts of Icebergs, N 79&#38;deg; 56&#38;rsquo; E 16&#38;deg; 45&#38;rsquo;" data-caption="Ghosts of Icebergs, N 79° 56’ E 16° 45’" src="https://freight.cargo.site/w/1000/i/c43631990abf03f2622e4d9f5ac046d93f62e7ded5f712ec4d98dd7b2b194c65/Back-and-Forth-Between-Names---Individual-Artworks---029.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9fd32034c7f7d8148d7832c485748221dcb2af9d093b45d6311a90144e50fd93/Back-and-Forth-Between-Names---Individual-Artworks---030.jpg" data-mid="215681359" border="0" alt="Ghosts of Icebergs N 79&#38;deg; 33' E 12&#38;deg; 35&#38;rsquo;" data-caption="Ghosts of Icebergs N 79° 33' E 12° 35’" src="https://freight.cargo.site/w/1000/i/9fd32034c7f7d8148d7832c485748221dcb2af9d093b45d6311a90144e50fd93/Back-and-Forth-Between-Names---Individual-Artworks---030.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/07d4aef6efecf01591fb990cdb660aa486fc4cb00f31c90e071f3bf7bf159bdc/Back-and-Forth-Between-Names---Individual-Artworks---031.jpg" data-mid="215681360" border="0" alt="Ghosts of Icebergs, N 79&#38;deg; 32' E 12&#38;deg; 28&#38;rsquo;" data-caption="Ghosts of Icebergs, N 79° 32' E 12° 28’" src="https://freight.cargo.site/w/1000/i/07d4aef6efecf01591fb990cdb660aa486fc4cb00f31c90e071f3bf7bf159bdc/Back-and-Forth-Between-Names---Individual-Artworks---031.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/3ad6c7fb5b6934879dfbf6b85753b6a879bbf94d5a98ccffc91dc5bb2abf8719/Back-and-Forth-Between-Names---Individual-Artworks---032.jpg" data-mid="215681361" border="0" alt="Ghosts of Icebergs, N 79&#38;deg; 32&#38;rsquo; E 12&#38;deg; 27&#38;rsquo;" data-caption="Ghosts of Icebergs, N 79° 32’ E 12° 27’" src="https://freight.cargo.site/w/1000/i/3ad6c7fb5b6934879dfbf6b85753b6a879bbf94d5a98ccffc91dc5bb2abf8719/Back-and-Forth-Between-Names---Individual-Artworks---032.jpg" /&#62;



	
	Tongue of IcePLA (polylactic acid)
4 x 16.5 x 26.5”
Tongue of Ice is a scale 3D printed model of Skaftafellsjökull in southern Iceland. It is a glacier tongue of the greater Vatnajökull icecap. The model is constructed as if a large arrow pointing in the direction of retreat, a present day reality for all glaciers in Iceland.


	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/abb91ee2b70c5e4e18868b9f6fa246c9f7980aef33c114b1b2e5ba8ae10551a9/Back-and-Forth-Between-Names---Individual-Artworks---033.jpg" data-mid="215994738" border="0" alt="Tongue of Ice" data-caption="Tongue of Ice" src="https://freight.cargo.site/w/1000/i/abb91ee2b70c5e4e18868b9f6fa246c9f7980aef33c114b1b2e5ba8ae10551a9/Back-and-Forth-Between-Names---Individual-Artworks---033.jpg" /&#62;

Photo courtesy Zachary Skinner





	
	ChatterPLA (polylactic acid)
42 x 24 x 3”
Fourteen individual 3D prints create a shape outlining the Hudson Estuary. On the surface is chatter marks and striations that resemble marks found on rocky surfaces across the Hudson Valley that provide evidence of a Hudson Valley glacier. The gaps between pieces run north/south and east/west while the direction of the marks (when installed in the ground) run approximately 30 degrees west of south, the direction of movement of the Laurentide ice sheet as it sculpted the valley during the last ice age.


	
&#60;img width="2560" height="797" width_o="2560" height_o="797" data-src="https://freight.cargo.site/t/original/i/954857d54fbbc530e511a0ae0169a8b8ce02c831e19357a7e0d4bd39c02e00c4/Back-and-Forth-Between-Names---Individual-Artworks---090.jpg" data-mid="215994749" border="0" alt="Chatter" data-caption="Chatter" src="https://freight.cargo.site/w/1000/i/954857d54fbbc530e511a0ae0169a8b8ce02c831e19357a7e0d4bd39c02e00c4/Back-and-Forth-Between-Names---Individual-Artworks---090.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b188f5114c6b0061d0d5335eab6ef2ddf9643b9a7b139b53c58583206e72b0e1/Back-and-Forth-Between-Names---Individual-Artworks---090d.jpg" data-mid="218480149" border="0" alt="Chatter (Detail no. 1)" data-caption="Chatter (Detail no. 1)" src="https://freight.cargo.site/w/1000/i/b188f5114c6b0061d0d5335eab6ef2ddf9643b9a7b139b53c58583206e72b0e1/Back-and-Forth-Between-Names---Individual-Artworks---090d.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/d26a5cd741e7c3df8e53da094735359e17b0b64c1fbcd43a4898cee039524cdb/Back-and-Forth-Between-Names---Individual-Artworks---090c.jpg" data-mid="218480151" border="0" alt="Chatter (Detail no. 2)" data-caption="Chatter (Detail no. 2)" src="https://freight.cargo.site/w/1000/i/d26a5cd741e7c3df8e53da094735359e17b0b64c1fbcd43a4898cee039524cdb/Back-and-Forth-Between-Names---Individual-Artworks---090c.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/92ec1323f3df598b3c426761ade2477cdceb843bf88bce2ba019e17fd07d64c2/Back-and-Forth-Between-Names---Individual-Artworks---090b.jpg" data-mid="218480152" border="0" alt="Chatter (Installation view)" data-caption="Chatter (Installation view)" src="https://freight.cargo.site/w/1000/i/92ec1323f3df598b3c426761ade2477cdceb843bf88bce2ba019e17fd07d64c2/Back-and-Forth-Between-Names---Individual-Artworks---090b.jpg" /&#62;


	Koyoltzintlikoyoltzintli.com@koyoltzintli


	Untitled (For Toshiko, triple water whistle)Ceramic and seeds
44 x 32 x 8” (Installation dimensions variable)




















I started making pre-columbian instruments from a place of grief, making and hearing them taught me about grief, as the environmentalist of the soul. It healed something in me, and since then, making has turned into inquiry: When were these instruments played, what rituals enveloped them, how did their rites of passages, and funerary rites sound? In addition, I also explore pathways for indigenous and diasporic communities to reclaim these technologies, challenging colonial narratives through the essential act of listening.Through crafting these instruments, I stitch together fragmented stories and revive one of the oldest and most obscure sonic heritage--Abya Yala's legacy. I seek guidance from celestial constellations as I shape flute beings, water whistle beings, rattle beings, serpent beings--each endowed with unique patterns and frequencies. These inter-dimensional mechanisms are imbued with sonic codes, they are ancient future technologies, carrying memory about land and self. 

	
&#60;img width="2560" height="1903" width_o="2560" height_o="1903" data-src="https://freight.cargo.site/t/original/i/977deba6de164ce7679c1263cbb370956ae0399a8ac43270dbd5afcc7b55d2ea/Back-and-Forth-Between-Names---Individual-Artworks---005.jpg" data-mid="215681333" border="0" alt="Untitled (For Toshiko, triple water whistle)" data-caption="Untitled (For Toshiko, triple water whistle)" src="https://freight.cargo.site/w/1000/i/977deba6de164ce7679c1263cbb370956ae0399a8ac43270dbd5afcc7b55d2ea/Back-and-Forth-Between-Names---Individual-Artworks---005.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e4bb06b79a0376723d1aeceab7ce2d0c2c9f1d7799683a301c14427387485990/Back-and-Forth-Between-Names---Individual-Artworks---006.jpg" data-mid="215681334" border="0" alt="Installation View no. 1" data-caption="Installation View no. 1" src="https://freight.cargo.site/w/1000/i/e4bb06b79a0376723d1aeceab7ce2d0c2c9f1d7799683a301c14427387485990/Back-and-Forth-Between-Names---Individual-Artworks---006.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d281b38fc3fa86e3e1329cc62c842846b8212ab8cbd2d2dfb0e031409ef7fb81/Back-and-Forth-Between-Names---Individual-Artworks---007.jpg" data-mid="215681335" border="0" alt="Installation View no. 2" data-caption="Installation View no. 2" src="https://freight.cargo.site/w/1000/i/d281b38fc3fa86e3e1329cc62c842846b8212ab8cbd2d2dfb0e031409ef7fb81/Back-and-Forth-Between-Names---Individual-Artworks---007.jpg" /&#62;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/8502a73dad518202e0ad0a349ea4fe1f3d21411edb326c7d9117b176261ed7f8/Back-and-Forth-Between-Names---Individual-Artworks---008.jpg" data-mid="215681336" border="0" alt="Installation View no. 3" data-caption="Installation View no. 3" src="https://freight.cargo.site/w/1000/i/8502a73dad518202e0ad0a349ea4fe1f3d21411edb326c7d9117b176261ed7f8/Back-and-Forth-Between-Names---Individual-Artworks---008.jpg" /&#62;

Koyoltzintli playingUntitled (For Toshiko, triple water whistle)




	Carmen Lizardo
carmenlizardostudio.com@carmenlizardostudio


	To Swallow a River: Migrant Yola-BoatDigital print with crystals on panel
30 x 72”
This work delves into the arduous journey of immigrants, encapsulated in the image of a Dominican homemade boat known as a "yola." These makeshift vessels, often overfilled with migrants, attempt the dangerous sea crossing to Puerto Rico and arrive ultimately to America. The central image, sourced from a found Dominican newspaper clipping, depicts a yola just before departure.A solitary figure, silhouetted and filled with a pattern inspired by the ironwork of my childhood home in the Dominican Republic, is an emblem of the weight carried from the vast memories of the home left behind. This figure captures the dichotomy of hope and peril, embodying immigrants' dangerous yet hopeful quest. Crystals placed within the piece represent this dream, evoking the brightness of stars as guidance in the sublimity of the dark sea, leaving what once was called home for the idea of obtaining a glimmer into a dream that, for many, is reality marked by alienation, segregation, and omission.Migrant Yola-Boat reflects the physical and emotional trials of these migrants and invites viewers to contemplate broader themes of identity and displacement. The work speaks to the struggles of immigrants, illustrating the past, present, and ongoing immigration challenges in America today.



	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b5bebc949d79d86f85f9d196ccbb3692b197566a95429ff09756f65839eb5b39/Back-and-Forth-Between-Names---Individual-Artworks---036.jpg" data-mid="215994740" border="0" alt="To Swallow a River: Migrant Yola-Boat" data-caption="To Swallow a River: Migrant Yola-Boat" src="https://freight.cargo.site/w/1000/i/b5bebc949d79d86f85f9d196ccbb3692b197566a95429ff09756f65839eb5b39/Back-and-Forth-Between-Names---Individual-Artworks---036.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/2ed195e77d5a1b4e97e1f4c8d257dab59eb76b6490617a4ed897e4934e931046/Back-and-Forth-Between-Names---Individual-Artworks---037.jpg" data-mid="215994741" border="0" alt="To Swallow a River: Migrant Yola-Boat (Detail no. 1)" data-caption="To Swallow a River: Migrant Yola-Boat (Detail no. 1)" src="https://freight.cargo.site/w/1000/i/2ed195e77d5a1b4e97e1f4c8d257dab59eb76b6490617a4ed897e4934e931046/Back-and-Forth-Between-Names---Individual-Artworks---037.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a25eb4078dbe623089d89e57b7a9abe8c9ad88b001b5adeb28ba7c0049cf4f38/Back-and-Forth-Between-Names---Individual-Artworks---038.jpg" data-mid="215994742" border="0" alt="To Swallow a River: Migrant Yola-Boat (Detail no. 2)" data-caption="To Swallow a River: Migrant Yola-Boat (Detail no. 2)" src="https://freight.cargo.site/w/1000/i/a25eb4078dbe623089d89e57b7a9abe8c9ad88b001b5adeb28ba7c0049cf4f38/Back-and-Forth-Between-Names---Individual-Artworks---038.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/778d8da4b1c07d2d3b2e84d87ce7aac9abe101a4dac6a24438f8988841ae059c/Back-and-Forth-Between-Names---Individual-Artworks---039.jpg" data-mid="215994744" border="0" alt="To Swallow a River: Migrant Yola-Boat (Detail no. 3)" data-caption="To Swallow a River: Migrant Yola-Boat (Detail no. 3)" src="https://freight.cargo.site/w/1000/i/778d8da4b1c07d2d3b2e84d87ce7aac9abe101a4dac6a24438f8988841ae059c/Back-and-Forth-Between-Names---Individual-Artworks---039.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/77d09fe200dbd122ae80349c7880aff530ccfdef109fae0013ee389d0fb87a79/Back-and-Forth-Between-Names---Individual-Artworks---040.jpg" data-mid="215994745" border="0" alt="To Swallow a River: Migrant Yola-Boat (Detail no. 4)" data-caption="To Swallow a River: Migrant Yola-Boat (Detail no. 4)" src="https://freight.cargo.site/w/1000/i/77d09fe200dbd122ae80349c7880aff530ccfdef109fae0013ee389d0fb87a79/Back-and-Forth-Between-Names---Individual-Artworks---040.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/f41c4f52f2574b63ec16e781d91d23c8d3dc47a16df1cb22dd8ad2fe238bd46a/Back-and-Forth-Between-Names---Individual-Artworks---041.jpg" data-mid="215994747" border="0" alt="To Swallow a River: Migrant Yola-Boat (Detail no. 5)" data-caption="To Swallow a River: Migrant Yola-Boat (Detail no. 5)" src="https://freight.cargo.site/w/1000/i/f41c4f52f2574b63ec16e781d91d23c8d3dc47a16df1cb22dd8ad2fe238bd46a/Back-and-Forth-Between-Names---Individual-Artworks---041.jpg" /&#62;



	
	To Swallow a River: Archetype with Boat and Chain and&#38;nbsp;To Swallow a River: Archetype Floating in Gold
Digital print on transparency in gold leaf on panel
24 x 36"
In this work, I act as an archivist, researching public-domain images of unidentified African American women to reinterpret turn-of-the-century photographs. This work highlights the cultural biases in historical records and the pervasive nature of racial and gender discrimination that have obscured women's identities. The term "unidentified women" in the context of African American women reveals much about the social and historical constructs of that time, reflecting a broader concept in the dual erasure of gender and race.My artistic process was born from a personal space. For over a decade, I have lived with dozens of postcards of public domain images from the National Library of Congress of unidentified African American women from the turn of the century. These postcards hung on the walls in my darkroom alongside personal ancestral documents and photographs that have organically emerged from their silence, permeating my life. Social invisibility, the dissolution of identity, and the quest to create a portrait of a woman who dared to exist without a trace of history became a central departure in this work.This focus is reflected in my practice through the physical form of the artwork. I preserved the postcards and found images as precious photographs, honoring their existence. Although they were items I could easily find, these particular images carried the history of a life lived within them, extending to all those without one. I photocopied these images and floated them in water with gold leaf, objects, paint, and fabric, creating ephemeral paintings and collages captured through photography before their dissolution.The final images are created by further collaging gold leaf on the back of transparencies, constructing another layer of history through the making process, and creating layered portraits made of non-repeatable steps. Although the pictures may come from the same matrix, they live in a related but unique space and are no longer mere documents. They now represent the picture of every woman looked at but never seen.



	

&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/55d0d091a4cbe4365f7b2a492194b7cb55890419edfddfb4907db6e5629b97d0/Back-and-Forth-Between-Names---Individual-Artworks---066.jpg" data-mid="215681397" border="0" alt="To Swallow a River: Archetype with Boat and Chain and&#38;amp;nbsp;To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold" data-caption="To Swallow a River: Archetype with Boat and Chain and&#38;amp;nbsp;To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold" src="https://freight.cargo.site/w/1000/i/55d0d091a4cbe4365f7b2a492194b7cb55890419edfddfb4907db6e5629b97d0/Back-and-Forth-Between-Names---Individual-Artworks---066.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/98550236ec308e16a9dc5a8d37d149fa5ef74a26b7a843a186f015186ae8c8aa/Back-and-Forth-Between-Names---Individual-Artworks---068.jpg" data-mid="215681399" border="0" alt="To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold" data-caption="To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold" src="https://freight.cargo.site/w/1000/i/98550236ec308e16a9dc5a8d37d149fa5ef74a26b7a843a186f015186ae8c8aa/Back-and-Forth-Between-Names---Individual-Artworks---068.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/b94ec7e2f585dd41c05304ba41999fc6524b30ae80b22f2283e9d2fd2c58af03/Back-and-Forth-Between-Names---Individual-Artworks---069.jpg" data-mid="215681400" border="0" alt="To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold (Detail no. 1)" data-caption="To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold (Detail no. 1)" src="https://freight.cargo.site/w/1000/i/b94ec7e2f585dd41c05304ba41999fc6524b30ae80b22f2283e9d2fd2c58af03/Back-and-Forth-Between-Names---Individual-Artworks---069.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/7b64399d2f36844a493daac705ea65375bd919d6e60402cbcecc6a5c7b12a569/Back-and-Forth-Between-Names---Individual-Artworks---070.jpg" data-mid="215681401" border="0" alt="To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold (Detail no. 2)" data-caption="To Swallow a River: Archetype&#38;amp;nbsp;Floating in Gold (Detail no. 2)" src="https://freight.cargo.site/w/1000/i/7b64399d2f36844a493daac705ea65375bd919d6e60402cbcecc6a5c7b12a569/Back-and-Forth-Between-Names---Individual-Artworks---070.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/190d9e405d314b5b83f6a8811fe574ad7a24e319faa9ed11fd260b8ccb34001e/Back-and-Forth-Between-Names---Individual-Artworks---071.jpg" data-mid="215681402" border="0" alt="To Swallow a River: Archetype with Boat and Chain" data-caption="To Swallow a River: Archetype with Boat and Chain" src="https://freight.cargo.site/w/1000/i/190d9e405d314b5b83f6a8811fe574ad7a24e319faa9ed11fd260b8ccb34001e/Back-and-Forth-Between-Names---Individual-Artworks---071.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c8caea0bf1a047860516e25fa845b227c43a0cc6f9826c2aa4426f0f1e072dbc/Back-and-Forth-Between-Names---Individual-Artworks---072.jpg" data-mid="215681403" border="0" alt="To Swallow a River: Archetype with Boat and Chain (Detail)" data-caption="To Swallow a River: Archetype with Boat and Chain (Detail)" src="https://freight.cargo.site/w/1000/i/c8caea0bf1a047860516e25fa845b227c43a0cc6f9826c2aa4426f0f1e072dbc/Back-and-Forth-Between-Names---Individual-Artworks---072.jpg" /&#62;



	
	
To Swallow a River: Entwined
Digital print on silk organza
12 x 14”
This work is printed on a translucent, fragile, floating fabric that unravels over time, creating an everchanging image that folds and moves like the sea. This material choice symbolizes the delicate and constantly shifting nature of the immigrant experience. The fabric's movement and gradual unraveling mirror the immigrant’s journey, which is marked by continuous change, adaptation, and the relentless passage of time. The image underscores the transformation as individuals navigate the treacherous waters of immigration, seeking to maintain their sense of self while forging new paths in unfamiliar territories. The boat on the mouth carries the weight of unspoken stories hidden from mainstream society, reinforcing feelings of melancholy, isolation, and separation from one's homeland, encapsulating the fear and desperation often accompanying the decision to leave one’s homeland. This fear is intertwined with the hope for a better future, creating a complex emotional landscape.

	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3cd1f544ed97ad454f20722e1b3708b408213136a0c087d4ff510ba900e8398d/Back-and-Forth-Between-Names---Individual-Artworks---101.jpg" data-mid="215681432" border="0" alt="To Swallow a River: Entwined" data-caption="To Swallow a River: Entwined" src="https://freight.cargo.site/w/1000/i/3cd1f544ed97ad454f20722e1b3708b408213136a0c087d4ff510ba900e8398d/Back-and-Forth-Between-Names---Individual-Artworks---101.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/42922c246faa7541867cfe9f75d7722d8c10a9683a103f664dd3d3d9bd9df263/Back-and-Forth-Between-Names---Individual-Artworks---102.jpg" data-mid="215994754" border="0" alt="To Swallow a River: Entwined (Detail)" data-caption="To Swallow a River: Entwined (Detail)" src="https://freight.cargo.site/w/1000/i/42922c246faa7541867cfe9f75d7722d8c10a9683a103f664dd3d3d9bd9df263/Back-and-Forth-Between-Names---Individual-Artworks---102.jpg" /&#62;


	
	To Swallow a River: Seeing the Bottom Blue
Digital print on paper from video still
44 x 36”
The sea swallowed me at the beach, and I couldn’t swim. The seabed revealed itself as I sank, and a surprising calmness washed over me in those dangerous waters. The waves swayed me aggressively until I somehow drifted and found my way to the shore. 


This photograph captures this beach on the Dominican Republic's east coast, combined with a separate image—a self-portrait of my reflection in the water and my face pressed beneath a piece of glass. The photos were taken the day before, and the waters were calm then, in stark contrast to the following day. At the beginning of this year, I merged these two images by projecting them onto translucent fabric in an unconscious act of processing; seeing them together, I realized they belonged as one. The projection seemed as fleeting as my memory of the waves, and the faint recollection of that impermanent moment resurfaced as a tangible reflection of it. I wanted to hold that moment. I rephotographed this projection, capturing the disrupted illusion caused by the light filtering through the windows, resembling that of the glimmer on a calm shore. This resulted in a corporeal print, transforming a private and fragmented experience into a unified form, an effort to understand my metaphoric relationship with the sea. Although my methodology is process-based, this work is not a process documentation. It is a document of truth, created from archives of my memories. It is a story whose ramifications extend to global issues of loss and is now a public record of this account.







	
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/4f953de64a12a9ee6b11b2da8fad72c7a220726e13fe36a525dfc191d92a6bb0/Back-and-Forth-Between-Names---Individual-Artworks---105.jpg" data-mid="215681436" border="0" alt="To Swallow a River: Seeing the Bottom Blue" data-caption="To Swallow a River: Seeing the Bottom Blue" src="https://freight.cargo.site/w/1000/i/4f953de64a12a9ee6b11b2da8fad72c7a220726e13fe36a525dfc191d92a6bb0/Back-and-Forth-Between-Names---Individual-Artworks---105.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/82fb91e023db7a8e45b5492594c285b3d55167c607e6fcfe8fcc3b67d319b33a/Back-and-Forth-Between-Names---Individual-Artworks---106.jpg" data-mid="215681437" border="0" alt="To Swallow a River: Seeing the Bottom Blue (Detail)" data-caption="To Swallow a River: Seeing the Bottom Blue (Detail)" src="https://freight.cargo.site/w/1000/i/82fb91e023db7a8e45b5492594c285b3d55167c607e6fcfe8fcc3b67d319b33a/Back-and-Forth-Between-Names---Individual-Artworks---106.jpg" /&#62;



	Lauren Rosenthal McManuslaurenrosenthalmcmanus.com@laurenrosenthalmcmanus


	
Hydrologies from the Hudson Watershed (Rondout, Hudson-Wappinger, Lower Hudson)Hand-cut watercolor paper, wood, steel, paint
16 x 8”13.5 x 9.5”16 x 8”
These paper works are sensual interpretations of hydrological data. By eliminating all of the man-made structures that usually inform our location in space, these free-floating hydrologies leave only the river basin to contemplate. What at first might seem disorienting leads to the possibility of re-orienting, of identifying with and within these natural systems.

	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6e2429779af54798cdc90a9af75bfcb673a6f059e14c362169c16c9d1f960937/Back-and-Forth-Between-Names---Individual-Artworks---017.jpg" data-mid="215681346" border="0" alt="Hydrologies from the Hudson Watershed" data-caption="Hydrologies from the Hudson Watershed" src="https://freight.cargo.site/w/1000/i/6e2429779af54798cdc90a9af75bfcb673a6f059e14c362169c16c9d1f960937/Back-and-Forth-Between-Names---Individual-Artworks---017.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d58cbac112e871343316b91bf1e24e27969e90a8da82502190bd469a6abe38d5/Back-and-Forth-Between-Names---Individual-Artworks---018.jpg" data-mid="215681347" border="0" alt="Hydrologies from the Hudson Watershed (Alternate View)" data-caption="Hydrologies from the Hudson Watershed (Alternate View)" src="https://freight.cargo.site/w/1000/i/d58cbac112e871343316b91bf1e24e27969e90a8da82502190bd469a6abe38d5/Back-and-Forth-Between-Names---Individual-Artworks---018.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/dc42b4567512a8bf732d1f0b51241de1d4d0e31c1ba2b3549f09ee0c3c09e745/Back-and-Forth-Between-Names---Individual-Artworks---019.jpg" data-mid="215681348" border="0" alt="Rondout Watershed" data-caption="Rondout Watershed" src="https://freight.cargo.site/w/1000/i/dc42b4567512a8bf732d1f0b51241de1d4d0e31c1ba2b3549f09ee0c3c09e745/Back-and-Forth-Between-Names---Individual-Artworks---019.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/65d6b267c76303cb4e17b130950324fcdfeb514c85bf8f0e81bb34c7568ba0b6/Back-and-Forth-Between-Names---Individual-Artworks---020.jpg" data-mid="215681349" border="0" alt="Hudson-Wappinger Watershed" data-caption="Hudson-Wappinger Watershed" src="https://freight.cargo.site/w/1000/i/65d6b267c76303cb4e17b130950324fcdfeb514c85bf8f0e81bb34c7568ba0b6/Back-and-Forth-Between-Names---Individual-Artworks---020.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/1d202d49252c6be9c182d3b5ea9de2a42faf2cbd096a4723ea19b86aed4840b9/Back-and-Forth-Between-Names---Individual-Artworks---021.jpg" data-mid="215681350" border="0" alt=" Lower Hudson Watershed" data-caption=" Lower Hudson Watershed" src="https://freight.cargo.site/w/1000/i/1d202d49252c6be9c182d3b5ea9de2a42faf2cbd096a4723ea19b86aed4840b9/Back-and-Forth-Between-Names---Individual-Artworks---021.jpg" /&#62;


	
	Rock Drawings from the Finger Lakes (Cayuga Lake, Canadaigua Lake, and Hemlock Lake)
Ground rock, water, &#38;amp; gum arabic on paper
38 x 30” (Framed)28 x 22” (Framed)21 x 17” (Framed)
These drawings begin with spatial data – hydrological and topographical blueprints –, which are then layered with local artifacts of a human connection to place – rocks collected along lakes and streams. I grind the rocks into pigment, then mix it with water and gum arabic to make watercolor paint. By reframing our boundaries and our relationships with the world, these works highlight our inherent interconnectedness and interdependence.







	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0e425e447c07398436039a022be3d143cdf26ff7d85841a80d6ed115d10f46f2/Back-and-Forth-Between-Names---Individual-Artworks---092.jpg" data-mid="215681423" border="0" alt="Rock Drawings from the Finger Lakes" data-caption="Rock Drawings from the Finger Lakes" src="https://freight.cargo.site/w/1000/i/0e425e447c07398436039a022be3d143cdf26ff7d85841a80d6ed115d10f46f2/Back-and-Forth-Between-Names---Individual-Artworks---092.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9b9d566fe7577133a41b07c2eb94e4266aa1ce2d8fce0c48acd125b69c98c9a6/Back-and-Forth-Between-Names---Individual-Artworks---093.jpg" data-mid="215681424" border="0" alt="Hemlock Lake" data-caption="Hemlock Lake" src="https://freight.cargo.site/w/1000/i/9b9d566fe7577133a41b07c2eb94e4266aa1ce2d8fce0c48acd125b69c98c9a6/Back-and-Forth-Between-Names---Individual-Artworks---093.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/20c4a4dcfbe3ca66642e0901f07fabe822dbb14b24007b932a6ada38ae87f791/Back-and-Forth-Between-Names---Individual-Artworks---094.jpg" data-mid="215681425" border="0" alt="Hemlock Lake (Detail)" data-caption="Hemlock Lake (Detail)" src="https://freight.cargo.site/w/1000/i/20c4a4dcfbe3ca66642e0901f07fabe822dbb14b24007b932a6ada38ae87f791/Back-and-Forth-Between-Names---Individual-Artworks---094.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3b316a3b16453259f51e131ef342f7b3ef719548b6ce5a084abf3c1a86bbe28e/Back-and-Forth-Between-Names---Individual-Artworks---095.jpg" data-mid="215681426" border="0" alt="Cayuga Lake" data-caption="Cayuga Lake" src="https://freight.cargo.site/w/1000/i/3b316a3b16453259f51e131ef342f7b3ef719548b6ce5a084abf3c1a86bbe28e/Back-and-Forth-Between-Names---Individual-Artworks---095.jpg" /&#62;
&#60;img width="1907" height="2560" width_o="1907" height_o="2560" data-src="https://freight.cargo.site/t/original/i/7cd469c0eb4d3ad0a48342fd8d01044c986209c3e5564aeb97dd5d6ad845e05d/Back-and-Forth-Between-Names---Individual-Artworks---096.jpg" data-mid="215681427" border="0" alt="Cayuga Lake (Detail)" data-caption="Cayuga Lake (Detail)" src="https://freight.cargo.site/w/1000/i/7cd469c0eb4d3ad0a48342fd8d01044c986209c3e5564aeb97dd5d6ad845e05d/Back-and-Forth-Between-Names---Individual-Artworks---096.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c8125632fe9eeca915fbb782ce9fea84d5c8df001f4d22be1f04a995e01de66d/Back-and-Forth-Between-Names---Individual-Artworks---097.jpg" data-mid="215681428" border="0" alt="Canadaigua Lake" data-caption="Canadaigua Lake" src="https://freight.cargo.site/w/1000/i/c8125632fe9eeca915fbb782ce9fea84d5c8df001f4d22be1f04a995e01de66d/Back-and-Forth-Between-Names---Individual-Artworks---097.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2803e1445b412025ba38527eefc9bfa50878dda43c14a9aa43b9ff6cdc1cf857/Back-and-Forth-Between-Names---Individual-Artworks---098.jpg" data-mid="215681429" border="0" alt="Canadaigua Lake (Detail)" data-caption="Canadaigua Lake (Detail)" src="https://freight.cargo.site/w/1000/i/2803e1445b412025ba38527eefc9bfa50878dda43c14a9aa43b9ff6cdc1cf857/Back-and-Forth-Between-Names---Individual-Artworks---098.jpg" /&#62;




	Renana Neuman
renananeuman.com
@renaneuman
	Overflow and HollowHand-drawn animation projection, dome mirror
19.5 x 19.5 x 8.5” (Installation dimensions variable)2-channel projections, black paint, graphite drawing, audio
5 minutes and 14 seconds on loop

The installation explores the power of water as a force of life, equality, and resistance. Water can trick boundaries, overcome them, no border is impenetrable to it. Human's desire to control water manifests in drawing borders, digging canals, building dams, legislating - trying to control the uncontrollable. It is the source of life and a purifying force. For me, it also evokes the turmoils and storms of the self. All of these are weaved together to think about who has control, and what can we do to redistribute it.
Music and audio design - Chanan Ben Simon. Voice: Chanan Ben Simon, Noa Fort, Renana Neuman.


	
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/2336879a18210225a5f4cc3802e3f1f18c5c1434ae30a06a6284b7f2bc3afbf2/Back-and-Forth-Between-Names---Individual-Artworks---073.jpg" data-mid="215681404" border="0" alt="Overflow and Hollow" data-caption="Overflow and Hollow" src="https://freight.cargo.site/w/1000/i/2336879a18210225a5f4cc3802e3f1f18c5c1434ae30a06a6284b7f2bc3afbf2/Back-and-Forth-Between-Names---Individual-Artworks---073.jpg" /&#62;
&#60;img width="2560" height="1704" width_o="2560" height_o="1704" data-src="https://freight.cargo.site/t/original/i/702fc7d9ec98bcdd4a827109577f13594f9082754aa5a0f81ae3dc7cd1ba7c2e/Back-and-Forth-Between-Names---Individual-Artworks---074.jpg" data-mid="215681405" border="0" alt="Overflow (Detail)" data-caption="Overflow (Detail)" src="https://freight.cargo.site/w/1000/i/702fc7d9ec98bcdd4a827109577f13594f9082754aa5a0f81ae3dc7cd1ba7c2e/Back-and-Forth-Between-Names---Individual-Artworks---074.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/914f3025cb74bc425e934451d648bbb8b7d8895f6fceee0d37922c6146469c1b/Back-and-Forth-Between-Names---Individual-Artworks---075.jpg" data-mid="215681406" border="0" alt="Hollow (Detail no. 1)" data-caption="Hollow (Detail no. 1)" src="https://freight.cargo.site/w/1000/i/914f3025cb74bc425e934451d648bbb8b7d8895f6fceee0d37922c6146469c1b/Back-and-Forth-Between-Names---Individual-Artworks---075.jpg" /&#62;
&#60;img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/37bd61d81aa1cc16e7a1c7ba8839be520463381523f8d047949c90368c96b48f/Back-and-Forth-Between-Names---Individual-Artworks---076.jpg" data-mid="215681407" border="0" alt="Hollow (Detail no. 2)" data-caption="Hollow (Detail no. 2)" src="https://freight.cargo.site/w/1000/i/37bd61d81aa1cc16e7a1c7ba8839be520463381523f8d047949c90368c96b48f/Back-and-Forth-Between-Names---Individual-Artworks---076.jpg" /&#62;
&#60;img width="1704" height="2560" width_o="1704" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ddfb931ab16ca4d044ab60fd171a4cee4a53de6225325adbf4e1d673ae4c2610/Back-and-Forth-Between-Names---Individual-Artworks---077.jpg" data-mid="215681408" border="0" alt="Hollow (Detail no. 3)" data-caption="Hollow (Detail no. 3)" src="https://freight.cargo.site/w/1000/i/ddfb931ab16ca4d044ab60fd171a4cee4a53de6225325adbf4e1d673ae4c2610/Back-and-Forth-Between-Names---Individual-Artworks---077.jpg" /&#62;



	Jaanika Peernajaanikapeerna.net @jaanika_peerna_studio


	Spill in Newburgh
Pigment and ice on hand cut mylar, magnets, site specific wall work
Approx. 120 x 18 x 23” (Installation dimensions variable)
This wall-based sculpture consists of several identically shaped hand-made elements made from thin plastic, each cut with uniform cuts and each with paint eroded by ice and water across the surface. The work takes on different forms each time it is installed, with the pieces recycled and reused, then assembled and falling in different ways. For the artist, this mimics the fluidity of water and the way that the same mass of water can appear in different places across the world and in different forms.


	
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/475b8c00f2dac91064c807c37de81f7668a2578f117d19113ffeff417cef3690/Back-and-Forth-Between-Names---Individual-Artworks---042.jpg" data-mid="215681373" border="0" alt="Spill in Newburgh" data-caption="Spill in Newburgh" src="https://freight.cargo.site/w/1000/i/475b8c00f2dac91064c807c37de81f7668a2578f117d19113ffeff417cef3690/Back-and-Forth-Between-Names---Individual-Artworks---042.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8448a3c9fdb57aa266cffc5ce17c136ec36340b94b71ce804fc74c33b8ec13d2/Back-and-Forth-Between-Names---Individual-Artworks---043.jpg" data-mid="215681374" border="0" alt="Spill in Newburgh (Alternate View)" data-caption="Spill in Newburgh (Alternate View)" src="https://freight.cargo.site/w/1000/i/8448a3c9fdb57aa266cffc5ce17c136ec36340b94b71ce804fc74c33b8ec13d2/Back-and-Forth-Between-Names---Individual-Artworks---043.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8b56b43915b8a2f0237dadb0928b60886ff0bfe8b40540df2e04c32684f0df55/Back-and-Forth-Between-Names---Individual-Artworks---044.jpg" data-mid="215681375" border="0" alt="Spill in Newburgh (Detail no. 1)" data-caption="Spill in Newburgh (Detail no. 1)" src="https://freight.cargo.site/w/1000/i/8b56b43915b8a2f0237dadb0928b60886ff0bfe8b40540df2e04c32684f0df55/Back-and-Forth-Between-Names---Individual-Artworks---044.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b7b99a6f93531a853e407b2f66e0836550c799dce316aa6a0084b1764bd55661/Back-and-Forth-Between-Names---Individual-Artworks---045.jpg" data-mid="215681376" border="0" alt="Spill in Newburgh (Detail no. 2)" data-caption="Spill in Newburgh (Detail no. 2)" src="https://freight.cargo.site/w/1000/i/b7b99a6f93531a853e407b2f66e0836550c799dce316aa6a0084b1764bd55661/Back-and-Forth-Between-Names---Individual-Artworks---045.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/395ca92198bd2b027005e5c72f22a16a633a09c33fc71d3abf3503443fee7ba3/Back-and-Forth-Between-Names---Individual-Artworks---046.jpg" data-mid="215681377" border="0" alt="Spill in Newburgh (Detail no. 3)" data-caption="Spill in Newburgh (Detail no. 3)" src="https://freight.cargo.site/w/1000/i/395ca92198bd2b027005e5c72f22a16a633a09c33fc71d3abf3503443fee7ba3/Back-and-Forth-Between-Names---Individual-Artworks---046.jpg" /&#62;



	
	Ablation Zone 14-15-16
Pigment and ice on Yupo
80 x 90” (Three elements)
Ablation Zone series of drawings shares many elements with Peerna’s ongoing Glacier Elegy project. Each work in the series has been created with pigment pencils and ice. Peerna starts the drawings by first marking vertical pigment lines onto thin layer of plastic. She then methodically applies water or ice, causing the lines on the surface to melt and drip. There is an inherent natural element within the making of each work—the drawing only stops making itself when the water has dried. The ensuing drip marks on the works capture the moment when solid turns into liquid, drawing a visual parallel to the moment when ice melts into water. This series becomes a visual response to the witnessing of the rapid glacier melt around the earth due to the warming climate.In the title the artist is pointing to the process of ablation of a glacier which refers to all processes that remove mass from a glacier.



	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3c99d04866bf23c834104b4983e8ad6f922dda9d8fda767ee57191699bc6ced1/Back-and-Forth-Between-Names---Individual-Artworks---078.jpg" data-mid="215681409" border="0" alt="Ablation Zone 14-15-16" data-caption="Ablation Zone 14-15-16" src="https://freight.cargo.site/w/1000/i/3c99d04866bf23c834104b4983e8ad6f922dda9d8fda767ee57191699bc6ced1/Back-and-Forth-Between-Names---Individual-Artworks---078.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/53dd1906c7d438d0a4065a15c2fc6c7caec02337b72f07c16ad7faa8a11d898d/Back-and-Forth-Between-Names---Individual-Artworks---079.jpg" data-mid="215681410" border="0" alt="Ablation Zone 14-15-16 (Detail)" data-caption="Ablation Zone 14-15-16 (Detail)" src="https://freight.cargo.site/w/1000/i/53dd1906c7d438d0a4065a15c2fc6c7caec02337b72f07c16ad7faa8a11d898d/Back-and-Forth-Between-Names---Individual-Artworks---079.jpg" /&#62;


	
	Glacial Ooze NewburghPigment and ice on hand cut mylar, magnets
50 x 28 x 9”

This wall-based sculpture consists of two identically shaped hand-made elements made from thin plastic, each cut with uniform cuts and each with paint eroded by ice and water across the surface. The work takes on different forms each time it is installed, with the pieces recycled and reused, then assembled and falling in different ways.

	
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/fa257d509e205b0b75339a1fa0b32d4fbd9e678f9007d41b057d9ce96a3a8e5d/Back-and-Forth-Between-Names---Individual-Artworks---099.jpg" data-mid="215994752" border="0" alt="Glacial Ooze Newburgh" data-caption="Glacial Ooze Newburgh" src="https://freight.cargo.site/w/1000/i/fa257d509e205b0b75339a1fa0b32d4fbd9e678f9007d41b057d9ce96a3a8e5d/Back-and-Forth-Between-Names---Individual-Artworks---099.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/73e6afd27b26c7a4c0495df6be8c596f4071304bedca085f79fe401521cb4527/Back-and-Forth-Between-Names---Individual-Artworks---100.jpg" data-mid="215994753" border="0" alt="Glacial Ooze Newburgh (Detail)" data-caption="Glacial Ooze Newburgh (Detail)" src="https://freight.cargo.site/w/1000/i/73e6afd27b26c7a4c0495df6be8c596f4071304bedca085f79fe401521cb4527/Back-and-Forth-Between-Names---Individual-Artworks---100.jpg" /&#62;


	Valerie Pirainovaleriepiraino.com@valeriepirainostudio


	pieces of place
Polystyrene, epoxy clay, white dirt, twine, found metal, brass beads, nylon, fibers
Dimensions variable
Art allows me to collect “pieces of place.” As a Rwandan artist living outside my place of birth, I use art to process physical dislocation and cultural disorientation. My sculptures are carved out of foam blocks and covered with black epoxy clay. The surface is then manipulated to create a range of textures using a combination of molds, wet sanding, dry filing, burnishing and so on.Molds are a method for finding “pieces of place” and include molds of fruit from the Global South bought Stateside, like jackfruit and bitter melon. Layers of white dirt are adhered throughout this process to achieve the look and feel of the passage of time. These new objects strengthen my understanding of home.



	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c4b30d7d2bf99ab044fd826a5788c3fd536b988764b9c7ccebd9c66f2b057865/Back-and-Forth-Between-Names---Individual-Artworks---048.jpg" data-mid="215681379" border="0" alt="pieces of place" data-caption="pieces of place" src="https://freight.cargo.site/w/1000/i/c4b30d7d2bf99ab044fd826a5788c3fd536b988764b9c7ccebd9c66f2b057865/Back-and-Forth-Between-Names---Individual-Artworks---048.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/f55e7422e412e1be48e46852946bb7427d878175272161d98ae8159b695f1046/Back-and-Forth-Between-Names---Individual-Artworks---047.jpg" data-mid="215681378" border="0" alt="pieces of place (Alternate View)" data-caption="pieces of place (Alternate View)" src="https://freight.cargo.site/w/1000/i/f55e7422e412e1be48e46852946bb7427d878175272161d98ae8159b695f1046/Back-and-Forth-Between-Names---Individual-Artworks---047.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ae12424452cd8d4d3cc75fceeb6d8f4c61a15e19c1640c0ba7f822afd5723cb3/Back-and-Forth-Between-Names---Individual-Artworks---050.jpg" data-mid="215681381" border="0" alt="Ovum with Brass Beads" data-caption="Ovum with Brass Beads" src="https://freight.cargo.site/w/1000/i/ae12424452cd8d4d3cc75fceeb6d8f4c61a15e19c1640c0ba7f822afd5723cb3/Back-and-Forth-Between-Names---Individual-Artworks---050.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3494c8710cc54a679c2de9df2cec44aa2b0a1dbf3f560da7b79370a792d1b5c2/Back-and-Forth-Between-Names---Individual-Artworks---051.jpg" data-mid="215681382" border="0" alt="Ovum with Brass Beads (Detail)" data-caption="Ovum with Brass Beads (Detail)" src="https://freight.cargo.site/w/1000/i/3494c8710cc54a679c2de9df2cec44aa2b0a1dbf3f560da7b79370a792d1b5c2/Back-and-Forth-Between-Names---Individual-Artworks---051.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/16157473ccaedb976e226a8373d0c27740c9d4586e23f7066ff6cbfb64c6af6d/Back-and-Forth-Between-Names---Individual-Artworks---052.jpg" data-mid="215681383" border="0" alt="Sausage Fruit with Handmade Rope" data-caption="Sausage Fruit with Handmade Rope" src="https://freight.cargo.site/w/1000/i/16157473ccaedb976e226a8373d0c27740c9d4586e23f7066ff6cbfb64c6af6d/Back-and-Forth-Between-Names---Individual-Artworks---052.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/21eefa1d8f48c1ea9fb58dc7124eebb805d179c8b32af2970e134169fdff5dba/Back-and-Forth-Between-Names---Individual-Artworks---053.jpg" data-mid="215681384" border="0" alt="Sausage Fruit with Handmade Rope (Detail)" data-caption="Sausage Fruit with Handmade Rope (Detail)" src="https://freight.cargo.site/w/1000/i/21eefa1d8f48c1ea9fb58dc7124eebb805d179c8b32af2970e134169fdff5dba/Back-and-Forth-Between-Names---Individual-Artworks---053.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9858b103e3d54cbe56a5eb06e6c257c51c278ed34172ac7fc3a1a1ca75f534f6/Back-and-Forth-Between-Names---Individual-Artworks---054.jpg" data-mid="215681385" border="0" alt="Unknown Shape with Handmade Beads" data-caption="Unknown Shape with Handmade Beads" src="https://freight.cargo.site/w/1000/i/9858b103e3d54cbe56a5eb06e6c257c51c278ed34172ac7fc3a1a1ca75f534f6/Back-and-Forth-Between-Names---Individual-Artworks---054.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/0a5701e5577fd6531a96977d2ff7206bb875be93965e0e5a07ce1e2091dcb2a3/Back-and-Forth-Between-Names---Individual-Artworks---055.jpg" data-mid="215681386" border="0" alt="Unknown Shape with Handmade Beads (Detail)" data-caption="Unknown Shape with Handmade Beads (Detail)" src="https://freight.cargo.site/w/1000/i/0a5701e5577fd6531a96977d2ff7206bb875be93965e0e5a07ce1e2091dcb2a3/Back-and-Forth-Between-Names---Individual-Artworks---055.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ca935f4e561664db1d1352cf59451c6b6ab8b5d889d9d9b3eac621ac267f4906/Back-and-Forth-Between-Names---Individual-Artworks---056.jpg" data-mid="215681387" border="0" alt="Conjoined" data-caption="Conjoined" src="https://freight.cargo.site/w/1000/i/ca935f4e561664db1d1352cf59451c6b6ab8b5d889d9d9b3eac621ac267f4906/Back-and-Forth-Between-Names---Individual-Artworks---056.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5d48267eb7d3c0304420d36beafa91d6e3f188e08cce39ea7978d9fa475a7811/Back-and-Forth-Between-Names---Individual-Artworks---057.jpg" data-mid="215681388" border="0" alt="Conjoined (Detail)" data-caption="Conjoined (Detail)" src="https://freight.cargo.site/w/1000/i/5d48267eb7d3c0304420d36beafa91d6e3f188e08cce39ea7978d9fa475a7811/Back-and-Forth-Between-Names---Individual-Artworks---057.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/90c42e063a400e0480707bd6c36427c4f9391b367c0af28e7ac1df1e91917729/Back-and-Forth-Between-Names---Individual-Artworks---058.jpg" data-mid="215681389" border="0" alt="Unknown Shape with Handmade Rope" data-caption="Unknown Shape with Handmade Rope" src="https://freight.cargo.site/w/1000/i/90c42e063a400e0480707bd6c36427c4f9391b367c0af28e7ac1df1e91917729/Back-and-Forth-Between-Names---Individual-Artworks---058.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/67b7bce5dc8f069b9b427b4e1fe518abb344da6f5abf7a2aaee82d35cf335514/Back-and-Forth-Between-Names---Individual-Artworks---059.jpg" data-mid="215681390" border="0" alt="Unknown Shape with Handmade Rope (Detail)" data-caption="Unknown Shape with Handmade Rope (Detail)" src="https://freight.cargo.site/w/1000/i/67b7bce5dc8f069b9b427b4e1fe518abb344da6f5abf7a2aaee82d35cf335514/Back-and-Forth-Between-Names---Individual-Artworks---059.jpg" /&#62;
&#60;img width="1706" height="2560" width_o="1706" height_o="2560" data-src="https://freight.cargo.site/t/original/i/2887a93f03cc565637bec47c01c6c4fd09aa6ae812476c9bc5abe66b42c1f712/Back-and-Forth-Between-Names---Individual-Artworks---060.jpg" data-mid="215681391" border="0" alt="Unknown Shape on Handmade Ring" data-caption="Unknown Shape on Handmade Ring" src="https://freight.cargo.site/w/1000/i/2887a93f03cc565637bec47c01c6c4fd09aa6ae812476c9bc5abe66b42c1f712/Back-and-Forth-Between-Names---Individual-Artworks---060.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/7411c37ad7ec6f1dd8ead8ec4f0380492a13086ec06320cff0e8b5f226de4340/Back-and-Forth-Between-Names---Individual-Artworks---061.jpg" data-mid="215681392" border="0" alt="Unknown Shape with Metal" data-caption="Unknown Shape with Metal" src="https://freight.cargo.site/w/1000/i/7411c37ad7ec6f1dd8ead8ec4f0380492a13086ec06320cff0e8b5f226de4340/Back-and-Forth-Between-Names---Individual-Artworks---061.jpg" /&#62;



	Adie Russelladierussell.com@adie_russell


	Origins 1 and&#38;nbsp;Origins 2
Charcoal on Arches paper
52 x 36"
Origins 1 and 2 are pictures of both a specific site and an allegory of human positioning in space and time. The Catskill region, now well known for its desirability as a vacation destination, recreation spot, cultural center and real estate market, has a long, interconnected history as a site of production: stone, lumber, furs, food, and the romantic landscape painting of the Hudson River School. It was inhabited, utilized and embodied specific meaning for indigenous people for thousands of years. The mountains themselves were created over millennia during the Devonian period (419- 358 million years ago) from the erosion and uprising of another mountain range on the shores of a vast inland sea. At the edges of this sea the first plants emerged from the water, greening the earth and developing the proto trees which afforested the planet, absorbing carbon dioxide and cooling the atmosphere.What does it mean to engage with landscape as an artist now? This place, with its layering of larger-than-human timescale, art history, municipal function and personal experience, is emblematic of that investigation. It contains multiple narratives while refusing subjective historical landscape motifs. The drawings are an invitation to consider our position in relation to the world around us, offering a space to enter into and be absorbed, rather than a scene to be looked at from across the divide.

	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/6918e442830bf000b06ce709fa542ae46c1ca6583056787037d0fabebf09746f/Back-and-Forth-Between-Names---Individual-Artworks---085.jpg" data-mid="215681416" border="0" alt="Origins 1 and&#38;amp;nbsp;Origins 2" data-caption="Origins 1 and&#38;amp;nbsp;Origins 2" src="https://freight.cargo.site/w/1000/i/6918e442830bf000b06ce709fa542ae46c1ca6583056787037d0fabebf09746f/Back-and-Forth-Between-Names---Individual-Artworks---085.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/812bbcd5e93758af6c760898d8b162ef9a69372aa5823a108ece962010b4dec7/Back-and-Forth-Between-Names---Individual-Artworks---086.jpg" data-mid="215681417" border="0" alt="Origins 2" data-caption="Origins 2" src="https://freight.cargo.site/w/1000/i/812bbcd5e93758af6c760898d8b162ef9a69372aa5823a108ece962010b4dec7/Back-and-Forth-Between-Names---Individual-Artworks---086.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/292190c0cd48e498240b471b344e9f8553460c17f3940b364cc6f8dfc745afe1/Back-and-Forth-Between-Names---Individual-Artworks---087.jpg" data-mid="215681418" border="0" alt="Origins 2 (Detail)" data-caption="Origins 2 (Detail)" src="https://freight.cargo.site/w/1000/i/292190c0cd48e498240b471b344e9f8553460c17f3940b364cc6f8dfc745afe1/Back-and-Forth-Between-Names---Individual-Artworks---087.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/de84304b68f0da9e78c2ead601d65fdb74e2515f00e3977d8a3b26628dde87a6/Back-and-Forth-Between-Names---Individual-Artworks---088.jpg" data-mid="215681419" border="0" alt="Origins 1" data-caption="Origins 1" src="https://freight.cargo.site/w/1000/i/de84304b68f0da9e78c2ead601d65fdb74e2515f00e3977d8a3b26628dde87a6/Back-and-Forth-Between-Names---Individual-Artworks---088.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4656423c42451a5d971f7f1ebb0c670966811e34d57b427bd45aa149a0da19b8/Back-and-Forth-Between-Names---Individual-Artworks---089.jpg" data-mid="215681420" border="0" alt="Origins 1 (Detail)" data-caption="Origins 1 (Detail)" src="https://freight.cargo.site/w/1000/i/4656423c42451a5d971f7f1ebb0c670966811e34d57b427bd45aa149a0da19b8/Back-and-Forth-Between-Names---Individual-Artworks---089.jpg" /&#62;




	Sarah Cameron Sunde
SarahCameronSunde.com
36pt5.org 



@scsunde
	36.5 / New York Estuary



















 
  
  Live performance and durational video artwork
12 hours and 39 minutes

Site-specific participatory performance, multi-channel HD durational video work with audioNinth and final work in the series, 36.5 / A Durational
 Performance with the Sea (2013 - 2022) 


  
Artist Sarah Cameron Sunde stands in a tidal bay for a full tidal cycle, 12-13 hours, as water engulfs her body and then reveals it again. The public joins her. What began in 2013 as a poetic response to Hurricane Sandy’s impact on New York City grew into a complex, evolving series of participatory artworks involving thousands of people in communities around the world.Spanning nine years and six continents, Sunde's 36.5 series of nine works invites audiences to have a radically embodied experience with the sea, engaging them in conversations about deep time, sea-level rise, white-settler colonialism, and our contemporary relationship with water – as individuals, in community, as a civilization and as a species. The international performances were filmed in real-time in collaboration with a local film team, and subsequently turned into durational video artworks that are the same length as each performance.For this final work, Sunde returned to her home in New York City, and spent three years building a community-engaged process based at The Cove in Astoria, Queens. Over 175 people joined her to stand in the East River on September 14, 2022, with thousands watching from the shore and on the livestream which was broadcast around the city and world. At the same time, Sunde's 36.5 teams in the Netherlands, Bangladesh, Brazil, Kenya, and Aotearoa-New Zealand created satellite performances by standing in their local waters.36.5 / New York Estuary was made in partnership with Works on Water, The Climate Museum, Arts Brookfield, Theater Mitu, New York University / The Skirball Center, Socrates Sculpture Park, Kin to the Cove, and many individuals. For a full list of contributors and more information, please see www.36pt5.org.
	
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/eaed60823fa4d6b0f75017edf8a75936b7ca0ca9ae56c7f69c866e41c00de6a8/Back-and-Forth-Between-Names---Individual-Artworks---062.jpg" data-mid="215994748" border="0" alt="36.5 / New York Estuary" data-caption="36.5 / New York Estuary" src="https://freight.cargo.site/w/1000/i/eaed60823fa4d6b0f75017edf8a75936b7ca0ca9ae56c7f69c866e41c00de6a8/Back-and-Forth-Between-Names---Individual-Artworks---062.jpg" /&#62;
&#60;img width="2560" height="1344" width_o="2560" height_o="1344" data-src="https://freight.cargo.site/t/original/i/84712fa6f5622561610933675fed0e30454561be3569c37689773fb6b7e113d4/Back-and-Forth-Between-Names---Individual-Artworks---063.jpg" data-mid="215681394" border="0" alt="36.5 / New York Estuary (Projection Detail)" data-caption="36.5 / New York Estuary (Projection Detail)" src="https://freight.cargo.site/w/1000/i/84712fa6f5622561610933675fed0e30454561be3569c37689773fb6b7e113d4/Back-and-Forth-Between-Names---Individual-Artworks---063.jpg" /&#62;
&#60;img width="2560" height="1351" width_o="2560" height_o="1351" data-src="https://freight.cargo.site/t/original/i/9c39a8aea8ffbcdd7615752a896e0fb612ae2e09071972c844cd4644d85c54aa/Back-and-Forth-Between-Names---Individual-Artworks---064.jpg" data-mid="215681395" border="0" alt="36.5 / New York Estuary (Left Channel Video)" data-caption="36.5 / New York Estuary (Left Channel Video)" src="https://freight.cargo.site/w/1000/i/9c39a8aea8ffbcdd7615752a896e0fb612ae2e09071972c844cd4644d85c54aa/Back-and-Forth-Between-Names---Individual-Artworks---064.jpg" /&#62;
&#60;img width="2560" height="1343" width_o="2560" height_o="1343" data-src="https://freight.cargo.site/t/original/i/0f7fe55d67580d755c21490712ce2db4bb720fdef62e5907c6998d5c142c317b/Back-and-Forth-Between-Names---Individual-Artworks---065.jpg" data-mid="215681396" border="0" alt="36.5 / New York Estuary (Right Channel Video)" data-caption="36.5 / New York Estuary (Right Channel Video)" src="https://freight.cargo.site/w/1000/i/0f7fe55d67580d755c21490712ce2db4bb720fdef62e5907c6998d5c142c317b/Back-and-Forth-Between-Names---Individual-Artworks---065.jpg" /&#62;

STAND ON THE EDGE AND
FACE THE SEA
Optional instructions for
participation when viewing this durational video work



Welcome to the Water.Find a spot to stand or sit in the space.Face the Sea.You are there at the edge, where Land meets Sea.Imagine Water rising slowly on your own body.Let it in.Stay in this spot long enough to feel a shift.Take a break when you need it.Walk around the gallery or to the closest body of water to where you stand now. When you come back, notice how the Water levels have changed.








	Suzy Surecksuzysureck.com@suzysureck


	Indigo Series

















Inks and water on Fabriano paper
12 x 12” (Framed)14 x 18” (Framed)14 x 18” (Framed)


The Indigo
Series conjures water’s fluidity and structure, translucency, and unpredictability. There is a dance of intention and chance between elemental happenings and gestures from my hand. Liquid indigo surrenders to evaporation, air, breath, and gravity, shifting from its initial place. The ink pieces may gesture to exuberance or grief, considering water as the source of life and nourishment, as well as cataclysmic devastation.

	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/03ee7d6a440453fb694aa708a2a6ee300ab595c538ff96597c49be6db493a685/Back-and-Forth-Between-Names---Individual-Artworks---001.jpg" data-mid="215681329" border="0" alt="ARCH" data-caption="ARCH" src="https://freight.cargo.site/w/1000/i/03ee7d6a440453fb694aa708a2a6ee300ab595c538ff96597c49be6db493a685/Back-and-Forth-Between-Names---Individual-Artworks---001.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/d40e64469d71e6f9c096598a4d01fd6d60bc3da0aede8ba0e8ee54854f54446a/Back-and-Forth-Between-Names---Individual-Artworks---002.jpg" data-mid="215681330" border="0" alt="ARCH (Detail)" data-caption="ARCH (Detail)" src="https://freight.cargo.site/w/1000/i/d40e64469d71e6f9c096598a4d01fd6d60bc3da0aede8ba0e8ee54854f54446a/Back-and-Forth-Between-Names---Individual-Artworks---002.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/13a01f504371c5ce866bcc53b054a6e95d0abb6a97c04d9687347b9344010949/Back-and-Forth-Between-Names---Individual-Artworks---022.jpg" data-mid="215681351" border="0" alt="WELL SPRING and DOUSE" data-caption="WELL SPRING and DOUSE" src="https://freight.cargo.site/w/1000/i/13a01f504371c5ce866bcc53b054a6e95d0abb6a97c04d9687347b9344010949/Back-and-Forth-Between-Names---Individual-Artworks---022.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/375f0c115a89491161a7101381b7b62cebfcf0ae739ae99e9c17cb508aee968a/Back-and-Forth-Between-Names---Individual-Artworks---023.jpg" data-mid="215681352" border="0" alt="WELL SPRING" data-caption="WELL SPRING" src="https://freight.cargo.site/w/1000/i/375f0c115a89491161a7101381b7b62cebfcf0ae739ae99e9c17cb508aee968a/Back-and-Forth-Between-Names---Individual-Artworks---023.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/66dfda54e2f4a7ebc6ce9aa51a48087212f34fd3f2ceebb94e07b08abda06ec6/Back-and-Forth-Between-Names---Individual-Artworks---024.jpg" data-mid="215681353" border="0" alt="WELL SPRING (Detail)" data-caption="WELL SPRING (Detail)" src="https://freight.cargo.site/w/1000/i/66dfda54e2f4a7ebc6ce9aa51a48087212f34fd3f2ceebb94e07b08abda06ec6/Back-and-Forth-Between-Names---Individual-Artworks---024.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/08010c6c9fb071a6a3e8fbe4e5c4952d339fae15a9860d3cbb8d825f38134718/Back-and-Forth-Between-Names---Individual-Artworks---025.jpg" data-mid="215681354" border="0" alt="DOUSE" data-caption="DOUSE" src="https://freight.cargo.site/w/1000/i/08010c6c9fb071a6a3e8fbe4e5c4952d339fae15a9860d3cbb8d825f38134718/Back-and-Forth-Between-Names---Individual-Artworks---025.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/dba5c17a9297c08935e846f8ec0e6a34e896bfa1388887a1e7c6b36b71cc503b/Back-and-Forth-Between-Names---Individual-Artworks---026.jpg" data-mid="215681355" border="0" alt="DOUSE (Detail)" data-caption="DOUSE (Detail)" src="https://freight.cargo.site/w/1000/i/dba5c17a9297c08935e846f8ec0e6a34e896bfa1388887a1e7c6b36b71cc503b/Back-and-Forth-Between-Names---Individual-Artworks---026.jpg" /&#62;



	
	Light Play


















Laser cut mylar of branch from human kidney, archival paper, light
18 x 18 x 4” (Framed)18 x 18 x 4” (Framed)
8 x 12”


Branching systems can be found throughout nature, from microscopic to aerial view, suggesting an interdependent relation between the inner landscape of the body and the outer landscape of our environment. The&#38;nbsp;Light Play Series works with a tributaries of the human kidney, our internal filtration system. A branching system like that of rivers, water ways and ice flow, its fluidity is in flux between reflection and shadow, responsive to light, breath and our movements.


	
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/0416d7a172c3b2ff5190cf7d3aed4e8ac21e35eb11a9f1e366ebc5ddc6fd3367/Back-and-Forth-Between-Names---Individual-Artworks---080.jpg" data-mid="215681411" border="0" alt="SHAFT and FLUSH" data-caption="SHAFT and FLUSH" src="https://freight.cargo.site/w/1000/i/0416d7a172c3b2ff5190cf7d3aed4e8ac21e35eb11a9f1e366ebc5ddc6fd3367/Back-and-Forth-Between-Names---Individual-Artworks---080.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/878cd01b55e51f3855eeca6019004214775b75c995138a727fe7b0220baeed45/Back-and-Forth-Between-Names---Individual-Artworks---081.jpg" data-mid="215681412" border="0" alt="FLUSH" data-caption="FLUSH" src="https://freight.cargo.site/w/1000/i/878cd01b55e51f3855eeca6019004214775b75c995138a727fe7b0220baeed45/Back-and-Forth-Between-Names---Individual-Artworks---081.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/51670b77f510a2cf72619e0511d55a1e920e0587ad7560f08d0f807be94749bc/Back-and-Forth-Between-Names---Individual-Artworks---082.jpg" data-mid="215681413" border="0" alt="FLUSH (Detail)" data-caption="FLUSH (Detail)" src="https://freight.cargo.site/w/1000/i/51670b77f510a2cf72619e0511d55a1e920e0587ad7560f08d0f807be94749bc/Back-and-Forth-Between-Names---Individual-Artworks---082.jpg" /&#62;
&#60;img width="2560" height="2048" width_o="2560" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b092c6813f7535f0755b8a61704002178f7eface94e897c6c84b8189d47da1a9/Back-and-Forth-Between-Names---Individual-Artworks---083.jpg" data-mid="215681414" border="0" alt="SHAFT" data-caption="SHAFT" src="https://freight.cargo.site/w/1000/i/b092c6813f7535f0755b8a61704002178f7eface94e897c6c84b8189d47da1a9/Back-and-Forth-Between-Names---Individual-Artworks---083.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/1a1b591028a1e3ac93577b61ff5a529331e31bbd4e26ebfbad59738b214006f2/Back-and-Forth-Between-Names---Individual-Artworks---084.jpg" data-mid="215681415" border="0" alt="SHAFT (Detail)" data-caption="SHAFT (Detail)" src="https://freight.cargo.site/w/1000/i/1a1b591028a1e3ac93577b61ff5a529331e31bbd4e26ebfbad59738b214006f2/Back-and-Forth-Between-Names---Individual-Artworks---084.jpg" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/97760929de8042d8b48c080621826791bf846d09f4885b68c3664fdd3aa10a8a/Back-and-Forth-Between-Names---Individual-Artworks---103.jpg" data-mid="215681434" border="0" alt="Single Tributary" data-caption="Single Tributary" src="https://freight.cargo.site/w/1000/i/97760929de8042d8b48c080621826791bf846d09f4885b68c3664fdd3aa10a8a/Back-and-Forth-Between-Names---Individual-Artworks---103.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c750041a077207e6dd46d4deee35b106c6c6fd499c7bb1decbe3157dda54c9cf/Back-and-Forth-Between-Names---Individual-Artworks---104.jpg" data-mid="215681435" border="0" alt="Single Tributary (Detail)" data-caption="Single Tributary (Detail)" src="https://freight.cargo.site/w/1000/i/c750041a077207e6dd46d4deee35b106c6c6fd499c7bb1decbe3157dda54c9cf/Back-and-Forth-Between-Names---Individual-Artworks---104.jpg" /&#62;



	

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/fc1ddcb89f4be19c5e88ab8daf28d282112160e767c28194697bd9c378f1ee16/Back-and-Forth-Between-Names---Opening-Reception-Photos---01.jpg" data-mid="214843340" border="0"  src="https://freight.cargo.site/w/1000/i/fc1ddcb89f4be19c5e88ab8daf28d282112160e767c28194697bd9c378f1ee16/Back-and-Forth-Between-Names---Opening-Reception-Photos---01.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8c24d0d0d2aff57c6a1a41a9249adb76c021f9c6b7bbeab7a09f49ba45904e64/Back-and-Forth-Between-Names---Opening-Reception-Photos---02.jpg" data-mid="214843341" border="0"  src="https://freight.cargo.site/w/1000/i/8c24d0d0d2aff57c6a1a41a9249adb76c021f9c6b7bbeab7a09f49ba45904e64/Back-and-Forth-Between-Names---Opening-Reception-Photos---02.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/baecddf2e5ea9b0d5b66bca96b135e03a79f8d23ae571c8a74e3aab2d7d0d343/Back-and-Forth-Between-Names---Opening-Reception-Photos---03.jpg" data-mid="214843342" border="0"  src="https://freight.cargo.site/w/1000/i/baecddf2e5ea9b0d5b66bca96b135e03a79f8d23ae571c8a74e3aab2d7d0d343/Back-and-Forth-Between-Names---Opening-Reception-Photos---03.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c3ed32dc8d04c0c8f2ff2f3aece3e5b5397dc802aed0fa26a67d7f70518b3f3b/Back-and-Forth-Between-Names---Opening-Reception-Photos---04.jpg" data-mid="214843343" border="0"  src="https://freight.cargo.site/w/1000/i/c3ed32dc8d04c0c8f2ff2f3aece3e5b5397dc802aed0fa26a67d7f70518b3f3b/Back-and-Forth-Between-Names---Opening-Reception-Photos---04.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/dc26bdf99d9b42aa96501320545a2200594d799a54b60664ca3d523741a56112/Back-and-Forth-Between-Names---Opening-Reception-Photos---05.jpg" data-mid="214843344" border="0"  src="https://freight.cargo.site/w/1000/i/dc26bdf99d9b42aa96501320545a2200594d799a54b60664ca3d523741a56112/Back-and-Forth-Between-Names---Opening-Reception-Photos---05.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/e592e4e980800f33fbe75a0e1eca534ebb4876bd8cade38fdcf456efab46520e/Back-and-Forth-Between-Names---Opening-Reception-Photos---06.jpg" data-mid="214843345" border="0"  src="https://freight.cargo.site/w/1000/i/e592e4e980800f33fbe75a0e1eca534ebb4876bd8cade38fdcf456efab46520e/Back-and-Forth-Between-Names---Opening-Reception-Photos---06.jpg" /&#62;
&#60;img width="1707" height="2560" width_o="1707" height_o="2560" data-src="https://freight.cargo.site/t/original/i/018b6c28ce91ab772615270ddcb7e2d5b4e81a7f437efe5a2949919383b4fdf2/Back-and-Forth-Between-Names---Opening-Reception-Photos---07.jpg" data-mid="214843346" border="0"  src="https://freight.cargo.site/w/1000/i/018b6c28ce91ab772615270ddcb7e2d5b4e81a7f437efe5a2949919383b4fdf2/Back-and-Forth-Between-Names---Opening-Reception-Photos---07.jpg" /&#62;
&#60;img width="2560" height="1706" width_o="2560" height_o="1706" data-src="https://freight.cargo.site/t/original/i/f40ea7db9c60784831c5f4f721a02546b73dedf66fc3c77a6510340115386ea8/Back-and-Forth-Between-Names---Opening-Reception-Photos---08.jpg" data-mid="214843347" border="0"  src="https://freight.cargo.site/w/1000/i/f40ea7db9c60784831c5f4f721a02546b73dedf66fc3c77a6510340115386ea8/Back-and-Forth-Between-Names---Opening-Reception-Photos---08.jpg" /&#62;
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Ann Street Gallery’s summer exhibition and programming are made possible with support from the Dominican Sisters of Hope Ministry Fund and The M&#38;amp;T Charitable Foundation.&#38;nbsp;&#60;img width="975" height="152" src="https://freight.cargo.site/w/975/q/94/i/30a787cd49094bfc32788256e6554cfe36d79baf31727430a2e27215b8bdb081/Dominican-Sisters-of-Hope-2.png" style="width: 468.31px; height: 73.0084px;" data-scale="57"&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1194" height="315" src="https://freight.cargo.site/w/600/q/75/i/0dc5f89fd56fe269dc5595c2ea6eceb4f562e342f09b59d82c0db973aac037ed/MTBank2016bw.jpg" style="width: 254.695px; height: 67.1934px;" data-scale="31"&#62;&#38;nbsp;</description>
		
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